Toyi-toyi is a Southern African dance used in political protests in South Africa. [1]
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created.
Toyi-toyi was often used for intimidating the South African police and security forces during anti-apartheid demonstrations. The toyi-toyi was also used with chants such as the African National Congress's "Amandla" ("power") and "Awethu" ("ours") or the Pan African Congress's "One Settler, One Bullet".
After the 1976 Soweto massacre, the anti-apartheid movement became more militant. The toyi-toyi, a military march dance and song style became commonplace in massive street demonstrations. As one activist puts it, "The toyi-toyi was our weapon. We did not have the technology of warfare, the tear gas and tanks, but we had this weapon." [2]
After Apartheid ended, people have used toyi-toyi to express their grievances against current government policies. Use of the dance has become very popular during recent service delivery protests and among trade unions. [3] [4] The Anti-Privatisation Forum has come out with a CD that they see as a compilation of music specially for toyi-toying. [5]
The UK band, UB40, incorporated the "Amandla, Awethu" chant into Sing Our Own Song from the 1986 album Rat In The Kitchen.
In October 2004 Robert Mugabe of Zimbabwe banned toyi-toyi even indoors because of its use as a protest. [6]
The African National Congress (ANC) is a political party in South Africa. It originated as a liberation movement known for its opposition to apartheid and has governed the country since 1994, when the first post-apartheid election resulted in Nelson Mandela being elected as President of South Africa. Cyril Ramaphosa, the incumbent national President, has served as President of the ANC since 18 December 2017.
"Power to the people" is a cultural expression and political slogan that has been used in a wide variety of contexts.
A protest is a public expression of objection, disapproval, or dissent towards an idea or action, typically a political one. Protests can be thought of as acts of cooperation in which numerous people cooperate by attending, and share the potential costs and risks of doing so. Protests can take many different forms, from individual statements to mass political demonstrations. Protesters may organize a protest as a way of publicly making their opinions heard in an attempt to influence public opinion or government policy, or they may undertake direct action in an attempt to enact desired changes themselves. When protests are part of a systematic and peaceful nonviolent campaign to achieve a particular objective, and involve the use of pressure as well as persuasion, they go beyond mere protest and may be better described as civil resistance or nonviolent resistance.
Amandla in the Nguni languages Xhosa and Zulu means "power". The word was a popular rallying cry in the days of resistance against apartheid, used by the African National Congress and its allies. The leader of a group would call out "Amandla!" and the crowd would respond with "Awethu" or "Ngawethu!", completing the South African version of the rallying cry "power to the people!". The word is still associated with struggles against oppression.
Amandla!: A Revolution in Four-Part Harmony is a 2002 documentary film depicting the struggles of black South Africans against the injustices of Apartheid through the use of music. The film takes its name from the Zulu and Xhosa word amandla, which means power.
One Settler, One Bullet was a rallying cry and slogan originated by the Azanian People's Liberation Army (APLA), the armed wing of the Pan Africanist Congress (PAC), during the struggle of the 1980s against apartheid in South Africa. The slogan parodied the African National Congress's slogan 'One Man, One Vote', which eventually became 'One Person, One Vote'. It is not to be confused with the controversial protest song "Dubul' ibhunu".
South Africa has a long history of alternative media. During the 1980s there was a host of community and grassroots newspapers that supplied content that ran counter to the prevailing attitudes of the times. In addition, a thriving small press and underground press carried voices that would not have been heard in the mainstream, corporate media. Pirate radio projects operated by Caset were the forerunners of the country's community radio and small pamphlets and samizdat were included in the mix.
Radio Freedom also called Radio Zambia was a South African radio arm of the African National Congress (ANC) and its fighting wing Umkhonto we Sizwe (MK) during the anti-Apartheid struggle from the 1970s through the 1990s. It was the oldest liberation radio station in Africa. Listening to Radio Freedom in Apartheid-era South Africa was a crime carrying a penalty of up to eight years in prison.
The Western Cape Anti-Eviction Campaign was a non-racial popular movement made up of poor and oppressed communities in Cape Town, South Africa. It was formed in November 2000 with the aim of fighting evictions, water cut-offs and poor health services, obtaining free electricity, securing decent housing, and opposing police brutality.
Internal resistance to apartheid in South Africa originated from several independent sectors of South African society and took forms ranging from social movements and passive resistance to guerrilla warfare. Mass action against the ruling National Party (NP) government, coupled with South Africa's growing international isolation and economic sanctions, were instrumental in leading to negotiations to end apartheid, which began formally in 1990 and ended with South Africa's first multiracial elections under a universal franchise in 1994.
The South African Unemployed Peoples' Movement is a social movement with branches in Durban, Grahamstown and Limpopo Province in South Africa. It is often referred to as the Unemployed People's Movement or UPM. The organisation is strongly critical of the ruling African National Congress government.
South Africa has been dubbed "the protest capital of the world", with one of the highest rates of public protests in the world.
"Senzeni Na?" is a South African anti‐apartheid folk song. It is a Xhosa struggle song, and is commonly sung at funerals, demonstrations and in churches. Activist Duma Ndlovu compared the influence of "Senzeni Na?" to that of the American protest song, "We Shall Overcome."
No Land! No House! No Vote! Voices from Symphony Way is an anthology published in 2011 of 45 factual tales written and edited by the Symphony Way Pavement Dwellers.
Occupy South Africa was a South African initiative primarily aimed at protesting and inciting mass action against the racial, economic and social inequality in South Africa. It is part of the globally Occupy Wall Street movement. It consists of a loose informal affiliation of on the ground groups and individuals across South Africa as well as internet based groups. Groups such as Taking Back South Africa!, Occupy South Africa are involved in South Africa and online. The movement is also involved with the Marikana miners' strike.
"Mannenberg" is a Cape jazz song by South African musician Abdullah Ibrahim, first recorded in 1974. Driven into exile by the apartheid government, Ibrahim had been living in Europe and the United States during the 1960s and '70s, making brief visits to South Africa to record music. After a successful 1974 collaboration with producer Rashid Vally and a band that included Basil Coetzee and Robbie Jansen, Ibrahim began to record another album with these three collaborators and a backing band assembled by Coetzee. The song was recorded during a session of improvisation, and includes a saxophone solo by Coetzee, which led to him receiving the sobriquet "Manenberg".
"Sing Our Own Song" is a song written and performed by British reggae group UB40. It features backing singers Jaki Graham, Mo Birch and Ruby Turner and appeared as the ninth and final track on their seventh album, Rat in the Kitchen (1986). Released in 1986, it reached number five on the UK Singles Chart and became a number-one hit in the Netherlands.
"Bring Him Back Home (Nelson Mandela)", also known as "Bring Him Back Home", is an anthemic anti-apartheid protest song written by South African musician Hugh Masekela. It was released as the first track of his 1987 album Tomorrow. It was recorded in 1986 when Masekela was in exile from the apartheid regime of South Africa. The melody of the song is buoyant, containing a number of powerful chords and trumpet riffs. The lyrics of the song demand the release of Black South African leader Nelson Mandela, who had been imprisoned by the White South African government on Robben Island since 1962. The song became enormously popular, and turned into an unofficial anthem of the anti-apartheid movement. It became one of Masekela's most performed live songs. It was later used as a part of the official soundtrack to the documentary film Amandla!: A Revolution in Four-Part Harmony. The song was included in the 1994 live album Hope and in the 2001 collection Grazing in the Grass: The Best of Hugh Masekela, released by Columbia Records.
The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apartheid manifested in a variety of ways, including boycotts, non-violent protests, and armed resistance. Music played a large role in the movement against apartheid within South Africa, as well as in international opposition to apartheid. The impacts of songs opposing apartheid included raising awareness, generating support for the movement against apartheid, building unity within this movement, and "presenting an alternative vision of culture in a future democratic South Africa."
"Dubul' ibhunu", translated as shoot the Boer, as kill the Boer or as kill the farmer, is a controversial anti-apartheid South African song. It is sung in Xhosa or Zulu. The song originates in the struggle against apartheid when it was first sung to protest the Afrikaner-dominated apartheid government of South Africa.