The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Carole King Klein is an American singer-songwriter and musician who has been active since 1958. One of the most successful female songwriters of the latter half of the 20th century in the US, she wrote or co-wrote 118 pop hits on the Billboard Hot 100. She also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005.
Gerald Goffin was an American lyricist. Collaborating initially with his first wife, Carole King, he co-wrote many international pop hits of the early and mid-1960s, including the US No.1 hits "Will You Love Me Tomorrow", "Take Good Care of My Baby", "The Loco-Motion", and "Go Away Little Girl". It was later said of Goffin that his gift was "to find words that expressed what many young people were feeling but were unable to articulate."
"You've Got a Friend" is a 1971 song written by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version is by James Taylor from his album Mud Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians.
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released in March 1969 in the United States by Atlantic Records, and Philips Records distributed the record outside the U.S. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
The Best of The Byrds: Greatest Hits, Volume II is the third greatest hits album by the American rock band the Byrds, but only the second to be released in the United States, since the earlier The Byrds' Greatest Hits Volume II had only been issued in the UK. The album was released in the U.S. by Columbia Records on November 10, 1972 in lieu of any new Byrds' product during that year. It spent a total of thirteen weeks on the Billboard Top LPs & Tapes chart and peaked at number 114.
The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. The box set was issued on October 19, 1990, by Columbia/Legacy and reached number 151 on the Billboard albums chart.
"I Can't Hear You No More" is a composition written by Gerry Goffin and Carole King. It was originally recorded as "I Can't Hear You" in 1964 by Betty Everett. The most successful version was the 1976 top 40 single by Helen Reddy.
See All Her Faces is the seventh studio album by singer Dusty Springfield, originally released on the Philips Records label in 1972. It contains a mixture of tracks from different recording sessions; some tracks were recorded with Jeff Barry for an aborted third album for Atlantic Records, other tracks were recorded for Philips in the UK between April and July 1970 – these came to be Springfield's final recordings with longtime producer and arranger Johnny Franz. Some, such as "Willie and Laura Mae Jones", recorded with Jerry Wexler, Tom Dowd and Arif Mardin, had been previously released as singles in the US. See All Her Faces collects many of those tracks, recorded from 1969 to 1971, placing seven of the British recordings on Side A, while Side B comprises tracks recorded both in the UK and the US. As a result, the album has no cohesive sound, but offers many different styles of music. The album boasts eight producers, including Springfield herself. It has been suggested that See All Her Faces is best appreciated track by track, rather than as a whole stylistic statement, as her album Dusty in Memphis is often praised to be.
Where Am I Going? is the third studio album by singer Dusty Springfield, released on Philips Records in the UK in 1967. By now, firmly established as one of the most popular singers in Britain, with several hits in America as well, Springfield ventured into more varying styles than before and recorded a wide variety of material for this album. Rather than the straightforward pop of A Girl Called Dusty or the mix of pop and soul of Ev'rything's Coming Up Dusty, Springfield recorded a variety of styles from jazz to soul, to pop and even show tunes. While not the success that her previous two albums were, Where Am I Going? was praised by fans and critics alike for showing a mature and sophisticated sensibility, despite the many different styles of music.
"So You Want to Be a Rock 'n' Roll Star" is a song by the American rock band the Byrds. Written by Jim McGuinn and Chris Hillman, it was included on the band's 1967 album, Younger Than Yesterday. The song was inspired by the manufactured nature of the Monkees and was released as a single on January 9, 1967, reaching number 29 on the Billboard Hot 100, but failing to chart in the United Kingdom.
"Ballad of Easy Rider" is a song written by Roger McGuinn, with input from Bob Dylan, for the 1969 film Easy Rider. The song was initially released in August 1969 on the Easy Rider soundtrack album as a Roger McGuinn solo performance. It was later issued in an alternate version as a single by McGuinn's band the Byrds on October 1, 1969. Senior editor for Rolling Stone magazine, David Fricke, has described the song as perfectly capturing the social mood of late 1969 and highlighting "the weary blues and dashed expectations of a decade's worth of social insurrection".
"Porpoise Song" is a song written by Gerry Goffin and Carole King and performed by the Monkees as the theme song for their 1968 film Head and its accompanying soundtrack album. The single version contains an extended instrumental outro not included on the album version or in either of the song's appearances in Head. The song also appears on several Monkees greatest-hits albums.
I Couldn't Live Without Your Love is a Petula Clark album released in the United States and the UK in September 1966. Clark's fifth US album release, I Couldn't Live Without Your Love was the first Petula Clark album to include creative personnel besides Tony Hatch, who produced the album and arranged some of the tracks, along with Johnny Harris.
"Goin' Back" is a song written by Gerry Goffin and Carole King in 1966. It describes the loss of innocence that comes with adulthood, along with an attempt, on the part of the singer, to recapture that youthful innocence.
The Byrds' Greatest Hits Volume II is the second greatest hits album by the American rock band the Byrds. It was released in the United Kingdom and Europe on October 29, 1971, by CBS Records as a follow-up to the band's first compilation album, The Byrds' Greatest Hits. The album appeared following the band's successful appearance at the Lincoln Folk Festival in England on July 24, 1971, and according to band biographer Johnny Rogan may have been issued by CBS as a reaction to the band's previous studio album, Byrdmaniax, having failed to chart in the UK.
History of The Byrds is a double album compilation by the American rock band the Byrds and was released on May 18, 1973 by CBS Records. The compilation was released exclusively in Europe and the UK, peaking at number 47 on the UK Albums Chart, but it was also available in the United States as an import.
"I Knew I'd Want You" is a song by the folk rock band the Byrds, written by band member Gene Clark, and first released as the B-side to their 1965 debut single, "Mr. Tambourine Man". It was also later included on their debut album, Mr. Tambourine Man.
The Myddle Class was an American garage rock band from Berkeley Heights, New Jersey, which was active in the 1960s. Signed to Tomorrow Records which was owned by the songwriters Gerry Goffin and Carole King, they were one of the most popular live acts in the New Jersey/New York region during the 1960s and released several singles, enjoying hits in various local markets such as Albany. In the late 1960s, band members became involved in college and other musical projects. Charles Larkey, who joined the Fugs in late 1967, later married King, following her divorce from Goffin, and played bass guitar on some of her recordings in the 1970s. The Myddle Class intended to record an album in 1969, but was thwarted due to the murder of the guitarist Rick Philp. The band broke up shortly thereafter. The singer, Dave Palmer, later joined Steely Dan in the 1970s and sang on King's hit "Jazzman".
