Zapateo (English: shoe tapping) is a dance form rooted in the Spanish flamenco and before that, in the ancient cultural influences imported in to Europe by the Gypsies.
Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as the Pampas.
Malambos incorporating the zapateo, the art of percussive footwork rooted in Spanish Flamenco, was traditionally performed by men, as there was a severe shortage of women around those camp fires.[citation needed]
The dance movements include the cepillada (brushing - to graze the floor with the sole of the foot), the repique (striking the floor with heel and spur), and floreos (decorative movements of the feet).
It was often used as a form of competition between two or more men. One man starts with an escobillado (softly brushing the floor with his foot), and then he proposes a "figure" or footwork passage to his competitor, and ends with a salute.
The other man copies the proposed figure, adding one that is more difficult, and then performs the salute.
When one of the men is unable to copy the other, the competition is finished, with the more proficient dancer the winner.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Lindy Hop, Balboa, Collegiate Shag, and Charleston. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African American communities as vernacular African American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band music. The dance is similar in its look to waltz, although the rhythm is in a 4 4 time signature instead of 3 4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Step dance is a generic term for dance styles in which footwork is considered to be the most important part of the dance and limb movements and styling are either restricted or considered irrelevant.
Kathak is one of the eight major forms of Indian classical dance. The origin of Kathak is traditionally attributed to the traveling bards in the of ancient northern India known as Kathakars or storytellers. The term Kathak is derived from the Vedic Sanskrit word Katha which means "story", and Kathakar which means "the one who tells a story", or "to do with stories". Wandering Kathakars communicated stories from the great epics and ancient mythology through dance, songs and music. Kathak dancers tell various stories through their hand movements and extensive footwork, their body movements and flexibility but most importantly through their facial expressions. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms. Kathak is unique in having both Hindu and Muslim gharanas and cultural elements of these gharanas. Kathak performances include Urdu Ghazals and commonly used instruments brought during the Mughal period. As a result, it is the only Indian classical dance form to feature Islamic elements.
Alegrías is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8] 9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm. The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.
Artistic roller skating is a sport similar to figure skating but where competitors wear roller skates instead of ice skates. Within artistic roller skating, there are several disciplines:
Baile folklórico, literally "folkloric dance" in Spanish, also known as ballet folklórico, is a collective term for traditional cultural dances that emphasize local folk culture with ballet characteristics – pointed toes, exaggerated movements, highly choreographed. Baile folklórico differs from danzas and regional bailes. "Folk dances", that is, "dances that you will find in the villages, not on stage" were researched and disseminated by Alura Angeles de Flores. A good rule of thumb is if the woman raises her hands about her head, it is folklórico. Each region in Mexico, the Southwestern United States and Central American countries is known for a handful of locally characteristic dances.
Georgian dance is the traditional dance of Georgia. It has its roots in the military moves, sports games, and dances celebrated during holidays in the Middle Ages.
This is a glossary of terms that relate to flamenco arts.
Sean-nós dance is an older style of traditional solo Irish dance. It is a casual dance form, as opposed to the more formal and competition-oriented form of Irish stepdance.
Zapateado is a style of dance and traditional music of Andalusian origins in metre 6 8, with lively movement, marked on two beats, the second being very stressed. The dance shows a gracious tapping. Humanists of 16th century affirmed that zapateado derived from the lactisma of the Roman dancers in times of the Empire.
The Panamanian punto is a Hispanic musical genre which includes melodic and choreographic form. It has composition created specifically for dance, typically performed by a single couple as a demonstration of skill, precision and grace. Unlike the tamborito and the Panamanian cumbia, it is performed as an intermission between other dances or music at a party or event.
Tientos is a flamenco Andalusian palo which has a rhythm consisting of 4 beats. It is in the same family as the Tangos, but slower and with different topics, lyrics and mood. Every Tientos becomes a Tangos at the end of the song/dance. Traditionally, cantaor El Marrurro has been considered one of the creators of this style. Enrique el Mellizo gave it the modern form by which we know it today. Other famous cantaores who interpreted this style were Antonio Chacón and Pastora Pavón.
Ice dance, a discipline of figure skating, has required elements that make up a well-balanced skating program and must be performed during competitions. They include: the dance lift, the dance spin, the step sequence, twizzles, and choreographic elements. The elements must be performed in specific ways, as described by published communications by the International Skating Union (ISU), unless otherwise specified. Choreographic elements are judged differently; they are considered complete if the minimum requirements defining the element are met.
Flamenco zapateado notation or Flamenco zapateado (foot-stomping) notation is a type of dance notation. It is the graphic representation of the sonorous and motor aspects of the particular movements of flamenco dancing that are produced by the action of zapateado or foot-stomping.
Cumbia[ˈkumbja] is a musical genre and folk dance from Panama.
Malambo is a folk dance in Argentina, a dance of gauchos. It is a solo dance of men. Its notable element are elaborate leg movements with energetic zapateados (stomping) and cepillados ("brushing"/"scrubbing").
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