Hue and Cry | |
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Directed by | Charles Crichton |
Written by | T. E. B. Clarke |
Produced by | Michael Balcon |
Starring | |
Cinematography | Douglas Slocombe |
Edited by | Charles Hasse |
Music by | Georges Auric |
Production company | |
Distributed by |
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Release date |
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Running time | 82 minutes |
Country | United Kingdom |
Language | English |
Budget | £104,222 [2] |
Box office | £96,812 (UK) [2] |
Hue and Cry is a 1947 British film directed by Charles Crichton and starring Alastair Sim, Harry Fowler and Joan Dowling.
It is generally considered to be the first of the Ealing comedies, although it is better characterised as a thriller for children. Shot almost entirely on location, it is now a notable historic document due to its vivid portrait of a London still showing the damage of the Second World War. The city forms the backdrop of a crime-gangster plot which revolves around a working class children's street culture and children's secret clubs.
In a bombed-out post-war London neighbourhood, British boys' magazines with illustrated adventure stories are a guilty reading pleasure for members of a teen-age clique, the Blood and Thunder Boys. But their leader, Joe Kirby (Harry Fowler), discovers the plotlines of the popular publication are being copied by a crew of local thieves to plan and execute their jobs. Joe notifies C.I.D. Inspector Ford (Jack Lambert), who scoffs at the notion with humour. Then while at work, Joe tells his boss, Mr. Nightingale (Jack Warner), who suggests Joe forget it. Not to be dissuaded, Joe and another boy visit the stories' eccentric author, Wilkinson (Alastair Sim). While there, they note that Wilkinson's wording is being altered somewhere between drafting and publication. This leads Joe and his gang on the trail of a female employee of the stories' publishing house. They confront her at a handsome suburban home in Hampstead, but their interrogation gets the boys nowhere. Eventually though, they pinpoint the drop location for the robbers' loot.
Joe and the gang arrange with the author, Wilkinson, to create a new adventure story, designed to send all the criminals to the drop. Next day, Joe tells his boss, Nightingale, of their plan. Bad move. Joe realizes afterwards that Nightingale is the mastermind behind the local crimes. Later at the warehouse where the stolen loot is kept, Joe comes upon a cache of stolen fur coats. Nightingale suddenly appears and threatens Joe, but confusion results when other crooks and toughs arrive on the scene. In the melee, Nightingale is temporarily knocked unconscious. The crooks are then overrun by hundreds of city boys who respond to an arranged radio plea for help. Pandemonium and comedy rule the scene. Before long, the police arrive to restore order. Meanwhile, Joe trails Nightingale to a bombed multi-storied building. A showdown between the two follows. It ends when Nightingale falls through one of the many holes in the floor.
On 23 February 1947, the film opened at the Tivoli cinema on the Strand in London. [1] According to trade papers, the film was a "notable box office attraction" at British cinemas in 1947. [3] The film earned distributor's gross receipts of £96,812 in the UK, £87,796 of which went to the producer. [2]
The film was digitally restored and released on Blu-ray and DVD in 2015. [4]
The Ladykillers is a 1955 British black comedy crime film directed by Alexander Mackendrick for Ealing Studios. It stars Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers, Danny Green, Jack Warner, and Katie Johnson as the old lady, Mrs. Wilberforce.
Alastair George Bell Sim, CBE was a Scottish character actor who began his theatrical career at the age of thirty and quickly became established as a popular West End performer, remaining so until his death in 1976. Starting in 1935, he also appeared in more than fifty British films, including an iconic adaptation of Charles Dickens’ novella A Christmas Carol, released in 1951 as Scrooge in Great Britain and as A Christmas Carol in the United States. Though an accomplished dramatic actor, he is often remembered for his comically sinister performances.
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The Man in the White Suit is a 1951 British satirical science fiction comedy film made by Ealing Studios. It stars Alec Guinness, Joan Greenwood and Cecil Parker and was directed by Alexander Mackendrick. The film was nominated for an Academy Award for Best Writing (Screenplay) for Roger MacDougall, John Dighton and Alexander Mackendrick.
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Joan Dowling was a British character actress.
Henry James Fowler, MBE was an English character actor in film and television. Over a career lasting more than six decades, he made nearly 200 appearances on screen.
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