| Titian's Mistress | |
|---|---|
 | |
| Artist | Titian and studio |
| Year | c. 1550–1560 |
| Medium | Oil on canvas |
| Dimensions | 97.5 cm× 71 cm(38.4 in× 28 in) |
| Location | Apsley House, London |
| Accession | WM 1620 |
Titian's Mistress, also known as An Unknown Lady, is an oil painting variously attributed to Titian, his workshop, or both. It was painted in about 1550 or 1560. [1] [2] The painting is part of the Wellington Collection at Apsley House, in London. [1] [2]
There is a print by Lucas Vorsterman II, dated 1640–1666, after the painting by Titian in Apsley House. A painted copy of the Titian is mentioned in Rubens' house inventory of 1640, and may be the source of the print. A print by Sir Anthony van Dyck, also entitled Titian's Mistress, is unrelated to the paintings. [3]
William Dobson was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as "the most excellent painter that England has yet bred". He died relatively young and his final years were disrupted by the English Civil War.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Cornelis de Wael was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony.
Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck, as well as for patrons such as Thomas Howard, 21st Earl of Arundel and Charles I of England.
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Sir Peter Paul Rubens was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
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The Wellington Collection is a large art and militaria collection housed at Apsley House in London. It mainly consists of paintings, including 83 formerly in the Spanish royal collection, given to Arthur Wellesley, 1st Duke of Wellington, who was prime minister as well as the general commanding the British forces to victory in the Napoleonic Wars. It also includes his collection of furniture, sculpture, porcelain, the silver centrepiece made for him in Portugal around 1815, and many other artworks and memorabilia relating to his career.
Cupid and Psyche is an oil on canvas painting by Anthony van Dyck. It is now in the British Royal Collection and shown in Kensington Palace.
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Perseus and Andromeda is a painting by the Italian Renaissance artist Titian, now in the Wallace Collection in London. It was painted in 1554–1556 as part of a series of mythological paintings called "poesie" ("poetry") intended for King Philip II of Spain. The paintings took subjects from the Roman poet Ovid's Metamorphoses, in this case Book IV, lines 663–752, and all featured female nudes.
Simon Rollo Gillespie is a British conservator-restorer of fine art, and an art historian. He is known particularly for his work with Early British and Tudor portraits, although his practice extends across all periods from early paintings to contemporary artworks. Gillespie has been restoring art since 1978, and he appears frequently on the BBC Four series Britain's Lost Masterpieces, having previously appeared on the BBC1 art programme Fake or Fortune.
Saint Rosalia Crowned by Angels is an oil on canvas painting by the studio of Anthony van Dyck, created c. 1624, one of several works showing the saint produced whilst van Dyck was quarantined in Palermo, Sicily due to a plague. It is now in the Galleria Regionale del Palazzo Abatellis in Palermo, where in 2015 it was displayed alongside Saint Rosalie Interceding, loaned from the Metropolitan Museum of Art.
Saint Rosalia Crowned by Angels is a c. 1625 oil on canvas painting by Anthony van Dyck, one of five surviving works showing the saint which he produced whilst he was quarantined in Palermo, Sicily due to a plague. It is now in the Menil Collection in Houston, Texas, which bought it in 1968. It was loaned from there in 2011-2012 to the Dulwich Picture Gallery in London.
Margaret Lemon was an English artist's model. She was the most painted female commoner of the seventeenth century, and she was the partner of Anthony van Dyck.
Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil on canvas painting by Titian. It was painted c. 1536-1540, and hangs today in the Kunsthistorisches Museum, in Vienna.
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