Years in Sweden: | 1764 1765 1766 1767 1768 1769 1770 |
Centuries: | 17th century · 18th century · 19th century |
Decades: | 1730s 1740s 1750s 1760s 1770s 1780s 1790s |
Years: | 1764 1765 1766 1767 1768 1769 1770 |
Events from the year 1767 in Sweden
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Carl Michael Bellman was a Swedish songwriter, composer, musician, poet, and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique.
Adolf Frederick, or Adolph Frederick was King of Sweden from 1751 until his death in 1771. He was the son of Christian August of Holstein-Gottorp, Prince of Eutin, and Albertina Frederica of Baden-Durlach. He was an uncle of Catherine the Great and husband to Louisa Ulrika of Prussia.
Ulrika Eleonora of Denmark was Queen of Sweden as the wife of King Charles XI. She is often admired for her generosity and charity.
Maria Kristina Kiellström, known as Maja Stina, was a Swedish silk worker and alleged prostitute, and most famously the fictional demimonde prostitute or Rococo "nymph" Ulla Winblad in the songs called Fredman's Epistles by Sweden's troubadour, Carl Michael Bellman, who made her a major character in his work.
Johan (Jan) Anders Jägerhorn af Spurila (1752-1825) was a Finnish nobleman born on 8 April 1757 in Helsinki county, at that time a part of Sweden. He was the eldest son of lieutenant colonel Fredrik Anders Jägerhorn and Ulrika Sofia Brunow. Colonel Fredrik Adolf Jägerhorn, vice commander of the Sveaborg fortress in 1808 was Johan Anders' brother.
Fredmans sånger is a collection of 65 poems and songs published in 1791 by the Swedish poet Carl Michael Bellman.
Hedvig Ulrika De la Gardie, was a Swedish lady-in-waiting. She was married to Gustaf Mauritz Armfelt. She was the head governess of the Swedish royal children in 1799–1803.
Olof Åhlström was a Swedish civil servant, composer and music publisher.
Hedvig Elisabet Strömfelt, née Wrangel, was a Swedish courtier. She served as överhovmästarinna to two queens of Sweden, Ulrika Eleonora of Sweden and Louisa Ulrika of Prussia, and as Royal Governess to the royal children. Gustav III of Sweden refers to her with affection and admiration in his writings.
Events from the year 1852 in Sweden
Events from the year 1801 in Sweden
Events from the year 1837 in Sweden
Events from the year 1791 in Sweden
Events from the year 1741 in Sweden
Events from the year 1720 in Sweden
Events from the year 1719 in Sweden
The Coup of 1756 was an attempted coup d'état planned by Queen Louisa Ulrika of Sweden to abolish the rule of the Riksdag of the Estates and reinstate absolute monarchy in Sweden. The attempted coup was exposed and subdued in 1756 shortly before it was due to be put in action. It caused a rift between the royal house and the parliament.
Maria Elisabeth Stenbock was a Swedish courtier, and Mistress of the Robes to Queen Ulrika Eleonora of Denmark from 1680 to 1693.
Tapetskolan vid Karlberg or Tapetväfveriet vid Karlbergs slott, also called Karlbergsfabriken, was a Swedish orphanage and a school for girls. It was founded by Ulrika Eleonora of Denmark, Queen Consort of King Charles XI of Sweden. She founded a large number of charitable institutions which were paid by her personally. The handicrafts school was situated at the royal summer residence Karlberg Palace which King Charles XI had purchased in 1688.
Fader Bergström, stäm upp och klinga is one of the Swedish poet and performer Carl Michael Bellman's songs, from his 1790 collection, Fredman's Epistles, where it is No. 63. The melody is based on a minuet by Carl Envallsson. Bergström was a musician, and the song celebrates dancing and drinking late into the evening. The song, written in 1773, was revised heavily to make it suitable for publication. The initial version, naming Movitz not Bergström as the musician, was an attack on an over-zealous priest who had caused Bellman to be summonsed for an earlier poem that had joked about salvation. The song has been recorded by Bellman interpreters including Fred Åkerström, Fredrik Berg, and Rolf Leanderson.