The first single from the album was "Let Me Love You", which was written by Ne-Yo was a number one hit in the United States and number two in the United Kingdom, becoming Mario's biggest hit to date. The second single was a split single. In the US, "How Could You", a song written by Bay Area singer-songwriter J. Valentine, was released (reaching number 52) but in the UK, "Here I Go Again" was released (reaching number 11). The fourth and final single from the album in the US was "Boom", featuring Juvenile. In support of the album, Mario supported R&B trio Destiny's Child in their tour, Destiny Fulfilled ... And Lovin' It, as an opening act for the American leg. The album received two nominations at the 48th Grammy Awards including Best Contemporary R&B Album.
Concept and themes
In an interview with MTV, Mario explained, "One of the biggest reasons I wanted to do it is that I did want to stand out from everybody. I get to share it with the world [...] It's good for me. I been blessed to be in this situation. Everything's been going great. I just been pacing myself, working real hard on this album. That's what my life is about right now: my transition into manhood." When asked about his decision to work his producer Scott Storch on material for the album, he elaborated: "He did a lot of stuff back in the day, you'd be surprised. He played me some stuff he did for Erykah Badu, for Lauryn Hill, for Eminem and 50 Cent. When I went to Scott, we went in the studio and freestyled and came up with some great records."[6]
Singles
Turning Point was preceded by lead single "Let Me Love You", released on October 4, 2004.[3] Produced by Scott Storch, it became a worldwide success, reaching number one in Germany, the Netherlands, New Zealand, and the United States, where it peaked at number on the Billboard Hot 100 for nine consecutive weeks. The song also remained at number one on Billboard's Hot R&B/Hip-Hop songs for eleven consecutive weeks.
The album produced three further singles, including second US single "How Could You" which became a top-20 hit on the Hot R&B/Hip-Hop Songs chart. Elsewhere, "Here I Go Again" served as the album's second single. It became a top ten hit in Belgium and the Netherlands, also reaching the top 20 in Australia, Ireland, and the United Kingdom. Fourth and final single "Boom" peaked at number 23 on the BillboardRhythmic Top 40 chart.
In his review from AllMusic, Jason Birchmeier wrote that "there's not much else on Turning Point that comes close to matching the balladic magic of "Let Me Love You" [...] Above all, though, it's "Let Me Love You" and its remix that make Turning Point a noteworthy effort for this teenager and a fine second album overall."[7] Jem Aswad from Entertainment Weekly said that Turning Point "is plenty catchy, but it's also so full of sugar that the spoon stands up," giving the album a B−.[9]Virgin Media said that "the production is tight throughout the album but not overly polished, and there is enough edge maintained from start to finish to suggest that Mario may indeed buck a few R&B trends in the months to come."[17]The Washington Times called Turning Point "a solid follow-up to a promising debut."[18]
Baz Dreisinger from Blender felt that "though the Baltimore-born singer is newly legal (as he tells us on the too-terse club jam "18"), his enticingly even-toned voice—smooth as R. Kelly's—transcends teen-pop. It's even manly enough to convey lovelorn intensity ("Here I Go Again"), offer explicit "Directions" to an uncorrupted gal pal ("Trust me, I got skills"), then sweetly stage an "intimate talk" with her ("Like Me Real Hard"). Only his age-appropriate tracks—the singsong club jingle "Girl I Need", or the irony-free homage to "Nikes fresh out the box" remind us that Mario is not a boy, but not yet a man."[8]USA Today critic Steve Jones found that "the material seems more what you'd expect from an 18-year-old [...] There are still a few lightweight ditties and songs that show he hasn't completely left his youth behind ("Nikes"), but he seems pointed in the right direction."[15]The Guardian's Caroline Sullivan wrote that "undisputed foxy dude that [Mario] is though, Turning Point owes its sparkling nowness to an astute choice of producers and guests."[10]
The New York Times critic Jon Pareles noted that the "album reeks of calculation, and suffers only slightly for it." He found that WHILE "Michael Jackson – minus the weirdness – is Mario's vocal model and strategic guide [...] the music isn't retro. It's full of pointillistic computer productions and electronically tweaked vocals, and some tracks are ingenious."[19] Jason Richard, writing for Now, found that Mario "ebbs and flows through the sophomore-album maturity model employed by every young artist from Avril to Britney, dealing with being done wrong and how he's got to have her and blah blah blah. The record's six-figure beats, provided by Scott Storch and Lil' Jon, are slicker than Aaron Neville's cocoa butter, ensuring that Turning Point will be a perennial fave among BET's 106 & Park fans."[12]
Turning Point's first appearance was in the US Billboard 200, selling roughly 161,000 copies in the first week, debuting at number thirteen. It was later certified platinum by the Recording Industry Association of America (RIAA), selling over 1.2million copies.[21] The album's last appearance was week 37/2005 in the Belgium Albums Top 50. Its peak position was number 6, on the Dutch Albums Top 100; it stayed there for one week. Its highest entry was number 9 in the Dutch Albums Top 100.[22]
"Girl I Need" contains a portion of the composition "Gimme a Break," written by Robert Christianson, Robert Garrett, and Marley Simms.
"Nikes Fresh Out the Box" contains a sample from "You Walk Your Way" and contains a portion of the composition "Shout," both performed by The Isley Brothers.
Personnel
Credits are adapted from the album's Liner Notes[24] and AllMusic.[25][24]
Mario – vocals sung by (1–3, 6, 8, 10, 12–13, lead on 4–5, 7, 9, 11)
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