Gratuitous Sax & Senseless Violins | ||||
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Studio album by | ||||
Released | November 15, 1994 | |||
Studio | Sparks Studios, Los Angeles, California | |||
Genre | ||||
Length | 44:36 | |||
Label | Logic | |||
Producer | ||||
Sparks chronology | ||||
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Singles from Gratuitous Sax & Senseless Violins | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Cash Box | (favorable) [3] |
Encyclopedia of Popular Music | [4] |
Knoxville News Sentinel | [5] |
Melody Maker | (favorable) [6] |
NME | 7/10 [7] |
Spin | (favorable) [8] |
Gratuitous Sax & Senseless Violins is the 16th album by American rock band Sparks. It was released in 1994, after an absence from the music industry of 6 years, and marked the duo's transition into a more techno/Eurobeat-influenced sound, which earned them popularity in Germany.
Sparks' previous album was released in 1988, and while it scored a couple of club hits in the US, had not been commercially successful. Critically the group had been receiving mixed reviews since their 1984 album Pulling Rabbits Out of a Hat . While promoting Interior Design , Sparks banded together with the French duo Les Rita Mitsouko and released the single "Singing in the Shower" which was a moderate hit in France. Sparks then went on a temporary hiatus while the brothers spent the late 1980s and early 1990s concentrating on film-making, particularly an attempt to make a Japanese manga series, Mai, The Psychic Girl , into a movie. They had hoped to have Tsui Hark direct with the actress-musician Christi Haydon voicing the lead character. Russell Mael had initially met Haydon when he admired her look while she was working on the cosmetics counter of a department store. [9] Haydon's only experience at the time had been as a long running extra of the TV show Star Trek: The Next Generation . Despite interest from Tim Burton and six years' work on the project, it came to nothing. [10] [11]
In 1993 Sparks returned to the studio and released the stand-alone single "National Crime Awareness Week", and wrote and produced the single "Katharine Hepburn" for Christi Haydon. Gratuitous Sax & Senseless Violins followed in November the next year. It was produced by the duo without an additional backing band. [2] The album had a sound that returned towards the European-synthesizer orientated sound of No. 1 In Heaven . However the songs retained an emphasis on pop song structure and a sound that was only slightly removed from that of Pet Shop Boys. The album was toured with Christi Haydon complementing the brothers on drums, as well as appearing in videos for the group. The a cappella title track "Gratuitous Sax" looked back to the equally brief opener of the band's 1974 album; Propaganda . "When Do I Get to Sing 'My Way'" makes reference to the Frank Sinatra signature-tune "My Way".
Gratuitous Sax & Senseless Violins became Sparks most successful album in Germany reaching #29 [12] and scored three hits on the German Singles chart. While the album only reached #150 [13] on the UK Albums Chart, the singles did well enough to return the group to the Top 40, the first time since "Beat the Clock" in 1979. The lead single "When Do I Get to Sing 'My Way'"; made #7 [12] in Germany, #38 [14] in the UK (it was re-released in May 1995 and peaked at #32 [14] ). The second single "When I Kiss You (I Hear Charlie Parker Playing)" reached #61 in Germany [12] and #36 [14] in the UK. The final single "Now That I Own the BBC" did less well making #81 [12] in Germany and #60 [14] in the UK.
"When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)" managed to chart across Europe, and recommenced Sparks' popularity on the US Billboard Hot Dance Music/Club Play chart, where they reached No. 9 and #24. [15]
Simon Price from Melody Maker praised the album, writing, "A fontain, a For 'eyn of a record." [6]
Japanese editions of the album included "When I Kiss You (I Hear Charlie Parker Playing) (Bernard Butler's Mix)" as a bonus track. The album was re-released as first in the series Sparks – The Collection in 2006 on the groups' own record label Lil' Beethoven Records. This re-release featured new artwork, additional sleeve-notes and was packaged in a digipak-sleeve. The album was re-released again in 2019 by BMG Rights Management, re-mastered and with an additional 31 tracks. [16]
All tracks are written by Ron Mael and Russell Mael
No. | Title | Length |
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1. | "Gratuitous Sax" | 0:31 |
2. | "When Do I Get to Sing 'My Way'" | 4:37 |
3. | "(When I Kiss You) I Hear Charlie Parker Playing" | 5:13 |
4. | "Frankly, Scarlett, I Don't Give a Damn" | 5:03 |
5. | "I Thought I Told You to Wait in the Car" | 4:20 |
6. | "Hear No Evil, See No Evil, Speak No Evil" | 5:37 |
7. | "Now That I Own the BBC" | 4:58 |
8. | "Tsui Hark" (Featuring Tsui Hark and Bill Kong) | 4:31 |
9. | "The Ghost of Liberace" | 4:15 |
10. | "Let's Go Surfing" | 5:02 |
11. | "Senseless Violins" | 0:50 |
12. | "(When I Kiss You) I Hear Charlie Parker Playing" (Bernard Butler's Fashionable World of Fashion Mix - Japan bonus track) | 7:17 |
2019 Expanded Edition Disc One: Gratuitous Sax & Senseless Violins Remastered
No. | Title | Length |
---|---|---|
1. | "Gratuitous Sax" | 0:31 |
2. | "When Do I Get to Sing 'My Way'" | 4:37 |
3. | "(When I Kiss You) I Hear Charlie Parker Playing" | 5:13 |
4. | "Frankly, Scarlett, I Don't Give a Damn" | 5:03 |
5. | "I Thought I Told You to Wait in the Car" | 4:20 |
6. | "Hear No Evil, See No Evil, Speak No Evil" | 5:37 |
7. | "Now That I Own the BBC" | 4:59 |
8. | "Tsui Hark" | 4:32 |
9. | "The Ghost of Liberace" | 4:16 |
10. | "Let's Go Surfing" | 5:03 |
11. | "Senseless Violins" | 0:49 |
2019 Expanded Edition Disc Two: Remixes / B-sides / Official Releases
No. | Title | Length |
---|---|---|
1. | "National Crime Awareness Week [Complete Psycho]" | 5:17 |
2. | "When Do It Get to Sing "My Way" [The Grid Radio Edit]" | 4:09 |
3. | "(When I Kiss You) I Hear Charlie Parker Playing [Bernard Butler's Fashionable World of Fashion Mix]" | 7:06 |
4. | "Now That I Own the BBC [Live Acoustic Version]" | 1:32 |
5. | "When Do I Get to Sing "My Way" [Vince Clarke Remix]" | 4:38 |
6. | "She's an Anchorman" | 5:08 |
7. | "Little Drummer Boy" (Unreleased studio version) | 3:03 |
8. | "Beat the Clock [Live In Concert]" (Recorded at the Shepherds Bush Empire, London, 17 November 1994) | 5:43 |
9. | "National Crime Awareness Week [13 Minutes In Heaven]" | 13:05 |
10. | "When Do I Get to Sing "My Way" [Sticks & Stones Remix]" | 6:20 |
11. | "(When I Kiss You) I Hear Charlie Parker Playing [The Beatmasters' Full-Blown Dub]" | 5:34 |
12. | "Now That I Own the BBC [Motiv 8 Extended Vocal Mix]" | 6:02 |
13. | "When Do I Get To Sing "My Way" [Pro-Gress Mix]" | 4:36 |
14. | "National Crime Awareness Week [The Janet Leigh Mix]" | 5:49 |
2019 Expanded Edition Disc Three: Demos & Unreleased Tracks
No. | Title | Length |
---|---|---|
1. | "Where Did I Leave My Halo?" | 3:24 |
2. | "She's Beautiful (So What)" | 3:40 |
3. | "Mid-Atlantic" | 3:33 |
4. | "The Farmer's Daughter" | 4:02 |
5. | "This Angry Young Man (Ain't Angry No More)" | 4:28 |
6. | "Bob Hope" | 3:41 |
7. | "She's An Anchorman [Demo]" | 4:54 |
8. | "Love Can Conquer All" | 4:26 |
9. | "That's What I Call Paradise" | 5:27 |
10. | "This Angry Young Man (Ain't Angry No More) [Ron Vocal Version]" | 2:11 |
11. | "Mid-Atlantic [Ron Vocal Version]" | 3:28 |
12. | "That's Entertainment (featuring Leslie Bohem)" | 2:46 |
13. | "Katharine Hepburn" (Unreleased track from Christi Haydon EP) | 5:04 |
14. | "Titanic" (Unreleased track from Christi Haydon EP) | 4:42 |
15. | "Othello" (Unreleased track from Christi Haydon EP) | 4:02 |
16. | "Holiday" (Unreleased track from Christi Haydon EP) | 3:43 |
17. | "Boris the Spider" (Unreleased track from Christi Haydon EP) | 3:43 |
Country/Region | Peak position |
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German Media Control Charts [12] | 29 |
UK Album Chart [13] | 150 |
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Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.
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