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Author | Amitav Ghosh |
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Country | India |
Language | English |
Genre | Historical fiction |
Publisher | Penguin Books |
Media type | Print (hardback & paperback) Audiobook E-book |
No. of books | 3 |
Website | www |
The Ibis trilogy is a work of historical fiction by Indian writer Amitav Ghosh, consisting of the novels Sea of Poppies (2008), River of Smoke (2011) and Flood of Fire (2015). A work of postcolonial literature, the story is set across the Indian Ocean region during the 1830s in the lead-up to the First Opium War. It particularly focuses on the trade of opium between India and China and the trafficking of girmityas to Mauritius. The series has received critical acclaim and academic attention for its historical research, themes and ambition. A television series adaptation was announced to be in development in 2019. Ghosh released a 2023 non-fiction book Smoke and Ashes based on his research from the writing of the series.
The trilogy gets its names from the Ibis, a schooner slave ship that is repurposed to transport opium and girmityas. [1] [2] Most of the main characters meet for the first time on the ship. The series is set during the 1830s across the Indian Ocean region amid the build-up to the First Opium War. [3] The series follows a nonlinear narrative. [4]
In Sea of Poppies , the Ibis sets off from Calcutta carrying indentured servants and convicts destined for Mauritius, but runs into a major storm and faces a mutiny. [3] River of Smoke is set in China — particularly around the Thirteen Factories — at opium's destination, where tensions between local authorities and international traders begin to escalate. The second instalment follows the inhabitants of two other ships caught in the same storm as the Ibis — the Anahita, a vessel carrying opium to Canton, and the Redruth, which is on a botanical expedition, also to Canton. [2] Flood of Fire culminates in the outbreak of the First Opium War and its impact across the Indian Ocean region, [1] including leading to the foundation of Hong Kong. [5]
The novels depict a range of characters from different cultures, ethnicities, social classes and genders. [2] This includes Bihari peasants, Bengali Zamindars [6] and traders and officials of British, Chinese and Parsi descent. [7] In addition to their native tongues, the novels also introduce the readers to various pidgins, including the original Chinese Pidgin English and variants spoken by the lascars. Pidgins are used as a common language spoken by characters of different nationalities, particularly in the naval profession. [7]
The Ibis trilogy is set to the backdrop of the opium trade in China during the 1830s, which was causing widespread addiction in the country, but was a lucrative endeavour for British and American merchants. After diplomatic attempts to end it failed, in 1839, Chinese Commissioner Lin Zexu ordered a ban on the trade and the destruction of all opium in the port of Canton. The British Navy retaliated, triggering the First Opium War. The British defeated China and signed several unequal treaties, allowing them to take over Hong Kong. These events had global implications and were important steps in the later expansion of the British Empire. [8]
There is no primary research. On the Indian presence in Canton, so little has been written. Historians have tended to write the military history of the war but the Opium War was very much an Indian war — finances, transport vessels, Indian Parsis, Bohras.
– Writer Amitav Ghosh on researching the historical background to the series. [9]
Ghosh particularly focuses on the role of India in the trade and subsequent conflict, an area that had attracted little prior popular or academic attention. [9] At the time, India was governed by the British East India Company. [10] He was initially inspired by the lives of Indian indentured workers who emigrated from the Bihar region, but found numerous links to the opium trade through researching this. [10] He said in 2008 that he was inspired to begin The Sea of Poppies as a response to what he viewed as the "historical amnesia about war and empire" of the 2003 invasion of Iraq. [8] [11] Beginning in 2004, he travelled to libraries across China, Hong Kong and Singapore to research the setting [9] and utilised his academic training as a social anthropologist for a historiographical approach to fiction writing. [12] It took Ghosh 10 years to complete the series [4] and he conducted enough research during the writing process to publish several academic texts on Indian Ocean naval history. [8]
The series has been described as a work of postcolonial literature [13] [14] and been proposed as blurring the line between historical fact and fiction. [15] Ghosh uses the trade of opium as a narrative device to explore the history and legacy of the colonial era and describe people's everyday experiences of the British Empire. [15] [16] He also raises ethical questions regarding the trade of opium, such as the role of forced labour, and suggests opium was essential to the economic survival of the British Empire. [16] [15] Ghosh also uses the opium trade to discuss it as an early form of globalisation and commercialisation. [17]
The series' themes stem from the asymmetrical relations that arose through the opium wars, including abundance and poverty, intimacy and exclusion, chance and fate, and authority. [14] With a narrative that spans the Indian Ocean region, the trilogy has been suggested as proposing the region an alternative space for discussing colonial history, as a region with extensive international trade. [13] Ghosh also uses the series to explore the unequal interpretation of history by focusing on subaltern people and perspectives. [15] [16]
Ghosh has described water as a key theme of the series. [9] He said in 2015: "I’m from West Bengal. Water, rivers etc., are an important aspect of life there, even in Bengali art and cinema. Personally, water is an essential part of my imaginative landscape." [4]
Ghosh manipulates and uses different languages in the series to touch on themes of diaspora, globalisation, [18] [19] hybrid languages and ineffability. [14] He supplements his prose in the series with at least 23 languages other than English, and has described this multilingual mix as "zubben". [14] Sea of Poppies includes a "Chrestomathy" which describes the meanings and origins of several words that appear throughout. [6]
The series has also been described as having an eco-critical narrative, touching on the transformation and use of natural resources for economic means, as well as climate change. [20] [21]
The trilogy was for the most part well received. [3] In Los Angeles Review of Books , Anjali Vaidya praised the series, saying "Against this exquisitely researched historical backdrop, the tale of Britain’s victory and China’s loss reaches the levels of Greek tragedy in Ghosh’s skilled hands — there are few storytellers alive today in the English language as gifted as Amitav Ghosh." She said that Flood of Fire was the strongest entry, whereas the other two could sometimes be "weighed down at times by the research that went into them". [8]
Alex Clark in The Guardian reviewed the trilogy positively, saying "[Ghosh] marshals the language of tiny details, from naval and military terminology to food and clothes and interiors, from boudoir to battlefield, in order to bolster our sense of how enormous and wide-ranging were the effects of this period of history, and of the unforgiving, brutalising opium trade in particular, how greatly it shaped international relations, communities and patterns of migration." [1] In South China Morning Post , James Kidd gave Flood of Fire five out of five stars, saying "few writers have combined popular and literary styles in a Hong Kong-set book better than Amitav Ghosh", and commended the series for its narrative, humour and exploration of realpolitik. [5]
In The American Historical Review , Mark Frost discussed Ghosh's credentials as a historian in the trilogy. He suggests "one weakness of Ghosh’s first installment in the Ibis Trilogy is his failure to read Victorian primary sources with a sufficiently critical eye," but that he "remains a historiographical torchbearer who over much of his career has explored the past connections and convergences of the Indian Ocean world well ahead of the academic curve." [22]
Title | Year | Award | Result | Ref |
---|---|---|---|---|
Sea of Poppies | 2008 | Man Booker Prize | Shortlisted | [1] |
River of Smoke | 2013 | DSC Prize for South Asian Literature | Shortlisted | [23] |
2011 | Man Asian Literary Prize | Shortlisted | [24] | |
2011 | The Hindu Literary Prize | Shortlisted | [25] | |
Flood of Fire | 2016 | Crossword Book Award for English Fiction | Won | [26] |
2015 | The Hindu Literary Prize | Shortlisted | [27] |
Although he said the trilogy was completed, Ghosh suggested in 2015 that "at some point, I may return to these characters. I don’t feel I have parted from the characters yet." [4] In March 2019, it was announced that a television series based on the books would be directed by Shekhar Kapur and produced by Artists Studio, part of Endemol Shine Group. [28] Michael Hirst was announced as the writer of the series. [29] In 2023, Ghosh published Smoke and Ashes , a non-fiction book about the history of the opium trade, based on the research he had compiled whilst writing the trilogy. [30]
Opium is dried latex obtained from the seed capsules of the opium poppy Papaver somniferum. Approximately 12 percent of opium is made up of the analgesic alkaloid morphine, which is processed chemically to produce heroin and other synthetic opioids for medicinal use and for the illegal drug trade. The latex also contains the closely related opiates codeine and thebaine, and non-analgesic alkaloids such as papaverine and noscapine. The traditional, labor-intensive method of obtaining the latex is to scratch ("score") the immature seed pods (fruits) by hand; the latex leaks out and dries to a sticky yellowish residue that is later scraped off and dehydrated.
Shekhar Kulbhushan Kapur is an Indian filmmaker and actor. Born into the Anand-Sahni family, Kapur is the recipient of several accolades, including a BAFTA Award, a National Film Award, a National Board of Review Award and three Filmfare Awards, in addition to nomination for a Golden Globe Award.
Lin Zexu, courtesy name Yuanfu, was a Chinese political philosopher and politician. He was a head of state (Viceroy), Governor General, scholar-official, and under the Daoguang Emperor of the Qing dynasty best known for his role in the First Opium War of 1839–42. He was from Fuzhou, Fujian Province. Lin's forceful opposition to the opium trade was a primary catalyst for the First Opium War. He is praised for his constant position on the "moral high ground" in his fight, but he is also blamed for a rigid approach which failed to account for the domestic and international complexities of the problem. The Emperor endorsed the hardline policies and anti-drugs movement advocated by Lin, but placed all responsibility for the resulting disastrous Opium War onto Lin.
Amitav Ghosh is an Indian writer. He won the 54th Jnanpith award in 2018, India's highest literary honour. Ghosh's ambitious novels use complex narrative strategies to probe the nature of national and personal identity, particularly of the people of India and South Asia. He has written historical fiction and non-fiction works discussing topics such as colonialism and climate change.
Papaver somniferum, commonly known as the opium poppy or breadseed poppy, is a species of flowering plant in the family Papaveraceae. It is the species of plant from which both opium and poppy seeds are derived and is also a valuable ornamental plant grown in gardens. Its native range was east of the Mediterranean Sea, but has since been obscured and vastly expanded by introduction and cultivation from ancient times to the present day, being naturalized across much of Europe and Asia.
Baghdadi Jews or Iraqi Jews are historic terms for the former communities of Jewish migrants and their descendants from Baghdad and elsewhere in the Middle East. They settled primarily in the ports and along the trade routes around the Indian Ocean and the South China Sea.
The Hungry Tide (2004) is the fourth novel by Indian-born author, Amitav Ghosh. Set in the Sundarbans, it follows an unlikely trio who travel up river together to find the rare Irrawaddy dolphin. It won the 2004 Hutch Crossword Book Award for Fiction.
Indian English literature (IEL), also referred to as Indian Writing in English (IWE), is the body of work by writers in India who write in the English language but whose native or co-native language could be one of the numerous languages of India. Its early history began with the works of Henry Louis Vivian Derozio and Michael Madhusudan Dutt followed by Rabindranath Tagore and Sri Aurobindo. R. K. Narayan, Mulk Raj Anand and Raja Rao contributed to the growth and popularity of Indian English fiction in the 1930s. It is also associated, in some cases, with the works of members of the Indian diaspora who subsequently compose works in English.
The Calcutta Chromosome is a 1995 English-language novel by Indian author Amitav Ghosh. The book, set in Calcutta and New York City at some unspecified time in the future, is a medical thriller that dramatizes the adventures of people who are brought together by a mysterious turn of events. The book is loosely based on the life and times of Sir Ronald Ross, the Nobel Prize–winning scientist who achieved a breakthrough in malaria research in 1898. The novel was the recipient of the Arthur C. Clarke Award in 1997.
Tabish Khair is an Indian English author and associate professor in the Department of English, University of Aarhus, Denmark. His books include Babu Fictions (2001), The Bus Stopped (2004), which was shortlisted for the Encore Award (UK) and The Thing About Thugs (2010), which has been shortlisted for a number of prizes, including the DSC Prize for South Asian Literature and the Man Asian Literary Prize. His poem Birds of North Europe won first prize in the sixth Poetry Society All India Poetry Competition held in 1995. In 2022, he published a new Sci Fi novel, [The Body by the Shore].
The Government Opium and Alkaloid Factories (GOAF) is an Indian government-owned organisation. Its headquarter is located in New Delhi. The overall supervision of the organisation comes under the purview of Department of Revenue, Ministry of Finance. There are two factories under this organisation - Government Opium and Alkaloid Works, Ghazipur (U.P.) and Government Opium and Alkaloid Works, Neemuch (M.P.).
Smoke and Ashes: Opium's Hidden Histories is a 2023 non-fiction book by Amitav Ghosh. The book arose from research Ghosh conducted on the historical opium trade and its relation to India and China while he was writing his fiction novel series, the Ibis trilogy. In it, Ghosh discusses the history of tea, the Opium Wars and links between colonialism and the modern opioid crisis.
Sea of Poppies (2008) is a novel by Indian novelist Amitav Ghosh which was shortlisted for the Man Booker Prize in 2008. It is the first volume of the Ibis trilogy. In the words of Rajnish Mishra, "the Ibis trilogy is Ghosh's most vehement indictment of the source of imperialism and colonialism." The second volume is River of Smoke.
In an Antique Land is a 1992 book written in first-person by Indian writer Amitav Ghosh recounting his experiences in two Egyptian villages attempting to retrace accounts of an unknown Indian slave, as well as a reconstruction of the life of a 12th-century Jewish merchant in the area. It describes a variety of characters, going into great detail regarding their lives and Ghosh's interactions with them.
River of Smoke (2011) is a novel by Indian novelist Amitav Ghosh. It is the second volume of the Ibis trilogy.
The history of opium in China began with the use of opium for medicinal purposes during the 7th century. In the 17th century the practice of mixing opium with tobacco for smoking spread from Southeast Asia, creating a far greater demand.
The Opium Clerk is a 2001 novel written by Kunal Basu about the effects of the Eastern opium trade on three generations of an Anglo-Indian “family”. While the novel is nominally about the opium trade it also tells the story of the British trading presence in China and Southeast Asia from the perspective of one of the Indian employees.
Flood of Fire is a 2015 novel by Indian novelist Amitav Ghosh. Following the Sea of Poppies (2008) and River of Smoke (2011), the novel is the final installment of the Ibis trilogy, which concerns the 19th-century opium trade between India and China. The book was first published by the English publisher John Murray, and later by Farrar, Straus and Giroux in the United States. The novel was shortlisted for The Hindu Literary Prize and received the Crossword Book Jury Award in Fiction in 2015.
The Circle of Reason is the first novel by Indian writer Amitav Ghosh. It was published in 1986. It follows an Indian protagonist who, suspected of being a terrorist, leaves India for northern Africa and the Middle East. Blending elements of fable and picaresque fiction, it is distinctly postcolonial in its marginalization of Europe and postmodern in its nonlinear structure and thick intertextuality.
The Great Derangement: Climate Change and the Unthinkable is a 2016 non-fiction book by Indian writer Amitav Ghosh discussing climate change. In it, Ghosh discusses the cultural depictions, history and politics of climate change, and its relationship to colonialism.