World tour by The Pussycat Dolls | |
Location | Europe • Asia • North America • Oceania |
---|---|
Associated album | Doll Domination |
Start date | January 18, 2009 |
End date | July 31, 2009 |
Legs | 3 |
No. of shows |
|
Box office | $15,552,611 (in 19 shows, adjusted to 2020 dollars) |
The Pussycat Dolls concert chronology |
The Doll Domination Tour was the second and final concert tour by American girl group the Pussycat Dolls. It was launched in support of their second studio album, Doll Domination (2008). The tour was announced in October 2008 with dates in Europe and Oceania revealed in the following month, the tour contained six legs and 50 shows. It began in Aberdeen, Scotland on January 18, 2009, and concluded in Beirut, Lebanon on July 31, 2009. In-between the first two legs, the group supported the first leg of The Circus Starring Britney Spears in North America. The setlist for the concerts included songs from PCD (2005) and Doll Domination as well a cover of Shirley Bassey's Big Spender. Nineteen shows were submitted to Billboard 's boxscore grossing $14.3 million, with 231,711 fans attending the performances.
In August 2008, in an interview with FemaleFirst.co.uk, Ashley Roberts said that their world tour would start January 2009 adding "we're gonna be hitting everywhere around the world and taking over." [1] The tour was officially announced on October 7, 2008. Initial dates were confirmed in the UK with Ne-Yo tapped as a support act. [2] The following month Lady Gaga was announced as an opening act in Europe and in Oceania which marked their first time touring there, while the US shows were to be announced shortly. [3] On December 2, 2008, Britney Spears announced the first leg of twenty-five dates in the US for The Circus Starring Britney Spears with the Pussycat Dolls as the opening act. [4] The tour kicked off on January 18 in Aberdeen, Scotland with the first leg ending in Belgrade, Serbia. Before heading to the Oceania shows, the Pussycat Dolls supported Spears on her tour visiting 27 venues in North America. [5] Following Oceania, they visited Asia and North America and in July they visited England and Ireland for various festivals. Eight weeks before the tour started Jimmy Iovine stated that the group had sold 150,000 out of 160,000. [6]
The stage screens for the tour were created by Stimulated, Inc. [7] The videos included original design and animation looks for 25 songs. [8] The company spent two months at its Burbank studio creating the visual content for the tour. The opening video sequence of the tour was filmed at a sound stage in Hollywood, California. The group were riding motorcycles against a green screen backdrop. Then, along with the Pussycat Dolls they traveled to Leeds, United Kingdom. Along with Robb Wagner and his team, the Dolls and their creative team, worked hand-in-hand polishing the media content. [7] The Pussycat Dolls spent six days in the Litestructures Studios for a full production rehearsal. [9] The stage was designed by Litestructures. It marked the fourth time that the company worked with the Pussycat Dolls. It measured 32 ft(w) x 24 ft(deep) and 8 ft(tall) – made to fit on 60 ft x 44 ft house stage. It featured includes three custom-built staircases which were made of small aluminium frame with a makrolon top. [9]
The set list of the shows included songs from the standard and deluxe edition of Doll Domination (2008) as well songs from their debut studio album, PCD (2005). Big Spender by Shirley Bassey was covered by Melody Thornton, as well cover versions of other artists which were used as snippets to songs. During the performances, the group was backed by five male dancers and two percussionists. During the opening leg of the tour, each show was recorded live and then loaded to the Pussycat Dolls wristband that plugs into any USB port or compatible microSD phone. [10] [11] According to Metro the Pussycat Dolls were reportedly planning to make a behind-the-scenes movie about life on their tour. According to an insider, the band had started filming for the movie which was described "as part documentary and part entertainment." Despite this, the documentary never came to fruition. [12] Jessica Sutta suffered a back injury during the first Sydney show, leaving the group performing as a four-piece throughout the following shows. [13] [14]
While reviewing the opening concert in Aberdeen, Colene McKessick of The Press and Journal described it as a "roof-raising show." The writer praised the show for its "risque dance moves and infectious energy." She also commended Nicole Scherzinger's ability to carry most of the vocals and was impressed by her bandmates describing them as "talented singers too." [15] Sally Hind of the Evening Express lauded the opening night writing "they came to dominate and that’s what they did." She went on to praise the group's energy, "the five foxy felines didn’t once pause for breath. They were on the move from the minute they appeared on stage on shiny motorbikes until they took their final bow." She also praised the costumes of the show that "kept everyone fixated." [16] Writing for the Evening Times Maureen Ellis described the show as a "high-octane set" whilst noting that even though they "tried to showcase each of the band members in solo sections, it was only ever The Nicole Show." [17] Barbara Hodgson of The Journal described the show as "a solid three hours-plus of pure entertainment." [18]
A writer for the Evening Chronicle thought that both Lady Gaga and Ne-Yo raised the standard too high, but went on to praise the group who "somersaulted over it." [19] Lauren Richards of the Birmingham Mail graded it four out five describing it "spectacular, fast paced and great fun." [20] Zoe Kirk of the Nottingham Post commented "this is more than just an ordinary, flimsy girl band; this is the manifestation of some of the best choreographers, beat-makers and catchy pop lyricists the mainstream has to offer." She ended her review writing "This was the Doll Domination their latest album promises." [21] Andy Nicholls of the Bournemouth Echo wrote that "[Scherzinger] may have taken center stage for most of the songs, Ashley, Jessica, Melody and Kimberly all proved they too had star quality." [22] On the contrary to Nicholls, Alex Macpherson from The Guardian felt that the remaining four members "are mere backing singers and dancers" and described Scherzinger as a "revelation, a switched-on, precision-engineered performer." He singled out "I Hate This Part" as the "Dolls' finest moment." [23] Eamon Sweeney of the Irish Independent commented that "despite a dramatic entrance on customized motorbikes, the early segment of the show seems like a massive anti-climax," but later noted that the group "soon get in their stride." He further noted that previous shows at The O2 in Dublin were musically superior, "but few can match this for sheer attitude." [24] A writer for the Belfast Telegraph described the show as "excellent". [25]
For the opening night of the Oceanian leg of the tour in Auckland, New Zealand, Joanna Hunkin of the New Zealand Herald felt that Lady Gaga "group out-sang, outshone and out-sexed the Dolls, in half the time and half the space." Hunkin, who described the group as "poster girls"," criticized the "disappointingly budget set" and the lack of live musicians calling the show as "a glorified karaoke night [...] at the strip club." She concluded her negative review writing the "show proved the Dolls aren't dominating anything." [26] Reviewing the same show, Clio Francis from the Stuff.co.nz agreed with Hunkin praising Gaga for "outshin[ing] the tawdry sexuality of the headliners." He also criticized the basic production while noting the "sound quality throughout their set was mediocre at best, with the over heavy bass at times smothering any passable melodies." However he noted that the night's encore "[brought] the night to a satisfying conclusion for most young fans." [27] Marissa Calligeros from The Sydney Morning Herald echoed previous comments, commending Gaga for "outshin[ing] and outclass[ing] the factory-made act of the headliners." She went to describe the Pussycat Dolls as "a teen dance troupe leading an amateur high school musical production," noting throughout show the audience largely stood motionless, due to the heavy bass. However she did praise Scherzinger's vocals calling them "impressive". [28] Cameron Adams of the Herald Sun praised Gaga's vocal and piano skills whilst criticizing the group for an over-priced concert that looked more as "a shopping center performance than a headline arena show." [29]
In July 2009, Billboard magazine released their Mid-Year List Of Top 25 Tours where data was collected between December 6, 2008 through June 20, 2009, the Pussycat Dolls were listed at number 25 with gross of $14.3 million and 231,711 fans attended the reported 23 shows of which, the twelve were sold-out. [30]
The following setlist was obtained from the concert held on February 24, 2009, at the Incheba Expo Arena in Bratislava, Slovakia. It does not represent all concerts for the duration of the tour. [31]
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
Europe [32] [33] [34] | ||||||
January 18, 2009 | Aberdeen | Scotland | Press & Journal Arena | Lady Gaga | — | — |
January 19, 2009 | Glasgow | SECC Concert Hall 4 | Lady Gaga Ne-Yo | |||
January 21, 2009 | Newcastle | England | Metro Radio Arena | 9,500 / 9,500 | $436,100 | |
January 22, 2009 | Birmingham | National Indoor Arena | 11,494 / 11,494 | $517,217 | ||
January 24, 2009 | Nottingham | Trent FM Arena | 7,955 / 7,955 | $355,081 | ||
January 25, 2009 | Bournemouth | Windsor Hall | Lady Gaga | — | — | |
January 27, 2009 | London | The O2 Arena | Lady Gaga Ne-Yo | 28,305 / 28,305 | $1,285,759 | |
January 28, 2009 | ||||||
January 29, 2009 | Manchester | Manchester Evening News Arena | 14,766 / 14,766 | $684,047 | ||
January 30, 2009 | Cardiff | Wales | Cardiff International Arena | 7,434 / 7,434 | $343,835 | |
February 1, 2009 | Dublin | Ireland | The O2 | Lady Gaga | 12,417 / 12,417 | $751,286 |
February 3, 2009 | Belfast | Northern Ireland | King's Hall | 7,331 / 7,331 | $377,315 | |
February 5, 2009 | Sheffield | England | Sheffield Arena | 10,041 / 10,041 | $434,768 | |
February 6, 2009 | Liverpool | Echo Arena | 9,543 / 9,543 | $415,705 | ||
February 8, 2009 | Paris | France | Zénith de Paris | — | — | |
February 9, 2009 | Amsterdam | Netherlands | Heineken Music Hall | Lady Gaga Queensberry | ||
February 10, 2009 | Frankfurt | Germany | Jahrhunderthalle | |||
February 12, 2009 | Zürich | Switzerland | Hallenstadion | |||
February 13, 2009 | Forest | Belgium | Forest National | Lady Gaga | ||
February 14, 2009 | Munich | Germany | Zenith | Lady Gaga Queensberry | ||
February 15, 2009 | Esch-sur-Alzette | Luxembourg | Rockhal | |||
February 17, 2009 | Monte Carlo | Monaco | Salle des Princes | |||
February 18, 2009 | Düsseldorf | Germany | Philips Halle | Queensberry | ||
February 19, 2009 | Berlin | Max-Schmeling-Halle | ||||
February 21, 2009 | Prague | Czech Republic | Tesla Arena | Victoria | ||
February 23, 2009 | Vienna | Austria | Bank Austria Halle | Queensberry | ||
February 24, 2009 | Bratislava | Slovakia | Incheba Expo Arena | Marian Cekovsky Laci Strike | ||
February 25, 2009 | Belgrade | Serbia | Belgrade Arena | Lady Gaga | ||
Oceania [35] [36] [37] | ||||||
May 16, 2009 | Auckland | New Zealand | Vector Arena | Lady Gaga | 11,556 / 12,216 | $713,927 |
May 19, 2009 | Brisbane | Australia | Brisbane Entertainment Centre | Lady Gaga Havana Brown | 9,090 / 11,420 | $765,095 |
May 21, 2009 | Newcastle | Newcastle Entertainment Centre | — | — | ||
May 22, 2009 | Sydney | Acer Arena | 22,468 / 23,270 | $2,129,922 | ||
May 23, 2009 | ||||||
May 26, 2009 | Melbourne | Rod Laver Arena | 23,323 / 26,548 | $1,966,724 | ||
May 27, 2009 | ||||||
May 28, 2009 | Adelaide | Adelaide Entertainment Centre | 7,903 / 9,888 | $681,753 | ||
May 30, 2009 | Perth | Burswood Dome | 12,852 / 16,881 | $1,075,415 | ||
Asia [35] [38] | ||||||
June 2, 2009 | Jakarta | Indonesia | Istora Senayan | — | — | — |
June 3, 2009 | Bangkok | Thailand | Indoor Stadium Huamark | |||
June 4, 2009 | Singapore | Singapore Indoor Stadium | ||||
June 6, 2009 | Seoul | South Korea | Olympic Cycling Stadium | After School Son Dam-bi | ||
June 11, 2009 | Manila | Philippines | Mall of Asia Concert Grounds | Q-York | ||
North America [39] | ||||||
June 13, 2009 | Honolulu | United States | Blaisdell Arena | — | — | — |
June 27, 2009 | Las Vegas | Pearl Concert Theater | ||||
Europe | ||||||
July 17, 2009 [lower-alpha 1] | Suffolk | England | Newmarket Racecourse | — | — | — |
July 18, 2009 [lower-alpha 2] | Killarney | Ireland | Fitzgerald Stadium | |||
July 22, 2009 [lower-alpha 3] | Liverpool | England | Echo Arena | |||
July 24, 2009 [lower-alpha 4] | Northampton | Silverstone Circuit | ||||
July 25, 2009 [lower-alpha 5] | Kent | Quex Park | ||||
July 29, 2009 [lower-alpha 6] | Esher | Sandown Park | ||||
Asia [46] | ||||||
July 31, 2009 | Beirut | Lebanon | Beirut International Exhibition & Leisure Center | — | — | — |
Total | 205,978 / 219,009 (94%) | $12,934,053 | ||||
Personnel taken from Doll Domination World Tour book. [47]
PCD is the debut studio album by American girl group the Pussycat Dolls, released on September 12, 2005, by A&M Records. In 1995, the Pussycat Dolls were created as a burlesque troupe by choreographer Robin Antin. After attracting media attention, Antin struck a joint venture with Interscope Records to develop the Pussycat Dolls into a brand, with Jimmy Iovine assigning the project to Ron Fair. As one of the executive producers Fair produced the majority of the album and collaborated with producers like Kwamé, Polow da Don and Rich Harrison. The music style of PCD was described as pop/R&B and urban dance-pop. Lyrically the album incorporates sexual innuendo and explores the themes of feminism and romance. It features guest vocals from rappers Busta Rhymes, Timbaland and will.i.am.
"Stickwitu" is a song recorded by American girl group the Pussycat Dolls for their debut studio album PCD (2005). It was written by Franne Golde, Kasia Livingston and Robert Palmer and produced by Ron Fair. A pop ballad with soul influences, the song finds the group celebrating monogamous relationships, with music critics drawing comparisons to fellow girl groups Cover Girls, Sweet Sensation, and the Spice Girls. It was released as the album's second single on September 26, 2005, by A&M Records and Interscope Records.
Melody Thornton is an American singer and television personality. After graduating high school, Thornton became one of the main vocalists of the pop girl group the Pussycat Dolls and released the albums PCD (2005) and Doll Domination (2008) becoming one of the world's best-selling girl groups. As part of the group, she has received a Grammy Award nomination.
"Buttons" is a song recorded by American girl group the Pussycat Dolls from their debut studio album PCD (2005). It was written by Sean Garrett, Jamal Jones, Jason Perry and group member Nicole Scherzinger, and produced by the former two alongside Ron Fair. It is a hip hop-influenced pop and R&B track featuring synthesizers and a Middle Eastern rhythm, with the group pleading a reluctant man to help them undress whilst adopting a submissive stance. A remix version featuring American rapper Snoop Dogg was released as the album's fourth single on April 11, 2006, by A&M Records and Interscope Records.
"Wait a Minute" is a song recorded by American girl group the Pussycat Dolls for their debut studio album PCD (2005). It features a guest appearance from Timbaland, who served as the song's sole producer and co-wrote it with Keri Hilson and Craig Longmiles. Lyrically, the song showcases the artists flirting and committing to a playful give and take, highlighting the differences between the two sexes. In the United States, A&M Records and Interscope Records released the song to contemporary hit radio on October 16, 2006, as the fifth single of the album in the US and the sixth and final in international territories. An accompanying music video was directed by Marc Webb features the Pussycat Dolls performing choreography on a subway car and city streets. It was nominated for a MuchMusic Video Award and a MOBO Award.
The discography of American girl group the Pussycat Dolls consists of two studio albums, two extended plays, two video albums, 15 singles, two promotional singles, and 15 music videos. To date, the group has sold 15 million albums and 40 million singles worldwide.
The Pussycat Dolls were an American girl group and dance ensemble, founded in Los Angeles, California, by choreographer Robin Antin in 1995 as a neo-burlesque troupe. At the suggestion of Jimmy Iovine, Antin decided to take the troupe mainstream as a pop group. Antin negotiated a record deal with Interscope Geffen A&M Records in 2003 turning the group into a music franchise comprising Nicole Scherzinger, Carmit Bachar, Ashley Roberts, Jessica Sutta, Melody Thornton, and Kimberly Wyatt. Their debut single, "Sway", was featured on the soundtrack of the 2004 film Shall We Dance?.
"Whatever U Like" is the debut solo single by American singer Nicole Scherzinger, featuring rapper T.I. and Sean Garrett. The trio, along with Polow da Don, composed the song for Scherzinger's planned debut studio album Her Name Is Nicole. "Whatever U Like" was released on July 28, 2007 on Interscope Records.
"When I Grow Up" is a song by American girl group the Pussycat Dolls from their second studio album Doll Domination (2008). It was released by Interscope Records on May 27, 2008, as the lead single from the album. It was first written for Britney Spears, but was rejected. It was then considered and recorded for Nicole Scherzinger's planned solo project, Her Name Is Nicole, but after its cancellation and Scherzinger's return to the group, she felt that the song was better suited for the group. "When I Grow Up" was written by Theron Thomas, Timothy Thomas, and Rodney "Darkchild" Jerkins, who also produced the song. It is an uptempo electropop and R&B song, sampling the 1966 song, "He's Always There" by British rock band The Yardbirds. "When I Grow Up" speaks about the desire to be famous, and was described as being "autobiographical" by Scherzinger.
Doll Domination is the second and final studio album by American girl group the Pussycat Dolls, released on September 19, 2008, by Interscope Records. The album's release was preceded by the departure of the group's longest-standing member Carmit Bachar. Development began in February 2008 where the group worked with previous collaborators Sean Garrett, Polow da Don and Timbaland and new ones such as Darkchild, J-Roc and Chase N. Cashe. Polow da Don, R. Kelly and Snoop Dogg also make guest performances on the album. Several songs on Doll Domination were originally recorded for the lead singer Nicole Scherzinger's debut solo album, Her Name is Nicole, which was shelved after the under-performance of its preceding singles.
The PCD World Tour was the first concert tour by American girl group the Pussycat Dolls, launched in promotion of their debut album, PCD (2005). During the tour, the group also toured North America with Christina Aguilera and The Black Eyed Peas. The group caused controversy during their show at the Sunway Lagoon theme park, breaking Malaysian decency laws.
"Bottle Pop" is a song by American girl group the Pussycat Dolls for their second studio album Doll Domination (2008). It was written and produced by Sean Garrett and Fernando Garibay, with additional songwriting by group's lead singer Nicole Scherzinger. The song features American rapper Snoop Dogg, whom they previously collaborated with on "Buttons" (2006). It is an electronica song that uses sexual innuendo, and has been compared to works of Ciara, Flo Rida, Petey Pablo, Britney Spears, and Gwen Stefani. The single was released in Australia, Germany, and New Zealand between February and March. In the latermost country, a remix, featuring rapper Devolo was released replacing Dogg for its local release.
"Whatcha Think About That" is a song recorded by American girl group the Pussycat Dolls for their second studio album, Doll Domination (2008). The song features a guest appearance from American rapper Missy Elliott, who co-wrote it with the song's producer Polow da Don, Ester Dean, and Mickaël Furnon, who received songwriting credit due to his work being sampled. It was released on August 29, 2008, as the album's second single in the United States, and on February 23, 2009, as the third single in the United Kingdom. The electropop and R&B midtempo song samples "Je m'appelle Jane" by Jane Birkin and is built on a bhangra-inspired guitar riff. Lyrically, the Pussycat Dolls reverse roles towards an overbearing and controlling partner. Elliott references American singer Katy Perry and her song "I Kissed a Girl".
"I Hate This Part" is a song by the American girl group the Pussycat Dolls, taken from their second studio album Doll Domination (2008). It was written by Wayne Hector, Lucas Secon, Jonas Jeberg, Mich Hansen and produced by the latter two and Ron Fair. The track was initially intended for Leona Lewis and later for Nicole Scherzinger's unreleased solo album, Her Name is Nicole. After the album's cancellation, the song was ultimately given to the group. Musically, it is a pop ballad with elements of grinding R&B and dance music. Lyrically, it sees Scherzinger conversating with a partner just before they break up, adopting breathy and emotional vocals. Interscope Records released it as the second single in territories outside the United States on October 14, 2008, and sent it to the US mainstream radio on October 21, 2008, as the fourth single.
The Fame Ball Tour was the debut concert tour by American singer Lady Gaga, in support of her debut studio album The Fame (2008). North American shows began in March, followed by dates in Oceania and a solo trek through Europe. Dates in Asia soon followed, as well as two performances at England's V Festival and two shows in North America that had been postponed from April. Gaga described the tour as a traveling museum show incorporating artist Andy Warhol's pop-performance art concept. Tickets were distributed for charity also. Alternate versions of the show with minimal variations were planned by Gaga to accommodate different venues.
"Hush Hush; Hush Hush" is the remix of "Hush Hush", a song by American female group The Pussycat Dolls. The track was written by Andreas Romdhane, Josef Larossi, Ina Wroldsen, Nicole Scherzinger, Dino Fekaris, and Freddie Perren and produced by the former two alongside Ron Fair and Dave Audé is included on the reissues of the group's second album Doll Domination (2008). It was released on May 12, 2009 by Interscope Records as the album's seventh overall and final single. It is also the group's final release before their disbandment in 2010 until they reformed in 2019. Originally a ballad on the album, the song was remixed for its release as a single with a more uptempo disco-influenced production and interpolation of Gloria Gaynor's "I Will Survive" (1978) with lyrics alluding to a doomed relationship.
"Jai Ho! " is a song by Indian composer A. R. Rahman and American girl group The Pussycat Dolls, recorded for the re-release of the group's second studio album Doll Domination (2008) and their EP Doll Domination – The Mini Collection (2009). It was released on February 23, 2009, by Interscope Records as the fourth single from the album and is an English remake of the original Hindi song "Jai Ho" which is taken from the soundtrack to the hit film Slumdog Millionaire (2008). The remake was conceived by record executives Jimmy Iovine and Ron Fair who tasked the Dolls' lead singer Nicole Scherzinger with creating a pop record that did not deviate from the original melody. Iovine and Fair also asked a number of other writers to create interpretations of the song, including Brick & Lace, The Writing Camp and Ester Dean. The final English version of "Jai Ho" was dubbed "Jai Ho! " and is sometimes also referred to as the "RF Mix" or "Ron Fair" Remix.
Doll Domination – The Mini Collection is the second extended play (EP) by American girl group the Pussycat Dolls. It was released on May 24, 2009 by Interscope Records. The EP is an extension of the group's second studio album, Doll Domination (2008), including some previously released singles, such as "When I Grow Up", "Whatcha Think About That" and "I Hate This Part", as well as three new songs. The Mini Collection was one of several reissues released throughout 2009 as further promotion for the Doll Domination era, being released in between the European and Australasian legs of the group's Doll Domination Tour. It debuted at number nine on both the Scottish Albums Chart and UK Albums Chart, and would go on to be certified gold by the British Phonographic Industry (BPI) for sales of at least 100,000 in the UK.