| Years in Sweden: | 1735 1736 1737 1738 1739 1740 1741 |
| Centuries: | 17th century · 18th century · 19th century |
| Decades: | 1700s 1710s 1720s 1730s 1740s 1750s 1760s |
| Years: | 1735 1736 1737 1738 1739 1740 1741 |
Events from the year 1738 in Sweden
| Years in Sweden: | 1735 1736 1737 1738 1739 1740 1741 |
| Centuries: | 17th century · 18th century · 19th century |
| Decades: | 1700s 1710s 1720s 1730s 1740s 1750s 1760s |
| Years: | 1735 1736 1737 1738 1739 1740 1741 |
Events from the year 1738 in Sweden
The Royal Swedish Ballet is one of the oldest ballet companies in Europe. Based in Stockholm, Sweden, King Gustav III founded the ballet in 1773 as a part of his national cultural project in response to the French and Italian dominance in this field; he also founded the Royal Swedish Opera and the Royal Dramatic Theatre. All of these were initially located in the old theatre of Bollhuset. The troupe was founded with the opening of the Royal Swedish Opera, which has served as its home since that time.
Margaret(h)a Seuerling née Lindahl (1747–1820) was a Swedish actress and Theatre director in a travelling theatre company, perhaps the most known travelling actress of her time in Scandinavia, active in both Sweden and Finland. She was one of the first, perhaps the very first, to introduce secular theatre in Finland: her family and its company represents a large part of the theatre history in Sweden and Finland.
Petter Stenborg was a Swedish stage actor and theater director. He was the director of the Stenborg Company or Svenska Comoedi-truppen from 1758 onward and as such the director of the Humlegårdsteatern (1773–80) in Stockholm. Petter Stenborg played an important role in Swedish theater history: he was a member of the pioneer actors of the first Swedish national stage in Bollhuset, and as the leader of the Stenborg theatre company, one of only two professional Swedish language theater companies active in the mid 18th-century, he kept professional Swedish language theater alive from the closure of the public theater in Bollhuset in 1754, until the inauguration of the Royal Swedish Opera (1773) and Royal Dramatic Theatre (1788).
Inga Åberg was a Swedish actress and opera singer. She was engaged as an opera singer at the Royal Swedish Opera, and as a stage actress at the Royal Dramatic Theater, between 1787 and 1810.
Elisabeth Lillström née Söderman was a Swedish stage actress and opera singer. She was one of the first professional actresses in Sweden and a member of the pioneer generation of Kungliga svenska skådeplatsen, the first national theater in Bollhuset in Stockholm, where she was one of the most prominent members. She was the mother of Elisabeth Olin.
Ulrika Åberg (1771–1852) was a Swedish ballerina. She was active in the Royal Swedish Ballet in 1782-95. She was one of the first native ballet dancers in the Royal Swedish Ballet.
Charles Langlois (1692–1762) was a French actor who spent a large part of his career in Sweden, where he was to play an important part in Swedish theatre history as the originator of the first national theatre in Sweden, and its first director. He was also a composer.
Åbo Svenska Teater is a Finland-Swedish theatre in the city of Turku in Finland and the oldest theatre in the country, founded in 1839. The building itself is also the oldest still functioning theatre house in Finland. The name means "The Swedish theatre of Åbo"; Åbo is the Swedish name of the city of Turku.
Beata Sabina Straas or Strass also known as Madame Åberg was a professional stage actress in Sweden. She was a member of the pioneer group of actors in the first Swedish national theatre of Bollhuset.
Johanna Catharina Löfblad née Embeck or Enbäck, also known as Madame Gentschein and Madame Löfblad, was a Swedish stage actress. She was a member of the pioneer group of actors in the first Swedish national theatre of Bollhuset.
The Stenborg Company was a Swedish Theatre Company, active in Sweden and Finland in the 18th century. It was also called Stenborgska skådebanorna, Svenska komeditruppen and Svenska Comedien ('Swedish Comedy') or Svenska Teatern. It is one of the most famous theatre troupes in its country's history. In the period of 1754–1773, between the closure of the first national Swedish theatre in Bollhuset and the foundation of the next, The Royal Swedish Opera and the Royal Dramatic Theatre, it was the only Theatre performing in the native language in Stockholm. It also has an importance for the history of Finland, being the first professional secular theatre troupe in this country. It was a traveling troupe in 1756–80 and then housed in several buildings.
Brita Sophia De la Gardie was a Swedish noble and amateur actress who later converted to Catholicism and became a nun. She was a central member of the cultural life in Stockholm in her time. She played a part in the history of Swedish theatre. She was the maternal aunt of Count Axel von Fersen the Younger.
Peter Lindahl, was a Swedish stage actor and theatre director. He belonged to the most known of the pioneer generation of actors at the first Swedish theatre. He was the director of the Lindahl theater company in 1754-68, one of the two first travelling Swedish language theater companies.
Ulrika "Ulla" Lovisa Tessin née Sparre was a Swedish courtier, letter writer and dilettante artist.
La troupe du Roi de Suede, or Roi de Suede for short, was a French-speaking Swedish court theater, active at the Royal Swedish court from 1699 until 1706.
Events from the year 1723 in Sweden.
Events from the year 1737 in Sweden
Events from the year 1734 in Sweden
Kungliga svenska skådeplatsen or Svenska Komedien was a Swedish Theatre, active between 1737 and 1754 and housed in the Stora Bollhuset in Stockholm. It was the first national stage in Sweden, and the first professional Swedish language theater, staffed with professional Swedish language actors, in Sweden. It was the first stage to have performed theater, opera and ballet by Swedish actors, singers and dancers to the public. In 1753, the French language Du Londel Troupe was engaged by the queen, Louisa Ulrika of Prussia, and after having shared the stage for the season of 175s-54, the Swedish language actors where turned out of the building and split in two travelling theater companies, one of whom was the Stenborg Company.
Christian Berner (1702–1773), was a Swedish stage actor, ballet dancer and ballet master. He was a member of the pioneer generation of stage performers at the first national stage Kungliga svenska skådeplatsen in Bollhuset. He was a pioneer performer and the first native ballet master and likely the first professional native ballet dancer in Sweden known by name.
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