A catch-22 is a paradoxical situation from which an individual cannot escape because of contradictory rules or limitations. [1] The term was coined by Joseph Heller, who used it in his 1961 novel Catch-22 .
Catch-22s often result from rules, regulations, or procedures that an individual is subject to, but has no control over, because to fight the rule is to accept it. Another example is a situation in which someone is in need of something that can only be had by not being in need of it (e.g. the only way to qualify for a loan is to prove to the bank that you do not need a loan). One connotation of the term is that the creators of the "catch-22" situation have created arbitrary rules in order to justify and conceal their own abuse of power.
Joseph Heller coined the term in his 1961 novel Catch-22 , which describes absurd bureaucratic constraints on soldiers in World War II. The term is introduced by the character Doc Daneeka, an army psychiatrist who invokes "Catch-22" to explain why any pilot requesting mental evaluation for insanity—hoping to be found not sane enough to fly and thereby escape dangerous missions—demonstrates his own sanity in creating the request and thus cannot be declared insane. This phrase also means a dilemma or difficult circumstance from which there is no escape because of mutually conflicting or dependent conditions. [2]
"You mean there's a catch?"
"Sure there's a catch," Doc Daneeka replied. "Catch-22. Anyone who wants to get out of combat duty isn't really crazy."
There was only one catch and that was Catch-22, which specified that a concern for one's own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane, he had to fly them. If he flew them, he was crazy and didn't have to; but if he didn't want to, he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
Different formulations of "Catch-22" appear throughout the novel. The term is applied to various loopholes and quirks of the military system, always with the implication that rules are inaccessible to and slanted against those lower in the hierarchy. In chapter 6, Yossarian (the protagonist) is told that Catch-22 requires him to do anything his commanding officer tells him to do, regardless of whether these orders contradict orders from the officer's superiors. [3]
In a final episode, Catch-22 is described to Yossarian by an old woman recounting an act of violence by soldiers: [4] [5]
"Catch-22 says they have a right to do anything we can't stop them from doing."
"What the hell are you talking about?" Yossarian shouted at her in bewildered, furious protest. "How did you know it was Catch-22? Who the hell told you it was Catch-22?"
"The soldiers with the hard white hats and clubs. The girls were crying. 'Did we do anything wrong?' they said. The men said no and pushed them away out the door with the ends of their clubs. 'Then why are you chasing us out?' the girls said. 'Catch-22,' the men said. All they kept saying was 'Catch-22, Catch-22.' What does it mean, Catch-22? What is Catch-22?"
"Didn't they show it to you?" Yossarian demanded, stamping about in anger and distress. "Didn't you even make them read it?"
"They don't have to show us Catch-22," the old woman answered. "The law says they don't have to."
"What law says they don't have to?"
"Catch-22."
According to literature professor Ian Gregson, the old woman's narrative defines "Catch-22" more directly as the "brutal operation of power", stripping away the "bogus sophistication" of the earlier scenarios. [6]
Besides referring to an unsolvable logical dilemma, Catch-22 is invoked to explain or justify the military bureaucracy. For example, in the first chapter, it requires Yossarian to sign his name to letters he censors while he is confined to a hospital bed. One clause mentioned in chapter 10 closes a loophole in promotions, which one private had been exploiting to reattain the attractive rank of private first class after any promotion. Through courts-martial for going AWOL, he would be busted in rank back to private, but Catch-22 limited the number of times he could do this before being sent to the stockade.
At another point in the book, a prostitute explains to Yossarian that she cannot marry him because he is crazy, and she will never marry a crazy man. She considers any man crazy who would marry a woman who is not a virgin. This closed logic loop clearly illustrated Catch-22 because by her logic, all men who refuse to marry her are sane and thus she would consider marriage; but as soon as a man agrees to marry her, he becomes crazy for wanting to marry a non-virgin, and is instantly rejected.
At one point, Captain Black attempts to press Milo into depriving Major Major of food as a consequence of not signing a loyalty oath that Major Major was never given an opportunity to sign in the first place. Captain Black asks Milo, "You're not against Catch-22, are you?"
In chapter 40, Catch-22 forces Colonels Korn and Cathcart to promote Yossarian to Major and ground him rather than simply sending him home. They fear that if they do not, others will refuse to fly, just as Yossarian did.
Heller originally wanted to call the phrase (and hence, the book) by other numbers, but he and his publishers eventually settled on 22. The number has no particular significance; it was chosen more or less for euphony. The title was originally Catch-18, but Heller changed it after the popular Mila 18 was published a short time beforehand. [7] [8]
The term "catch-22" has filtered into common usage in the English language. In a 1975 interview, Heller said the term would not translate well into other languages. [8]
James E. Combs and Dan D. Nimmo suggest that the idea of a "catch-22" has gained popular currency because so many people in modern society are exposed to frustrating bureaucratic logic. They write of the rules of high school and colleges that:
This bogus democracy that can be overruled by arbitrary fiat is perhaps a citizen's first encounter with organizations that may profess 'open' and libertarian values, but in fact are closed and hierarchical systems. Catch-22 is an organizational assumption, an unwritten law of informal power that exempts the organization from responsibility and accountability, and puts the individual in the absurd position of being excepted for the convenience or unknown purposes of the organization. [5]
Along with George Orwell's "doublethink", "catch-22" has become one of the best-recognized ways to describe the predicament of being trapped by contradictory rules. [9]
A significant type of definition of alternative medicine has been termed a catch-22. In a 1998 editorial co-authored by Marcia Angell, a former editor of the New England Journal of Medicine , argued that:
It is time for the scientific community to stop giving alternative medicine a free ride. There cannot be two kinds of medicine—conventional and alternative. There is only medicine that has been adequately tested and medicine that has not, medicine that works and medicine that may or may not work. Once a treatment has been tested rigorously, it no longer matters whether it was considered alternative at the outset. If it is found to be reasonably safe and effective, it will be accepted. But assertions, speculation, and testimonials do not substitute for evidence. Alternative treatments should be subjected to scientific testing no less rigorous than that required for conventional treatments. [10]
This definition has been described by Robert L. Park as a logical catch-22 which ensures that any complementary and alternative medicine (CAM) method which is proven to work "would no longer be CAM, it would simply be medicine." [11]
U.S. Circuit Judge Don Willett referred to qualified immunity, which requires a violation of constitutional rights to have been previously established in order for a victim to claim damages, as a catch-22: "Section 1983 meets Catch-22. Important constitutional questions go unanswered precisely because those questions are yet unanswered. Courts then rely on that judicial silence to conclude there's no equivalent case on the books. No precedent = no clearly established law = no liability. An Escherian Stairwell. Heads government wins, tails plaintiff loses." [12] [13]
The archetypal catch-22, as formulated by Joseph Heller, involves the case of John Yossarian, a U.S. Army Air Forces bombardier, who wishes to be grounded from combat flight. This will only happen if he is evaluated by the squadron's flight surgeon and found "unfit to fly". "Unfit" would be any pilot who is willing to fly such dangerous missions, as one would have to be mad to volunteer for possible death. However, to be evaluated, he must request the evaluation, an act that is considered sufficient proof for being declared sane. These conditions make it impossible to be declared "unfit".
The "Catch-22" is that "anyone who wants to get out of combat duty isn't really crazy". [14] Hence, pilots who request a mental fitness evaluation are sane, and therefore must fly in combat. At the same time, if an evaluation is not requested by the pilot, he will never receive one and thus can never be found insane, meaning he must also fly in combat.
Therefore, Catch-22 ensures that no pilot can ever be grounded for being insane even if he is.
A logical formulation of this situation is:
1. | For a person to be excused from flying on the grounds of insanity (E), he must both be insane (I) and have requested an evaluation (R). | (premise) | |
2. | An insane person (I) does not request an evaluation (¬R) because he does not realize he is insane. | (premise) | |
3. | Either a person is not insane (¬I) or does not request an evaluation (¬R). | (2. and material implication) | |
4. | No person can be both insane (I) and request an evaluation (R). | (3. and De Morgan's laws) | |
5. | Therefore, no person can be excused from flying on the grounds of insanity (¬E) because no person can be both insane and have requested an evaluation. | (4., 1. and modus tollens ) |
The philosopher Laurence Goldstein argues that the "airman's dilemma" is logically not even a condition that is true under no circumstances; it is a "vacuous biconditional" that is ultimately meaningless. Goldstein writes: [15]
The catch is this: what looks like a statement of the conditions under which an airman can be excused flying dangerous missions reduces not to the statement
- (i) 'An airman can be excused flying dangerous missions if and only if Cont' (where 'Cont' is a contradiction)
(which could be a mean way of disguising an unpleasant truth), but to the worthlessly empty announcement
- (ii) 'An airman can be excused flying dangerous missions if and only if it is not the case that an airman can be excused flying dangerous missions'
If the catch were (i), that would not be so bad—an airman would at least be able to discover that under no circumstances could he avoid combat duty. But Catch-22 is worse—a welter of words that amounts to nothing; it is without content, it conveys no information at all.
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true or apparently true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion. A paradox usually involves contradictory-yet-interrelated elements that exist simultaneously and persist over time. They result in "persistent contradiction between interdependent elements" leading to a lasting "unity of opposites".
Catch-22 is a satirical war novel by American author Joseph Heller. It is his debut novel. He began writing it in 1953; the novel was first published in 1961. Often cited as one of the most significant novels of the twentieth century, it uses a distinctive non-chronological third-person omniscient narration, describing events from the points of view of different characters. The separate storylines are out of sequence so the timeline develops along with the plot.
Allusion is a figure of speech, in which an object or circumstance from an unrelated context is referred to covertly or indirectly. It is left to the audience to make a direct connection. Where the connection is directly and explicitly stated by the author, it is instead usually termed a reference. In the arts, a literary allusion puts the alluded text in a new context under which it assumes new meanings and denotations. It is not possible to predetermine the nature of all the new meanings and inter-textual patterns that an allusion will generate. Literary allusion is closely related to parody and pastiche, which are also "text-linking" literary devices.
Capt. John Yossarian is a fictional character, the protagonist of Joseph Heller's satirical 1961 novel Catch-22 and its 1994 sequel Closing Time. In Catch-22, Yossarian is a 28-year-old captain in the 256th Squadron of the Army Air Forces where he serves as a B-25 bombardier stationed on the small island of Pianosa off the Italian mainland during World War II. Yossarian's exploits have previously been thought to be based on the experiences of the author. Heller was also a bombardier in the Army Air Corps, stationed on an island off the coast of Italy during the war. Heller later documented in his autobiography "Now & Then" the elements of Yossarian which came from his experiences. Heller noted that he derived the name Yossarian from a wartime friend and fellow bombardier, Francis Yohannan. Yohannan made the military his career, continuing to serve through the Vietnam War, placing him at odds with Yossarian's feelings towards the military and as noted in his obituary "(Yohannan) turned aside calls from reporters who asked if he was the real-life Yossarian." A possible source for Yossarian's narrative adventure and efforts to be relieved of his combat duties is Lt. Julius Fish, another bombardier and wartime friend to both Francis Yohannan and Joseph Heller.
First Lieutenant Milo Minderbinder is a fictional character in Joseph Heller's 1961 novel, Catch-22. As the mess officer of Yossarian's squadron, Minderbinder is an entrepreneur during World War II, "perhaps the best known of all fictional businessmen" in American literature. The Minderbinder character is a "bittersweet parody" of the American dream, both a "prophet of profit" and the "embodiment of evil". Minderbinder also appears in Heller's 1994 sequel Closing Time.
Doc Daneeka is a fictional character in the 1961 novel Catch-22 by Joseph Heller. Doc Daneeka is the squadron physician and a friend of the novel's protagonist, Yossarian. "Catch-22" itself is first explained in the novel when Yossarian asks Doc Daneeka to excuse him from combat duty. Doc Daneeka is also the title of Chapter 4 of the novel.
Edward J. Nately III is a fictional character in Joseph Heller's satirical 1961 novel Catch-22.
Lieutenant Orr is a fictional character in the classic 1961 novel Catch-22 by Joseph Heller. Orr is a World War II bomber pilot who shares a tent with his good friend, the protagonist of the novel, Yossarian. Described as "a warm-hearted, simple-minded gnome," Orr is generally considered crazy. His most notable feature is repeatedly being shot down over water, but, until his final flight, always managing to survive along with his entire crew. On his final flight, perhaps two-thirds of the way through the novel, he is again shot down into the Mediterranean, and is lost at sea. Only in the last ten pages of the novel does Heller reveal that Orr's crashes were part of an elaborate plot to escape the war.
Chaplain Captain Albert Taylor Tappman is a fictional character in Joseph Heller's 1961 novel Catch-22 and its 1994 sequel Closing Time. In earlier editions he was called Chaplain Robert Oliver Shipman, but this was changed to Albert Taylor Tappman. Editions published in some other territories, notably Britain, have continued to use the original name. Heller named the character after Charles Allan Tapman, a Penn State University boxer and Class of 1938 graduate that Heller met socially in the early 1950s.
Colonel Cathcart is a character in Joseph Heller's novel Catch-22 (1961) and the novel's de facto main antagonist.
A double bind is a dilemma in communication in which an individual receives two or more reciprocally conflicting messages. In some scenarios this can be emotionally distressing, creating a situation in which a successful response to one message results in a failed response to the other, such that the person responding will automatically be perceived as in the wrong, no matter how they respond. This double bind prevents the person from either resolving the underlying dilemma or opting out of the situation.
Captain "Aarfy" Aardvark is a fictional character, a major antagonist in the 1961 novel Catch-22 by Joseph Heller. Aarfy is the plump navigator in Yossarian's B-25, noted for being oblivious to incoming flak, getting lost on missions, and his omnipresent pipe. His nickname "Aarfy" is an abbreviation of his surname, Aardvark.
Catch-22 is a 1970 American satirical comedy war film adapted from the 1961 novel of the same name by Joseph Heller. In creating a black comedy revolving around the "lunatic characters" of Heller's satirical anti-war novel set at a fictional Mediterranean base during World War II, director Mike Nichols and screenwriter Buck Henry worked on the film script for two years, converting Heller's complex novel to the medium of film.
"Paradise Lost" is the 84th episode of the television series Star Trek: Deep Space Nine, the 12th episode of the fourth season. It is the second part of a two-part episode, following on from the preceding episode, "Homefront."
Scheisskopf is a minor fictional character in the 1961 novel Catch-22 by Joseph Heller, who is promoted through the ranks from Lieutenant to First Lieutenant, Colonel and finally to Lieutenant General. Lieutenant Scheisskopf is the title of Chapter Eight and General Scheisskopf is the title of Chapter Thirty-seven. Scheisskopf is a parade-obsessed ROTC graduate and training officer at the Air cadet base where Yossarian and Clevinger are trained before being sent overseas. Later Scheisskopf is himself transferred overseas to General Peckem’s command.
Joseph Heller was an American author of novels, short stories, plays, and screenplays. His best-known work is the 1961 novel Catch-22, a satire on war and bureaucracy, whose title has become a synonym for an absurd or contradictory choice. He was nominated in 1972 for the Nobel Prize in Literature.
Dangerous Moonlight is a 1941 British film directed by Brian Desmond Hurst and starring Anton Walbrook. The film is perhaps best known for its score, written by Richard Addinsell and orchestrated by Roy Douglas, that includes the Warsaw Concerto. The gowns in the film were designed by Cecil Beaton.
Face of a Hero is a novel written by American writer Louis Falstein and published in 1950. Though out of print for a long time, interest in this narrative, dealing with the war experience of a B-24 tail gunner in Southern Europe during the Second World War was rekindled when it was suggested that it inspired Joseph Heller while writing his well-known war novel Catch-22.
Catch-22 is a satirical dark comedy television miniseries based on the 1961 novel of the same name by Joseph Heller. It premiered on May 17, 2019, on Hulu in the United States. The series stars Christopher Abbott, Kyle Chandler, Hugh Laurie, and George Clooney, who is also an executive producer alongside Grant Heslov, Luke Davies, David Michôd, Richard Brown, Steve Golin, and Ellen Kuras. The series was written by Davies and Michôd and directed by Clooney, Heslov, and Kuras, with each directing two episodes.
It is Catch-22: Dr. Daneeka explains how anybody who is crazy has a right to ask to be removed from combat status but how anybody who asks is revealing a rational concern for his own safety that makes him not crazy;