Titian's Mistress

Last updated

Titian's Mistress
Titian's Mistress (crop).png
ArtistTitian and studio
Yearc.1550–1560
Medium Oil on canvas
Dimensions97.5 cm× 71 cm(38.4 in× 28 in)
Location Apsley House, London
AccessionWM 1620

Titian's Mistress, also known as An Unknown Lady, is an oil painting variously attributed to Titian, his workshop, or both. It was painted in about 1550 or 1560. [1] [2] The painting is part of the Wellington Collection at Apsley House in London. [1] [2]

Contents

Prints

There is a print by Lucas Vorsterman II, dated 1640–1666, after the painting by Titian in Apsley House. A painted copy of the Titian is mentioned in Rubens' house inventory of 1640, and may be the source of the print. A print by Sir Anthony van Dyck, also entitled Titian's Mistress, is unrelated to the paintings. [3]

See also

Related Research Articles

<span class="mw-page-title-main">William Dobson</span> English painter

William Dobson was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as "the most excellent painter that England has yet bred". He died relatively young and his final years were disrupted by the English Civil War.

<span class="mw-page-title-main">Anthony van Dyck</span> Flemish Baroque artist (1599–1641)

Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.

<span class="mw-page-title-main">Cornelis de Wael</span> Flemish painter

Cornelis de Wael was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony.

<span class="mw-page-title-main">Lucas Vorsterman the Elder</span> Baroque engraver

Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck, as well as for patrons such as Thomas Howard, 21st Earl of Arundel and Charles I of England.

<span class="mw-page-title-main">Adriaen Hanneman</span> Dutch Golden Age painter (c. 1603–1671)

Adriaen Hanneman was a Dutch Golden Age painter best known for his portraits of the exiled British royal court. His style was strongly influenced by his contemporary, Anthony van Dyck.

<i>The Death of Actaeon</i> Painting by Titian

The Death of Actaeon is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish in a letter to their commissioner Philip II of Spain during June 1559. However, most of Titian's work on this painting possibly dates to the late 1560s, but with touches from the 1570s. Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the Flaying of Marsyas, which unlike this has a signature, perhaps an indication of completion.

<span class="mw-page-title-main">Peter Paul Rubens</span> Flemish artist and diplomat (1577–1640)

Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.

<i>Danaë</i> (Titian paintings) Several paintings by Titian

The Venetian painter Titian and his workshop made at least six versions of the same composition showing Danaë, painted between about 1544 and the 1560s. The scene is based on the mythological princess Danaë, as – very briefly – recounted by the Roman poet Ovid, and at greater length by Boccaccio. She was isolated in a bronze tower following a prophecy that her firstborn would eventually kill her father. Although aware of the consequences, Danaë was seduced and became pregnant by Zeus, who, inflamed by lust, descended from Mount Olympus to seduce her in the form of a shower of gold.

<i>Venus with a Mirror</i> Painting by Titian

Venus with a Mirror is a painting by Titian, now in the National Gallery of Art in Washington, DC, and it is considered to be one of the collection's highlights.

<span class="mw-page-title-main">Paulus Pontius</span> Flemish engraver

Paulus Pontius was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens.

<span class="mw-page-title-main">Lucas Vorsterman II</span> Flemish engraver

Lucas Vorsterman II, Lucas Vorsterman the Younger or Lucas Vorsterman Junior was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of the leading painters of the next generation and for the various book projects of the Antwerp publishers.

The Wellington Collection is a large art and militaria collection housed at Apsley House in London. It mainly consists of paintings, including 83 formerly in the Spanish royal collection, given to Arthur Wellesley, 1st Duke of Wellington, who was Prime Minister as well as the general commanding the British forces to victory in the Napoleonic Wars. It also includes his collection of furniture, sculpture, porcelain, the silver centrepiece made for him in Portugal around 1815, and many other artworks and memorabilia relating to his career.

<i>Cupid and Psyche</i> (van Dyck)

Cupid and Psyche is an oil on canvas painting by Anthony van Dyck. It is now in the Royal Collection and shown in Kensington Palace.

<i>Madonna of the Cherries</i> 1515 painting by Titian

The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.

<i>Perseus and Andromeda</i> (Titian) 1554-56 painting by Titian

Perseus and Andromeda is a painting by the Italian Renaissance artist Titian, now in the Wallace Collection in London. It was painted in 1554–1556 as part of a series of mythological paintings called "poesie" ("poetry") intended for King Philip II of Spain. The paintings took subjects from the Roman poet Ovid's Metamorphoses, in this case Book IV, lines 663–752, and all featured female nudes.

<span class="mw-page-title-main">Simon Rollo Gillespie</span> British fine art conservator and restorer

Simon Rollo Gillespie is a British conservator-restorer of fine art, and an art historian. He is known particularly for his work with Early British and Tudor portraits, although his practice extends across all periods from early paintings to contemporary artworks. Gillespie has been restoring art since 1978, and he appears frequently on the BBC Four series Britain's Lost Masterpieces, having previously appeared on the BBC1 art programme Fake or Fortune.

<i>Saint Rosalia Crowned by Angels</i> (Palermo) Painting by Anthony van Dyck

Saint Rosalia Crowned by Angels is an oil on canvas painting by the studio of Anthony van Dyck, created c. 1624, one of several works showing the saint produced whilst van Dyck was quarantined in Palermo, Sicily due to a plague. It is now in the Galleria Regionale del Palazzo Abatellis in Palermo, where in 2015 it was displayed alongside Saint Rosalie Interceding, loaned from the Metropolitan Museum of Art.

<i>Saint Rosalia Crowned by Angels</i> (Houston) Painting by Anthony van Dyck

Saint Rosalia Crowned by Angels is a c. 1625 oil on canvas painting by Anthony van Dyck, one of five surviving works showing the saint which he produced whilst he was quarantined in Palermo, Sicily due to a plague. It is now in the Menil Collection in Houston, Texas, which bought it in 1968. It was loaned from there in 2011-2012 to the Dulwich Picture Gallery in London.

<span class="mw-page-title-main">Margaret Lemon</span> English artists model (born c. 1614)

Margaret Lemon was an English artist's model. She was the most painted female commoner of the seventeenth century, and she was the partner of Anthony van Dyck.

<i>Portrait of Benedetto Varchi</i> Painting by Titian

Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil painting by Titian. It was painted in around 1540, and hangs today in the Kunsthistorisches Museum in Vienna.

References

  1. 1 2 English Heritage.
  2. 1 2 The Wellington Collection.
  3. The British Museum.

Sources

Further reading