Hanging on the Telephone

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We were playing it in the back of a taxicab in Tokyo, and the taxicab driver started tapping his hand on the steering wheel. When we came back to the US, we found that the Nerves weren't together anymore and we said, 'Gee, we should record this.'

Lee had been financially struggling at the time; he recalled the moment the band called him to ask permission to cover the song. "I remember the day vividly. It was a Friday. They were going to cut off our electricity at six o'clock, the phone too." [4] The band also performed a version of the Lee-penned track, "Will Anything Happen", on Parallel Lines.

Blondie's version of the song begins with a sound effect of a telephone ringing. The idea was proposed by producer Mike Chapman; he recalled "The Blondies all thought that was stupid and too gimmicky, but I said, 'C'mon, guys! Gimmicky? This is Blondie. Let's give it a try!'" [6] Like one of Blondie's subsequent singles, "Sunday Girl", "Hanging on the Telephone" employs a double backbeat rhythm in its drumming pattern, meaning the "off" beats alternate between a quarter note and two eighth notes. This percussion style also appeared on other power pop singles from the period, like the Romantics' 1978 release "Tell It to Carrie". [7]

Release

Blondie released their cover of "Hanging on the Telephone" the second single from their 1978 album Parallel Lines in both the US and UK. The single failed to chart in the US, but it eventually reached number five in the UK in November 1978. Harry explained "Things take longer to catch on here [in the US]. Everything is really spread out and regional. I think the American people suffer from a lack of press. European press is very important. Here, television is what's important. Press makes more of an organized statement."

The single also was a moderate hit throughout Europe, reaching the top 20 in Ireland, Belgium, and the Netherlands.

Reception

Blondie's cover of "Hanging on the Telephone" has seen critical acclaim since its release, with several writers praising the song as an improvement on the original song. Rolling Stone called the song "immortal and breathless," [8] while Tom Maginnis of AllMusic praised the song's "driving power and infectious melody." [9] The Rolling Stone Album Guide named the song "a dynamic rock & roll opener," [10] while Pitchfork praised the song as "incredible." [11] Cash Box said that it has a "fast clipping beat, varied guitar work and good lead vocals by Deborah Harry." [12] Record World called it a "fast-paced pop-rock gem with a good vocal." [13]

The Independent named the song the third best Blondie song, writing "Blondie make this song their own by injecting a previously absent sense of urgency to the build, with Harry's tone developing from stern to desperate as she begs: 'Hang up and run to me.'" [14] The Guardian ranked the song as the band's fourth best, calling the song "far superior" to the Nerves original and dubbing it "a massive power pop tune," [15] while Ultimate Classic Rock ranked it as Blondie's seventh best, writing "Blondie retain the song's New Wave edge but sharpen the melody." [16] Far Out Magazine [17] and Paste [18] both named the song as Blondie's eighth best, while The Telegraph and uDiscoverMusic both included the song in their unranked lists of Blondie's best songs. [19] [20]

Track listing

UK 7" (CHS 2266)
  1. "Hanging on the Telephone" (Jack Lee) – 2:17
  2. "Will Anything Happen" (Lee) – 2:55
US 7" (CHS 2271)
  1. "Hanging on the Telephone" (Lee) – 2:17
  2. "Fade Away and Radiate" (Chris Stein) – 3:57

Charts

"Hanging on the Telephone"
Blondie - Hanging On The Telephone (UK).jpg
UK vinyl single
Single by Blondie
from the album Parallel Lines
B-side
  • "Will Anything Happen" (UK)
  • "Fade Away and Radiate" (US)
ReleasedNovember 1978 [1]
Genre
Length2:17
Label Chrysalis
Songwriter(s) Jack Lee
Producer(s) Mike Chapman
Blondie singles chronology
"I'm Gonna Love You Too"
(1978)
"Hanging on the Telephone"
(1978)
"Heart of Glass"
(1979)
Alternative cover
Blondie - Hanging On The Telephone.jpg
US picture sleeve
Chart (1978)Peak
position
Australia (Kent Music Report) [21] 39
Belgium (Ultratop 50 Flanders) [22] 19
Ireland (IRMA) [23] 16
Netherlands (Dutch Top 40) [24] 21
Netherlands (Single Top 100) [25] 20
New Zealand (Recorded Music NZ) [26] 43
UK Singles (OCC) [27] 5

Certifications

RegionCertification Certified units/sales
United Kingdom (BPI) [28] Silver250,000^

^ Shipments figures based on certification alone.

Other versions and appearances

Blondie re-recorded the song for the 2014 2-disc set Blondie 4(0) Ever . [29]

In 1995, L7 recorded a cover for The Jerky Boys Movie Soundtrack. In 2000, Finnish metal band Sinergy recorded a cover for their To Hell and Back album. [30] In 2006, English rock band Def Leppard recorded own version for their cover album Yeah! [31] In 2009, Jimmy Somerville covered the song on his acoustic album Suddenly Last Summer. [32] In 2012, Flowers Forever covered the song for the movie Electrick Children . [33] In 2017, Melissa Rauch covered the song as Harley Quinn in the animated film Batman and Harley Quinn . [34]

Related Research Articles

Power pop is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, despair, or self-empowerment. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some artists have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia.

<span class="mw-page-title-main">Blondie (band)</span> American rock band

Blondie is an American rock band founded in 1974 in New York City by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American new wave scene of the mid-1970s in New York City. Their first two albums contained strong elements of punk and new wave, and although highly successful in the UK and Australia, Blondie was regarded as an underground band in the US until the release of Parallel Lines in 1978. Over the next four years, the band released several hit singles including "Dreaming", "One Way or Another", "Heart of Glass," "Call Me," "Atomic," "The Tide Is High," and "Rapture". The band became noted for its eclectic mix of musical styles, also incorporating elements of disco, pop, reggae, and early rap music.

<i>Parallel Lines</i> 1978 studio album by Blondie

Parallel Lines is the third studio album by American rock band Blondie, released in September 1978, by Chrysalis Records to international commercial success. The album reached No. 1 in the United Kingdom in February 1979 and proved to be the band's commercial breakthrough in the United States, where it reached No. 6 in April 1979. In Billboard magazine, Parallel Lines was listed at No. 9 in the top pop albums year-end chart of 1979. The album spawned several successful singles, notably the international hit "Heart of Glass".

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<span class="mw-page-title-main">One Way or Another</span> 1979 single by Blondie

"One Way or Another" is a song by American new wave band Blondie from their 1978 album Parallel Lines. Lyrically, the song was inspired by Blondie frontwoman Deborah Harry's experience with a stalker in the early 1970s, an incident which forced her to move away from New Jersey. The song's music was composed by bassist Nigel Harrison, who introduced the Ventures-influenced track to keyboardist Jimmy Destri.

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"Heart of Glass" is a song by the American new wave band Blondie, written by singer Debbie Harry and guitarist Chris Stein. It was featured on the band's third studio album, Parallel Lines (1978), and was released as the album's third single in January 1979 and reached number one on the charts in several countries, including the United States and the United Kingdom.

<i>Eat to the Beat</i> 1979 studio album by Blondie

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<span class="mw-page-title-main">Rapture (Blondie song)</span> 1981 single by Blondie

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References

Citations

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