The Shape of Punk to Come | ||||
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Studio album by | ||||
Released | 27 October 1998 | |||
Recorded | Late 1997 | |||
Studio | Tonteknik Bomba Je Studios | |||
Genre | ||||
Length | 55:11 | |||
Label | Burning Heart | |||
Producer |
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Refused chronology | ||||
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Singles from The Shape of Punk to Come | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The A.V. Club | A [2] |
Consequence of Sound | [3] |
Drowned in Sound | 10/10 [4] |
Mojo | [5] |
The New Zealand Herald | [6] |
Pitchfork | 8.7/10 (1998) [7] 9.4/10 (2010) [8] |
Q | [9] |
Rock Sound | 10/10 [10] |
The Village Voice | [11] |
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts, often shortened to The Shape of Punk to Come, is the third album by Swedish hardcore punk band Refused, released on 27 October 1998 [1] through Burning Heart Records.
Although Refused broke up only months after the album's release, The Shape of Punk to Come has since found an audience for the band and largely contributed to their posthumous fame, as well as inspiring many later artists in a wide range of genres. [12] [13] Kerrang! magazine listed The Shape of Punk to Come at #13 on their 50 Most Influential Albums of All Time list in 2003.
This album marked a sharp and conscious departure from Refused's earlier work. The philosophy of the album, expounded in the ample liner notes and encapsulated in the song "New Noise", was that punk and hardcore music could not be anti-establishment by continuing to package revolutionary lyrics in sounds which had been increasingly co-opted into the mainstream. The sound of the record challenged existing punk sensibilities; it can be seen as "punk" at a fundamental level and includes experimental combinations of post-hardcore, post-punk, techno, and jazz sounds.
The album also includes "political interludes" between some songs. The use of more technological sounds or drum and bass music, particularly on The New Noise Theology E.P. which followed the album, is a tactic that various members of Refused have credited to the influence of Philadelphia punk band Ink & Dagger.[ citation needed ]
In 2006, producer Pelle Henricsson said of the recording:
We did not use Pro Tools at all. The Shape was recorded on 24 track 2 inch tape and occasional Adats in sync when the 24 tracks wasn't enough. The drums were recorded as grooves and then edited in Soundscape without any grid reference. The whole thing was then bounced back to 2 inch where all guitars and basses were recorded. Same thing with vocals but not "every word" moved around. More like keeping phrases that were within the groove. The Soundscape system we used back then held 12 tracks and was used as a stand alone editing unit. Overall the whole recording had groove as THE key word, maybe that's why it's still a cool record!? [14] [ better source needed ]
The album's production has inspired other artists to work with Pelle Henricsson and Eskil Lövström, including Poison the Well, [15] and Hell is for Heroes. [16]
This section needs additional citations for verification .(June 2023) |
The album has been described musically as post-hardcore, [18] [19] [20] and hardcore punk, [21] with elements of jazz, [1] [18] [19] punk rock, [18] [19] electronica, [18] post-rock, [18] ambient, [1] and heavy metal. [19]
"New Noise" has been featured in movies such as Crank , Jalla! Jalla! , The Hitman's Bodyguard , Boot Camp , Triangle of Sadness , and Friday Night Lights ; in the television programs 24 , Rage , The Bear , Criminal Minds , Nitro Circus , The Following , and Wayne ; in the video game Tony Hawk's Underground ; and in the trailers for the movie Witching and Bitching and the video game Doom . [22] It was also the entrance music for major league pitcher John Axford when he closed games for the Milwaukee Brewers.
The Used, Anthrax, Snot, and Crazy Town have covered "New Noise" on numerous occasions live.
The British magazine Rock Sound gave the album The Shape of Punk to Come the number one spot in the magazine's list of the 100 albums that most influenced the music that Rock Sound covers.
Paramore's song "Born For This" from their 2007 record Riot! features a direct reference to the song "Liberation Frequency" by quoting the lyric "We want the airwaves back." and overlaying it with a modulation of the song's leading melody. [23]
In 2004, a DVD-Audio version of the album was released, remixed in 5.1-channel Surround Sound. Many of the songs were compositionally altered, some significantly. "Bruitist Pome #5," for example, was thoroughly reworked, while a seven-minute version of "Refused Are Fuckin Dead" transitions into a new second half, which incorporates elements of the Bomba Je Remix of the song. Other songs received new intros or outros.
In 2003, Kerrang! magazine listed The Shape of Punk to Come at #13 on their 50 Most Influential Albums of All Time list. In 2005, The Shape of Punk to Come was ranked number 428 in Rock Hard magazine's book The 500 Greatest Rock & Metal Albums of All Time. [24] In 2013, LA Weekly named it the twelfth best punk album in history. [25] In 2015, the Phoenix New Times named it the fifth best political punk album ever. [26]
The album has sold 179,000 copies in the United States as of June 2015. [27]
No. | Title | Length |
---|---|---|
1. | "Worms of the Senses/Faculties of the Skull" | 7:05 |
2. | "Liberation Frequency" | 4:08 |
3. | "The Deadly Rhythm" | 3:34 |
4. | "Summerholidays vs. Punkroutine" | 4:01 |
5. | "Bruitist Pome #5" | 1:25 |
6. | "New Noise" | 5:08 |
7. | "The Refused Party Program" | 2:38 |
8. | "Protest Song '68" | 4:32 |
9. | "Refused Are Fuckin' Dead" | 5:08 |
10. | "The Shape of Punk to Come" | 5:06 |
11. | "Tannhäuser/Derivè" | 8:07 |
12. | "The Apollo Program was a Hoax" | 4:13 |
In addition to the 12 tracks of the original release, the 2010 reissue, released as a deluxe edition, also included previously unreleased live recordings from a 1998 concert and a DVD of the documentary on the band, Refused Are Fucking Dead . [13]
The Shape of Punk to Come personnel as listed in the album liner notes. [28]
Refused is a Swedish hardcore punk band originating from Umeå and formed in 1991. Refused is composed of vocalist Dennis Lyxzén, guitarist Kristofer Steen, drummer David Sandström, and bassist Magnus Flagge. Guitarist Jon Brännström was a member from 1994, through reunions, until he was fired in late-2014. Their lyrics are often of a non-conformist and politically far-left nature and were for a time associated with the straight edge subculture.
The (International) Noise Conspiracy was a Swedish rock band formed in late 1998. The lineup consisted of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band was known for its punk and garage rock influences, along with its passionate left-wing political stance. Until 2004, guitarist/organist/keyboardist Sara Almgren was also part of the group. Dennis Lyxzén formed The (I)NC shortly after the breakup of his previous band, Refused. The (I)NC drew on the musical roots of at least four other bands, including Totalt Jävla Mörker (Johansson), Separation (Strömberg), Saidiwas, and Doughnuts (Almgren). In 2007, Inge Johansson also played with the band The Most.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
A New Morning, Changing Weather is the third studio album by The (International) Noise Conspiracy.
Songs to Fan the Flames of Discontent is the second full-length album by Swedish hardcore punk band Refused. It was released in 1996 through Victory Records, Startrec and We Bite on CD, tape and 12" vinyl; and reissued by Burning Heart Records and Victory in 1997. A remastered version of the album was released in 2004.
The E.P. Compilation is a compilation album by Swedish band Refused, originally released in 1997. The album, which consists of songs from Refused's EPs, was reissued in 1999 as This Album Contains Old Songs & Old Pictures, Vol. 1. A different edition was released in 2002 and reissued in 2004.
Step Forward was a Swedish hardcore punk band founded in 1989 in Umeå, Sweden by Dennis Lyxzén and his friends, Toft Stade, Jens Nordén and Henrik Jansson. Step Forward was one of the first hardcore punk bands in Sweden that held on to the American straight edge lifestyle.
You Come Before You is the third full-length album by American metalcore band Poison the Well. It was released on July 1, 2003. It is the band's only release on a major label. More than 115,500 copies of the album have been sold in the U.S. to date. The Japanese version was released through Warner Music Japan on October 29, 2003 and featured an exclusive bonus track, "Sticks and Stones Never Made Sense (Demo)" which had been recorded in early October 2000.
Sven Olov Dennis Lyxzén is a Swedish singer and songwriter, best known as the lead vocalist for influential Swedish hardcore punk band Refused, as well as the bands INVSN and Fake Names. He is also a former member of bands including AC4, Step Forward, Final Exit, and The (International) Noise Conspiracy, and co-founded the Swedish record labels Ny Våg and Desperate Fight Records.
Refused Are Fucking Dead is a 2006 documentary about the Swedish hardcore punk band Refused and the then-last year of their career. The film was directed by the band's guitarist, Kristofer Steen. It includes live performances of "Spectre", "Life Support Addiction", "Circlepit", "New Noise", and "Rather Be Dead."
Versions is Poison the Well's fourth studio album. It was released on April 2, 2007, in Europe and April 3, 2007, World Wide via Ferret Music. Versions is the first release for Poison the Well on Ferret Music and is also the band's first release since 2003's You Come Before You. In Japan, the album was released by Howling Bull Entertainment and features the bonus track "Oceanbreast".
Dukes of Windsor were an Australian electronic rock group formed in 2004. They relocated to Berlin in 2009, where they disbanded in the following year. They are notable for their single "It's a War", released in Australia in 2008 and in Europe in early 2010, as well as their song "The Others", remixed by Australian electronic group TV Rock. They "fuse minimalist rhythms, punchy bass-lines, cascading guitar riffs, and glacial synths". Their music has been described as "angular and reductive, groovy and melodic", and has been termed the beautiful paradox of "robotic soul".
AC4 was a Swedish hardcore punk band from Umeå, Sweden. Refused members Dennis Lyxzén and David Sandström had been talking about starting a new band for a long time. In the spring of 2008 Karl Backman had written songs for the new band and they started to rehearse. Jens Nordén had played with Lyxzén in pre-Refused straight edge hardcore band Step Forward (1987-1991) and since 1990 with Backman in punk band The Vectors. The "AC" in the name is the regional code for the Västerbotten province where Umeå is located.
The New Noise Theology E.P. is a release by Swedish hardcore punk band Refused, which features their flagship song "New Noise", already on the album The Shape of Punk to Come, and the previously unreleased songs "Blind Date" and "Poetry Written in Gasoline". A remix of "Refused Are Fucking Dead", a song also found on The Shape of Punk to Come, also features on the release. These songs later appeared, in the same order, on the 2004 re-issue of The E.P. Compilation.
Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe James Chance and the Contortions' 1979 album Buy. Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop.
Swedish hardcore punk band Refused had a brief but prolific seven-year run before originally disbanding in 1998. They are now back together and producing new music.
The Reunion Tour is a concert tour by Swedish post-hardcore band Refused, celebrating the band's reunion, after breaking-up in 1998. The tour began with a secret warm-up shows in the band's hometown of Umeå on 29 February 2012, as well as another small show in Stockholm, on 30 March, after which the band headed to start the official tour, in the United States.
INVSN is a Swedish post-punk band from Umeå. Originally formed as The Lost Party as a solo project for Dennis Lyxzén, already known for the punk bands Refused and The (International) Noise Conspiracy, the project's early music was notably more folkish and softer than his prior music endeavors.
The JCQ were a British rock band from Eastbourne, United Kingdom. They were signed to Hassle Records. Described as a "mental breakdown set to music", the band released one EP and two full-length studio albums: Ten Stages of a Makeup in 2010, That Was Then, This Is Now and 2011 and Mechanical Young in 2013.
War Music is the fifth studio album by Swedish hardcore punk band Refused. It was released on 18 October 2019 via Spinefarm Records/Search and Destroy Records.
This is an album of punk finality, of defiant, left-wing independence... When in range, Refused are as impossible to ignore as they are to deny.
Refused reached a peak of intelligence and intensity with The Shape of Punk to Come...
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