The Lost Tapes | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | 18 June 2012 | |||
Recorded | 1968–1977 | |||
Genre | ||||
Length | 195:55 | |||
Label | Spoon Records | |||
Producer | Can | |||
Can chronology | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 85/100 [1] |
Review scores | |
Source | Rating |
AllMusic | [2] |
Blurt | [3] |
Clash | 7/10 [4] |
Filter | 90% [5] |
God is in the TV | 5/5 [6] |
The Independent | [7] |
NME | [8] |
Pitchfork | 7.1/10 [9] |
Uncut | [10] |
Tom Hull | A− [11] |
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
When the Can studio in Weilerswist was sold to the German Rock N Pop Museum, [12] they bought everything, including the army mattresses that covered the walls for sound protection, and relocated it to Gronau. While dismantling the studio, master tapes were found and stored in the Spoon archive. With barely legible labeling, no one was sure what was on these until Irmin Schmidt and long time collaborator Jono Podmore started to go through over 30 hours of music. They found years of archived material, not outtakes, but rather tracks which had been shelved for a variety of reasons – soundtracks to films that were never released and tracks that didn't make it onto the final versions of albums due to space. Irmin Schmidt explains "Obviously the tapes weren't really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard [Schmidt, Irmin's wife], who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn't allow forgetting." [13]
The final cut of tracks, dating from 1968 to 1977, features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line-up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.
Alongside its critical acclaim, the album was also very successful in UK based independent record shops, in which it entered the Official Record Store Chart at No.1.
No. | Title | Writer(s) | Recorded | Length |
---|---|---|---|---|
1. | "Millionenspiel" | Holger Czukay, Michael Karoli, Jaki Liebezeit, Irmin Schmidt | 1968 [14] | 5:49 |
2. | "Waiting for the Streetcar" | Czukay, Karoli, Liebezeit, Schmidt, Malcolm Mooney | 1968/1969 | 10:08 |
3. | "Evening All Day" | Czukay, Karoli, Liebezeit, Schmidt | 1972 | 6:58 |
4. | "Deadly Doris" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1968 | 3:10 |
5. | "Graublau" | Czukay, Karoli, Liebezeit, Schmidt | 1969 | 16:47 |
6. | "When Darkness Comes" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1969 | 3:48 |
7. | "Blind Mirror Surf" | Czukay, Karoli, Liebezeit, Schmidt, David Johnson | 1968 | 8:39 |
8. | "Oscura Primavera" | Czukay, Karoli, Liebezeit, Schmidt, Johnson | 1968 | 3:19 |
9. | "Bubble Rap" | Czukay, Karoli, Liebezeit, Schmidt, Damo Suzuki | 1972 | 9:24 |
No. | Title | Writer(s) | Recorded | Length |
---|---|---|---|---|
1. | "Your Friendly Neighbourhood Whore" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1969 | 3:43 |
2. | "True Story" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1968 | 4:30 |
3. | "The Agreement" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1971 | 0:37 |
4. | "Midnight Sky" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1968 | 2:44 |
5. | "Desert" | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 1969 | 3:20 |
6. | "Spoon (Live)" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1972 | 16:47 |
7. | "Dead Pigeon Suite" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1972 | 11:47 |
8. | "Abra Cada Braxas" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1973 | 10:12 |
9. | "A Swan Is Born" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1972 | 3:00 |
10. | "The Loop" | Czukay, Karoli, Liebezeit, Schmidt | 1974 | 2:33 |
No. | Title | Writer(s) | Recorded | Length |
---|---|---|---|---|
1. | "Godzilla Fragment" | Czukay, Karoli, Liebezeit, Schmidt | 1975 | 1:59 |
2. | "On the Way to Mother Sky" | Czukay, Karoli, Liebezeit, Schmidt | 1970 | 4:35 |
3. | "Midnight Men" | Czukay, Karoli, Liebezeit, Schmidt | 1975 | 7:35 |
4. | "Networks of Foam" | Czukay, Karoli, Liebezeit, Schmidt | 1975 | 12:36 |
5. | "Messer, Scissors, Fork and Light" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1972 | 8:24 |
6. | "Barnacles" | Czukay, Karoli, Liebezeit, Schmidt, Rosko Gee | 1977 | 7:46 |
7. | "E.F.S. 108" | Czukay, Karoli, Liebezeit, Schmidt | 1976 | 2:07 |
8. | "Private Nocturnal" | Czukay, Karoli, Liebezeit, Schmidt | 1975 | 6:49 |
9. | "Alice" | Czukay, Karoli, Liebezeit, Schmidt | 1974 | 1:56 |
10. | "Mushroom (Live)" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1972 | 8:18 |
11. | "One More Saturday Night (Live)" | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1973 | 6:34 |
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on United Artists Records. It was the band's first full studio album to feature vocalist Damo Suzuki after the departure of Malcolm Mooney the year prior, though Suzuki had been featured on most tracks on the 1970 compilation album Soundtracks. Recorded at Schloss Nörvenich, a medieval castle near Cologne, the album features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and musique concrète tape editing techniques.
Ege Bamyası is the third studio album by German krautrock band Can, released on 29 November 1972 by United Artists Records. The album contains the single "Spoon", which charted in the Top 10 in Germany after being used as the theme song to the German television mini-series Das Messer. The success of the single allowed Can to establish their own studio, Inner Space, in Weilerswist, North Rhine-Westphalia, where they recorded the rest of the album.
Soundtracks is a 1970 compilation album by the German krautrock group Can, containing music written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, and his replacement by Damo Suzuki. "Don't Turn the Light On, Leave Me Alone" features Suzuki's first recorded performance with the band. Stylistically, the record also documents the group's transition to the more meditative and experimental mode of the studio albums that followed.
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Soon Over Babaluma is the fifth studio album by the rock music group Can. This is the band's first album following the departure of Damo Suzuki in 1973. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track tape recorder.
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Unlimited Edition is a compilation album by the band Can. Released in 1976 as a double album, it was an expanded version of the 1974 LP Limited Edition on United Artists Records which, as the name suggests, was a limited release of 15,000 copies. The album collects unreleased music across the band's history, from 1968 to 1975, and both of the band's major singers are featured. The cover photos were taken among the Elgin Marbles in the Duveen Gallery of the British Museum.
Live in Paris 1973 is a live double-album by German krautrock band Can, recorded at a performance of the band at L'Olympia in Paris, France. It was released on vinyl and CD by Spoon Records on 23 February 2024, two weeks after the death of Can member Damo Suzuki on 9 February 2024.
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: CS1 maint: multiple names: authors list (link)In July 1968 Irmin's film industry connections delivered the group's first commission. German public broadcaster ARD needed music for Das Millionenspiel.