To Whom It May Concern | ||||
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Studio album by the Bee Gees | ||||
Released | October 1972 | |||
Recorded | January 1971 ("We Lost the Road") January and April 1972 | |||
Studio | IBC (London) | |||
Genre | Pop rock, soft rock | |||
Length | 43:32 | |||
Label | ||||
Producer | Robert Stigwood, Bee Gees | |||
The Bee Gees chronology | ||||
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Singles from To Whom It May Concern | ||||
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
To Whom It May Concern is the tenth album by the Bee Gees. Released in October 1972, it is the follow-up to, and continues the melancholic and personal sound of its predecessor, Trafalgar .[ citation needed ] The album was recognised as "a farewell to the old Bee Gees" as the album marked the end of an era for the group in several ways:[ citation needed ] it was their last album to be recorded solely at IBC Studios, in London, their last with conductor and arranger Bill Shepherd, who had guided them since 1967, and their last under their first contract with Robert Stigwood. Some of the songs were old ones finished or rewritten for the occasion (in the case of "I Can Bring Love").
After touring in 1971 to promote their previous album, Trafalgar , the Bee Gees worked quickly to complete another album. They recorded the song "Paper Mache, Cabbages and Kings" on 3 January 1972 which was the last song recorded with the Australian drummer Geoff Bridgford. He left the group before their tour of East Asia and was replaced on tour by Chris Karan. Recording resumed in April 1972 with a Robin song called "Never Been Alone" and a song Barry did on his fan club recording from 1971 called "I Can Bring Love". The drummer on the April sessions was a veteran session player, Clem Cattini. The first song recorded for this album was "You Know It's For You", a song written and performed by Maurice Gibb, on which he played guitar, bass, keyboard and mellotron. [3] Karan did not participate with the Bee Gees on studio as Clem Cattini recalls:
On the album it's got a photograph of Chris Karan which is ridiculous really, because it wasn't Chris playing on the album, it was me!. As far as I'm concerned, I think they [Bee Gees] have an unbelievable talent - I'd give anything just to have written one of the songs that they've written, especially the later stuff. [4]
The album was primarily recorded between June 1971 and April 1972 (except for "We Lost the Road", recorded in January 1971 during the Trafalgar sessions). The Bee Gees saved a non-album single, "My World", from the sessions which was released in January 1972, becoming a UK/US Top 20 hit. Shepherd's arrangements are relatively toned down and the background vocals sometimes seem to take the place of what could have been string sections.
The album was released in November 1972. Stephen Holden's contemporary review in Rolling Stone commented that he felt the Bee Gees occupied "a very limited territory of pop music", dealing mainly in ballads of "momentary pathos", and that the album was "headphone mood music that makes no demands beyond a superficial emotional surrender to its perfumed atmosphere of pink frosting and glitter", and that the Gibbs vocal style had developed to the point where "they sound more like reed instruments than singers". [5] Bruce Eder in a retrospective review for AllMusic feels the album makes for pleasant and satisfying listening, and is "one of their most fully realized works". [1]
To Whom It May Concern only reached No. 35 in the US; it was their third consecutive studio album to fail to appear in the UK album charts. It performed better in other European countries. In Spain reached No. 6. The subsequent single "Alive" was a modest sized hit in the US, reaching the Top 40, and a major hit in Australia, reaching No. 4. In the 2010 documentary In Our Own Time , Maurice was shown explaining (in archival footage) that by 1972 they didn't really know who their audience was, hence the title To Whom It May Concern. The original album cover was a gatefold with pictures of business associates and family members on a drawing of the Bee Gees and a band. The band shows Barry, Robin and Maurice Gibb (Maurice is playing Rickenbacker 4001) Alan Kendall and tour-only drummer Chris Karan, with Bill Shepherd conducting the orchestra.
"Paper Mache, Cabbages and Kings" entered the Danish charts in the first week of 1973 and stayed in the charts for 5 weeks, peaking at #8. [6]
All tracks are written by Barry, Robin and Maurice Gibb, except where noted
No. | Title | Writer(s) | Lead vocal(s) | Length |
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1. | "Run to Me" | Barry and Robin | 3:05 | |
2. | "We Lost the Road" | Barry Gibb, Robin Gibb | Barry and Robin | 3:27 |
3. | "Never Been Alone" | Robin Gibb | Robin | 3:11 |
4. | "Paper Mache, Cabbages and Kings" | Barry and Robin | 4:59 | |
5. | "I Can Bring Love" | Barry Gibb | Barry | 2:06 |
6. | "I Held a Party" | Robin and Barry | 2:35 | |
7. | "Please Don't Turn Out the Lights" | Robin and Barry | 1:59 |
No. | Title | Writer(s) | Lead vocal(s) | Length |
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1. | "Sea of Smiling Faces" | Barry and Robin | 3:07 | |
2. | "Bad Bad Dreams" | Barry and Robin | 3:47 | |
3. | "You Know It's for You" | Maurice Gibb | Maurice Gibb | 2:57 |
4. | "Alive" | Barry Gibb, Maurice Gibb | Barry | 4:04 |
5. | "Road to Alaska" | Robin | 2:38 | |
6. | "Sweet Song of Summer" | Barry and Robin | 5:04 |
Some publicity material featured an alternate trackorder although no commercial release of it exists.
"Alive" / "I Can Bring Love" / "Bad Bad Dreams" / "I Held a Party" / "Sea of Smiling Faces" / "Road to Alaska" / "Run to Me"
"Paper Mache, Cabbages and Kings" / "We Lost the Road" / "You Know It's For You" / "Never Been Alone" / "Please Don't Turn Out the Lights" / "Sweet Song of Summer"
Bee Gees
Additional musicians and production staff
Chart | Position |
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Australian Kent Music Report [7] | 13 |
Canadian RPM Albums Chart [8] | 50 |
Japanese Oricon LPs Chart [9] | 53 |
Spanish Albums Chart [10] | 6 |
US Billboard 200 [11] | 35 |
The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid- to late 1970s. The group sang recognisable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid- to late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music.
Cucumber Castle is the seventh studio album by the Bee Gees, released in April 1970. It was produced by Barry Gibb, Maurice Gibb, and Robert Stigwood. It consists of songs from their television special of the same name, which was named after a song on their 1967 album Bee Gees' 1st. Cucumber Castle is the only Bee Gees album not to feature any recorded contributions from Robin Gibb, as he had left the group before the album was recorded.
Trafalgar is a 1971 album by the Bee Gees. It was their ninth album, and was released in September 1971 in the US, and November 1971 in the UK. The album was a moderate hit in the United States, and peaked at No. 34. The lead single "How Can You Mend a Broken Heart?" was the first Bee Gees' No. 1 single in the United States but failed to chart in Britain as did the album. It is Geoff Bridgford's only full-length appearance on a Bee Gees album as an official member.
2 Years On is the eighth studio album by the Bee Gees, which reached No. 32 on the US charts. Released in 1970, the album saw the return of Robin Gibb to the group after an earlier disagreement and subsequent split following Odessa. 2 Years On was the first album with drummer Geoff Bridgford, who remained a full-time member of the group until 1972 although he was not pictured on the sleeve. The best-known track is "Lonely Days". Released as the first single by the reunited brothers, it charted high in the US, but peaked at No. 33 in the United Kingdom.
Life in a Tin Can is the Bee Gees' eleventh studio album, released in January 1973.
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.
Best of Bee Gees Vol. 2 is a compilation album of hits by the Bee Gees released in 1973. The album, briefly revived on CD in the late 1980s, went out of print, but was reissued by Rhino in November 2008.
Melody is the soundtrack album for the film Melody. It was released in 1971 and is performed by the Bee Gees, Crosby, Stills, Nash & Young, and Barry Howard of The Aces, Desmond Dekker's backing group. It reached No. 1 on the Japanese charts. "In the Morning" was first recorded in 1965 by The Bee Gees, and was re-recorded in 1970 for the film; its title was changed to "Morning of My Life", though the song is credited under its original title on the album. The songs "Melody Fair", "First of May", and "Give Your Best" were originally released on The Bee Gees' 1969 album Odessa.
"Don't Wanna Live Inside Myself" is a ballad written and sung by Barry Gibb, and released on the Bee Gees' album Trafalgar in 1971, and the second single release taken from the album.
"My World" is a 1972 single released by the Bee Gees. It was originally released as a non-album single on 14 January 1972 worldwide. but was later included on the compilation Best of Bee Gees, Volume 2 in 1973. The flip side of the single was "On Time", a country rock number composed by Maurice Gibb. "My World" reached the Top 20 in both US and UK.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.
"Alive" is a ballad recorded by the Bee Gees for their album To Whom It May Concern. It was the second and last single from the album released on 10 November 1972 worldwide. The song was credited to Barry and Maurice Gibb and produced by the Gibbs and their manager Robert Stigwood.
"Wine and Women" is a song written by Barry Gibb, and released by Barry Gibb and the Bee Gees in September 1965 on Leedon Records in Australia. The song's B-side was Follow the Wind. The single reached #19 in Australia, marking the Bee Gees' international chart debut. They achieved this by getting as many of their fans as possible to buy enough copies to get the song into the charts at #35 and, thus, to the attention of disc-jockeys.
"On Time" is a song written by Maurice Gibb and recorded by the Bee Gees released on 14 January 1972 as the B-side of the single "My World".
"Railroad" is the first solo single released by Maurice Gibb, best known as a member of the Bee Gees. It was released in April 1970. Like the Bee Gees' songs from 1967 to 1972, the single was released by Polydor in most parts of the world while in the US and Canada it was released by Atco. In Canada it was also released by Atlantic and Cotillion. Gibb did not release a follow-up single until 1984 when he released "Hold Her in Your Hand".
"Country Woman" is a song written and released by British rock band Bee Gees. It was written and performed solely by Maurice Gibb, and released as a B-side of "How Can You Mend a Broken Heart", which was the group's first US No. 1. The songs were released as a double A-side in Germany, France, Japan and Canada.
"We Lost the Road" is a song by the Bee Gees, it was written by Barry Gibb and Robin Gibb and was released on their 1972 album To Whom It May Concern.
"Close Another Door" is a song written by Barry, Robin and Maurice Gibb and recorded by the Bee Gees, initially released as the B-side of "To Love Somebody" and later on their 1967 album Bee Gees' 1st.
"Israel" is a ballad track written by Barry Gibb. It appeared on the Bee Gees' 1971 album, Trafalgar.
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