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According to Minority Rights Group International, the indigenous tribes that live in Honduras include the Lenca (453,672), Miskito (80,007), Garifuna (43,111), Maya Ch'orti (33,256), Tolupan (19,033), Bay Creoles (12,337), Nahuas (6,339), Pech (6,024) and Tawahka (2,690). [1]
This article is about the ethnic groups and population of Honduras.
Zambo or Sambu is a racial term historically used in the Spanish Empire to refer to people of mixed Amerindian and African ancestry. Occasionally in the 21st century, the term is used in the Americas to refer to persons who are of mixed African and Native American ancestry.
The wealth of cultural expression in Honduras owes its origins primarily to being a part of Latin America but also to the multi-ethnic nature of the country. The population comprises 80% Mestizo, 8% Amerindian, 2,9% Black, and 3% Caucasian. This influences all facets of the culture: customs, practices, ways of dressing, religion, rituals, codes of behavior and belief systems.
La Mosquitia is the easternmost part of Honduras along the Mosquito Coast, which extends into northeastern Nicaragua. It is a region of tropical rainforest, pine savannah, and marsh that is accessible primarily by water and air. Its population includes indigenous and ethnic groups such as the Tawahka, Miskito, Pech, Rama, Sumo, Garífuna, Ladino, and Creole peoples. La Mosquitia has the largest wilderness area in Central America, consisting of mangrove swamps, lagoons, rivers, savannas, and tropical rain forests. The Río Plátano Biosphere Reserve, a World Heritage site, is a part of La Mosquitia.
The Pech people, previously known as the Paya, are an indigenous ethnic group in north-eastern Honduras. According to a 2007 census conducted by indigenous organisations, 6,024 people self-identified as being of Pech descent. This indigenous group primarily speak in their native tongue, the Pech language, which is a member of the Macro-Chibchan languages. Although, in recent developments, the language is mainly spoken by older generations and is in danger of being extinct in the relative near future.
The Lenca, also known as Lepa Wiran, meaning “Jaguar People” or “People of The Jaguar” are an Indigenous people from present day southwest Honduras and eastern El Salvador in Central America. They historically spoke various dialects of the Lencan languages such as Chilanga, Putun (Potón), and Kotik, but today are native speakers of Spanish. In Honduras, the Lenca are the largest tribal group, with an estimated population of more than 450,000.
Puerto Lempira or Auhya Yari is the Miskito capital of the Gracias a Dios department in northeastern Honduras, located on the shores of the Caratasca Lagoon. Though it does not have paved roads, it is the largest town in the La Mosquitia region.
Central America is a subregion of the Americas formed by six Latin American countries and one (officially) Anglo-American country, Belize. As an isthmus it connects South America with the remainder of mainland North America, and comprises the following countries : Belize, Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama.
The official language of Nicaragua is Spanish; however, Nicaraguans on the Caribbean coast speak indigenous languages and also English. The communities located on the Caribbean coast also have access to education in their native languages. Additionally, Nicaragua has four extinct indigenous languages.
Hondurans are the citizens of Honduras. Most Hondurans live in Honduras, although there is also a significant Honduran diaspora, particularly in the United States, Spain, and many smaller communities in other countries around the world.
This is an index of Central America-related articles. This index defines Central America as the seven nations of Belize, Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua, and Panama.
The western Caribbean zone is a region consisting of the Caribbean coasts of Central America and Colombia, from the Yucatán Peninsula in southern Mexico to the Caribbean region in northern Colombia, and the islands west of Jamaica are also included. The zone emerged in the late 16th century as the Spanish failed to completely conquer many sections of the coast, and northern European powers supported opposition to Spain, sometimes through alliances with local powers.
Afro-Nicaraguans are Nicaraguans of Sub-Saharan African descent. Five main distinct ethnic groups exist: The Creoles who descend from Anglo-Caribbean countries and many of whom still speak Nicaragua English Creole, the Miskito Sambus descendants of Spanish slaves and indigenous Central Americans who still speak Miskito and/or Miskito Coast Creole, the Garifunas descendants of Zambos expelled from St. Vincent who speak Garifuna, the Rama Cay zambos a subset of the Miskito who speak Rama Cay Creole, and the descendants of those enslaved by the Spanish.
Afro-Hondurans or Black Hondurans are Hondurans of Sub-Saharan African descent. Research by Henry Louis Gates and other sources regards their population to be around 1-2%. They descended from: enslaved Africans by the Spanish, as well as those who were enslaved from the West Indies and identify as Creole peoples, and the Garifuna who descend from exiled zambo Maroons from Saint Vincent. The Creole people were originally from Jamaica and other Caribbean islands, while the Garifuna people were originally from Saint Vincent and the Grenadines. Garifunas arrived in the late seventeen hundreds and the Creole peoples arrived during the eighteen hundreds. About 600,000 Hondurans are of Garífuna descent that are a mix of African and indigenous as of Afro Latin Americans. Honduras has one of the largest African communities in Central America.
The Secretary of State for Culture, Arts and Sports is a Honduras secretary of State responsible for the formulation, coordination, implementation and evaluation of policies relating to research, rescue and dissemination of the cultural heritage, arts education and the identification, preservation and protection of historical and cultural heritage of the nation and all matters relating to the organization, promotion and development of sports.
The territory of current Honduras was inhabited by two culturally distinct peoples: the cultures of Mesoamerican and nahua influence and the cultures of the intermediate area that had certain influences from Circum-Caribbean and Chibcha groups. Although the Mesoamerican influence was the one that remained as the dominant influence in the territory.
Honduras has rich folk traditions that derive from the fusion of four different cultural groups: indigenous, European, African and Creole. Each department or region, municipality, village and even hamlet contributes its own traditions including costumes, music, beliefs, stories, and all the elements that derive from and are transformed by peoples in a population. In sum, these define Honduran Folklore as expressed by crafts, tales, legends, music and dances.
There are a number of languages spoken in Honduras though the official language is Spanish.
Squatting in Honduras is the occupation of unused land or derelict buildings without the permission of the owner. As the population of Honduras grew from the 1960s onwards, peasants occupied land. The Government of Honduras responded by giving peasants title to land and deporting Salvadoran migrants. The measures had limited success and in the 2010s, squatters continued to self-organise land invasions. The indigenous Miskito people are affected by squatters who practice illegal logging and drugs trafficking.
Wendy Griffin is a journalist, author and translator. She is originally from Pittsburgh, PA. She previously taught at the Escuela Superior del Profesorado and the National Autonomous University of Honduras (UNAH) in Tegucigalpa. She wrote two hundred and fifty articles for Honduras This Week and lived in Honduras for many years. She wrote extensively on the Garifuna, Pech and Miskito people of Honduras. This led to her interest in La Ciudad Blanca and her appearance in the movie The Search for Ciudad Blanca. Her collection of more than sixty Honduran folk artwork and handicraft pieces are part of the Burke Museum's Contemporary Culture Collection.