A Double Life (1947 film)

Last updated
A Double Life
A Double Life poster.jpg
Theatrical release poster
Directed by George Cukor
Written by Ruth Gordon
Garson Kanin
Produced by Michael Kanin
Starring Ronald Colman
Signe Hasso
Edmond O'Brien
Cinematography Milton R. Krasner
Edited by Robert Parrish
Music by Miklós Rózsa
Production
company
Kanin Productions
Distributed by Universal Pictures
Release dates
  • December 25, 1947 (1947-12-25)(Los Angeles)
  • [1]  ( [1] )
  • February 19, 1947 (1947-02-19)(New York)
  • [2]  ( [2] )
Running time
104 minutes
CountryUnited States
LanguageEnglish
Box office$1.7 million (US rentals) [3]

A Double Life is a 1947 American film noir that tells the story of an actor whose mind becomes affected by the character whom he portrays. It stars Ronald Colman and Signe Hasso and was directed by George Cukor, with its screenplay written by Ruth Gordon and Garson Kanin. [4] Colman won the Academy Award for Best Actor for his performance.

Contents

Plot

Celebrated stage actor Anthony "Tony" John is offered the lead in a new production of Shakespeare's Othello by theatrical producer Max Lasker, who wants Tony's ex-wife Brita to costar as Desdemona. Tony initially declines the offer, to the relief of director Victor Donlan, who knows that Tony becomes overly involved in his roles. Brita agrees with Donlan and warns press agent Bill Friend that although Tony's mood is delightful when appearing in a comedy, he is terrifying when performing in a drama. She warns Friend that Tony becomes so immersed in roles that they can become his reality.

Tony changes his mind after becoming obsessed with the idea of portraying Othello. While contemplating the role, Tony meets waitress Pat Kroll and they begin a casual affair. Brita reluctantly accepts the role of Desdemona and rehearsals begin. The production opens to rave reviews, but Tony gradually becomes absorbed in his role and begins to lose sight of where the play ends and his real life begins. Tony sees jealousy as the key to his character.

Brita shows Tony a locket that Bill gave her for her birthday, sparking a jealous rage in Tony. That night, during Othello's "kiss of death" scene with Desdemona, Tony becomes overcome with the role and nearly chokes Brita to death. When the play begins its second year, Tony asks Brita to remarry him, but she refuses. Tony suspects that Brita is in love with Bill. Enraged, confused and delirious, Tony visits Pat's apartment, where the play and reality become conflated in his mind and he kills Pat with Othello's "kiss of death." Tony returns to Brita's house and falls asleep on her couch.

Reporter Al Cooley offers Bill front-page publicity for the play by highlighting the similarities between Pat's murder and Othello's "kiss of death." Tony is enraged when he sees the story and physically attacks Bill. However, Bill suspects that Tony is Pat's killer and reports his suspicion to the police, only to find that Pat's drunken neighbor has been arrested for her murder. Tony demands Bill's dismissal, and Bill plans a short vacation. Bill tells Brita that he loves her, but Brita does not return his feelings. However, Brita reveals to Bill that Tony left her home on the night of Pat's murder.

Bill hires an actress to dress up as Pat and plants her as a waitress in the restaurant where Pat had worked. Bill invites Tony to the restaurant, and with police captain Pete Bonner watching, Tony becomes distraught upon seeing Pat's double and rushes out of the restaurant. Suspicious now, Bill and the police follow Tony to the theater. Standing in the wings, they watch the performance and are seen there by Tony. At the climax of the performance of Othello that evening, a guilt-ridden Tony stabs himself with a real dagger at the point at which Othello does the same within the play. Backstage, bleeding from his self-inflicted wound, he confesses all and dies.

Cast

Production

The leading role had originally been slated for Laurence Olivier. Colman was initially hesitant about performing Shakespeare on screen, so to reassure him, director George Cukor told Colman that the film would provide him with a great chance to win an Oscar (which he later won); Colman had been nominated three times in the past. [5]

The film's working title was Imagination. [6] After filming had wrapped, Cukor recalled the cast for four additional days of shooting. [7]

A Double Life was the 500th film shot on the famous Universal soundstage that had been built in 1924 for The Phantom of the Opera (1925). [8]

Miklós Rózsa's music, for which he won his second Academy Award, mixes his own modern idiom with passages in the Venetian style of the 16th century. Rózsa later adopted the title Double Life for his 1982 memoir to signify the division in his career between absolute music and Hollywood film scores.[ citation needed ]

Release

A Double Life premiered on Christmas Day 1947 in Hollywood as a limited roadshow engagement timed to qualify the film and its stars for Academy Award consideration. [9]

Reception

In a contemporary review for The New York Times , critic Bosley Crowther wrote: "Miss Gordon and Mr. Kanin, in collaboration with William Shakespeare, have whipped up a modern drama which thoroughly employs the screen to demonstrate the strange excitement and the deathless romance of the theatre. And by casting Ronald Colman as their matinee idol of vast renown and by giving him an opportunity to play a lot of 'Othello' within the play, they have handed this veteran actor the role of his lengthy career. The only question is whether Mr. Colman is more spectacular as the mentally distressed star of Broadway or as the bearded Venetian Moor. In either case, he plays an actor cocked and primed for romantic tragedy." [2]

Reviewer Philip K. Scheuer of the Los Angeles Times wrote: "It captures the pulse of the New York theater to an extraordinary degree, inherently as well as because some of it was shot there; it is adult, outspoken and subtle, and it has shaken Mr. Colman free of most of the repressions imposed upon him by years of effete grand seigniory in Hollywood. Yet much of the film is hard to follow, 'too' subtle in the sense that it does not always come off on the screen as its makers must surely have visualized it." [1]

Awards

AwardCategoryNominee(s)ResultRef.
Academy Awards Best Director George Cukor Nominated [10]
Best Actor Ronald Colman Won
Best Original Screenplay Ruth Gordon and Garson Kanin Nominated
Best Scoring of a Dramatic or Comedy Picture Miklós Rózsa Won
Golden Globe Awards Best Actor in a Leading Role Ronald ColmanWon [11]
Venice International Film Festival Grand International Prize of Venice George CukorNominated

The film was nominated by the American Film Institute for its 2005 compilation AFI's 100 Years of Film Scores. [12]

See also

Related Research Articles

<span class="mw-page-title-main">George Cukor</span> American film director and producer

George Dewey Cukor was an American film director and producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick, and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.

<i>Othello</i> Play by William Shakespeare written circa 1603

The Tragedy of Othello, the Moor of Venice, often shortened to Othello, is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.

<span class="mw-page-title-main">Ruth Gordon</span> American actress, playwright and screenwriter (1896–1985)

Ruth Gordon Jones was an American actress, playwright and screenwriter. She began her career performing on Broadway at age 19. Known for her nasal voice and distinctive personality, Gordon gained international recognition and critical acclaim for film roles that continued into her 70s and 80s. Her later work included performances in Rosemary's Baby (1968), What Ever Happened to Aunt Alice? (1969), Where's Poppa? (1970), Harold and Maude (1971), Every Which Way but Loose (1978), Any Which Way You Can (1980), and My Bodyguard (1980).

<span class="mw-page-title-main">Katharine Hepburn</span> American actress (1907–2003)

Katharine Houghton Hepburn was an American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, which earned her various accolades, including four Academy Awards for Best Actress—a record for any performer.

<i>Adams Rib</i> 1949 film by George Cukor

Adam's Rib is a 1949 American romantic comedy-drama film directed by George Cukor from a screenplay written by Ruth Gordon and Garson Kanin. It stars Spencer Tracy and Katharine Hepburn as married lawyers who come to oppose each other in court. Judy Holliday co-stars as the third lead in her second credited movie role. Also featured are Tom Ewell, David Wayne, and Jean Hagen. The music was composed by Miklós Rózsa, and the song "Farewell, Amanda" was written by Cole Porter.

<span class="mw-page-title-main">José Ferrer</span> Puerto Rican actor and director (1912–1992)

José Vicente Ferrer de Otero y Cintrón was a Puerto Rican actor and director of stage, film and television. He was one of the most celebrated and esteemed Hispanic American actors—or, indeed, actors of any ethnicity—during his lifetime and after, with a career spanning nearly 60 years between 1935 and 1992. He achieved prominence for his portrayal of Cyrano de Bergerac in the play of the same name, which earned him the inaugural Tony Award for Best Actor in a Play in 1947. He reprised the role in a 1950 film version and won an Academy Award for Best Actor, making him both the first Hispanic and the first Puerto Rican–born actor to win an Academy Award.

<span class="mw-page-title-main">Judy Holliday</span> American actress, singer (1921–1965)

Judy Holliday was an American actress, comedian and singer.

<span class="mw-page-title-main">Iago</span> Fictional character in Shakespeares Othello

Iago is a fictional character in Shakespeare's Othello. Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio.

<span class="mw-page-title-main">Uta Hagen</span> German-American actress and drama teacher (1919–2004)

Uta Thyra Hagen was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre.

<span class="mw-page-title-main">Garson Kanin</span> American film and theatre director, playwright, screenwriter

Garson Kanin was an American writer and director of plays and films.

<span class="mw-page-title-main">Signe Hasso</span> Swedish actress

Signe Eleonora Cecilia Hasso was a Swedish actress, writer, and composer.

<i>Born Yesterday</i> (1950 film) 1950 film by George Cukor

Born Yesterday is a 1950 American comedy-drama film directed by George Cukor, based on the 1946 stage play of the same name by Garson Kanin. The screenplay was credited to Albert Mannheimer. According to Kanin's autobiography, Cukor did not like Mannheimer's work, believing it lacked much of the play's value, so he approached Kanin about adapting a screenplay from his own play. Because of legal entanglements, Kanin did not receive screen credit.

<i>Pat and Mike</i> 1952 film by George Cukor

Pat and Mike is a 1952 American romantic comedy film starring Spencer Tracy and Katharine Hepburn. The movie was written by Ruth Gordon and Garson Kanin, and directed by George Cukor. Cukor directed The Philadelphia Story (1940) with Hepburn, and Cukor, Gordon and Kanin teamed with Hepburn and Tracy again for Adam's Rib (1949). Gordon and Kanin were nominated for the 1952 Academy Award for Best Original Screenplay for their work on Pat and Mike.

<span class="mw-page-title-main">Yolande Donlan</span> American-British actress (1920–2014)

Yolande Donlan was an American-born British-based actress who worked extensively in the United Kingdom.

<i>Othello</i> (1995 film) 1995 British film

Othello is a 1995 drama film based on William Shakespeare's tragedy of the same name. It was directed by Oliver Parker and stars Laurence Fishburne as Othello, Irène Jacob as Desdemona, and Kenneth Branagh as Iago. This is the first cinematic reproduction of the play released by a major studio that casts an African American actor to play the role of Othello, although low-budget independent films of the play starring Ted Lange and Yaphet Kotto predated it.

<i>Riffraff</i> (1947 film) 1947 film directed by Ted Tetzlaff

Riff-Raff is a 1947 American film noir starring Pat O'Brien, Anne Jeffreys and Walter Slezak. It was directed by Ted Tetzlaff, who later directed The Window (1949) and worked as a cinematographer for over 100 films, including Alfred Hitchcock's Notorious (1946). The music was composed by Roy Webb and Joan Whitney.

<i>Rich and Famous</i> (1981 film) 1981 film by George Cukor

Rich and Famous is a 1981 American drama film directed by George Cukor, the final film of his career. The screenplay by Gerald Ayres is based on the 1940 play Old Acquaintance by John Van Druten, previously adapted in 1943 by Vincent Sherman under its original title, starring Bette Davis and Miriam Hopkins. The film was released to commercial failure and mixed critical response.

<span class="mw-page-title-main">Othello (character)</span> Character in "Othello"

Othello is the titular protagonist in Shakespeare's Othello. The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.

<i>The Scarlett OHara War</i> 1980 television film by John Erman

The Scarlett O'Hara War is a 1980 American made-for-television drama film directed by John Erman. It is based on the 1979 novel Moviola by Garson Kanin. Set in late 1930s Hollywood, it is about the search for the actress to play Scarlett O'Hara in the much anticipated film adaptation of Gone with the Wind (1939). This film premiered as the finale of a three-night TV miniseries on NBC called Moviola: A Hollywood Saga.

<span class="mw-page-title-main">Cultural references to Othello</span>

In addition to its appearance in the theatre, the character of Othello from the tragic play by William Shakespeare has appeared in many examples in art and culture since being authored by Shakespeare in the early 16th century.

References

  1. 1 2 3 Scheuer, Philip K. (1947-12-25). "Colman's Jekyll-Hyde Frighteningly Real". Los Angeles Times . p. 10, Part II.
  2. 1 2 3 Crowther, Bosley (1948-02-20). "Four Premieres at Houses Here—Colman in 'A Double Life,' Feature at Music Hall". The New York Times . p. 19.
  3. "Top Grossers of 1948", Variety 5 January 1949 p 46
  4. A Double Life at IMDb.
  5. "New York State Writers Institute File Notes" . Retrieved 2020-07-19.
  6. Schallert, Edwin (1947-07-25). "Mrs. Miniver Revives; Unborn Baby 'Signed'". Los Angeles Times . p. 3, Part II.
  7. "Added Scenes". Los Angeles Times . 1947-10-03. p. 8, Part II.
  8. "'Double Life' Scenes Shot on 'Phantom' Stage". Los Angeles Times . 1947-12-22. p. 8, Part II.
  9. "A Double Life (Advertisement)". Los Angeles Times . 1947-12-15. p. 15.
  10. "The 20th Academy Awards (1948) Nominees and Winners". Oscars.org. Retrieved August 18, 2011.
  11. "A Double Life – Golden Globes". HFPA . Retrieved July 5, 2021.
  12. "AFI's 100 Years of Film Scores Nominees" (PDF). Retrieved 2016-08-06.