Connie's Country | ||||
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Studio album by | ||||
Released | April 1969 | |||
Recorded | February 1967 – December 1968 | |||
Studio | RCA Studio A (Nashville, Tennessee) | |||
Genre | ||||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Connie Smith chronology | ||||
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Singles from Connie's Country | ||||
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Connie's Country is the twelfth studio album by American country singer Connie Smith, released in April 1969 by RCA Victor. The pop-inspired project included a mixture of original and cover songs. The album 'Connie's Country' was a hit, with a cover of Gordon Lightfoot's 'Ribbon of Darkness' reaching the top 20 on the American country songs chart. The album itself was also successful, placing in the top 20 on the American country albums chart. Critics praised the album for its quality and song selection.
Connie Smith had a string of uninterrupted top ten country singles during the 1960s, launched by 1964's "Once a Day". The song topped the country songs chart for eight weeks and launched her career. [3] In 1968, Smith became a Christian, which had a profound impact on her musical output during her time with RCA Victor. [1] [4] She began incorporating more gospel songs into her regular studio albums, which would reflect in Smith's 1969 album. [5] Smith went into recording sessions to make her next album, Connie's Country in 1968. Biographer Barry Mazor notes that "despite the title" the sort of pop music that "Ms. Smith found most agreeable". [2]
The recordings for Connie's Country were taken from sessions held between February 1967 and December 1968. The sessions took place at RCA Studio A, located in Nashville, Tennessee. The sessions were produced by Bob Ferguson. [6] [7] The album consisted of 12 tracks. [1] [7] With the album's pop influence, there was an emphasis on string instrumentation. [2] Smith sought out direction from Brenton Banks, who led the string instrumentation for her sessions. The album mixed new recordings with covers of previously recorded country and pop material. [5]
One of the covers Smith cut for the album was "Ribbon of Darkness". Although written and first cut by Gordon Lightfoot, Smith recalled first hearing Marty Robbins's 1965 country single version. Smith also covered "Seattle", which was first recorded by Perry Como and appeared as the theme song to the television show Here Come the Brides . She also covered Merle Haggard's country selection "Today I Started Loving You Again". [8] Several new tracks were also part of the album. Of these new songs was "Sound of Different Drums", which was composed by Harlan Howard. Also included was "A Lonely Woman", which was composed by Jean Chapel and Alda Calongne. Smith also cut the Ben Peters-penned "Happy Street", which Mazor described as a "giddy" song as compared to the rest of the album. [8] As part of Smith's vow to record one gospel track per studio album, she cut one of her favorite hymns called "Gathering Flowers for the Master's Bouquet". [4] [8]
Review scores | |
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Source | Rating |
Allmusic | [1] |
Connie's Country was originally released in April 1969 on the RCA Victor label. It was the twelfth studio collection released in Smith's career. The album was distributed as a vinyl LP, containing six songs on either side of the record. [7] Decades later, the album was re-released on Sony Music Entertainment to digital and streaming sites. [9] The album received a positive review from Billboard magazine, which praised Smith's reading of "Ribbon of Darkness". The magazine also highlighted "The Sound of Different Drums", "Blue Little Girl" and "Got a Lotta Blues to Lose". [10] AllMusic gave it 4.5 out of 5 stars. [1] In its original release, Connie's Country spent 15 weeks on the American Billboard Top Country Albums chart, peaking at number 14 in June 1969. [11] Smith's version of "Ribbon of Darkness" was issued as a single in February 1969 by RCA Victor. [12] The single spent 14 weeks on the Billboard Hot Country Songs chart and peaked at number 13 in October 1969. It was Smith's second top 20 single in her career. [13]
No. | Title | Writer(s) | Length |
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1. | "Seattle" |
| 2:55 |
2. | "Ribbon of Darkness" | Gordon Lightfoot | 2:38 |
3. | "Gotta Lotta Blues to Lose" | Jimmy Gateley | 2:10 |
4. | "Today I Started Loving You Again" | 2:13 | |
5. | "You" | Jimmy Holder | 3:06 |
6. | "I'll Love You Enough (For Both of Us)" | Ray Griff | 2:03 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Sound of Different Drums" | Harlan Howard | 2:28 |
2. | "Happy Street" | Ben Peters | 2:32 |
3. | "Blue Little Girl" | Betty Jean Robinson | 3:04 |
4. | "A Lonely Woman" |
| 2:57 |
5. | "You Don't Have Very Far to Go" |
| 2:33 |
6. | "Gathering Flowers for the Master's Bouquet" | Marvin E. Baumgardner | 2:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Seattle" |
| 2:57 |
2. | "Ribbon of Darkness" | Lightfoot | 2:41 |
3. | "Gotta Lotta Blues to Lose" | Gateley | 2:15 |
4. | "Today I Started Loving You Again" |
| 2:18 |
5. | "You" | Holder | 3:11 |
6. | "I'll Love You Enough (For Both of Us)" | Griff | 2:08 |
7. | "Sound of Different Drums" | Howard | 2:30 |
8. | "Happy Street" | Peters | 2:34 |
9. | "Blue Little Girl" | Robinson | 3:07 |
10. | "A Lonely Woman" |
| 2:59 |
11. | "You Don't Have Very Far to Go" |
| 2:35 |
12. | "Gathering Flowers for the Master's Bouquet" | Baumgardner | 2:50 |
All credits are adapted from the liner notes of Connie's Country [7] and the biography booklet by Barry Mazor titled Just for What I Am. [6]
Musical personnel
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| Technical personnel
|
Chart (1969) | Peak position |
---|---|
US Top Country Albums (Billboard) [14] | 14 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
North America | April 1969 | Vinyl | RCA Victor Records | [7] |
2010s |
| Sony Music Entertainment | [9] | |
Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
Born to Sing is the fifth studio album by American country singer Connie Smith. It was released in September 1966 by RCA Victor and contained 12 tracks. The album was her first to include string instrumentation. It reached the top five of the Billboard Country LP's chart and included the single "Ain't Had No Lovin'".
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I Love Charley Brown is the tenth studio album by American country singer Connie Smith, released in April 1968 by RCA Victor. The album reached the top 20 of the American country albums chart. It was described as a collection of pop-inspired country songs. Included were four cuts written by Smith's longtime songwriting collaborator, Dallas Frazier. Among his cuts was one of the album's three singles, "Run Away Little Tears". Along with Frazier's cut, the two additional singles included reached the top ten of the American country songs chart. The album was met with favorable reviews from critics.
Sunshine and Rain is the eleventh studio album by American country singer Connie Smith, released in October 1968 by RCA Victor. Sunshine and Rain featured an assortment of both new material and covers of songs by other country artists. The album reached the top 40 of the American country albums chart and received a favorable review from Billboard magazine following its release.
Young Love is a collaborative studio album by American country artists Connie Smith and Nat Stuckey, released in July 1969 by RCA Victor. The project was a collection of duets between Smith and Stuckey. The duets were mostly cover versions of songs previously recorded by other country artists. Many of these songs had originally been released as duets themselves. Included on the project was the pair's cover of "Young Love", which became a top 20 single on the American country songs chart. In 1969, Billboard gave the album a favorable response.
Back in Baby's Arms is the thirteenth solo studio album by American country singer Connie Smith, released in October 1969 by RCA Victor. The album contained a mixture of both new recordings and cover versions of previously-recorded material. Back in Baby's Arms reached the top 20 of the American country albums chart in 1969 and received a four-star rating from AllMusic.
Sunday Morning with Nat Stuckey and Connie Smith is the second collaborative studio album by American country artists Nat Stuckey and Connie Smith, released in January 1970 by RCA Victor. The album was a collection of country gospel songs performed as duets by both artists and the pair's first album of religious music. Included was the song "If God Is Dead ". Released as a single, the song charted in the top 60 of the American country chart in 1970. The album received a positive review from Billboard magazine following its release. In 2002, the album was re-released under the title God Will and included a twelfth track.
The Best of Connie Smith Volume II is a compilation album by American country singer Connie Smith, released in March 1970 by RCA Victor, her second "Best Of" compilation. The album compiled Smith's most popular singles between 1967 and 1969. The album reached the top 30 of the American country albums chart following its release. Also included was two new recordings. Of these new recordings, one was released as a single in 1969. Titled "You and Your Sweet Love", it reached the top ten of the country singles chart.
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Just One Time is the sixteenth solo studio album by American country singer Connie Smith, released in June 1971 by RCA Victor. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
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Dream Painter is a compilation album by American country singer Connie Smith, issued in July 1973 by RCA Victor. The album was released following Smith's departure from RCA Victor and contained previously-released material. Two new recordings were also featured, including the title track. Released as a single, the title track would reach the top 30 of American country songs chart. The album itself would chart the American country LP's chart in 1973.
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The Song We Fell in Love To is the twenty-seventh solo studio album by American country singer Connie Smith. It was released in March 1976 on Columbia Records. The album contained ten tracks of material crafted in a country pop style that featured overdubbed vocal harmonies by Smith herself. Two singles were included on the project: the title track and a cover of The Everly Brothers's "(Till) I Kissed You". The latter single became Smith's first top ten American single in several years. The album itself peaked in the top 40 of the American Country LP's chart in 1976.
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