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John Lenwood McLean was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, composer, and occasional singer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with 'underrated'."
Roy Owen Haynes is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
Melbourne Robert Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his later involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
Walter Davis Jr. was an American bebop and hard bop pianist.
William Franklin Hardman Jr. was an American jazz trumpeter and flugelhornist who chiefly played hard bop. He was married to Roseline and they had a daughter Nadege.
Larry Ritchie was an American jazz drummer and record/CD producer. He was born in Brooklyn, New York as Lawrence Ritchie to Walter Ritchie, an electrician, and Pearl Ritchie, a domestic worker, both of whom were migrants from rural Virginia.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
Don Kiethly Butterfield was an American jazz and classical tuba player.
Babs Gonzales, born Lee Brown, was an American bebop vocalist, poet, and self-published author. His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. "There are jazz people whose influence can be described as minor," wrote Val Wilmer, "yet who are well-known to musicians and listeners alike ... You'd have to be hard-pressed to ignore the wealth of legend that surrounds Babs Gonzales." Jazz writer Jack Cooke explained that Gonzales "assumed the role of spokesman for the whole hipster world... [becoming] something more than just a good and original jazz entertainer: the incarnation of a whole social group."
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. Dig was reissued as a compact disc with additional tracks.
Gil Coggins was an American jazz pianist.
This article presents the discography of the jazz saxophonist and band leader Sonny Rollins.
McLean's Scene is a studio album by saxophonist Jackie McLean. It was recorded in 1956 and 1957, but not released until 1959 on Prestige's subsidiary label New Jazz Records, as NJ 8212. It was reissued on CD in 1991. Three tracks features McLean in a quintet with trumpeter Bill Hardman, pianist William “Red” Garland, bassist Paul Chambers and drummer Art Taylor, and the remainder a quartet with pianist Mal Waldron, bassist Art Phipps and Art Taylor.
"Dig" is a bebop jazz standard attributed to Miles Davis by Prestige Records without Davis' knowledge. It was recorded on October 5, 1951 and first released on his album The New Sounds.
The New Sounds is the debut solo studio album by the American jazz musician Miles Davis. Released in late 1951 as a 10-inch LP, it is his first album as a bandleader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
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