The Lesser Key of Solomon, also known by its Latin title Lemegeton Clavicula Salomonis [1] or simply the Lemegeton, is an anonymously authored grimoire on sorcery, mysticism and magic. It was compiled in the mid-17th century, mostly from materials several centuries older. [2] [3] It is divided into five books: the Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. [2] It is based on the Testament of Solomon and the ring mentioned within it that he used to seal demons.
The text is more properly called Lemegeton Clavicula Salomonis, or, The little Key of Solomon. The title most commonly used, The Lesser Key of Solomon, does not in fact occur in the manuscripts. A. E. Waite, in his 1898 Book of Black Magic and of Pacts does use the terms "so-called Greater Key" and "Lesser Key" to distinguish between the Clavicula Salomonis and Lemegeton, so he may have been the one to coin it. The Latin term goetia refers to the evocation of demons or evil spirits. [4] [5] It is derived from the Ancient Greek word γοητεία (goēteía) meaning "charm", "witchcraft", or "jugglery". [6]
In medieval and Renaissance Europe, goetia was generally considered evil and heretical, in contrast to theurgia (theurgy) and magia naturalis (natural magic), which were sometimes considered more noble. [7] [8] Heinrich Cornelius Agrippa, in his Three Books of Occult Philosophy , writes, "Now the parts of ceremonial magic are goetia and theurgia. Goetia is unfortunate, by the commerces of unclean spirits made up of the rites of wicked curiosities, unlawful charms, and deprecations, and is abandoned and execrated by all laws." [5]
The most obvious source for the Ars Goetia is Johann Weyer's Pseudomonarchia Daemonum in his De praestigiis daemonum . Weyer does not cite, and is unaware of, any other books in the Lemegeton, suggesting that the Lemegeton was derived from his work, not the other way around. [2] [9] The order of the spirits changed between the two, four additional spirits were added to the later work, and one spirit (Pruflas) was omitted. The omission of Pruflas, a mistake that also occurs in an edition of Pseudomonarchia Daemonum cited in Reginald Scot's The Discovery of Witchcraft , indicates that the Ars Goetia could not have been compiled before 1570. Indeed, it appears that the Ars Goetia is more dependent upon Scott's translation of Weyer than on Weyer's work in itself. Additionally, some material came from Heinrich Cornelius Agrippa's Three Books of Occult Philosophy , the Heptameron by pseudo-Pietro d'Abano, [note 1] [2] [10] and the Magical Calendar. [11]
Weyer's Officium Spirituum, which is likely related to a 1583 manuscript titled The Office of Spirits, [12] appears to have ultimately been an elaboration on a 15th-century manuscript titled Livre des Esperitz (30 of the 47 spirits are nearly identical to spirits in the Ars Goetia). [3] [10]
In a slightly later copy made by Thomas Rudd (1583?–1656), this portion was labeled Liber Malorum Spirituum seu Goetia, and the seals and demons were paired with those of the 72 angels of the Shem HaMephorash [13] which were intended to protect the conjurer and to control the demons he summoned. [14] The angelic names and seals derived from a manuscript by Blaise de Vigenère, whose papers were also used by Samuel Liddell MacGregor Mathers (1854–1918) in his works for the Hermetic Order of the Golden Dawn [10] (1887–1903). Rudd may have derived his copy of Liber Malorum Spirituum from a now-lost work by Johannes Trithemius, [10] who taught Agrippa, who in turn taught Weyer.
This portion of the work was later translated by Samuel Liddell MacGregor Mathers and published by Aleister Crowley in 1904 under the title The Book of the Goetia of Solomon the King. Crowley added some additional invocations previously unrelated to the original work (including some evocations in the Enochian language), as well as essays describing the rituals as psychological exploration instead of demon summoning. [15] [16]
The demons' names (given below) are taken from the Ars Goetia, which differs in terms of number and ranking from the Pseudomonarchia Daemonum of Weyer. As a result of multiple translations, there are multiple spellings for some of the names, which are given in the articles concerning them. The demons Vassago, Seere, Dantalion, and Andromalius are new additions in Ars Goetia that are not present in the Pseudomonarchia Daemonum that it is based upon. In contrast, the demon Pruflas appears in the Pseudomonarchia Daemonum but not in Ars Goetia.
A footnote in one variant edition lists the kings of the cardinal directions as Oriens or Uriens, Paymon or Paymonia, Ariton or Egyn, and Amaymon or Amaimon, alternatively known as Samael, Azazel, Azael, and Mahazael (purportedly their preferred rabbinic names). [17] Agrippa's Occult Philosophy lists the kings of the cardinal directions as Urieus (east), Amaymon (south), Paymon (west), and Egin (north); again providing the alternate names Samuel (i.e. Samael), Azazel, Azael, and Mahazuel. The Magical Calendar lists them as Bael, Moymon, Poymon, and Egin, [18] [19] though Peterson notes that some variant editions instead list: "Asmodel in the east, Amaymon in the south, Paymon in the west, and Aegym in the north"; "Oriens, Paymon, Egyn, and Amaymon"; or "Amodeo [ sic ] (king of the east), Paymon (king of the west), Egion (king of the north), and Maimon." [18]
The Ars Theurgia Goetia mostly derives from Trithemius's Steganographia , though the seals and order of the spirits are different due to corrupted transmission via manuscript. [10] [20] Rituals not found in Steganographia were added, in some ways conflicting with similar rituals found in the Ars Goetia and Ars Paulina. Most of the spirits summoned are tied to compass points: four emperors are tied to the cardinal points (Carnesiel in the east, Amenadiel in the west, Demoriel in the north, and Caspiel in the south); and sixteen dukes are tied to cardinal points, inter-cardinal points, and additional directions between those. There are eleven "wandering princes", so a total of thirty-one spirit leaders each rule several spirits, up to a few dozen. [21]
Derived from book three of Trithemius's Steganographia and from portions of the Heptameron, but purportedly delivered by Paul the Apostle instead of (as claimed by Trithemius) Raziel. Elements from The Magical Calendar, astrological seals by Robert Turner's 1656 translation of Paracelsus's Archdiocese of Magic, and repeated mentions of guns and the year 1641 indicate that this portion was written in the later half of the seventeenth century. [22] [23] Traditions of Paul communicating with heavenly powers are almost as old as Christianity itself, as seen in some interpretations of 2 Corinthians 12:2–4 and the apocryphal Apocalypse of Paul . The Ars Paulina is in turn divided into two books, the first detailing twenty-four angels aligned with the twenty-four hours of the day, the second (derived more from the Heptameron) detailing the 360 spirits of the degrees of the zodiac. [23]
Mentioned by Trithemius and Weyer, the latter of whom claimed an Arabic origin for the work. A 15th-century copy is attested to by Robert H. Turner, and Hebrew copies were discovered in the 20th century. The Ars Almadel instructs the magician on how to create a wax tablet with specific designs intended to contact angels via scrying. [24] [25]
The Ars Notoria, quam Creator Altissimus Salomoni revelavit, or The Notory Art, which the Almighty Creator Revealed to Solomon, is a seventeenth-century composite text consisting of two separate and imperfect magical texts, the fourteenth century Ars Notoria, or the Notory Art (glossed version), and the mid-fourteenth century Ars Brevis, or the Short Art. From the original Ars Notoria (glossed version), the compiler of the Ars Notoria, quam Creator Altissimus Salomoni revelavit presents a new rearrangement of a series of mysteriously formulated prayers (which are also found in the London manuscript of The Sworn Book of Honorius ) intended to enhance the mental faculties, such as memory, eloquence, and understanding, of the magician. Some editions of the Lemegeton contain the 1657 English translation of The Notory Art, which the Almighty Creator Revealed to Solomon being published and retitled by Robert Turner of Holshott as Ars Notoria: The Notory Art of Solomon, Shewing the Cabalistical Key of Magical Operations, The liberal Sciences, Divine Revelation, and The Art of Memory. Other editions of the Lemegeton omit this work entirely; [26] [27] [28] A. E. Waite ignores it completely when describing the Lemegeton. [9]
Bael is a demon described in demonological grimoires such as The Lesser Key of Solomon and the Pseudomonarchia Daemonum and also in the Dictionnaire Infernal. He is described as a hoarsely-voiced king with the power to make men invisible and ruling over sixty-six legions of demons. The Lesser Key of Solomon describes him as appearing in the form of a cat, toad, human, some combination thereof, or other "diverse shapes", while the Pseudomonarchia Daemonum and the Dictionnaire Infernal state that he appears with the heads of a cat, toad, and human simultaneously.
Alloces is a demon that appears in demonological grimoires such as the Liber Officiorum Spirituum, Pseudomonarchia Daemonum, and the Lesser Key of Solomon. He is described in the Lesser Key of Solomon and in the Pseudomonarchia Daemonum as a duke, taking the form of a fire-breathing, lion-headed soldier riding a horse. His purported duties include teaching astronomy, and liberal sciences, and granting familiars. He is claimed to have 36 legions of demons under his command. In the Liber Officiorum Spirituum, Alloces appears as Allogor or Algor, again a duke, but otherwise with a completely different appearance and abilities -- a spear-toting knight who answers questions, provides advice for plans, and commands only 30 legions of demons. In the duplicate entry, Alloces appears as Algor, ruled by the spirit "Orience" (Oriens), again as a knight who explains secrets, but with the additional power of garnering the favor of nobles. According to Rudd, Alloces is opposed by the Shemhamphorasch angel Imamiah.
Vine is a demon listed in demonological grimoires such the Lesser Key of Solomon Johann Weyer's Pseudomonarchia Daemonum, and Jacques Collin de Plancy's Dictionnaire Infernal.
Bifrons is a demon described in the demonological grimoires the Lesser Key of Solomon and the Pseudomonarchia Daemonum, as well as being mentioned in the Dictionnaire Infernal. These works describe Bifrons as an earl who initially appears as a monster before adopting a more human form. His duties include teaching arts and sciences, including astrology, geometry, and the properties of different plants and stones. He also moves bodies into different graves, lights candles over graves, and commands either 6, 26, or 60 legions of spirits.
Agares is a demon described in demonological grimoires.
In demonology, Halphas is the thirty-eighth demon in the Ars Goetia in the Lesser Key of Solomon, ranked as an earl.
The Pseudomonarchia Daemonum first appears as an appendix to De praestigiis daemonum (1577) by Johann Weyer. An abridgment of a grimoire similar in nature to the Ars Goetia, it contains a list of demons, and the appropriate hours and rituals to conjure them.
Bathin is a demon described in demonological grimoires.
Bune is a demon listed in demonological grimoires such the Lesser Key of Solomon Johann Weyer's Pseudomonarchia Daemonum, Jacques Collin de Plancy's Dictionnaire Infernal, and the Livre des Esperitz.
Gamigin is a demon described in demonological grimoires such as The Lesser Key of Solomon and Johann Weyer's Pseudomonarchia Daemonum.
Paimon is a spirit named in early grimoires. These include The Lesser Key of Solomon, Johann Weyer's Pseudomonarchia Daemonum, Jacques Collin de Plancy's Dictionnaire Infernal, the Livre des Esperitz, the Liber Officiorum Spirituum, The Book of Abramelin, and certain French editions of The Grimoire of Pope Honorius ; as well as British Library, Sloane MS 3824.
Lerajie is a mighty Great Marquis of Hell who has thirty-three legions of Demons under his power. He is said to cause great battles and disputes, and makes gangrene wounds caused by arrows. He can make a lover come to him, and also send them away. He is depicted as a gallant and handsome archer clad in green, carrying a bow and quiver, in the folklore of the Bible. But his true appearance is around 5 feet tall, with shoulder length black hair and bangs. With a long shimmering red wingspan. Leraje is a demon mentioned in demonological grimoires. He appears in the Lesser Key of Solomon, Johann Weyer's Pseudomonarchia Daemonum, and Jacques Collin de Plancy's Dictionnaire Infernal.
Botis, sometimes Otis, is a demon described in the Lesser Key of Solomon and the Pseudomonarchia Daemonum as a President and an Earl who initially appears as a viper before changing into a sword-toting, fanged, and horned human who discusses matters past, present, and future; brings favor from allies and enemies, and rules 60 legions of demons. In the Munich Manual of Demonic Magic, Botis appears as Otius, and is mostly identical except that he is a preses and Count, appears in the more humanoid form to begin with, and rules only 36 legions of demons. In the Grand Grimoire, Botis appears as a subordinate of Agaliarept. According to Rudd, Botis is opposed by the Shemhamphorasch angel Lauviah.
Gaap is a demon that is described in demonological grimoires such as the Lesser Key of Solomon, Johann Weyer's Pseudomonarchia Daemonum, and the Munich Manual of Demonic Magic, as well as Jacques Collin de Plancy's Dictionnaire Infernal,
Gemory is a demon listed in demonological grimoires.
Valac is a demon described in the goetic grimoires The Lesser Key of Solomon, Johann Weyer's Pseudomonarchia Daemonum, the Liber Officiorum Spirituum, and in the Munich Manual of Demonic Magic as an angelically winged boy riding a two-headed dragon, attributed with the power of finding treasures.
Amy is a demon described in demonological grimoires such as the Lesser Key of Solomon, the Pseudomonarchia Daemonum, and in the Munich Manual of Demonic Magic; as well as Jacques Collin de Plancy Dictionnaire Infernal,
De praestigiis daemonum, translated as On the Tricks of Demons, is a book by medical doctor Johann Weyer, also known as Wier, first published in Basel in 1563. The book argues that witchcraft does not exist and that those who claim to practice it are suffering from delusions, which should be treated as mental illnesses, rather than punished as witchcraft. It was influential in the abolishment of witchcraft trials in the Netherlands.
Liber Officiorum Spirituum was a goetic grimoire and a major source for Johann Weyer's Pseudomonarchia Daemonum and the Ars Goetia. The original work has not been located, but some derived texts bearing the title have been found, some in the Sloane manuscripts, some in the Folger Shakespeare Library. Each version bears many similarities to each other and to the Pseudomonarchia Daemonum and the Ars Goetia, though they are far from identical.
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