The Passion Flower | |
---|---|
Directed by | Herbert Brenon |
Written by | Herbert Brenon Mary Murillo |
Based on | play The Unloved Woman by Jacinto Benavente |
Produced by | Norma Talmadge |
Starring | Norma Talmadge Courtenay Foote Eulalie Jensen |
Cinematography | J. Roy Hunt |
Production company | Norma Talmadge Film Corporation |
Distributed by | Associated First National Pictures |
Release date |
|
Running time | 84 minutes |
Country | United States |
Language | Silent (English intertitles) |
Box office | $182,039.88 [1] |
The Passion Flower is a 1921 American drama film starring Norma Talmadge, Courtenay Foote, and Eulalie Jensen, and directed by Herbert Brenon. It is based on the 1913 Spanish play The Unloved Woman (Spanish: La malquerida) by Jacinto Benavente. [2] The play was translated into English by John Garrett Underhill as The Passion Flower and successfully produced in 1920 in New York City. [3] The plot of the film involves the forbidden love of a man for his stepdaughter which leads to tragedy and murder.
As described in a film publication, [4] Esteban's (Foote) jealousy for his stepdaughter Acacia (Talmadge) results in his servant Rubio (Wilson) telling Acacia's sweetheart Norbert (Ford) that she loves another. Their betrothal is broken, and later Acacia accepts Faustino (Agnew). Rubio kills Faustino, and Norbert is tried for the crime but acquitted. When it becomes known that Esteban was the cause of the murder, he flees into the mountains, but later returns to give himself up. Raimunda (Jensen), Acacia's mother and Esteban's wife, pleads with Acacia to accept the stepfather whom she hates. During the long embrace which follows between Esteban and Acacia, Raimunda learns of Esteban's love for his stepdaughter and her own love turns to hate. Raimunda calls for help and during Esteban's attempt to escape with Acacia he shoots his wife and is then arrested. Raimunda dies in the arms of Acacia.
Underhill, who had translated the Spanish play into English as The Passion Flower, sued in New York state court after the play was filmed without his permission. On appeal, the opinion by Chief Judge Benjamin N. Cardozo agreed that the contractual transfer of dramatic rights to produce a play did not include films, and that Underhill deserved damages but not all profits from the film. [1] [5]
The Library of Congress has a print of The Passion Flower, [2] though there is a bit of deterioration in the first scene and a "lapse of continuity" near the end of this copy. [6]
This is an overview of 1921 in film, including significant events, a list of films released and notable births and deaths.
Susannah Yolande Fletcher, known professionally as Susannah York, was an English actress. Her appearances in various films of the 1960s, including Tom Jones (1963) and They Shoot Horses, Don't They? (1969), formed the basis of her international reputation. An obituary in The Telegraph characterised her as "the blue-eyed English rose with the china-white skin and cupid lips who epitomised the sensuality of the swinging sixties", who later "proved that she was a real actor of extraordinary emotional range".
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Corinne Anita Loos was an American actress, novelist, playwright and screenwriter. In 1912, she became the first female staff screenwriter in Hollywood, when D. W. Griffith put her on the payroll at Triangle Film Corporation. She is best known for her 1925 comic novel, Gentlemen Prefer Blondes, and her 1951 Broadway adaptation of Colette's novella Gigi.
Norma Marie Talmadge was an American actress and film producer of the silent era. A major box-office draw for more than a decade, her career reached a peak in the early 1920s, when she ranked among the most popular idols of the American screen.
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Eulalie Jensen was an American actress on the New York stage and in silent films.
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Mary Murillo was an English actress, screenwriter, and businesswoman active during Hollywood's silent era.
Courtenay Foote was an English stage and silent film actor.
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Everley Gregg was an English actress. Early in her career, she became associated especially with plays of Noël Coward. She began making films in the 1930s and added television roles in her last decade; she acted until her last year.
Robert Agnew was an American movie actor who worked mostly in the silent film era, making 65 films in both the silent and sound eras.
Du Barry, Woman of Passion is a 1930 American pre-Code dramatic film starring Norma Talmadge, produced by her husband Joseph Schenck, released through United Artists, and based on a 1901 stage play Du Barry written and produced by David Belasco and starring Mrs. Leslie Carter.
John Garrett Underhill was an American author and stage producer who translated the works of Jacinto Benavente, a Spanish dramatist and winner of the Nobel Prize for Literature, and a number of other Spanish authors.
Frida Richard was an Austrian actress. She was a prolific actress in both the silent and sound eras.
Captain Courtesy is a lost 1915 American silent drama film directed by Phillips Smalley and Lois Weber based upon a novel by Edward Childs Carpenter. The film stars Dustin Farnum, Courtenay Foote, Winifred Kingston, Herbert Standing, and Jack Hoxie. The film was released on April 19, 1915, by Paramount Pictures.
The Unloved Woman is a 1940 Spanish drama film directed by José López Rubio. It is based on the 1913 play of the same title by Jacinto Benavente.
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Annette Westbay (1896–1960) was an American actress and playwright who was active in the early 20th-century. Born in Poland, she was adopted by an American couple and began to perform in theater productions in the 1910s. She wrote plays, sometimes in collaboration with her husband, George Scarborough.