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A domed city is a hypothetical structure that encloses a large urban area under a single roof. In most descriptions, the dome is airtight and pressurized, creating a habitat that can be controlled for air temperature, composition and quality, typically due to an external atmosphere (or lack thereof) that is inimical to habitation for one or more reasons. Domed cities have been a fixture of science fiction and futurology since the early 20th century, offer inspirations for potential utopias [1] and may be situated on Earth, a moon or other planet.
In the early 19th century, the social reformer Charles Fourier proposed that an ideal city must be connected by glass galleries. Such ideas inspired several architectural projects along of 19th and 20th centuries. The most famous of these is the building of The Crystal Palace in 1851 at Hyde Park. [2]
Domed cities appear frequently in underwater environments. In Robert Ellis Dudgeon's novel Colymbia (1873), glass domes are used for underwater conversation. [3] In William Delisle Hay's novel Three Hundred Years Hence (1881), whole cities are covered by domes beneath the sea. [4] Survivors of Atlantis are found living in an underwater glass-domed city in André Laurie's novel Atlantis (1895). [5] The same idea is found later in David M. Parry's The Scarlet Empire (1906) and Stanton A Coblentz's The Sunken World (1928). [6] In William Gibson's Sprawl trilogy, the namesake of the series is a massive supercity in the USA, stretching from Boston to Atlanta and housed in a series of geodesic domes.
Authors used domed cities in response to many problems, sometimes to the benefit of the people living in them and sometimes not. The problems of air pollution and other environmental destruction are a common motive, particularly in stories of the middle to late 20th century. As in the Pure trilogy of books by Julianna Baggott. In some works, the domed city represents the last stand of a human race that is either dead or dying. [7] The 1976 film Logan's Run shows both of these themes. The characters have a comfortable life within a domed city, but the city also serves to control the populace and to ensure that humanity never again outgrows its means. [8]
The domed city in fiction has been interpreted as a symbolic womb that both nourishes and protects humanity. Where other science fiction stories emphasize the vast expanse of the universe, the domed city places limits on its inhabitants, with the subtext that chaos will ensue if they interact with the world outside. [9]
In some works cities are getting "domed" to quarantine its inhabitants.
During the 1960s and 1970s, the domed city concept was widely discussed outside the confines of science fiction. In 1960, visionary engineer Buckminster Fuller described the Dome over Manhattan, a 3 km geodesic dome spanning Midtown Manhattan that would regulate weather and reduce air pollution. [10] A domed city was proposed in 1979 for Winooski, Vermont [11] and in 2010 for Houston. [12]
Seward's Success, Alaska, was a domed city proposed in 1968 and designed to hold over 40,000 people along with commercial, recreational and office space. [13] Intended to capitalize on the economic boom following the discovery of oil in northern Alaska, the project was canceled in 1972 due to delays in constructing the Trans-Alaska Pipeline. [14]
In order to test whether an artificial closed ecological system was feasible, Biosphere 2 (a complex of interconnected domes and glass pyramids) was constructed in the late 1980s. Its original experiment housed eight people and remains the largest such system attempted to date. [15]
In 2010, a domed city known as Eco-city 2020 of 100,000 was proposed for the Mir mine in Siberia. [16] In 2014, the ruler of Dubai announced plans for a climate-controlled domed city, named the Mall of the World, covering an area of 48 million square feet (4.5 square kilometers), but as of 2016, the project has been redesigned without the dome. [17]
The diving-bell had crashed into a colossal dome of thick crystal plates, and remained fixed there. This crystal dome, illuminated with a dazzling light, which made the electric lamp look pale, was completely visible in all its parts, and appeared to belong to an immense conservatory, covering the most strange and luxuriant vegetation.
An airlock is a room or compartment which permits passage between environments of differing atmospheric pressure or composition, while minimizing the changing of pressure or composition between the differing environments.
Closed ecological systems or contained ecological systems (CES) are ecosystems that do not rely on matter exchange with any part outside the system.
Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.
Globus Cassus is an art project and book by Swiss architect and artist Christian Waldvogel presenting a conceptual transformation of planet Earth into a much bigger, hollow, artificial world with an ecosphere on its inner surface. It was the Swiss contribution to the 2004 Venice Architecture Biennale and was awarded the gold medal in the category "Most beautiful books of the World" at the Leipzig Book Fair in 2005. It consists of a meticulous description of the transformation process, a narrative of its construction, and suggestions on the organizational workings on Globus Cassus.
The Biosphere, also known as the Montreal Biosphere, is a museum dedicated to the environment in Montreal, Quebec, Canada. It is housed in the former United States pavilion constructed for Expo 67 located within the grounds of Parc Jean-Drapeau on Saint Helen's Island. The museum's geodesic dome was designed by Buckminster Fuller.
Colonization of Antarctica is the establishing and maintaining of control over Antarctic land for exploitation and possibly settlement.
In the history of astronomy, a handful of Solar System bodies other than Jupiter have been counted as the fifth planet from the Sun. Various hypotheses have also postulated the former existence of a fifth planet, now destroyed, to explain various characteristics of the inner Solar System.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Pluto has appeared in fiction as a setting since shortly after its 1930 discovery, albeit infrequently. It was initially comparatively popular as it was newly discovered and thought to be the outermost object of the Solar System and made more fictional appearances than either Uranus or Neptune, though still far fewer than other planets. Alien life, sometimes intelligent life and occasionally an entire ecosphere, is a common motif in fictional depictions of Pluto. Human settlement appears only sporadically, but it is often either the starting or finishing point for a tour of the Solar System. It has variously been depicted as an originally extrasolar planet, the remnants of a destroyed planet, or entirely artificial. Its moon Charon has also appeared in a handful of works.
Asteroids have appeared in fiction since at least the late 1800s, the first one—Ceres—having been discovered in 1801. They were initially only used infrequently as writers preferred the planets as settings. The once-popular Phaëton hypothesis, which states that the asteroid belt consists of the remnants of the former fifth planet that existed in an orbit between Mars and Jupiter before somehow being destroyed, has been a recurring theme with various explanations for the planet's destruction proposed. This hypothetical former planet is in science fiction often called "Bodia" in reference to Johann Elert Bode, for whom the since-discredited Titius–Bode law that predicts the planet's existence is named.
Uranus has been used as a setting in works of fiction since shortly after its 1781 discovery, albeit infrequently. The earliest depictions portrayed it as having a solid surface, whereas later stories portrayed it more accurately as a gaseous planet. Its moons have also appeared in a handful of works. Both the planet and its moons have experienced a slight trend of increased representation in fiction over time.
Fictional planets of the Solar System have been depicted since the 1700s—often but not always corresponding to hypothetical planets that have at one point or another been seriously proposed by real-world astronomers, though commonly persisting in fiction long after the underlying scientific theories have been refuted. Vulcan was a planet hypothesized to exist inside the orbit of Mercury between 1859 and 1915 to explain anomalies in Mercury's orbit until Einstein's theory of general relativity resolved the matter; it continued to appear in fiction as late as the 1960s. Counter-Earth—a planet diametrically opposite Earth in its orbit around the Sun—was originally proposed by the ancient Greek philosopher Philolaus in the fifth century BCE, and has appeared in fiction since at least the late 1800s. It is sometimes depicted as very similar to Earth and other times very different, often used as a vehicle for satire, and frequently inhabited by counterparts of the people of Earth.
Phaeton is a hypothetical planet hypothesized by the Titius–Bode law to have existed between the orbits of Mars and Jupiter, the destruction of which supposedly led to the formation of the asteroid belt. The hypothetical planet was named for Phaethon, the son of the sun god Helios in Greek mythology, who attempted to drive his father's solar chariot for a day with disastrous results and was ultimately destroyed by Zeus.
Pantropy is a hypothetical process of space habitation or space colonization in which, rather than terraforming other planets or building space habitats suitable for human habitation, humans are modified to be able to thrive in the existing environment. The term was coined by science fiction author James Blish, who wrote a series of short stories based on the idea.
Triplanetary is a science fiction novel and space opera by American writer E. E. Smith. It was first serialized in the magazine Amazing Stories in 1934. After the original four novels of the Lensman series were published, Smith expanded and reworked Triplanetary into the first of two prequels for the series. The fix-up novel Triplanetary was published in book form in 1948 by Fantasy Press. The second prequel, First Lensman, was a new original novel published in 1950 by Fantasy Press.
The Milltillionaire, or Age of Bardization is a work of utopian fiction written by Albert Waldo Howard, and published under the pseudonym "M. Auberré Hovorré." The book was one element in the major wave of utopian and dystopian literature that characterized the final decades of the nineteenth century.
Seward's Success was a planned community proposed for Point MacKenzie, north of Anchorage, Alaska, United States. The megaproject was to be fully enclosed by a dome spanning the Knik Arm and holding a community of 40,000 residents, with ample residential, office, recreational and commercial space. It was proposed in 1968 after the discovery of oil at Prudhoe Bay and scuttled in 1972 by a delay to the development of the Trans-Alaska Pipeline System.
Heart of the World is an 1895 book by H. Rider Haggard about a lost Mayan city in Mexico. Its importance in the history of fantasy literature was recognized by its republication by the Newcastle Publishing Company as the tenth volume of the Newcastle Forgotten Fantasy Library in September 1976.
William Delisle Hay was a nineteenth-century British author and Fellow of the Royal Geographical Society from Bishopwearmouth, County Durham. He was best known for his mycological studies, writings on New Zealand, and a number of science fictional pulp novels, particularly the white supremacist and socialist "future fantasy" novel Three Hundred Years Hence; or, A Voice from Posterity (1881).