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Millennium: | 1st millennium BC |
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Centuries: | |
Decades: | |
Years: |
511 BC by topic |
Politics |
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Categories |
Gregorian calendar | 511 BC DXI BC |
Ab urbe condita | 243 |
Ancient Egypt era | XXVII dynasty, 15 |
- Pharaoh | Darius I of Persia, 11 |
Ancient Greek era | 67th Olympiad, year 2 |
Assyrian calendar | 4240 |
Balinese saka calendar | N/A |
Bengali calendar | −1103 |
Berber calendar | 440 |
Buddhist calendar | 34 |
Burmese calendar | −1148 |
Byzantine calendar | 4998–4999 |
Chinese calendar | 己丑年 (Earth Ox) 2187 or 1980 — to — 庚寅年 (Metal Tiger) 2188 or 1981 |
Coptic calendar | −794 – −793 |
Discordian calendar | 656 |
Ethiopian calendar | −518 – −517 |
Hebrew calendar | 3250–3251 |
Hindu calendars | |
- Vikram Samvat | −454 – −453 |
- Shaka Samvat | N/A |
- Kali Yuga | 2590–2591 |
Holocene calendar | 9490 |
Iranian calendar | 1132 BP – 1131 BP |
Islamic calendar | 1167 BH – 1166 BH |
Javanese calendar | N/A |
Julian calendar | N/A |
Korean calendar | 1823 |
Minguo calendar | 2422 before ROC 民前2422年 |
Nanakshahi calendar | −1978 |
Thai solar calendar | 32–33 |
Tibetan calendar | 阴土牛年 (female Earth-Ox) −384 or −765 or −1537 — to — 阳金虎年 (male Iron-Tiger) −383 or −764 or −1536 |
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Alexander Aetolus was a Greek poet and grammarian, the only known representative of Aetolian poetry.
Euripides was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature would flourish for the next six centuries. The classical era of Latin literature can be roughly divided into the following periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.
Tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
The Acheron is a river in the Epirus region of northwest Greece. It is 52 km (32 mi) long, and its drainage area is 705 km2 (272 sq mi). Its source is near the village Zotiko, in the southwestern part of the Ioannina regional unit. The Acheron flows into the Ionian Sea in Ammoudia, near Parga.
In Greek mythology, Melpomene is the Muse of tragedy in Greek mythology. She is described as the daughter of Zeus and Mnemosyne along with the other Muses, and she is often portrayed with a tragic theatrical mask.
Achaeus is a masculine given name. It may refer to:
Lycophron was a Hellenistic Greek tragic poet, grammarian, and commentator on comedy, to whom the poem Alexandra is attributed.
The Birds is a comedy by the Ancient Greek playwright Aristophanes. It was performed in 414 BC at the City Dionysia in Athens where it won second place. It has been acclaimed by modern critics as a perfectly realized fantasy remarkable for its mimicry of birds and for the gaiety of its songs. Unlike the author's other early plays, it includes no direct mention of the Peloponnesian War and there are few references to Athenian politics, and yet it was staged not long after the commencement of the Sicilian Expedition, an ambitious military campaign that greatly increased Athenian commitment to the war effort. In spite of that, the play has many indirect references to Athenian political and social life. It is the longest of Aristophanes's surviving plays and yet it is a fairly conventional example of Old Comedy.
A tragic hero is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. Many of the most famous instances of tragic heroes appear in Greek literature, most notably the works of Sophocles and Euripides.
Aristotle's Poetics is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama, lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes:
The term hamartia derives from the Greek ἁμαρτία, from ἁμαρτάνειν hamartánein, which means "to miss the mark" or "to err". It is most often associated with Greek tragedy, although it is also used in Christian theology. The term is often said to depict the flaws or defects of a character and portraying these as the reason of a potential downfall. However, other critics point to the term's derivation and say that it refers only to a tragic but random accident or mistake, with devastating consequences but with no judgment implied as to the character.
Iophon was a Greek tragic poet, son of Sophocles, and brother to Ariston.
The House of the Tragic Poet is a Roman house in Pompeii, Italy dating to the 2nd century BCE. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself.
Eighteen Epigrams are attributed to Plato, most of them considered spurious. These are short poems suitable for dedicatory purposes written in the form of elegiac couplets.
Philocles, was an Athenian tragic poet during the 5th century BC. Through his mother, Philopatho, he had three famous uncles: Aeschylus, the famous poet, Cynaegirus, hero of the battle of Marathon, and Ameinias, hero of the battle of Salamis. The Suda claims that Philocles was the father of the tragic playwright Morsimus, who was in turn the father of the tragedian Astydamas.
Dionysiades of Tarsus was an ancient Greek tragic poet who lived in the time of Alexander the Great. According to Strabo, he was the best of the tragic poets included in the so-called Alexandrian Pleiad.