"Cantaloop (Flip Fantasia)" | ||||
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Single by Us3 | ||||
from the album Hand On the Torch | ||||
Released | 2 January 1993 | |||
Recorded | 1992 | |||
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Length |
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Label | Blue Note Records | |||
Songwriter(s) |
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Us3 singles chronology | ||||
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Music video | ||||
"Cantaloop (Flip Fantasia)" on YouTube |
"Cantaloop (Flip Fantasia)" is a song by British jazz-rap group Us3, originally released in October 1992 by Blue Note Records as the lead single from the group's debut album, Hand On the Torch (1993). The song was recorded as a demo a year before the group's first release and features a sample of Herbie Hancock's song "Cantaloupe Island". Another sample, the announcement by Pee Wee Marquette, is taken from the Blue Note album A Night at Birdland, Vol. 1 by The Art Blakey Quintet. [1] "Cantaloop (Flip Fantasia)" did not chart in the group's native UK, but in the US, it reached No. 9 and 7 on the Billboard Hot 100 and Cash Box Top 100, becoming the group's only top 40 single. It was subsequently re-released in UK where it peaked at No. 23. [2] The song was certified gold by the Recording Industry Association of America (RIAA) on March 25, 1994 for selling over 500,000 copies.
Ron Wynn from AllMusic stated that "when words and music mesh", as on "Cantaloop (Flip Fantasia)", "Us3 show how effectively hip-hop and jazz can blend." [3] Another AllMusic editor, Stewart Mason, complimented it as "excellent" and "probably the best acid jazz single ever". [4] Larry Flick from Billboard said, "Tired of the same old urban grind? Here's just what you need: a zesty stew of traditional jazz-fusion, hip-hop, and classic funk. Live horns (with a trumpet solo that works!), imaginative use of samples from Herbie Hancock's "Cantaloop Island", and diggy-diggy-bop rapping render this an essential playlist addition." [5] The Daily Vault's Christopher Thelen noted its "trip-hop mood". [6] David Hajdu from Entertainment Weekly named the song "one of the best singles of the year". [7] Linda Ryan from the Gavin Report commented, "It just doesn't get cooler than this! US3 combine jazz, hip-hop and house grooves for a fresh sound that begs to be discovered in a big way. If you thought Guru's Jazzmatazz was phat and all that, wait 'til you hear US3's "Cantaloop!" I prefer either the Radio Edit or the Groovy Mix. Aw, yeah." [8]
The Irish Independent deemed it as "excellent". [9] Calvin Bush from Melody Maker called it "exultant". [10] Another music critic, Peter Paphides, felt "this new colourful little number is piquant yet sweet, adventurous yet convivial, brusque yet somehow inviting." [11] Alan Jones from Music Week named it Pick of the Week, praising it as a "superb" rap and "funky, spunky, tasty, sample-strewn and cool jazz jam". [12] The magazine's Andy Beevers gave it four out of five, noting that the song "is even more catchy than "Tukka Yoot's Riddim". Rahsaan is the rapper this time and the vibe is funky rather than ragga influenced." [13] Neil Spencer from The Observer declared it the "standout" of the album. [14] Dimitri Ehrlich from Rolling Stone found that "Cantaloop" "is as easily digested as the fruit it's named after." [15] Charles Aaron from Spin wrote, "When this gem popped out of the sound system at Madison Square Garden (Knicks 98, Clippers 77, January 11, 1994), even Woody Allen quit slouching. For the 20-second time-out, I could envision a jazz orchestra doing hip-hop repertory in a racially mixed midtown disco. And it was a really good idea." [16] Troy J. Augusto from Variety described it as "a smooth, midtempo jazz track" that heavily samples the Herbie Hancock track. [17]
A music video was produced to promote the single, directed by Charles Wittenmeier. It earned an award in the category for Best New Artist Clip at the 1994 Billboard Music Video Awards in Los Angeles. [18] The video was later made available on YouTube's Vevo channel in 2009, and had generated more than 14 million views as of early 2024. [19]
"Cantaloop (Flip Fantasia)" was awarded one of ASCAP's Rhythm & Soul Awards in 1995. [20]
American online publication Slant Magazine listed the song at number 76 in their ranking of "The 100 Best Singles of the 1990s" in 2011, writing, "They got the beats. They got the rhymes. Us3’s sole pop hit, “Cantaloop (Flip Fantasia)”, is a cheerfully funky fusion of jazz and hip-hop—nothing more, nothing less. What it lacks in social consciousness it makes up for in musical brinkmanship: The production’s exciting explosion of frenetic horn riffs, interrupted only by a sick trumpet solo by Gerard Presencer, samples Herbie Hancock and Lou Donaldson, among others, and grooves in scary synchronicity with the uncannily delivered lyrics by one-time member Rahsaan Kelly. The mood is creative, idealistic, and laidback, suggesting the good vibes of A Tribe Called Quest and Digable Planets. It’s a sweet, slick, funky maelstrom of sound that’s also a time capsule of a gorgeously short-lived musical form. Diddi-diddi bop." [21]
Weekly charts
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"Cantaloop (Flip Fantasia)" is played in the films Super Mario Bros. (1993), Jimmy Hollywood (1994), Renaissance Man (1994), It Takes Two (1995), [50] Sisters (2015), [51] and The Incredible Burt Wonderstone (2013), and in the TV shows New York Undercover , Hindsight , the Baywatch episode "Someone to Baywatch Over You" (1994) and the Australian news satire Frontline. It is also featured in the PlayStation 4 video game Knack II (2017), during the end credits showing Knack in his various sizes dancing to the song, [52] and was used as the theme song for The Connection radio program on WBUR. [53] In 2024, the song was used as background music in U.S. TV commercials for Johnsonville Sausage's "Keep It Juicy" campaign.
Jazz rap is a fusion of jazz and hip hop music, as well as an alternative hip hop subgenre, that developed in the late 1980s and early 1990s. AllMusic writes that the genre "was an attempt to fuse African-American music of the past with a newly dominant form of the present, paying tribute to and reinvigorating the former while expanding the horizons of the latter." The rhythm was rooted in hip hop over which were placed repetitive phrases of jazz instrumentation: trumpet, double bass, etc. Groups involved in the formation of jazz rap included A Tribe Called Quest, Digable Planets, De La Soul, Gang Starr, and Jungle Brothers.
Us3 were a British jazz rap group founded by London-based producer Geoff Wilkinson in 1992.
Hand on the Torch is the debut studio album by British jazz rap group Us3. It received widespread attention due to its mixture of jazz with hip-hop music, with material from popular jazz musicians of the 20th century being reimagined. The samples used on the album are from old Blue Note Records classics: the most famous was Herbie Hancock's "Cantaloupe Island", which Us3 used on the track "Cantaloop ". It came out as a single having two different music videos.
"Thieves in the Temple" is a song by American musician Prince from the 1990 soundtrack album Graffiti Bridge. Added at the last minute, it was the final song recorded for the album. "Thieves in the Temple" topped the US R&B chart and became a number six hit in the US, and a number seven hit in the UK. The single also peaked at number nine on the dance chart.
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"My Lovin' (You're Never Gonna Get It)" is a song by American pop/R&B group En Vogue, released in March 1992 by Eastwest Records as the lead single from their multi-platinum second album, Funky Divas (1992).
"Cantaloupe Island" is a jazz standard composed by Herbie Hancock and recorded for his 1964 album Empyrean Isles during his early years as one of the members of Miles Davis' 1960s quintet. Hancock later recorded a jazz-funk fusion version of the track, as Cantelope Island, on his 1976 album Secrets.
"Go Home" is a song by Stevie Wonder, released as the second single from his twentieth studio album, In Square Circle (1985). The song showcased the narrator's plea to a young woman to go home, though the girl tries to get the narrator to stay with her. In the US, the song peaked at #2 on the Billboard R&B chart and #10 on the Billboard Hot 100 and, to date, is Wonder's last song to reach the US top ten on the Hot 100. "Go Home" also topped both the Billboard dance chart and the Billboard Adult Contemporary chart.
"Insane in the Brain" is a song by American hip hop group Cypress Hill, released in June 1993 by Ruffhouse and Columbia as the first single from the group's second album, Black Sunday (1993). The song was written by group members Louis Freese, Lawrence Muggerud and Senen Reyes, and produced by Muggerud. In addition to hitting number one on the US rap chart, it also was a mainstream hit, reaching number 19 on the Billboard Hot 100 in 1993. "Insane in the Brain" earned a 3× platinum certification from the Recording Industry Association of America and sold 3,000,000 copies domestically. The accompanying music video was directed by Josh Taft, featuring the group performing at a rave.
"Love Don't Love You" is a song by American R&B/pop vocal group En Vogue, released in February 1993 by Eastwest Records as the final single from their second album, Funky Divas (1992). The song was both written and produced by Thomas McElroy and Denzil Foster, and became the group's fifth consecutive top-40 single from the album in the United States. It peaked at numbers 36 and 31 on the US Billboard Hot 100 and Cash Box Top 100. The song is led by group members Terry Ellis and Cindy Herron.
"If You Love Somebody Set Them Free" is the first single by English musician Sting from his solo debut album, The Dream of the Blue Turtles (1985). It is also the opening track of the album, and is featured on Fields of Gold: The Best of Sting 1984–1994 as well as The Very Best of Sting & The Police.
"Shoop" is the lead single released from American hip hop group Salt-N-Pepa's fourth studio album, Very Necessary (1993). The song was produced by group members Sandra "Pepa" Denton and Cheryl "Salt" James with Mark Sparks. Released in September 1993 by Next Plateau, the song became one of the group's more successful singles, reaching numbers four and five on the US Billboard Hot 100 and Cash Box Top 100, and topping the Billboard Hot Rap Singles chart at number one. Two months after its release, "Shoop" was certified gold by the RIAA; it went on to sell 1.2 million copies. Its accompanying music video was directed by Scott Kalvert. The success of both this single and the follow-up single "Whatta Man" propelled Very Necessary to sell over 5 million copies in the US, becoming the group's best-selling album.
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"I'm Looking for the One (To Be with Me)" is a song by American hip hop duo DJ Jazzy Jeff & The Fresh Prince, released in November 1993 by Jive Records as the third single from the duo's fifth studio album, Code Red (1993). The song was the follow-up to their highly successful hit single "Boom! Shake the Room" and peaked at number 79 on the US Billboard Hot 100. On the UK Singles Chart, it peaked at number 24. It samples "Tell Me If You Still Care", a song sung by the S.O.S. Band, and is written by Jimmy Jam & Terry Lewis, while Teddy Riley produced it.
"Do You Wanna Get Funky" is a song by American dance music group C+C Music Factory featuring vocals from Martha Wash, Zelma Davis, and Trilogy. Released in July 1994 by Columbia as the lead single from the group's second album, Anything Goes! (1994), it reached number 40 on the US Billboard Hot 100 and topped both the Billboard Hot Dance Club Play chart and the Canadian RPM Dance chart. In Europe and Oceania, it was a hit in several countries, peaking at number two in New Zealand, number five in Finland, number 11 in Australia, and number 18 in the Netherlands. Keir McFarlane directed the song's music video, featuring the artists performing in a nightclub. "Do You Wanna Get Funky" was awarded one of ASCAP's Rhythm & Soul Awards in 1995.
"Just Keep Me Moving" is a song by Canadian singer-songwriter k.d. lang, co-written with Ben Mink. It was featured in the 1993 film Even Cowgirls Get the Blues, starring Uma Thurman, as well as the soundtrack album. The single was released in November 1993 by Warner Bros. and Sire, and reached number six on the US Billboard Hot Dance Club Play chart and number seven on the Canadian RPM Adult Contemporary chart. In Europe, it peaked at number 59 on the UK Singles Chart, but was more successful on the Music Week Airplay and Dance Singles charts, peaking at numbers 26 and 35. A music video was also produced to promote the single.