The Lone Wolf | |
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Directed by | Herbert Brenon |
Produced by | Herbert Brenon |
Screenplay by | George Edwardes-Hall |
Based on | The Lone Wolf by Louis Joseph Vance |
Starring | Bert Lytell Hazel Dawn |
Cinematography | J. Roy Hunt |
Edited by | James McKay |
Production company | Herbert Brenon Film Corporation |
Distributed by | Selznick Distributing Corporation |
Release date |
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Country | United States |
Language | Silent (English intertitles) |
The Lone Wolf is a 1917 American silent drama film based on the 1914 novel The Lone Wolf by Louis Joseph Vance. [1] Starring Bert Lytell and Hazel Dawn, it was adapted for the screen by George Edwardes-Hall and produced and directed by Herbert Brenon. [2] No prints of the film are known to survive, so it is currently classified as lost. [3] [4]
Burke is a master crook who adopts a young boy (Marcel) after the boy saves him from being arrested by the police. Burke then teaches the youngster how to be a crook, and after he becomes a master in the profession, he changes his name and works as Michael Lanyard. The Paris police give him the moniker of "The Lone Wolf", due to his unique work in the profession. However, a gang of criminals (The Pack) has taken notice of his clever work, and tell him that unless he joins their gang, they will destroy him. Lucy is an undercover agent posing as a crook to infiltrate the gang, and goes on to help the Wolf escape the gang via a plane to England. The Pack follows them, but are killed in a plane crash. After the gang is killed, "The Wolf" swears he will go straight and he eventually marries Lucy. [2]
The character The Lone Wolf was a popular crime figure in theaters from 1917 to 1949, and was featured in at least twenty-four films. [2] [5] The character was initially developed by Vance in his 1914 novel of the same name. Selznick later purchased the rights from Vance for his 1917 film. Bert Lytell was the first actor to play the role, but Warren William who appeared in nine films featuring the character from 1939-1943, was arguably the most closely associated with the role. [6] In 1946 Gerald Mohr followed William as the Wolf for three films through 1948; additionally the Mutual Radio Network broadcast a radio series with Gerald Mohr as the title character, which aired for about six months. [7] In 1954, a television series was created based on Vance's character with Louis Hayward playing the title role. The series was in syndication for one season with 39 episodes produced. The show was also sometimes titled Streets of Danger. [7]
Joseph L. Kelley, film critic for Motion Picture News , gave The Lone Wolf high marks, describing it as "a most remarkable production, bristling with tense moments, strong action, human incidents and powerful drama". Kelley also praised Lytell's performance, stating that he "moves with the agility and pep of a Fairbanks", while Hazel Dawn is noted as being "average" in her performance. [8] A review in The New York Clipper , said the film "is a criterion in intense melodrama of the most advanced style. Its embellishments, refinements and polish is the last word in modern picture plays". [9] The Clipper also reported that the film had "gone over heavier than any big feature shown in New York within the last year", and that Selznick had received a big advance demand for the film throughout the country. [10]
Gerald Mohr was an American radio, film, and television character actor and frequent leading man, who appeared in more than 500 radio plays, 73 films, and over 100 television shows.
Louis Joseph Vance was an American novelist, screenwriter and film producer. He created the popular character Michael Lanyard, a criminal-turned-detective known as The Lone Wolf.
Lone Wolf, lone wolf, or Lonewolf may refer to:
Bertram Lytell was an actor in theater and film during the silent film era and early talkies. He starred in romantic, melodrama, and adventure films.
The Lone Wolf is the nickname of the fictional character Michael Lanyard, a jewel thief turned private detective in a series of novels written by Louis Joseph Vance (1879–1933). Many films based on and inspired by the books have been made. The character also appeared briefly on radio and television.
Hazel Dawn was an American stage, film and television actress, and violinist. She was born to a Mormon family in Utah, and studied music in Europe where her father was a missionary. Dawn rose to fame as a stage actress in Ivan Caryll's 1911 Broadway production of The Pink Lady, which ran for over 300 performances and earned Dawn the eponymous nickname.
The Lone Wolf Spy Hunt is a 1939 American adventure film directed by Peter Godfrey and written by Jonathan Latimer. The film stars Warren William and Ida Lupino. The film was released by Columbia Pictures on January 27, 1939.
The False Faces is a 1919 American silent drama film directed by Irvin Willat from the novel by Louis Joseph Vance and starring Henry B. Walthall as Michael Lanyard, the "Lone Wolf," and Lon Chaney as the villain. A print of the film survives at George Eastman House. Lon Chaney's energetic performance remains an early example of his celebrated work.
The Lone Wolf's Daughter is a surviving 1919 American silent era crime/drama/thriller motion picture starring Bertram Grassby, Louise Glaum, and Thomas Holding.
The Lone Wolf Meets a Lady is a 1940 American drama directed by Sidney Salkow, starring Warren William, Eric Blore and Jean Muir.
The Lone Wolf in London is a 1947 American crime film directed by Leslie Goodwins and starring Gerald Mohr, Nancy Saunders and Eric Blore. The picture features the fictional Scotland Yard detective the Lone Wolf who travels to London, and solves the mystery of some missing jewels. It was the penultimate Lone Wolf film, followed by The Lone Wolf and His Lady in 1949, and the last for Mohr in the lead role.
The Lone Wolf in Mexico is a 1947 American black-and-white mystery-adventure film directed by D. Ross Lederman for Columbia Pictures. It features Gerald Mohr as the title character, detective Lone Wolf. Chronologically the third-to-last Lone Wolf film in Columbia's theatrical series, it was followed by The Lone Wolf in London later in 1947 and The Lone Wolf and His Lady in 1949.
The Notorious Lone Wolf (1946) is the twelfth Lone Wolf film produced by Columbia Pictures. The picture features Gerald Mohr in his inaugural performance as the protagonist detective Lone Wolf, Janis Carter, and Ian Wolfe as Adam Wainwright, the film's antagonist. The film was directed by D. Ross Lederman and written by Martin Berkeley, Edward Dein, and William J. Bowers.
The Lone Wolf and His Lady (1949) is the 15th and final Lone Wolf film produced by Columbia Pictures, directed by John Hoffman and written by Edward Dein and Michael Stuart Boylan.
The Lone Wolf is a 1924 American silent mystery film written and directed by Stanner E. V. Taylor based on a story by Louis Joseph Vance. This marked the final film of star Dorothy Dalton.
The Lone Wolf Returns is a 1926 American silent mystery film directed by Ralph Ince and starring Bert Lytell, Billie Dove, and Freeman Wood.
William Pitt Striker Earle was an American director of the silent film era. He attended Columbia University and worked for a time as a photographer before breaking into the movie business by sneaking onto the lot of Vitagraph Company of America to observe how directors worked. After a few days of this, Earle approached the studio president and was given his first movie to direct, For the Honor of the Crew, a short about a crew race at Columbia University. He subsequently directed a number of features and shorts for Vitagraph. Later he worked with producer David O. Selznick.
The Lone Wolf's Daughter is a lost 1929 feature silent film with talking sequences, music and sound effects. It was directed by Albert S. Rogell and stars Bert Lytell. It was produced and distributed by Columbia Pictures.
The Lone Wolf Strikes is a 1940 crime drama film directed by Sidney Salkow, which stars Warren William, Joan Perry, and Eric Blore.
Alias the Lone Wolf is a 1927 silent mystery film directed by Edward H. Griffith. The fim is based on the 1921 novel of the same name by Louis Joseph Vance. It is not known whether the film currently survives.
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