Mary Louise Brooks, known professionally as Louise Brooks, was an American film actress and dancer during the 1920s and 1930s. She is regarded today as a Jazz Age icon and as a flapper sex symbol due to her bob hairstyle that she helped popularize during the prime of her career.
Margaret Livingston, sometimes credited as Marguerite Livingstone or Margaret Livingstone, was an American film actress and businesswoman, most notable for her work during the silent film era. She is best known today as "the Woman from the City" in F.W. Murnau's 1927 film Sunrise: A Song of Two Humans.
Herbert Brenon was an Irish film director, actor and screenwriter during the era of silent movies through the 1930s.
Mary Brian was an American actress, who made the transition from silent films to sound films.
Virginia Lee Corbin was an American silent film actress. Corbin began her career as a child actress in 1916, when she was billed as Baby Virginia Corbin, and went on to become a youthful flapper in the 1920s. She was one of the many silent stars that would not make it in the sound era, and retired from acting in the early 1930s.
The Great Gatsby is a 1926 American silent drama film directed by Herbert Brenon. It is the first film adaptation of the 1925 novel of the same name by F. Scott Fitzgerald. Warner Baxter portrayed Jay Gatsby and Lois Wilson as Daisy Buchanan.
A Social Celebrity is a 1926 American silent comedy-drama film directed by Malcolm St. Clair and starred Louise Brooks as a small town manicurist who goes to New York City with her boyfriend, a barber who poses as a French count. The film is now considered lost.
Beggars of Life (1928) is a Paramount film directed by William Wellman and starring Wallace Beery and Richard Arlen as hobos, and Louise Brooks as a young woman who dresses as a young man and flees the law. The film is regarded as Brooks's best American movie.
The Two Orphans was a 1915 American silent romantic drama film directed by Herbert Brenon and starring Theda Bara. This film was based on the 1872 French play Les deux orphelines, by Adolphe D'Ennery and Eugene Cormon which was translated into English by N. Hart Jackson. It was the play that was being performed at the time the Brooklyn Theater Fire broke out. The film was made by Fox Film Corporation and was partially shot on location in Québec, Canada. It is now considered to be lost.
The American Venus is a 1926 American silent comedy film directed by Frank Tuttle, and starring Esther Ralston, Ford Sterling, Lawrence Gray, Fay Lanphier, Louise Brooks, and Douglas Fairbanks Jr. The film was based on an original story by Townsend Martin. The scenario was written by Frederick Stowers with intertitles by Robert Benchley.
A Kiss for Cinderella is a 1925 silent fantasy taken from the 1916 stage play by James M. Barrie. The film stars Betty Bronson and Tom Moore and was made at Paramount's Astoria Studios in Astoria, Queens. The play had starred stage actress Maude Adams in the Bronson role.
The King on Main Street, also known as The King, is a 1925 American silent romantic comedy film directed by Monta Bell and starring Adolphe Menjou and Bessie Love. The film was adapted for the screen by Bell, and was based on the play The King, Leo Ditrichstein's adaptation of the 1908 French play Le Roi by Gaston Arman de Caillavet, Robert de Flers, and Emmanuel Arène. It was produced by Famous Players-Lasky and distributed by Paramount Pictures.
Cradle Snatchers is a 1927 American silent comedy film directed by Howard Hawks. The picture is based on the 1925 Russell Medcraft and Norma Mitchell stage play of the same name that starred Mary Boland, Edna May Oliver, and Humphrey Bogart. An incomplete copy, missing part of reel 3 and all of reel 4, exists in the Library of Congress.
Dancing Mothers is a 1926 American black and white silent drama film produced by Paramount Pictures. The film was directed by Herbert Brenon, and stars Alice Joyce, Conway Tearle, and making her debut appearance for a Paramount Pictures film, Clara Bow. Dancing Mothers was released to the general public on March 1, 1926. The film survives on 16mm film stock and is currently kept at the UCLA Film and Television Archive.
It's the Old Army Game is a 1926 American silent comedy film starring W. C. Fields and Louise Brooks. The film was directed by Eddie Sutherland and co-stars Sutherland's aunt, the stage actress Blanche Ring in one of her few silent film appearances. The film is based on the revue The Comic Supplement by Joseph P. McEvoy and Fields, and included several skits from Fields' stage plays. The "army game" in the title is in reference to a shell game, a con-trick which Fields’ character observes being played. "It's the old army game" he says, sagely.
Evening Clothes is a 1927 American silent comedy film directed by Luther Reed that was produced by Famous Players-Lasky and released by Paramount.
Paul Schofield was an American screenplay writer who worked on 44 films between 1920 and 1940, some directed by famous directors such as D. W. Griffith, John Ford, Archie Mayo, Frank Lloyd, and Herbert Brenon.
Forgotten Faces is a 1928 American silent drama film directed by Victor Schertzinger and starring Clive Brook, Mary Brian, and Olga Baclanova. The production was overseen by David O. Selznick, a rising young producer at the time. The film was remade by Paramount in 1936 as a sound film.
Agostino Borgato, sometimes known as Al Borgato, was an Italian actor and director, before moving to Hollywood in the mid-1920s. Borgato acted and/or directed about fifteen films in his native Italy between 1915 and 1922. In the 1920s, he also acted on the stage in both Italy and England. In 1925 Borgato immigrated to the United States, where he began his American acting career in Herbert Brenon's silent film, The Street of Forgotten Men.
The Breaking Point is a 1924 American silent mystery film directed by Herbert Brenon and written by Edfrid A. Bingham and Julie Herne. The film, based on the 1922 novel of the same name by Mary Roberts Rinehart, stars Nita Naldi, Patsy Ruth Miller, George Fawcett, Matt Moore, John Merkyl, Theodore von Eltz, and Edythe Chapman. The film was released on May 4, 1924, by Paramount Pictures.
