Domenico di Tommaso Curradi di Doffo Bigordi, professionally known as Domenico Ghirlandaio, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli.
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church.
The Presentation of the Blessed Virgin Mary, known in the East as The Entry of the Most Holy Theotokos into the Temple, is a liturgical feast celebrated on November 21 by the Catholic, Eastern Orthodox, and some Anglo-Catholic Churches.
La Verna is a locality on Mount Penna, an isolated mountain of 1,283 metres (4,209 ft) situated in the centre of the Tuscan Apennines, rising above the valley of the Casentino, central Italy. The place is known especially for its association with Saint Francis of Assisi and for the Sanctuary of La Verna, which grew up in his honour. Administratively it falls within the Tuscan province of Arezzo and the comune of Chiusi della Verna, Italy.
The Oblates of the Virgin Mary is a religious institute of priests and brothers founded by Bruno Lanteri (1759–1830) in the Kingdom of Sardinia in the early 19th century. The institute is characterized by a zeal for the work of preaching and the sacrament of confession, according to the Spiritual Exercises of Ignatius of Loyola and the moral theology of St. Alphonsus Liguori. It is also marked by love for Mary and fidelity to the magisterium.
The Stigmatines, officially named the Congregation of the Sacred Stigmata, is a Catholic clerical religious congregation of Pontifical Right for men. The Stigmatine Congregation was founded on November 4, 1816 by Gaspar Bertoni, in Verona, Italy. Its members use the post-nominals C.S.S..
Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio.
The Sassetti Chapel is a chapel in the basilica of Santa Trinita in Florence, Italy. It is especially notable for its frescoes of the Stories of St. Francis, considered Domenico Ghirlandaio's masterwork.
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas.
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
Our Lady of Graces or Saint Mary of Graces is a devotion to the Virgin Mary in the Roman Catholic Church. Several churches with this dedication often owe their foundation to thankfulness for graces received from the Virgin Mary, and are particularly numerous in Italy, India, Australia, United States, Portugal, France and the Italian-speaking region of Switzerland. Also it is related to the Marian apparitions in which was revealed the Miraculous Medal, also known as the Medal of Our Lady of Graces.
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space available. Works may be in any medium: frescoed church walls and series of old master prints have many of the fullest cycles, but panel painting, stained glass, illuminated manuscripts, tapestries, stone sculptures and ivory carvings have many examples.
The Marriage of the Virgin is the subject in Christian art depicting the marriage of the Virgin Mary and Saint Joseph. The wedding ceremony is not mentioned in the canonical Gospels but is covered in several apocryphal sources and in later redactions, notably the 14th-century compilation the Golden Legend. Unlike many other scenes in Life of the Virgin cycles, it is not a feast in the church calendar, though it sometimes has been in the past.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
Joseph was a 1st-century Jewish man of Nazareth who, according to the canonical Gospels, was married to Mary, the mother of Jesus, and was the legal father of Jesus.
Giotto di Bondone, known mononymously as Giotto, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".
The Baptism of Christ is a fresco by the Italian Renaissance painter Pietro Perugino and his workshop, executed around 1482 and located in the Sistine Chapel, Rome.
The Annunciation has been one of the most frequent subjects of Christian art. Depictions of the Annunciation go back to early Christianity, with the Priscilla catacomb in Rome including the oldest known fresco of the Annunciation, dating to the 4th century.
