"One Way or Another" | ||||
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Single by Blondie | ||||
from the album Parallel Lines | ||||
B-side | "Just Go Away" | |||
Released | May 1979 [1] | |||
Genre | ||||
Length | 3:31 | |||
Label | Chrysalis (US) | |||
Songwriter(s) | ||||
Producer(s) | Mike Chapman | |||
Blondie singles chronology | ||||
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Audio sample | ||||
Music video | ||||
"One Way or Another" (TopPop,1978) on YouTube |
"One Way or Another" is a song by American new wave band Blondie from their 1978 album Parallel Lines . Lyrically,the song was inspired by Blondie frontwoman Deborah Harry's experience with a stalker in the early 1970s,an incident which forced her to move away from New Jersey. The song's music was composed by bassist Nigel Harrison,who introduced the Ventures-influenced track to keyboardist Jimmy Destri.
"One Way or Another" was released as the fourth North American single from Parallel Lines,following the band's chart-topping "Heart of Glass" single. The song reached number 24 in the US and number 7 in Canada. It was not released as a single in the UK,but later charted in 2013,along with a cover by British band One Direction for Comic Relief,with the latter reaching number 1.
"One Way or Another" has since seen critical acclaim for Harry's aggressive vocals and the band's energetic performance. It has been ranked by many critics as one of the band's best songs,has appeared on several compilation albums,and has become a live favorite for the band.
Written by Debbie Harry and Nigel Harrison for the band's third studio album, Parallel Lines (1978),"One Way or Another" was inspired by one of Harry's ex-boyfriends who stalked her after their breakup. [7] According to Harry,the boyfriend's constant calling and persistent stalking forced her to move out of New Jersey. [8] The stalking had taken place in 1973,when Harry was a member of The Stilettos;Harry's former bandmate Elda Gentile recalled,"It was freaking us all out,especially Chris [Stein]". [9] Harry explained in an interview with Entertainment Weekly :
I was actually stalked by a nutjob so it came out of a not-so-friendly personal event. But I tried to inject a little bit of levity into it to make it more lighthearted. I think in a way that's a normal kind of survival mechanism. You know, just shake it off, say one way or another, and get on with your life. Everyone can relate to that and I think that's the beauty of it. [10]
Musically, the song was composed by bassist Nigel Harrison, who first introduced the song to keyboardist Jimmy Destri. [11] He explained, "My original music for 'One Way or Another' was this psychedelic, Ventures-like futuristic surf song gone wrong. Jimmy [Destri] really liked this piece of music, and we would play it on the road. Then Debbie picked up on it; she came up with the 'getcha-getcha-getcha's'". [12] Harry later claimed to have worked out the song live with Harrison. [13] The song was recorded between June and July 1978 at New York's Record Plant studio. [8] According to Harrison, producer Mike Chapman came up with the chaotic ending section. [12]
"One Way or Another" was released as the fourth single from Parallel Lines in the US and Canada, as the follow-up to the number 1 hit "Heart of Glass". "One Way or Another" reached number 24 on the Billboard Hot 100 and number 7 on the RPM 100 Singles. Although never officially released as a single in the United Kingdom, [8] the song charted there from download sales in February 2013 due to the success of One Direction's cover "One Way or Another (Teenage Kicks)". Adam Boult of The Guardian considered this version of the song to be an "abomination". [14]
In addition to its appearance on Parallel Lines, the song was included on the US and Canadian versions of the band's first hits compilation, The Best of Blondie (1981), as it was released as a single there, but not on the international releases. It has since appeared on multiple other compilations, including a re-recorded version on 2014's Blondie 4(0) Ever .
Blondie released a manipulated live version of the song (with the audience noise removed) as the theme for the 1999 US television series Snoops . This version was released in the US as a bonus track on the Live live album. [15] The original un-edited live version was later included on the European edition of Live, which was re-titled Livid, instead of the manipulated one. [16] Harry has since noted the song as a live favorite, recalling concerts where the crowd would point back at her and sing along. [11]
Since its release, "One Way or Another" has seen critical acclaim. Billboard said that "One Way or Another" as "moves in machine gun fashion as Debbie Harry's vocal sounds almost demonic." [17] Cash Box noted the "gritty fuzz guitar," "pummelling drum beat," "slightly quirky" beat, "engaging bass line" and said that "Harry's slinky vocals are delivered with playful aggressiveness." [18] Pitchfork praised the song as "exuberant new wave, far looser than the stiff, herky-jerky tracks that would go on to characterize that sound in the 80s," [19] while Louder said of the track, "It was the song that took them from the punk clubs of New York to the arenas of the world, and cemented Debbie Harry's status as rock's foremost badass." [8] Rolling Stone ranked the song at number 298 on its list of the 500 Greatest Songs of All Time. [20]
Paste ranked the song as the second greatest Blondie song, writing that the song "stands as one of the best songs—by Blondie or anyone else—of all time." [21] Billboard ranked it as the band's fifth best song, [22] while Ultimate Classic Rock named it as the band's sixth best, writing, "From the opening stabbing guitar riff to the song's wailing, chaotic finale, 'One Way or Another' is the sound of a great band earning its rep." [23] Far Out Magazine named it as Blondie's seventh best song, calling it, "the band's most iconic song", while The Independent named it as the band's ninth best. [24] [25]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Spain (PROMUSICAE) [33] | Gold | 30,000‡ |
United Kingdom (BPI) [34] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
"One Way or Another (Teenage Kicks)" | ||||
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Single by One Direction | ||||
from the album Midnight Memories (Japanese edition) [35] | ||||
Released | 17 February 2013 | |||
Recorded | 2012 | |||
Genre | Pop rock [36] | |||
Length | 2:37 | |||
Label | Syco | |||
Songwriter(s) | ||||
Producer(s) |
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One Direction singles chronology | ||||
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Music video | ||||
"One Way or Another (Teenage Kicks)" on YouTube |
English-Irish boy band One Direction covered "One Way or Another" as a charity single for Comic Relief 2013, titled "One Way or Another (Teenage Kicks)", as it also interpolates lyrics from the Undertones' "Teenage Kicks" ("I wanna hold you, wanna hold you tight / Get teenage kicks right through the night"). The single was released on 17 February 2013, and was produced by Julian Bunetta and John Ryan.
"One Way or Another (Teenage Kicks)" debuted at number one on the UK Singles Chart, making it One Direction's third UK number one. It was nominated for Best British Single at the 2014 Brit Awards.
Ahead of its release, an early version of the song leaked online. A spokesperson for Syco Music told the Daily Mirror , "It is very disappointing that the song has been leaked and we are currently investigating the matter." [37]
The single received mixed reviews from music critics. Robert Copsey of Digital Spy said "the cheeky lyrics, bouncy pop-rock melody and singalong chorus feel like an obvious but reassuringly safe option for this year's official Comic Relief single", concluding that it was "predictable but [...] undeniably fun". [36] About.com critic Bill Lamb called the single a "strong performance", assessing, "The layering of the 'Na Na Na Na' bridge from 'One Way Or Another' with the chorus, "I wanna hold you wanna hold you tight, get teenage kicks right through the night" is truly inspiring." However, Lamb also noted that "lyrically, 'One Way Or Another' is nearly a song about the finer points of stalking, and that can be just a bit creepy coming from young males." [38]
Jessica Sager of PopCrush summarised it as "catchy, fun and ... sounds exactly what you'd expect when One Direction cover Blondie." Sager additionally praised Louis Tomlinson's vocals as sounding "phenomenal" in his solo. [39] Writing for MTV, Jenna Rubenstein assessed: "1D's version sticks mainly to the original's vibe, mixing in sugary-sweet pop production with Blondie's punk rock sensibilities." [40]
Writing for The Observer , Kitty Empire was scathing, describing the medley as "execrable". [41] When the single reached number 1 in the Irish Singles Chart, RTÉ described the news as "shocking", noting the single as "just a bit ho hum". [42] The Belfast Telegraph was equally critical, blasting the cover as a "travesty" that had been "re-worked into a sanitised Comic Relief single", which were "scrappy shadows of the originals". [43] [44]
PopMatters gave it the No.1 spot on its "Best Mainstream Pop Singles of 2013" list, calling it "the most inspired, fun track of the year". [45]
The song was later included in the Japanese edition of the band's third studio album Midnight Memories as the 19th track. [46]
"One Way or Another (Teenage Kicks)" debuted at number one on the UK Singles Chart dated 24 February 2013, shifting 113,000 copies in its first week—the second highest first-week UK sales for any song in 2013 at the time. [47] It marks their third chart-topper and seventh top ten hit in the United Kingdom. [48] As of March 2013, the song has sold 292,000 copies in the UK. [49]
The music video for "One Way or Another (Teenage Kicks)" was shot in Ghana, Tokyo, New York City, and London, including at 10 Downing Street, featuring a cameo from the then-British prime minister David Cameron. [50] The clip was released on 20 February 2013. [51]
One Direction debuted the song live during the 2013 Brit Awards on 20 February 2013. [52] The group also performed the song live during the Comic Relief telethon on 15 March 2013. [53]
Weekly charts | Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [101] | 2× Platinum | 140,000^ |
Belgium (BEA) [102] | Gold | 15,000* |
Canada (Music Canada) [103] | Platinum | 80,000* |
Denmark (IFPI Danmark) [104] | Gold | 15,000^ |
Italy (FIMI) [105] | Gold | 15,000* |
Mexico (AMPROFON) [106] | Platinum+Gold | 90,000* |
New Zealand (RMNZ) [107] | Gold | 7,500* |
Norway (IFPI Norway) [108] | Platinum | 10,000* |
Sweden (GLF) [109] | Gold | 20,000‡ |
United Kingdom (BPI) [110] | Platinum | 600,000‡ |
United States (RIAA) [111] | Gold | 500,000‡ |
Streaming | ||
Denmark (IFPI Danmark) [112] | Gold | 900,000† |
* Sales figures based on certification alone. |
Region | Date | Format | Label |
---|---|---|---|
United States | 17 February 2013 [113] | Digital download | Sony Music Entertainment |
United Kingdom | 17 February 2013 [114] | ||
18 February 2013 [115] | CD single | ||
20 February 2013 [55] | Digital download (Live Version) | ||
Japan | 3 April 2013 [116] | Maxi single |
Blondie is an American rock band formed in New York City in 1974 by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American new wave genre and scene of the mid-1970s.
Parallel Lines is the third studio album by American rock band Blondie, released on September 8, 1978, by Chrysalis Records. An instant critical and commercial success, the album reached No. 1 on the UK Albums Chart in February 1979 and proved to be the band's commercial breakthrough in the United States, where it reached No. 6 on the Billboard 200 in April 1979. In Billboard magazine, Parallel Lines was listed at No. 9 in its top pop albums year-end chart of 1979. The album spawned several successful singles, notably the international hit "Heart of Glass".
"Call Me" is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and composed by Italian musician Giorgio Moroder, with lyrics by Blondie singer Debbie Harry, the song appeared in the film and was released in the United States in early 1980 as a single. "Call Me" was No. 1 for six consecutive weeks on the Billboard Hot 100, where it became the band's biggest single and second No. 1. It also hit No. 1 in the UK and Canada, where it became their fourth and second chart-topper, respectively. In the year-end chart of 1980, it was Billboard's No. 1 single and RPM magazine's No. 3 in Canada.
"Denise" is a song written by Neil Levenson that was inspired by his childhood friend, Denise Lefrak. In 1963, it became a popular top ten hit on the Billboard Hot 100 chart, when recorded by the American doo-wop group Randy & the Rainbows. A cover version by the American new wave group Blondie, re-titled "Denis", reached number 2 in the UK Singles Chart in 1978. Dutch actress and singer Georgina Verbaan covered "Denis" in 2002 and reached number 30 on the Dutch Singles Chart.
"Heart of Glass" is a song by the American new wave band Blondie, written by singer Debbie Harry and guitarist Chris Stein. It was featured on the band's third studio album, Parallel Lines (1978), and was released as the album's third single in January 1979 and reached number one on the charts in several countries, including the United States and the United Kingdom.
Eat to the Beat is the fourth studio album by American rock band Blondie, released on September 28, 1979, by Chrysalis Records. The album was certified Platinum in the United States, where it spent a year on the Billboard 200. Peaking at No. 17, it was one of Billboard's top 10 albums of 1980. It also reached No. 1 on the UK Albums Chart in October 1979 and has been certified Platinum by the British Phonographic Industry (BPI) and the Recording Industry Association of America (RIAA).
"Union City Blue" is a song by the American new wave band Blondie. The song was featured on their 1979 studio album Eat to the Beat. Written by Debbie Harry and Nigel Harrison, the song was inspired lyrically by Harry's experiences while acting in the 1980 film Union City as well as her New Jersey roots. Musically, the song features a drum part composed by drummer Clem Burke.
"Atomic" is a song by American rock band Blondie from their fourth studio album, Eat to the Beat (1979). Written by Debbie Harry and Jimmy Destri and produced by Mike Chapman, the song was released in February 1980 as the album's third single.
Autoamerican is the fifth studio album by American rock band Blondie. It was released in November 1980 and reached No. 3 in the UK charts, No. 7 in the US, and No. 8 in Australia. The album spawned two singles, "The Tide Is High" and "Rapture". "The Tide Is High" hit number one in several countries, including the US and the UK. "Rapture" became the first rap song ever to reach number one on the singles chart in the US. It also reached number five in the UK and number four in Australia.
"Rapture" is a song by American rock band Blondie from their fifth studio album Autoamerican (1980). Written by band members Debbie Harry and Chris Stein, and produced by Mike Chapman, the song was released as the second and final single from Autoamerican on January 12, 1981, by Chrysalis Records. Musically, "Rapture" is a combination of new wave, disco and hip hop with a rap section forming an extended coda.
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"Dreaming" is a song by American new wave band Blondie. Released in 1979, the song was the opening track from their fourth album Eat to the Beat. Written by guitarist Chris Stein and singer Debbie Harry and partially inspired by ABBA's "Dancing Queen," the song also features an active drum performance by drummer Clem Burke, who did not expect the final recording to feature his busy drum track.
"Sunday Girl" is a song recorded by the American new wave band Blondie, from the band's 1978 album Parallel Lines. Written by guitarist Chris Stein, the song was inspired by Debbie Harry's cat, who was named Sunday Man—the cat had recently run away, inspiring the song's "plaintive" nature.
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