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Spirituals is a genre of Christian music that is associated with African Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres emerged from the spirituals songcraft.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b. The poetry of "When I survey…" may be seen as English literary baroque.
Gandy dancer is a slang term used for early railroad workers in the United States, more formally referred to as "section hands", who laid and maintained railroad tracks in the years before the work was done by machines. The British equivalents of the term gandy dancer are "navvy", originally builders of canals or "inland navigations", for builders of railway lines, and "platelayer" for workers employed to inspect and maintain the track. In the Southwestern United States and Mexico, Mexican and Mexican-American track workers were colloquially "traqueros".
"The Three Ravens" is an English folk ballad, printed in the song book Melismata compiled by Thomas Ravenscroft and published in 1611, but it is perhaps older than that. Newer versions were recorded right up through the 19th century. Francis James Child recorded several versions in his Child Ballads.
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music.
"Dead Man's Chest" is a fictional sea song, originally from Robert Louis Stevenson's novel Treasure Island (1883). It was expanded in a poem, titled "Derelict" by Young E. Allison, published in the Louisville Courier-Journal in 1891. It has since been used in many later works of art in various forms.
"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song. Over the years, several variants have appeared.
"Old Dan Tucker," also known as "Ole Dan Tucker," "Dan Tucker," and other variants, is an American popular song. Its origins remain obscure; the tune may have come from oral tradition, and the words may have been written by songwriter and performer Dan Emmett. The blackface troupe the Virginia Minstrels popularized "Old Dan Tucker" in 1843, and it quickly became a minstrel hit, behind only "Miss Lucy Long" and "Mary Blane" in popularity during the antebellum period. "Old Dan Tucker" entered the folk vernacular around the same time. Today it is a bluegrass and country music standard. It is no. 390 in the Roud Folk Song Index.
"Oh, Dem Golden Slippers" is a minstrel song penned by African-American James A. Bland in 1879, is particularly well known as a bluegrass instrumental standard. By 1880, the song had exceeded 100,000 copies sold.
"The Titanic" (also known as "It Was Sad When That Great Ship Went Down" and "Titanic (Husbands and Wives)") is a folk song and children's song. "The Titanic" is about the sinking of RMS Titanic which sank on April 15, 1912, after striking an iceberg.
"I Ain't Got Time to Tarry", also known as "The Land of Freedom", is an American song written by blackface minstrel composer Dan Emmett. It premiered in a minstrel show performance by Bryant's Minstrels in late November 1858. The song was published in New York City in 1859.
"Ballad for Americans" (1939), originally titled "The Ballad for Uncle Sam", is an American patriotic cantata with lyrics by John La Touche and music by Earl Robinson. It was written for the Federal Theatre Project production, Sing for Your Supper that opened on April 24, 1939. Congress abolished the project on June 30, 1939. The "Ballad of Uncle Sam" had been performed 60 times.
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
"Go Tell It on the Mountain" is an African-American spiritual song which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr., although there is some debate whether he was actually the first to write it. This spiritual has been sung and recorded by many gospel and secular performers since considered a Christmas carol as its original lyrics celebrate the Nativity of Jesus:
Go tell it on the mountain, over the hills and everywhere;
go tell it on the mountain, that Jesus Christ is born.
"Michael, Row the Boat Ashore" is a traditional African-American spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. Ken Emerson, author of the book Doo-Dah! (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect.
Dixie is a 1943 American biographical film of songwriter Daniel Decatur Emmett directed by A. Edward Sutherland and starring Bing Crosby and Dorothy Lamour. Filming in Technicolor, Dixie was only a moderate success and received mixed reviews. Contrary to rumor, it has not been withdrawn from circulation due to racial issues but is simply one of hundreds of vintage Paramount Pictures from the 1930s and 1940s now owned by Universal and not actively marketed; it was broadcast several times in the late 1980s on the American Movie Classics channel. The film produced one of Crosby's most popular songs, "Sunday, Monday, or Always".
"Nobody Knows the Trouble I've Seen" is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others. Anderson had her first successful recording with a version of this song on the Victor label in 1925. Horne recorded a version of the song in 1946. The Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play Negro Spirituals Vol. 1, and the song was arranged by Harry Douglas.
"Unknown Caller" is a song by Irish rock band U2 and the fourth track on their 2009 album No Line on the Horizon. It was written from the perspective of a drug addict, who begins to receive bizarre text messages on his cellphone. The song was developed very early during the No Line on the Horizon sessions, and was recorded in a single take.
"The Weary Blues" is a poem by American poet Langston Hughes. Written in 1925, "The Weary Blues" was first published in the Urban League magazine Opportunity. It was awarded the magazine's prize for best poem of the year. The poem was included in Hughes's first book, a collection of poems, also entitled The Weary Blues.
References
- ↑ "Negro Spirituals". Archived from the original on 2008-05-11. Retrieved 2008-07-22.
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