"When He Returns" | |
---|---|
Song by Bob Dylan | |
from the album Slow Train Coming | |
Released | August 20, 1979 |
Recorded | April 30–May 11, 1979 |
Studio | Muscle Shoals Sound Studio |
Genre | Gospel |
Length | 4:30 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Jerry Wexler |
"When He Returns" is a gospel song written and performed by the American singer-songwriter Bob Dylan and released as the ninth and final track on his 1979 album Slow Train Coming . The title and content of the song explicitly reference the Second Coming of Jesus. In contrast to the bigger band arrangements on the album's other eight tracks, Dylan's vocal on "When He Returns" is accompanied only by Barry Beckett on piano. The song was recorded at Muscle Shoals Sound Studio in Sheffield, Alabama and produced by Jerry Wexler.
In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon cite the Gospel of Matthew, especially the following quote from the Sermon on the Mount, as Dylan's main source of inspiration: "But the gate that leads to life is small and the road is narrow, and those who find it are few". They also note that the song bears a resemblance to Dylan's earlier "Blowin' in the Wind": "In both songs, Dylan uses the metaphor of a man who has eyes but does not see. What differs is the answer. In 'Blowin' in the Wind', there is no answer; in 'When He Returns', the answer lies in trust in Christ". [1]
According to producer Jerry Wexler, "It was Dylan's intention not to sing on the song at all, rather it was to be a lead ensemble by the otherwise backup female singers. Beckett's piano was an ad-lib accompaniment to a vocal Dylan had made as a demo for the singers to use while rehearsing. Ultimately, however, Dylan abandoned his original notion, and after practicing overnight, he redid his vocal to fit the demo's spontaneous piano track". [2]
The song, in both the studio version and in live performances, is considered to feature some of Dylan's most passionate vocals. The original studio recording, for instance, was cited by Dylan's biographer Clinton Heylin as “perhaps Dylan’s strongest studio vocal since ‘Visions of Johanna’" in 1966, while Dylan scholar Tony Attwood refers to a live version from 1980 as "the one Dylan performance that could convert a sinner such as me". [3]
A 2021 Guardian article included it on a list of "80 Bob Dylan songs everyone should know". [4]
Jean-Luc Godard has used the song in three different films: In his 1986 made-for-television film Grandeur et décadence d'un petit commerce de cinéma, there is a scene in which a character played by Jean-Pierre Léaud listens over and over again to an excerpt from the song featuring the lyric "Truth is an arrow and the gate is narrow that it passes through". [5] Godard also weaves excerpts from the song into the tapestry-like soundtracks of his later short films Puissance de la parole (1988) [6] and Khan Khanne (2014). [7]
Dylan performed the song 47 times in concert between 1979 and 1981. [8] Two of these live versions (along with an alternate studio take) were included on the album The Bootleg Series Vol. 13: Trouble No More 1979–1981 . [9]
Gospel singer and Bishop Rance Allen covered the song for the Grammy Award-nominated 2003 album Gotta Serve Somebody: The Gospel Songs of Bob Dylan . A filmed version of this studio performance was also included in a 2005 documentary by the same title. [10]
Indie rock band Vampire Weekend covered the song during their performance at the New Orleans Jazz & Heritage Festival in 2024. [11]
Slow Train Coming is the nineteenth studio album by American singer-songwriter Bob Dylan, released on August 20, 1979, by Columbia Records. It was Dylan's first album following his conversion to Christianity, and the songs either express personal faith, or stress the importance of Christian teachings and philosophy. The evangelical nature of the record alienated many of Dylan's existing fans; at the same time, many Christians were drawn into his fan base. Slow Train Coming was listed at No. 16 in the 2001 book CCM Presents: The 100 Greatest Albums in Christian Music.
Oh Mercy is the twenty-sixth studio album by American singer-songwriter Bob Dylan, released on September 12, 1989, by Columbia Records. Produced by Daniel Lanois, it was hailed by critics as a triumph for Dylan, after a string of poorly reviewed albums. Oh Mercy gave Dylan his best chart showing in years, reaching No. 30 on the Billboard charts in the United States and No. 6 in the UK.
"Shelter from the Storm" is a song by Bob Dylan, recorded on September 17, 1974, and released on his 15th studio album, Blood on the Tracks, in 1975. It was later anthologized on the compilation album The Essential Bob Dylan in 2000.
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"Angelina" is a song by American singer-songwriter Bob Dylan, recorded on March 26, 1981, for his album Shot of Love but not included on the record. The song was written by Dylan and produced by Jimmy Iovine. A version was released on The Bootleg Series Volumes 1-3 1961-1991 on March 26, 1991, exactly ten years later. A different take was issued on The Bootleg Series Vol. 16: Springtime in New York 1980–1985 in 2021. Critics have expressed their lack of understanding of the lyrics, whilst generally affording the song a positive reception. Dylan's rhyming of the name in the title of the song with "concertina", "hyena", "subpoena", "Argentina" and "arena" has attracted commentary, with scholar Nicholas Birns calling the rhymes "bravura and ... provocative".
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"Stuck Inside of Mobile with the Memphis Blues Again" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971).
"Someday Baby" is a Grammy Award-winning blues song written and performed by American singer-songwriter Bob Dylan, released as the fifth track on his 2006 album Modern Times. The song had considerable success, garnering more airtime on U.S. radio than any other track on the album. It spent twenty weeks on Billboard's Adult Alternative Songs chart, peaking at #3 in November 2006. It was also anthologized on the compilation album Dylan in 2007.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"One of Us Must Know (Sooner or Later)" is a song by American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out relationship. It was recorded at Columbia studio A in New York on January 25, 1966, with Dylan and other musicians developing the song through over twenty takes during the session.
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"Gotta Serve Somebody" is a song written and performed by American singer-songwriter Bob Dylan, released as the opening track on his 1979 studio album Slow Train Coming. It won the Grammy Award for Best Rock Vocal Performance by a Male in 1980. It was later anthologized on the compilation albums Biograph (1985), Bob Dylan's Greatest Hits Volume 3 (1994), The Essential Bob Dylan (2000), The Best of Bob Dylan and Dylan (2007).
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