Tour by Miley Cyrus | |
Associated album | Breakout The Time of Our Lives |
---|---|
Start date | September 14, 2009 |
End date | December 29, 2009 |
Legs | 2 |
No. of shows | 56 |
Miley Cyrus concert chronology |
The Wonder World Tour was the second concert tour by American singer Miley Cyrus. The tour was held in support of her second studio album Breakout (2008) and first extended play (EP) The Time of Our Lives (2009). It began in September 2009 and concluded on December 29, visiting cities in the United States and United Kingdom; thus, the Wonder World Tour became Cyrus' first world tour. It also became Cyrus' first tour not to incorporate performances as Hannah Montana, although "Let's Get Crazy" and "Spotlight", both songs credited to Montana, were performed. Alternative band Metro Station served as opening act for all tour venues. It was sponsored by Wal-Mart and promoted by AEG Live. All tickets from the Wonder World Tour were sold using paperless ticketing, in order to prevent ticket scalping similar to what had occurred during Cyrus' previous tour. One dollar from each ticket sold was donated to the City of Hope National Medical Center, an organization devoted to the fight against cancer.
The Wonder World Tour has been described as part of Cyrus' transitional period, with more elaborate and edgier characteristics. Each concert was divided into seven segments, each of which bared different themes, the subject of matter for the tour's title. The show opened with Cyrus performing rock-oriented songs. It also featured her and backup dancers being suspended above the stage with aerial rigging various times. At one point, she mounted a Harley-Davidson motorcycle as it was elevated and made its path across the venue. Cyrus also rendered a tribute to the deceased singer Michael Jackson and performed two Hannah Montana-credited songs as herself.
The tour received positive to mixed reception from critics. Some praised it and deemed it a spectacle, while others believed it lacked profundity and portrayal of Cyrus' personality. The Wonder World Tour was commercially successful despite the financial recession that was present in 2009. It was able to sell-out all European dates in ten minutes and marks the largest attendance at The O2 Arena in London. During the first leg of the tour, one bus overturned several times on a highway. The accident resulted in the injury of one person and the death of another. The cause of the accident is yet to be specified, yet multiple theories for it exist. A filtered version of the Wonder World Tour was broadcast on the American Broadcasting Company (ABC) on June 18, 2010 and received a total of over 2.6 million viewers. The full-length concert film was released on the limited, deluxe edition of Cyrus' third studio album Can't Be Tamed (2010).
Cyrus is a singer-songwriter and actress who starred on the Disney Channel television series Hannah Montana as Miley Stewart, a girl with a secret double life as the popstar Hannah Montana. Through the television series, Cyrus developed fame as a teen idol and released music credited to Hannah Montana. [1] Cyrus' debut studio album, titled Meet Miley Cyrus, was released as the second disc of the Hannah Montana 2: Meet Miley Cyrus (2007) double-disc album. [2] In order to promote the album, Cyrus embarked on her debut tour, the Best of Both Worlds Tour (2007–08), a North American tour where she performed both under character, as Hannah Montana, and as herself. [3] With the release of Cyrus' second studio album, Breakout (2008), her first not be affiliated with the Hannah Montana franchise, [4] and an extended play (EP) The Time of Our Lives (2009), [5] Cyrus decided to embark on tour again with the Wonder World Tour, however, without incorporating performances as Hannah Montana, a step which the media interpreted as furthering her distance from the Hannah Montana franchise. [6]
The concert tour was announced alongside Cyrus' joint apparel line with Max Azria on June 3, 2009, through various outlets, including Miley's Twitter account, [7] a press release, and MileyWorld, Cyrus' official fan club. It was confirmed that the tour would be sponsored by American retailing company Wal-Mart and promoted by AEG Live. It would expand throughout the United States, from September 14, 2009 in Portland, Oregon to December 2, 2009 in Miami, Florida, with a total of forty-five dates. Alternative rock band Metro Station, where Cyrus' older brother, Trace Cyrus, integrates in, was confirmed as the opening act for all dates. [8] Two days later, a European leg, with nine dates in the United Kingdom, was announced, marking Cyrus' first concerts to visit another continent. On June 16, 2009, two more dates were annexed, [9] and one final date was annexed in October 2009, in order to meet demand. [10]
All tickets for the Wonder World Tour were sold exclusively through paperless ticket delivery, meaning that fans did not receive a physical concert ticket for their entry into the event. Ticket buyers were required to bring the credit card used to make the purchase and photo identification to the concert venue in order to gain entry. All groups were to enter the concert together, and ushers issued seat locator slips. [8] The method of ticket sales was relatively new at the time, although Ticketmaster first experimented it with AC/DC's Black Ice World Tour (2008–10). However, it marked the first time for an arena tour to sell all tickets through paperless ticketing. [11] This was done in response to the extensive ticket scalping that occurred during the Best of Both Worlds Tour and in order to give fans the opportunity to purchase good tickets at face value. [11] Cyrus' manager and president of Morey Management Group, Jason Morey, stated, "The focus was, 'How do we take all the information we gathered last time out and do a better job of it?' It was important to us to address the issue of demand. We thought that of every single option that was available out there, this was a really viable option, to go with the paperless ticketing." [11] As with the Best of Both Worlds Tour, one dollar from each ticket purchased was donated to the City of Hope National Medical Center, a center dedicated to the prevention, treatment and research for the cure of cancer. [12]
The tour was titled the Wonder World Tour because of its diversity in themes and styles. [13] Cyrus believed the tour was good transition for solidifying a more rock music-based career. [13] She described the tour to be edgy and "more of a mature show", with the target audience being teenagers relatively her age, which was sixteen at the time. [14] However, performances that would please younger audiences were added to the setlist. [14] It was conceptualized to be a more elaborate than Cyrus' previous tour and to reflect Cyrus as an individual. [15] The reason for this to occur was because Cyrus felt more confident as a vocalist to perform stunts and use props while singing. Also, more resources were available, for more companies were willing to invest in the tour. Ideas were suggested by different individuals and were tested during filmed rehearsals in order to decide which would make the final cut. "Each person has their own character and their own story. So, we've added everyone's kind of specialty into our show [...] This is not just a concert, it is an absolute show", Cyrus said. [16] After having completed filming for The Last Song (2010) in Tybee Island, Georgia, Cyrus returned to Los Angeles for tour rehearsals at The Forum in mid-August. [17] Due to filming The Last Song, Cyrus was only able to rehearse for three weeks although the average rehearsal period for musicians is about three months. [17]
Jamal Sims was hired as the tour's director and main choreographer. Octavious Terry served as an assistant for directing, meanwhile Dondraico Johnson assisted choreography. They, along with twelve other members, composed the tour's creative team. [18] In total, the Wonder World Tour included 124 traveling workers, 19 truckloads of equipment, and 15 buses. [13] The stage was quite different from that of the Best of Both Worlds Tour. It consisted of a rectangular main stage, which featured staircases that elevated the center of the stage, and a narrow runway, which connected the main stage to a B-stage that ran the length of the main stage. [18] Regarding the stage, Cyrus noted that it was "something not many people get to have. I'm able to move around to each side so there's no one person who feels like they don't have the best seat. Every seat is the best seat." [13] Six LED multi-screen video units were located throughout the stage; the three largest were placed as the upstage wall, while the other three were hung by rigs above the stage. The center unit consisted of three screens that faced outward; two others were hung right and left to the center unit, both were double faced toward the center of the venue at a 45° angle, while the backside faced the upper-seat audience. The structure of the video panels was designed by Sims to ensure that all seats within the 270° angle at each venue received an equal view of the video screens. [18] Video content and lighting were designed by Seán Burke; the latter was provided by Production Resource Group (PRG). [18]
The tour used seven individual rigs for performers and props to become airborne. For dancers to be flown to the center of each upstage, a winch, which dropped 18 inches off the face of the panel, was placed in the rig. Cyrus' flying required two winches, one for a vertical lift and one for a horizontal move that coursed the audience and back to the stage. [18] Four elevators, or trap doors, were located throughout the stage, some of which had the option of a 4×4 or an 8×8 foot opening. All of the fly rigs and elevators were built and operated by Show Group Production Services (SGPS)/Showrig. [18] The challenge that presented the most difficulty for SGPS was time constraint, as there were only three weeks of rehearsal. Brian White, co-owner of SGPS, explained,
There wasn’t a lot of time, but the good news was that it was at the [L.A.] Forum, which gave us a lot of height to fly things around, and there was also a lot of room to lay stuff out on the floor. The other good thing was that our offices are only 10 minutes away. So if I had to send a welder down there to make some changes I could do it pretty fast. The biggest thing we had going for us was a great crew. We had some really good people out there." [...] I’d say that about 90 percent of what we built on Miley Cyrus fit the first time in rehearsal. The only reason we had to retro fit anything was because of last minute design changes that came about once everything was up and they could see it all. [18]
Special effects and pyrotechnics were provided by Pyritz Pyrotechnics Group. Terry Ritz, founder of the organization, and his partner Steve Aleff had created various ideas based on the tour soundtrack that was provided to them by the Wonder World Tour's personnel. They met with the tour's choreographer, band manager, and lighting designer, asking them to bring their "hopes, wishes, and dreams." [18] Out of these meetings, the show was completed and a lighting crew, who monitored the stage with a four-camera monitor system when cues were executed, was selected. [18] The pyrotechnics for the show were described as more elegant and subtle, being composed of pink flames with accentuation of silver and white glitter. [18] Because of the extensive automation executed throughout the concert, two personnel were in charge of running it. Neville Emerton ran the automation from under the stage, and Sean Conner ran all of the flying moves from a position at the front of each venue. Meanwhile, assistant stage manager Seth Posner called cues for each concert. "Normally, in a rock show you don’t need someone calling the show. In this one we had to take a more theatrical approach with someone calling cues every step of the way because there was so much going on at once between props and automation", explained production manager Omar Abderrahman. [18] One of the props that required much attention on the part of Posner was a car made to resemble a tractor, designed and built by effects designer and stage manager Scott "Stryker" Christensen. Because it came along late in the design process, the main elevator was not built to handle the weight of the car, though it was eventually reinforced to support the weight and movement of the car. The car was also modified; it was made electric, instead of using a combustion engine, for fire-safety and changed to turn around by adjusting its turning radius to automate steering with all four wheels. [18] In order to translate the concert tour overseas to the United Kingdom, the Wonder World Tour paired with Sound Moves, a company that was already providing minor support for the North American leg of the tour. [18]
The main show commenced with Cyrus emerging from the bottom of the stage inside a large, crystal-like glacier. She wore a black leather hot pantsuit, a tank top, and a white fur vest with a silver sequined hood as she escaped the cocoon to perform the concert's opening number, "Breakout". Numerous backup dancers accompanied her and, towards the conclusion, she performed atop movable scaffolding. [19] After removing the fur vest, Cyrus performed "Start All Over" atop the scaffolding and continued the remainder of the first segment of the show with "7 Things" and "Kicking and Screaming". [20] Cyrus then executed the show's second segment with a performance of "Bottom of the Ocean", which featured an aquatic theme for the stage and Cyrus donning a silver, flowing evening gown that bared a bejeweled bodysuit underneath. [21] [22] The performance ended with Cyrus diving into the stage, succeeded by a simulation of her underwater on the video screens. [23] Cyrus returned to the stage for the show's third segment atop a tractor-resembling car to perform "Fly on the Wall". [18] During the performance, Cyrus wore an extravagant white dress with a feathered skirt. [24] Backup dancers were flown up into contact with panels in order to resemble a fly on a window; meanwhile, Cyrus was flown across the arena. [18] Once back in the stage, Cyrus and backup dancers performed a brief dance interlude of Michael Jackson's "Thriller" (1984). [25] Replacing the feathered bottom with a tutu, Cyrus performed the Hannah Montana-credited song "Let's Get Crazy" [26] and "Hoedown Throwdown". The latter was followed by a video in which will.i.am of The Black Eyed Peas spoke about Cyrus, as she left the stage. When the video was completed, the dancers performed a remix of the Black Eyed Peas' "Boom Boom Pow" (2009). [27]
The show's fourth segment opened with "These Four Walls", in which Cyrus wore a black high-low dress. The song was performed in B-stage with various acoustic musicians. [26] The show proceeded with "When I Look at You", a performance that featured the trailer for Cyrus' film The Last Song (2010) and her performing with a grand piano. [28] It concluded with "Obsessed", which the singer performed atop a simple suspension bridge. [18] She re-entered the stage, clothed by a black tee, red cheetah-patterned hot pants, and black boots, to perform the second Hannah Montana-credited song "Spotlight" and, later, "G.N.O. (Girl's Night Out)", replacing the prior hot pants with black ones and adding a denim vest. [20] She followed with a cover of Arrows' "I Love Rock 'n' Roll", where Cyrus mounted a red Harley-Davidson Dyna Fat Bob FXDF 2010 that was suspended above the stage and traveled in a semi-oval path across the venue. [18] Performances of "Party in the U.S.A.", which made use of a luggage cart, [29] and "Hovering", which featured Cyrus' older brother Trace Cyrus, rounded off the segment. [23] The sixth segment of the show featured Cyrus performing "Simple Song", in which she dressed in a long, white shirt and a black tuxedo, in order to simulate a music conductor. [20] Midway through the performance, Cyrus stepped onto an elevator that rose eight feet from the stage. [18] She exited the stage and returned for the final section. During the encore, Cyrus dressed in a white tank top and shorts, boots, and a metallic vest to perform "See You Again", later removing the vest to conclude the concert with "The Climb". Immediately after finishing, she exited through a passageway in the stage as fireworks were fired above. [20]
Mikael Wood of The Los Angeles Times , in reference to Hannah Montana, commented, "Once again, make-believe Miley was more compelling than the real thing." Wood believed Cyrus possessed charisma, commenting that she portrayed superstar authority, but failed because she was unable or unwilling to "give her fans a deeper idea of who she is and what her music means. For all its eye-popping detail, the concert offered nothing that viewers of her TV show or buyers of her records don't already know about her." [25] Dave Paulson of The Tennessean stated, "Cyrus' spectacle sets her apart from nearly every other A-list act touring today. She's not a renowned vocalist by any stretch, but her show's choreography barely provides a moment for her to catch her breath, and she's still able to deliver." [27] Michael Hann of the United Kingdom-based Guardian was impressed by the concert, praising the setlist and deeming it enjoyable for both children and adults. He continued, "Good as the best songs are, though, they take a backseat to the staging [...] The one misstep is when a trailer for her next movie is shown during a costume change. It's a tacky moment and doesn't reflect the attention to detail that makes the rest of it a laugh-out-loud delight." [30] Lael Loewenstein of Variety magazine said, "Cyrus knows how to deliver the goods without losing her core audience." [21] Loewenstein deemed the concert a mission accomplished because of inevitable hits and Cyrus' charisma, drive, spunk, and a merely-limited vocal range. [21] Erik Ensrst of The Milwaukee Journal Sentinel praised the show, stating that it was "a pure visual spectacle", but commented that producers forgot a place for Cyrus' personality. [31]
Jim Harrington of The Oakland Tribune described the show as a human embodiment of Britney Spears' "I'm Not a Girl, Not Yet a Woman" (2002). He presumed that the tour was a conscious transition for fans who did not want Cyrus to separate herself from the Hannah Montana franchise. [6] Kirsty Cameron of The Daily Telegraph wrote, "Despite her relatively young age, Cyrus showed her unfailing capability as performer. With the help of her back-up dancers, Cyrus provided her audience with choreographed set pieces and a different spectacle for each song." [32] James Reed of The Boston Globe noted that the Wonder World Tour presented Cyrus as both a "PG-rated tween pop star and an edgy rocker eager". He stated that although she played both roles well, it was apparent that she was more at ease with the latter. Reed also felt the concert did little to display Cyrus' personality and ability to engage with the audience. "We know she's got impressive vocal chops, but now we need to feel what she's trying to put across in her songs, something beyond the standard 'You guys are awesome!' banter." [33] Scott Iwasaki of Deseret News reviewed a concert in which Cyrus was ill. He mentioned that because of her illness, her voice went flat. Iwasaki also expressed his viewpoint that "if there [were] any worries that Miley Cyrus would become another Britney Spears train wreck, those worries were quelled during Tuesday night's show. She kept the show family-friendly and, although obviously sick, looked like she had a good time." [26] Marlin Levison of The Star Tribune believed the concert lacked much profundity until the last performance. [28]
The Wonder World Tour was commercially successful and represented stability in the touring industry, despite the financial recession. [18] In North America, the tour sold out twenty-nine out of forty-five concert dates and grossed over US $45.2 million. [34] The tour was able to remain as one of the hottest tours in the United States during its expansion. [35] The Wonder World Tour's entire, ten-date European leg sold out in only ten minutes. [36] In order to meet demand, an eleventh date was added and scheduled for December 29, 2009. [10] In December 2009, the tour ranked atop Billboard 's Hot Tours, based on the tour's European performances. For the month, box office grossed US $21.9 million for eleven shows in four markets. The five concerts held at The O2 Arena in London produced ticket sales that topped $11 million (£6.8 million). [37] On December 19, 2009, [38] with an audience of 16,196, Cyrus broke the record for the largest attendance at The O2 Arena; a record that surpassed the previously tied records by Beyoncé's I Am... World Tour (2009–10), Bon Jovi's Lost Highway Tour (2007–08), and Coldplay's Viva la Vida Tour (2008–10). [36] In total, the tour grossed over $67.1 million, [34] [39] $15 million which were earned by Cyrus. [40]
On November 20, 2009, in its attempt to arrive at the destination of Greensboro, North Carolina, one of the buses for the Wonder World Tour overturned on a Virginian highway. The accident occurred around 8:15 A.M. in Dinwiddie County, about 40 miles south of Richmond, Virginia. The bus ran off the left side of Interstate 85, struck an embankment, rolled onto its right side. An eye witness of the accident explained that the bus appeared to have drifted off the road for a fairly long stretch before tipping over. [41] The bus had nine passengers aboard, [41] including members of the lighting crew, though Cyrus was not on board during the incident. Most of the passengers on the bus suffered only minor injuries [18] and escaped the crashed bus through the broken front windshield. One person, Assistant Stage Manager Martin Zilio, required medical attention and was hospitalized overnight. [41] Zilio recovered from his injuries and was later able to return to work on the tour. [18] One person, bus driver Bill "Uncle Bill" Douglas, a 53-year-old of Austin, Texas, died at the scene of the accident. [41]
In response to the accident, the Cyrus family released a statement via Cyrus' official website; it stated, "We are deeply saddened by the loss of Bill 'Uncle Bill' Douglas. Members of our tour are like members of our family. Our thoughts and prayers go out to his family in the midst of this tragedy. He will truly be missed." [42] Omar Abderrahman, the tour's production manager, said, "That was real tough. It's always a tragedy to lose anyone. Uncle Bill was a great driver and a good friend. He’d done a lot of tours with me, and we’re all going to miss him." [18] Although the cause for the accident remains undefined, authorities confirmed the roads were wet from overnight rain.[ citation needed ] However, CBS News reported that speed and weather were not attributed as factors for the accident's occurrence. [41] Despite the incident, the tour's following concert on November 22, 2009 at the Greensboro Coliseum in Greensboro, North Carolina proceeded as scheduled. [42] During the concert, Cyrus dedicated the performance of "The Climb" to Douglas as overhead screens displayed a video commemorating him.
The concerts held on December 13, 14, 19, 20, and 29, 2009 at The O2 Arena in London were filmed. On May 26, 2010, it was announced that the American Broadcasting Company (ABC) would broadcast an hour-long television special entitled Miley Cyrus: Live from London on June 18, 2010, as part of promotion for Cyrus' third studio album Can't Be Tamed (2010). The special was executively produced by Leticia "Tish" Cyrus, Cyrus' mother, and Jason Morey, Cyrus' manager. It was directed by Russell Thomas and produced by Jim Parsons. [43] Miley Cyrus: Live from London was described by Cyrus' official website with the following statement: "The program captures how Miley, who has grown up in the public eye, has grown as an artist and reveals her natural progression and sophistication." [43] The concert special was watched by over 2.6 million viewers in the United States. [44] Miley Cyrus: Live from London's airing on ABC was a filtered version of the full-length concert, which became available on the limited, deluxe edition of Can't Be Tamed, released on June 21, 2010. [45] [46] The deluxe edition featured the audio CD, containing the album's music, and a DVD, which contains nineteen live performances and behind-the-scenes footage with Cyrus. [47] "We anticipate an overindexing, if you will, of those who buy the CD/DVD over just the music because it's never been seen before", stated Abbey Konowitch, general manager of Hollywood Records. [47] The performances of "Fly on the Wall" and "Start All Over" were included in Cyrus' second video album Can't Be Tamed: Mini DVD (2010), released only in the United Kingdom and Japan. [48]
Date | City | Country | Venue | Opening act | Attendance | Revenue |
---|---|---|---|---|---|---|
North America [49] | ||||||
September 14 | Portland | United States | Rose Garden Arena | Metro Station | 10,917 / 11,787 | $728,328 |
September 16 | Tacoma | Tacoma Dome | 15,242 / 15,920 | $1,033,221 | ||
September 18 | Oakland | Oracle Arena | 13,881 / 14,480 | $901,747 | ||
September 20 | San Jose | HP Pavilion | 13,100 / 13,918 | $835,071 | ||
September 22 | Los Angeles | Staples Center | 14,584 / 14,584 | $1,055,388 | ||
September 23 | Anaheim | Honda Center | 12,638 / 12,638 | $956,981 | ||
September 25 | Glendale | Jobing.com Arena | 13,755 / 13,755 | $993,003 | ||
September 26 | Las Vegas | Thomas & Mack Center | 11,426 / 12,512 | $718,706 | ||
September 29 | Salt Lake City | EnergySolutions Arena | 10,885 / 12,525 | $718,727 | ||
October 6 | Auburn Hills | The Palace of Auburn Hills | 16,142 / 16,142 | $1,090,009 | ||
October 7 | Columbus | Nationwide Arena | 14,191 / 15,135 | $972,592 | ||
October 9 | Des Moines | Wells Fargo Arena | 14,174 / 14,174 | $1,005,453 | ||
October 10 | Milwaukee | Bradley Center | 15,335 / 15,335 | $1,043,433 | ||
October 12 | Tulsa | BOK Center | 13,151 / 14,063 | $937,265 | ||
October 13 [a] | Omaha | Qwest Center Omaha | 13,249 / 15,092 | $928,176 | ||
October 15 | San Antonio | AT&T Center | 15,523 / 15,523 | $1,059,159 | ||
October 17 [b] | Kansas City | Sprint Center | 15,525 / 15,525 | $1,111,178 | ||
October 18 | Dallas | American Airlines Center | 15,102 / 15,102 | $1,039,489 | ||
October 20 | New Orleans | New Orleans Arena | 15,359 / 15,359 | $1,029,841 | ||
October 21 | Memphis | FedExForum | 12,256 / 13,010 | $864,662 | ||
October 23 | Birmingham | BJCC Arena | 14,527 / 14,527 | $1,012,737 | ||
October 24 | North Little Rock | Verizon Arena | 14,119 / 15,325 | $969,281 | ||
October 27 | Chicago | United Center | 16,600 / 16,600 | $1,148,500 | ||
October 28 [c] | St. Louis | Scottrade Center | 13,982 / 15,205 | $982,909 | ||
October 29 | Minneapolis | Target Center | 18,219 / 19,752 | $1,022,257 | ||
October 31 | Louisville | Freedom Hall | 13,526 / 16,062 | $851,635 | ||
November 1 | Lexington | Rupp Arena | 15,774 / 18,210 | $976,313 | ||
November 3 | Washington, D.C. | Verizon Center | 15,846 / 15,846 | $1,071,917 | ||
November 4 | Philadelphia | Wachovia Center | 17,153 / 17,153 | $1,209,364 | ||
November 5 | University Park | Bryce Jordan Center | 12,901 / 12,901 | $932,270 | ||
November 7 | Newark | Prudential Center | 30,416 / 30,416 | $2,090,972 | ||
November 8 | ||||||
November 9 | Boston | TD Garden | 14,981 / 14,981 | $1,111,590 | ||
November 12 | Hartford | XL Center | 13,824 / 13,824 | $1,000,448 | ||
November 15 | Cleveland | Quicken Loans Arena | 15,774 / 16,567 | $1,072,833 | ||
November 16 | Indianapolis | Conseco Fieldhouse | 14,920 / 14,920 | $1,018,200 | ||
November 18 | Uniondale | Nassau Coliseum | 29,277 / 29,277 | $2,002,982 | ||
November 19 | ||||||
November 22 | Greensboro | Greensboro Coliseum | 17,597 / 17,597 | $1,182,082 | ||
November 24 | Charlotte | Time Warner Cable Arena | 15,553 / 15,553 | $1,048,004 | ||
November 25 | Nashville | Sommet Center | 14,692 / 14,692 | $1,040,794 | ||
November 28 | Columbia | Colonial Life Arena | 14,557 / 14,557 | $1,018,682 | ||
November 29 | Atlanta | Philips Arena | 15,000 / 15,000 | $1,041,720 | ||
December 1 | Tampa | St. Pete Times Forum | 14,730 / 14,730 | $1,035,875 | ||
December 2 | Miami | American Airlines Arena | 15,819 / 15,819 | $1,098,931 | ||
Europe | ||||||
December 13 | London | England | The O2 Arena | Metro Station | 80,679 / 80,679 [d] | $11,081,900 [d] |
December 14 | ||||||
December 16 | Dublin | Ireland | The O2 | 17,495 / 17,495 | $3,134,370 | |
December 17 | ||||||
December 19 | London | England | The O2 Arena | [d] | [d] | |
December 20 | ||||||
December 22 | Birmingham | National Indoor Arena | 25,635 / 25,635 | $3,494,140 | ||
December 23 | ||||||
December 27 | Manchester | Manchester Evening News Arena | 32,926 / 32,926 | $4,268,120 | ||
December 28 | ||||||
December 29 | London | The O2 Arena | [d] | [d] | ||
TOTAL | 807,514 / 828,943 (97.41%) | $66,941,255 |
|
|
Source: [18]
Hannah Montana is an American teen sitcom created by Michael Poryes, Rich Correll, and Barry O'Brien that aired on Disney Channel for four seasons between March 2006 and January 2011. The series centers on Miley Stewart, a teenage girl living a double life as famous pop singer Hannah Montana, an alter ego she adopted so she could maintain her anonymity and live a normal life as a typical teenager. Episodes deal with Miley's everyday struggles to cope with the social and personal issues of adolescence while maintaining the added complexities of her secret identity, which she sustains by wearing a blonde wig. Miley has strong relationships with her brother Jackson and father Robby Ray, as well as her best friends Lilly Truscott and Oliver Oken, who become aware of her secret. Overarching themes include a focus on family and friendships as well as the importance of music and discovering one's identity.
Miley Ray Stewart is a fictional character and central protagonist of the Disney Channel television series Hannah Montana, portrayed by Miley Cyrus. She first appeared on television in the pilot episode "Lilly, Do You Want to Know a Secret?" on March 24, 2006, and made her last appearance on the series finale "Wherever I Go" on January 16, 2011. The character also appeared in the 2009 feature film Hannah Montana: The Movie. Miley is a normal teenage girl who, as her alter ego Hannah Montana, secretly leads a double life as a world-famous pop star.
"The Best of Both Worlds" is a pop-rock song performed by American singer and actress Miley Cyrus for the Disney Channel television series Hannah Montana. Cyrus performs the song as Hannah Montana, who is the alter ego of the series' protagonist Miley Stewart. It was released as the debut and lead single from the Hannah Montana soundtrack album on March 18, 2006. "The Best of Both Worlds" is the theme song of the television series; in the series' third season, the 2009 Movie Mix is used as the theme. A live version is available on Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008), a karaoke version is included in the soundtrack's karaoke series (2008), and the 2009 Movie Mix is featured on Hannah Montana: The Movie soundtrack (2009). The song has elements of bubblegum pop and pop rock. Lyrically, it is a showcase of the double life lived by Miley Stewart.
Miley Ray Cyrus is an American singer, songwriter, and actress. Regarded as a pop icon, she has been recognized for her evolving artistry and style. Having been dubbed the "Teen Queen" of the 2000s decade, Cyrus is cited as one of the few examples of a child star with a successful musical career as an adult. The daughter of country singer Billy Ray Cyrus, she emerged as a teen idol at age 13 as the lead character in the Disney Channel television series Hannah Montana (2006–2011). As Hannah Montana, she achieved success on the Billboard charts with two number-one soundtracks and a US top-ten single.
"See You Again" is the debut single by American singer Miley Cyrus as the lead single from Meet Miley Cyrus (2007), the second soundtrack album from the Disney Channel original series Hannah Montana and also the opening track of the debut studio album of Cyrus. It was written by Cyrus with the song's producers Antonina Armato and Tim James. Later, it was remixed by Armato and James as the second single and closing track from Cyrus' second studio album, Breakout (2008). Musically, the track is a dance-rock song that contains influences from various musical genres, including electronic music. Lyrically, it speaks of teenage romance. The original version of the song was only released as a single in the US, Canada, Australia and New Zealand. The song was released internationally remixed by Rock Mafia.
"Ready, Set, Don't Go" is a country song recorded by American singers Billy Ray Cyrus and Miley Cyrus. It was released as the lead single from Home at Last, Billy Ray Cyrus' tenth studio album on August 13, 2007. The song has received different interpretations, although, in actuality, Cyrus wrote the song several years before its release when his middle daughter, Miley, moved to Los Angeles in order to pursue an acting career with an audition for the Disney Channel Original Series Hannah Montana. "Ready, Set, Don't Go" received critical praise, with reviewers complimenting its lyrical content. It also reached positive commercial responses for Cyrus, compared to his downfall in previous years. Peaking at number 37 on the Billboard Hot 100, it became Cyrus' first entry on the chart since "You Won't Be Lonely Now" (2000).
Hannah Montana: The Movie is a 2009 American teen musical comedy drama film based on the Disney Channel television series Hannah Montana. The film is produced by Walt Disney Pictures. Directed by Peter Chelsom and written by Dan Berendsen, the film stars series regulars Miley Cyrus, Billy Ray Cyrus, Emily Osment, Moises Arias, Mitchel Musso and Jason Earles, as well as Lucas Till, Vanessa Williams, Margo Martindale and Melora Hardin. The film tells of how Miley Stewart's popularity and alternate celebrity persona begins to take over her life, so her father convinces her to take a trip to her hometown of Crowley Corners, Tennessee to get some perspective on what matters most in life.
Best of Both Worlds Tour was the debut concert tour by American singer Miley Cyrus. The tour was held in support of the double-disc Hannah Montana 2: Meet Miley Cyrus (2007), which consisted of the soundtrack to Hannah Montana's second season and her debut studio album. It initiated in October 2007 and concluded in January 2008, visiting cities in the United States and Canada. The tour was promoted by AEG Live and Buena Vista Concerts. Labelmates the Jonas Brothers, Aly & AJ, and Everlife each served as opening act during the tour. One dollar from each ticket sold was donated to the City of Hope National Medical Center, an organization devoted to the fight against cancer. The Best of Both Worlds Tour raised over US $2 million for the organization.
"Pumpin' Up the Party" is a pop song by American recording artist and actress Miley Cyrus. She is performing as Hannah Montana – the alter ego of Miley Stewart, a character she played on the Disney Channel television series Hannah Montana. "Pumpin' Up the Party" was written and produced by Jaime Houston. The song was released to Radio Disney as promotion for the series and its first soundtrack, Hannah Montana. The song has teen pop and dance-pop influences.
"Start All Over" is a song recorded by American singer Miley Cyrus for her debut studio album Meet Miley Cyrus (2007). The song was written by Fefe Dobson, Anne Preven and produced by Annetenna. It was released by Hollywood Records on March 11, 2008, as the second single from the album only in Australia. An accompanying music video, directed by Marc Webb was also released. A live version is available on Hannah Montana and Miley Cyrus: Best of Both Worlds Concert and as an instrumental in Cyrus's karaoke series. The song was originally recorded by Fefe Dobson, who passed the song to Cyrus, because she did not desire to include it on Sunday Love. The uptempo song is lyrically about having a second chance in a romantic relationship.
Breakout is the second studio album by American singer Miley Cyrus, released on July 22, 2008, by Hollywood Records. Despite being her second album, it is her first record not affiliated with the television series Hannah Montana, as Meet Miley Cyrus was released as part of a joint album with her character. The majority of the record was composed as she traveled during her headlining Best of Both Worlds Tour (2007–08). Overall, Breakout is dominant on pop rock but explores a variety of other musical genres. Lyrical themes addressed in the album relate to breakups and coming of age. Most of the album was produced by Rock Mafia. Matthew Wiler and Scott Cutler also produced. Cyrus co-wrote eight out of thirteen tracks.
The Party's Just Begun Tour was the second tour by American girl group the Cheetah Girls. It supported the soundtrack to their second film, The Cheetah Girls 2. The tour started on September 15, 2006, in Seattle and ended on March 4, 2007, in Houston. The concerts in Anaheim and San Diego were recorded and released as In Concert: The Party's Just Begun Tour.
"I Miss You" is a song by American recording artist, Miley Cyrus. It was co-written by Cyrus, Brian Green, Wendy Foy Green, and produced by Brian Green. "I Miss You" is an homage to Cyrus' late grandfather, Ron Cyrus, who died on February 28, 2006. He was diagnosed with mesothelioma, and, seeing her grandfather nearing death, Cyrus wanted to write him a song prior to his death. It was released on the dual disc Hannah Montana 2: Meet Miley Cyrus as the closing track of the second disc of Meet Miley Cyrus, which is Cyrus' debut studio album. The song is a ballad with rock and country influences.
"Let's Get Crazy" is a song by American singer–songwriter and actress Miley Cyrus, performing as Hannah Montana – the alter ego of Miley Stewart – a character she played on the Disney Channel television series Hannah Montana. It was released to Hannah Montana: The Movie and its soundtrack. The song is also included on the Hannah Montana 3 soundtrack. A karaoke version is available in Disney's Karaoke Series: Hannah Montana 3. The song is musically dance-rock based. Lyrically, the track speaks about having fun and cutting loose.
Hannah Montana: The Movie is the soundtrack for the film of the same name. The film is an adaptation of the popular Disney Channel original series Hannah Montana, which first aired in 2006. In the television series and film, American singer and actress Miley Cyrus portrays Miley Stewart, a girl with a secret double life as the popstar Hannah Montana. Cyrus performs twelve of the songs on the album, seven of which are credited to Hannah Montana. American singers Billy Ray Cyrus, Taylor Swift, and Rascal Flatts and English singer Steve Rushton also have songs on the soundtrack.
"The Climb" is a song recorded by American singer Miley Cyrus, for the 2009 film Hannah Montana: The Movie. The song was written by Jessi Alexander and Jon Mabe, and produced by John Shanks. It was released on March 5, 2009, as the lead single from the film's soundtrack by Walt Disney Records, and is also included as a bonus track on the international release of The Time of Our Lives. The song is a power ballad with lyrics that describe life as a difficult but rewarding journey. It is styled as a country pop ballad, and was Cyrus' first solo song to be released to country radio. The instrumentation includes piano, guitar, and violins.
"Hoedown Throwdown" is a song performed by American recording artist Miley Cyrus. It was released as a promotional single on the iTunes Store from the soundtrack for Hannah Montana: The Movie on March 10, 2009. It was also pressed as a promotional single by EMI Records. A karaoke version is available in the soundtrack's karaoke series. "Hoedown Throwdown" is an instructional dance song with a hybrid of country and hip hop. The choreography was designed by Jamal Sims.
The Gypsy Heart Tour was the third concert tour by American singer Miley Cyrus, held in support of her third studio album Can't Be Tamed (2010). It visited primally Latin America, Australia, and the Philippines; it began on April 29, 2011 in Quito, Ecuador and concluded on July 2, 2011 in Perth, Australia. It was her first tour not to visit the United States. The tour ranked 22nd in Pollstar's "Top 50 Worldwide Tours (Mid-Year)", earning over $26 million.
Hannah Montana 2: Meet Miley Cyrus is a double album by American singer Miley Cyrus, released on June 26, 2007, by Walt Disney Records and Hollywood Records. The first disc is the soundtrack for the second season of the television series Hannah Montana and credited to Cyrus's title character Hannah Montana, and the second disc is Cyrus' debut studio album.
{{cite web}}
: CS1 maint: unfit URL (link)