This article needs additional citations for verification .(August 2016) |
The Ginger Rogers filmography lists the film appearances of American actress Ginger Rogers, as well as her television, stage, and radio credits. Rogers's career spanned fifty-seven years, from 1930 to 1987.
Initially signing with Paramount Pictures in 1930, she quickly opted out of her contract and worked for several studios, most notably for Warner Brothers in musicals 42nd Street (1933) and Gold Diggers of 1933 (1933), during this time she was named one of WAMPAS Baby Stars. In 1932 Ginger co-starred with comedian Joe E. Brown in the movie, "You Said A Mouthful". In 1933, Rogers signed with RKO Radio Pictures, where she was paired with dancer Fred Astaire in commercially successful Flying Down to Rio (1933). [1] The pair achieved greater success in subsequent musicals The Gay Divorcee (1934), Top Hat (1935), Swing Time (1936), and Shall We Dance (1937), totaling 8 films made between 1933 and 1939.
Without Astaire, Rogers starred in critically and commercially successful non-musicals throughout the remainder of the 1930s such as Stage Door (1937) with Katharine Hepburn, Vivacious Lady (1938) with James Stewart, and Bachelor Mother (1939) with David Niven, culminating with an Academy Award for Best Actress for her performance in Kitty Foyle (1940).
Rogers flourished throughout the 1940s, becoming one of the most popular and highest paid actresses of the decade. She starred in comedies Tom, Dick and Harry (1941) and Roxie Hart (1942; this was an adaptation of the 1926 non-musical play Chicago , and later the inspiration for the hit 1975 musical and 2002 film adaptation), dramas Tender Comrade (1943) and I'll Be Seeing You (1944) and in director Billy Wilder's American film debut The Major and the Minor (1942).
She was reunited with Fred Astaire for MGM's The Barkleys of Broadway (1949).
In the 1950s, Rogers' film career had faltered, due to lesser demand for older actresses. She co-starred with popular Cary Grant in Monkey Business (1952) but her career continued to wane throughout the decade. She ended her film career with one of two fictionalized biographies on actress Jean Harlow in 1965's Harlow . Beginning the following year, she found success by returning to musical theatre, including a stint as one of several replacements for Carol Channing in the long-running Hello, Dolly! on Broadway. [2]
Title | Date | Director | Co-Starring | Notes |
---|---|---|---|---|
Night In A Dormitory | 1930 | Harry Delmar | maybe 1929 | |
Office Blues | 1930 | musical short | ||
Young Man of Manhattan | 1930 | Monta Bell | Claudette Colbert, Norman Foster | The line "Cigarette me, big boy" became a catchphrase during the 1930s after audiences heard Rogers repeat it throughout the movie. |
Queen High | 1930 | Fred Newmeyer | ||
The Sap from Syracuse | 1930 | A. Edward Sutherland | Jack Oakie | |
Follow the Leader | 1930 | Norman Taurog | ||
Honor Among Lovers | 1931 | Dorothy Arzner | Claudette Colbert | |
The Tip-Off | 1931 | Albert Rogell | ||
Suicide Fleet | 1931 | Albert Rogell | ||
Carnival Boat | 1932 | Albert Rogell | ||
The Tenderfoot | 1932 | Ray Enright | Joe E. Brown | |
The Thirteenth Guest | 1932 | Albert Ray | Lyle Talbot | |
Hat Check Girl | 1932 | Sidney Lanfield | Sidney Lanfield was the most frequent director on the Addams Family 1960s television show. | |
You Said a Mouthful | 1932 | Lloyd Bacon | Joe E. Brown | |
42nd Street | 1933 | Lloyd Bacon | Warner Baxter, Ruby Keeler, Dick Powell | As Ann Lowell, aka "Anytime Annie". ("She only said no once, and then she didn't hear the question".) [3] |
Broadway Bad | 1933 | Sidney Lanfield | ||
Gold Diggers of 1933 | 1933 | Mervyn LeRoy | Ruby Keeler, Dick Powell | Featured Rogers' famous performance of "We're in the Money," directed and choreographed by Busby Berkeley. |
Professional Sweetheart | 1933 | William A. Seiter | Norman Foster | |
A Shriek in the Night | 1933 | Albert Ray | Lyle Talbot | |
Don't Bet on Love | 1933 | Murray Roth | Lew Ayres | Ginger Rogers and Lew Ayres were married for seven years following this film. |
Sitting Pretty | 1933 | Harry Joe Brown | Jack Oakie, Jack Haley | |
Flying Down to Rio | 1933 | Thornton Freeland | Dolores del Río, Gene Raymond, Fred Astaire | The first Astaire–Rogers pairing. [1] This is the only movie where Rogers is billed above Astaire. |
Chance at Heaven | 1933 | William A. Seiter | Joel McCrea | |
Rafter Romance | 1933 | William A. Seiter | Norman Foster | |
Finishing School | 1934 | Wanda Tuchock and George Nicholas | Beulah Bondi | |
Twenty Million Sweethearts | 1934 | Ray Enright | Dick Powell | |
Change of Heart | 1934 | John G. Blystone | Janet Gaynor, Charles Farrell | |
Upperworld | 1934 | Roy Del Ruth | Mary Astor | |
The Gay Divorcee | 1934 | Mark Sandrich | Fred Astaire | |
Romance in Manhattan | 1935 | Stephen Roberts | Francis Lederer | |
Roberta | 1935 | William A. Seiter | Irene Dunne, Fred Astaire, Randolph Scott | Lucille Ball has an uncredited appearance as a model. She had lines deleted since her character was supposed to be a French model and she could not perfect the accent. |
Star of Midnight | 1935 | Stephen Roberts | William Powell | |
Top Hat | 1935 | Mark Sandrich | Fred Astaire | |
In Person | 1935 | William A. Seiter | George Brent | |
Follow the Fleet | 1936 | Mark Sandrich | Fred Astaire, Randolph Scott, Lucille Ball | |
Swing Time | 1936 | George Stevens | Fred Astaire | |
Shall We Dance | 1937 | Mark Sandrich | Fred Astaire | |
Stage Door | 1937 | Gregory La Cava | Katharine Hepburn, Adolphe Menjou, Gail Patrick, Lucille Ball | |
Having Wonderful Time | 1938 | Alfred Santell | Douglas Fairbanks Jr., Lucille Ball, Red Skelton | This used much of the same cast as Stage Door. |
Vivacious Lady | 1938 | George Stevens | James Stewart, Charles Coburn, Hattie McDaniel | |
Carefree | 1938 | Mark Sandrich | Fred Astaire, Jack Carson, Hattie McDaniel | |
The Story of Vernon and Irene Castle | 1939 | H. C. Potter | Fred Astaire | |
Bachelor Mother | 1939 | Garson Kanin | David Niven, Charles Coburn | |
Fifth Avenue Girl | 1939 | Gregory La Cava | Walter Connolly | |
Primrose Path | 1940 | Gregory La Cava | Joel McCrea | |
Lucky Partners | 1940 | Lewis Milestone | Ronald Colman, Jack Carson | |
Kitty Foyle | 1940 | Sam Wood | Dennis Morgan, James Craig | Rogers won the Academy Award for Best Actress the first year that the academy did not announce winners before the ceremony. She beat Bette Davis, Joan Fontaine, Martha Scott, and former co-star Katharine Hepburn. |
Tom, Dick and Harry | 1941 | Garson Kanin | George Murphy, Burgess Meredith | |
Roxie Hart | 1942 | William A. Wellman | Adolphe Menjou | An adaptation of the non-musical play Chicago , later adapted into the successful stage musical and film. |
Tales of Manhattan | 1942 | Julien Duvivier | Henry Fonda, Cesar Romero, Rita Hayworth, Gail Patrick | |
The Major and the Minor | 1942 | Billy Wilder | Ray Milland | Rogers campaigned hard for Billy Wilder and as a result this became his debut film. This remains one of Rogers' favorite movies. Near the end, her real mother, Lela Rogers, played her character's mother. |
Once Upon a Honeymoon | 1942 | Leo McCarey | Cary Grant | |
Tender Comrade | 1943 | Edward Dmytryk | Robert Ryan | |
Lady in the Dark | 1944 | Mitchell Leisen | Ray Milland, Warner Baxter | |
I'll Be Seeing You | 1944 | William Dieterle | Joseph Cotten, Shirley Temple | |
Week-End at the Waldorf | 1945 | Robert Z. Leonard | Lana Turner | Remake of the 1932 film Grand Hotel , Rogers portrayed the ballerina who was first played on screen by Greta Garbo. |
Heartbeat | 1946 | Sam Wood | Adolphe Menjou | |
Magnificent Doll | 1946 | Frank Borzage | David Niven, Burgess Meredith | |
It Had to Be You | 1947 | Don Hartman and Rudolph Mate | Cornel Wilde | |
The Barkleys of Broadway | 1949 | Charles Walters | Fred Astaire | Judy Garland was originally cast, having recently starred with Astaire in Easter Parade (1948); due to personal problems, she was replaced by Rogers. This is the only Astaire–Rogers film not released by RKO and the only one filmed in color (although the "I Used to Be Color Blind" number in Carefree was originally filmed in Technicolor). |
Perfect Strangers | 1950 | Bretaigne Windust | Dennis Morgan | |
Storm Warning | 1951 | Stuart Heisler | Ronald Reagan, Doris Day, Steve Cochran | |
The Groom Wore Spurs | 1951 | Richard Whorf | Jack Carson | |
We're Not Married! | 1952 | Edmund Goulding | Marilyn Monroe, Zsa Zsa Gabor, Fred Allen, Victor Moore | |
Monkey Business | 1952 | Howard Hawks | Cary Grant, Marilyn Monroe, Charles Coburn | |
Dreamboat | 1952 | Claude Binyon | Clifton Webb | |
Forever Female | 1953 | Irving Rapper | William Holden | |
Black Widow | 1954 | Nunnally Johnson | Gene Tierney, Van Heflin, Peggy Ann Garner | |
Twist of Fate (U.S. ' Beautiful Stranger ') | 1954 | David Miller | Herbert Lom | Released in Great Britain as Beautiful Stranger; Rogers' husband at the time, Jacques Bergerac, appeared in the film. |
Tight Spot | 1955 | Phil Karlson | Edward G. Robinson, Brian Keith, Lorne Greene, Eve McVeagh | |
The First Traveling Saleslady | 1956 | Arthur Lubin | Carol Channing | Clint Eastwood appeared in an early film role. |
Teenage Rebel | 1956 | Edmund Goulding | Michael Rennie | |
Oh, Men! Oh, Women! | 1957 | Nunnally Johnson | David Niven | |
Quick, Let's Get Married | 1964 | William Dieterle | Ray Milland | Also known as "The Confession." |
Harlow | 1965 | Alex Segal | Carol Lynley | Rogers' last film. |
File:Perry Como Ginger Rogers 1957.JPG| An appearance with Perry Como on TV's Kraft Music Hall (1957)
Year | Program | Episode/source |
---|---|---|
1942 | Lux Radio Theatre | Kitty Foyle [12] |
1953 | Radio Theater | It Grows on Trees [13] |
Eve Arden was an American film, radio, stage and television actress. She performed in leading and supporting roles for nearly six decades.
The Gay Divorcee is a 1934 American musical film directed by Mark Sandrich and starring Fred Astaire and Ginger Rogers. It also features Alice Brady, Edward Everett Horton, Eric Blore, and Erik Rhodes. The screenplay was written by George Marion Jr., Dorothy Yost, and Edward Kaufman. It was based on the Broadway musical Gay Divorce, written by Dwight Taylor with Kenneth S. Webb and Samuel Hoffenstein adapting an unproduced play by J. Hartley Manners.
Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.
Fred Astaire was an American dancer, actor, singer, choreographer and presenter. He is widely regarded as the "greatest popular-music dancer of all time". He received numerous accolades including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award. He was honored with the Film Society of Lincoln Center tribute in 1973, the Kennedy Center Honors in 1978, and AFI Life Achievement Award in 1980. He was inducted into the Hollywood Walk of Fame in 1960, American Theatre Hall of Fame in 1972, and the Television Hall of Fame in 1989.
Adolph Green was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for musicals on Broadway and in Hollywood. Although they were not a romantic couple, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership. They received numerous accolades including four Tony Awards and nominations for two Academy Awards and a Grammy Award. Green was inducted into the Songwriters Hall of Fame in 1980 and American Theatre Hall of Fame in 1981. Comden and Green received the Kennedy Center Honor in 1991.
Ethel Ruby Keeler was an American actress, dancer, and singer who was paired on-screen with Dick Powell in a string of successful early musicals at Warner Bros., particularly 42nd Street (1933). From 1928 to 1940, she was married to actor and singer Al Jolson. She retired from show business in the 1940s, but made a widely publicized comeback on Broadway in 1971.
Ann Miller was an American actress and dancer. She is best remembered for her work in the classical Hollywood cinema musicals of the 1940s and 1950s. Her early work included roles in Frank Capra's You Can't Take It with You (1938) and the Marx Brothers film Room Service (1938). She later starred in the musical classics Easter Parade (1948), On the Town (1949) and Kiss Me Kate (1953). Her final film role was in Mulholland Drive (2001).
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell, and Ginger Rogers.
Swing Time is a 1936 American musical comedy film, the sixth of ten starring Fred Astaire and Ginger Rogers. Directed by George Stevens for RKO, it features Helen Broderick, Victor Moore, Betty Furness, Eric Blore and Georges Metaxa, with music by Jerome Kern and lyrics by Dorothy Fields. Set mainly in New York City, the film follows a gambler and dancer, "Lucky" (Astaire), who is trying to raise money to secure his marriage when he meets dance instructor Penny (Rogers) and begins dancing with her; the two soon fall in love and are forced to reconcile their feelings.
Mildred Frances Cook, known professionally as Carole Cook, was an American actress, active on screen and stage, best known for appearances on Lucille Ball's comedy television series The Lucy Show and Here's Lucy.
Flying Down to Rio is a 1933 American pre-Code RKO musical film famous for being the first screen pairing of Fred Astaire and Ginger Rogers, although lead actors Dolores del Río and Gene Raymond received top billing. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. During the 7th Academy Awards, the film was nominated for the new category of Best Original Song for "Carioca", but it lost to "The Continental" from The Gay Divorcee, the next Astaire and Rogers film.
Hermes Pan was an American dancer and choreographer, principally remembered as Fred Astaire's choreographic collaborator on the famous 1930s movie musicals starring Astaire and Ginger Rogers. He worked on nearly two dozen films and TV shows with Astaire. He won both an Oscar and an Emmy for his dance direction.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
This is a comprehensive guide to over one hundred and fifty of Fred Astaire's solo and partnered dances compiled from his thirty-one Hollywood musical comedy films produced between 1933 and 1968, his four television specials and his television appearances on The Hollywood Palace and Bob Hope Presents the Chrysler Theatre which cover the period from 1958 to 1968. Further information on the dance routines may be obtained, where available, by clicking on the film links.
Gene Raymond was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a singer, composer, screenwriter, director, producer, and decorated military pilot.
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
Claire Luce was an American stage and screen actress, dancer and singer. Among her few films were Up the River (1930), directed by John Ford and starring Spencer Tracy and Humphrey Bogart in their feature film debuts, and Under Secret Orders, the English-language version of G. W. Pabst's French-language feature, Salonique, nid d'espions (1937).
Thornton Freeland was an American film director who directed 26 British and American films in a career that lasted from 1924 to 1949.
Fred Astaire and Ginger Rogers were dance partners in a total of 10 films, nine of them released by RKO Radio Pictures from 1933 to 1939, and one, The Barkleys of Broadway, by Metro-Goldwyn-Mayer in 1949, their only film in Technicolor.
Jennifer Gan was an American stage, film and television actress. She appeared in sixteen film and TV titles in the 1960s and early 1970s.
{{cite web}}
: Missing or empty |url=
(help)