Goddess in the Doorway | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 19 November 2001 | |||
Recorded | February and May 2000, January–February and April–June 2001 | |||
Studio |
| |||
Genre | Rock | |||
Length | 56:51 | |||
Label | Virgin | |||
Producer | ||||
Mick Jagger chronology | ||||
| ||||
Singles from Goddess in the Doorway | ||||
|
Goddess in the Doorway is the fourth solo album by Mick Jagger, released in 2001. The most recent offering from Jagger as a solo artist, it marked his first release with Virgin Records, with whom he has been contracted as a member of the Rolling Stones since 1991.
Following his 1993 album Wandering Spirit , and The Rolling Stones' Voodoo Lounge and Bridges to Babylon in 1994 and 1997, Jagger began to work on demo material in 2000, finally reaching the studio in the spring of 2001. Although Jagger would primarily work with Marti Frederiksen and Matt Clifford as producers, he also sanctioned the talents of Lenny Kravitz and Wyclef Jean to help create Goddess in the Doorway. And while the songs would largely be composed by Jagger, he endeavoured to work with other collaborators, namely, Kravitz and Rob Thomas, lead vocalist of Matchbox Twenty. The recording sessions of several of the album's tracks were featured in the documentary Being Mick . The Cover Photo was created by German fashion Designer Karl Lagerfeld.
While recording was underway, many of Jagger's musician friends, including Bono, Pete Townshend, Thomas, Kravitz, Jean and Joe Perry all made contributions. Townshend, in fact, was the initiating force behind the album. After having heard some of Jagger's demos, he told him that they didn't sound like Rolling Stones songs and that Jagger should record them on his own.
In the summer of 2001, Jagger had bumped into Missy Elliott and requested her to be part of the album. At his New York hotel, Jagger previewed his demo material to Elliott. [1] [2] Following their meeting, both Jagger's and Elliott's reps confirmed the two artists were slated to collaborate on the song, "Hide Away," however, due to scheduling conflicts their collaboration never saw the light of day. [2] [3] Jagger's collaborations with super-producer Rodney "Darkchild" Jerkins would suffer the same fate. [2] By the end of the summer, Goddess in the Doorway was initially completed and the Kravitz-produced (and almost self-performed) "God Gave Me Everything" was put forward as the lead single that October. The song failed to become a significant hit.
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 62/100 [4] |
Review scores | |
Source | Rating |
AllMusic | [5] |
Rolling Stone | [6] |
Jann Wenner, chief editor for Rolling Stone magazine, bestowed a five-star instant classic rating upon the album, a score that The New Yorker noted as part of a general trend at the magazine, "an almost cynical way of preserving the critical legitimacy of classic-rock artists." [7] More than two decades later, Wenner defended the review in an interview with The New York Times, saying, "The editors themselves put it at four stars, and there was not a critical backlash to the thing. [...] It’s still quite a good album. So I personally intervened. Having sat there and listened to Mick make it, I was in love with it. I confess: I probably went too far. So what? I’m entitled." [8]
Writing for the New York Daily News , Jim Farber said: "From the musicianship to the production to the performance and the lyrics, everything sounds cold and corporate." Keith Richards regularly referred to the album as Dogshit in the Doorway. [9]
Goddess in the Doorway reached No. 44 in the UK and No. 39 in the US. [10] It has sold 80,778 copies in the UK [11] and 317,000 copies in the US. [12]
Following this, Jagger returned to work with the Rolling Stones on Forty Licks (2002) and A Bigger Bang (2005) and their associated world tours, the Licks Tour (2002-03) and the A Bigger Bang Tour (2005-07). Aside from his soundtrack work with David A. Stewart on Alfie in 2004, and the compilation The Very Best of Mick Jagger released in 2007, Goddess in the Doorway remains his last solo release to date.
All tracks are written by Mick Jagger, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Visions of Paradise" | Jagger, Rob Thomas, Matt Clifford | 4:02 |
2. | "Joy" | 4:41 | |
3. | "Dancing in the Starlight" | Jagger, Clifford | 4:06 |
4. | "God Gave Me Everything" | Jagger, Lenny Kravitz | 3:34 |
5. | "Hide Away" | Jagger, Wyclef Jean | 4:31 |
6. | "Don't Call Me Up" | Jagger, Pamela Quinlan | 5:14 |
7. | "Goddess in the Doorway" | Jagger, Clifford | 4:56 |
8. | "Lucky Day" | 4:51 | |
9. | "Everybody Getting High" | 3:55 | |
10. | "Gun" | Jagger, Clifford | 4:39 |
11. | "Too Far Gone" | Jagger, Pamela Quinlan | 4:34 |
12. | "Brand New Set of Rules" ("Brand New Set of Rules" only runs 3:36; it is followed by 2:56 silence and the hidden track "Goddess in the Doorway (Cocktail Version)" 1:07) | 7:39 | |
Total length: | 56:42 |
No. | Title | Length |
---|---|---|
13. | "If Things Could Be Different" (If Things Could Be Different" was also the B-side to "Visions of Paradise" in Europe and "Blue"—a 5:40 Mick Jagger composition—was the B-side of the European single "God Gave Me Everything" and the British single "Visions of Paradise) | 4:49 |
Total length: | 61:31 |
Chart (2001) | Peak position |
---|---|
Australian Albums (ARIA Charts) [13] | 65 |
Hungarian Albums (MAHASZ) [14] | 29 |
UK Albums (OCC) [15] | 44 |
US Billboard 200 [10] | 39 |
Region | Certification | Certified units/sales |
---|---|---|
Germany (BVMI) [16] | Gold | 150,000^ |
Spain (PROMUSICAE) [17] | Gold | 50,000^ |
United Kingdom (BPI) [18] | Silver | 80,778 [11] |
United States | — | 317,000 [12] |
^ Shipments figures based on certification alone. |
Beggars Banquet is the seventh U.K. and ninth U.S. studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and by London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the group's sound throughout the late 1960s and early 1970s.
Sleepless is the sixth solo album by Peter Wolf, released in 2002. The album ranked 427 on Rolling Stone's 500 Greatest Albums of All Time.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancee Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell on drums, and the Stones' Keith Richards on bass. The recently formed Led Zeppelin had been considered for inclusion, but the idea was rejected.
December's Children (And Everybody's) is the fifth American studio album by the English rock band the Rolling Stones, released in December 1965. It is primarily compiled from different released tracks from across the band's recording career up to that point, including the UK version of Out of Our Heads. Bassist Bill Wyman quotes Jagger in 1968 calling the record "[not] an album, it's just a collection of songs." Accordingly, it is only briefly detailed in Wyman's otherwise exhaustive book Rolling with the Stones. It features their then-recent transatlantic hit single "Get Off of My Cloud", as well as their own remake of Marianne Faithfull's Jagger/Richards-penned hit "As Tears Go By", which was released as the album's second single in the US.
Made in the Shade, released in 1975, is the fourth official compilation album by the Rolling Stones, and the first under their Atlantic Records contract. It covers material from Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n' Roll (1974).
Bridges to Babylon is the twenty-first studio album by the English rock band the Rolling Stones, released by Virgin Records on 29 September 1997. Released as a double album on vinyl and as a single CD, it was supported by the year-long worldwide Bridges to Babylon Tour that was met with much success.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
She's the Boss is the debut solo album by English singer Mick Jagger, released on 19 February 1985 in the US and 4 March 1985 in the UK.
Wandering Spirit is the third solo album by Mick Jagger, released in 1993. It became his only solo album released in the 1990s, and was co-produced by Jagger with Rick Rubin. The album was commercially successful, reaching No. 12 in the UK and No. 11 in the US, getting a gold certification from the RIAA.
No Frills is the sixth studio album by American singer Bette Midler, released on Atlantic Records in 1983. No Frills was Midler's first studio album in four years, following the films The Rose, Divine Madness! and Jinxed!. The rock and new wave-influenced album was produced by Chuck Plotkin, best known for his work with Bob Dylan and Bruce Springsteen, and included three single releases; the ballad "All I Need to Know", a cover of Marshall Crenshaw's "You're My Favorite Waste of Time" and Midler's take on the Rolling Stones song "Beast of Burden".
"Biggest Mistake" is a song by the English rock band the Rolling Stones from their 2005 album A Bigger Bang. It was released on 21 August 2006 as the third single from the album, and reached number 51 in the UK Singles Chart.
I've Got My Own Album to Do is the first solo album by English rock musician Ronnie Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces, it reached number 27 on the UK's NME chart. The album title was thought to be a dig at Rod Stewart, who appeared to be more committed to his solo career than working with the Faces. Wood has said that the title originated from contributors such as George Harrison and Mick Jagger "nagging me to let them go home" and finish their own projects. The album was recorded at The Wick, Wood's house in Richmond, south-west London.
1234 is the fourth solo album by English musician Ronnie Wood, released in September 1981. In the United States, it spent five weeks on the Billboard 200, peaking at number 164. The album was co-produced by Andy Johns and features musical contributions from Ian McLagan, Charlie Watts, Bobby Womack, Waddy Wachtel and Nicky Hopkins, among others.
"One Hit (To the Body)" is the opening track to the English rock band the Rolling Stones' 1986 album Dirty Work. The song was released as the album's second single on 9 May in the United States and on 19 May in the United Kingdom, with "Fight" as its B-side. It was the first Rolling Stones single to feature a Ron Wood co-writing credit with Jagger and Richards.
"Slave" is a song by the English rock band the Rolling Stones from their 1981 album Tattoo You.
Pay Pack & Follow is an album by American musician John Phillips, released in April 2001 following his death a month earlier. It was recorded in the 1970s for release on The Rolling Stones' record label "Rolling Stones Records" but remained unissued. Mick Jagger appears on backing vocals and co-production, Keith Richards on guitar and co-production, former Stone Mick Taylor also on guitar and current Stone Ron Wood on bass guitar.
Christopher Jagger is an English musician and actor. He is the younger brother of Mick Jagger, the frontman for the Rolling Stones.
Animal Soup is an album by Simon Townshend, the younger brother of The Who's guitarist Pete Townshend. The album was released in March 1999 and features Ben Townshend, Phil Spalding, James Hayto, Tony Lowe, Linz King among others.
The Who Hits 50! is a compilation of singles by the English rock band the Who, released on 27 October 2014 by Polydor Records. The two-disc set contains every single released by the band in the United Kingdom, with the exceptions of: "A Legal Matter" and "La-La-La-Lies" from 1966; and "Long Live Rock" and the remake of "I'm One" from 1979. At the same time it also contains every single by the band released in the United States throughout their career, with the exceptions of: "The Real Me" from 1974; the reissue of "Substitute" from 1976; and "Long Live Rock" from 1979. A condensed single-disc standard edition appeared as well, both versions in conjunction with the band's 50th anniversary and associated tour of the same name. The album is notable for containing singles generally not included on other compilation albums, such as the band's Rolling Stones cover "The Last Time" done as an act of solidarity while Mick Jagger and Keith Richards were facing an incarceration period, along with other lesser-known singles "Dogs" and "Call Me Lightning".
As Long as I Have You is the tenth solo studio album by the English rock singer Roger Daltrey, released on 1 June 2018 by Polydor Records.