Iron Man | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | July 1 & 3, 1963 [1] | |||
Studio | Music Maker's Studios, New York City | |||
Genre | Jazz | |||
Label | Douglas International | |||
Producer | Alan Douglas | |||
Eric Dolphy chronology | ||||
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Alternative cover | ||||
Alternative cover | ||||
Alternative cover | ||||
Iron Man is an album by American jazz multi-instrumentalist Eric Dolphy,recorded in 1963 and released by the Douglas International label in 1968. [2] The album was reissued on disc two of Musical Prophet:The Expanded 1963 New York Studio Sessions,released in 2018 by Resonance Records. [3]
The music on Iron Man was recorded during two dates arranged by Alan Douglas:a July 1,1963 session featuring just Dolphy and bassist Richard Davis,and a July 3 session with nearly a dozen musicians. [4] The July 1 session produced "Come Sunday" and "Ode to Charlie Parker" and another track,"Alone Together",which appeared on the album Conversations . [4] An alternate version of "Alone Together",along with two previously-unreleased versions of a tune written by Roland Hanna titled "Muses for Richard Davis",also recorded that day,appeared on Musical Prophet:The Expanded 1963 New York Studio Sessions.
The remaining three tracks on Iron Man were recorded during the July 3 session,which also yielded the tracks "Jitterbug Waltz","Music Matador",and "Love Me",released on Conversations. [4] Alternate takes of most of the July 3 pieces can be found on Musical Prophet. Alternate versions of five of the pieces recorded on both July dates also appeared on the 2013 Japanese release Muses.
The album liner notes state:
The record was produced during the early part of 1964, when Eric Dolphy and producer Alan Douglas decided to experiment with Eric's original compositions.
Two approaches were agreed upon. One was of clear simplicity; Eric on reed instruments and Richard Davis on bass. The other was more involved – a ten piece orchestra of young men who understood and admired Eric's work.
The recording sessions took place late at night in a very relaxed studio for five successive nights. In this environment the playing of Eric Dolphy, Richard Davis and the other musicians was unbelievably inspired. So much was created, individual compositions went from "almost commercial" to "very far out."
Two albums were produced from that beautiful week. The first, called "Conversations", was released through FM Records... On this, the second, is incorporated performances that were considered too futuristic to put out at that time. [5]
The July sessions marked the recorded debut of trumpeter Woody Shaw, who was eighteen at the time. [4]
Review scores | |
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Source | Rating |
Allmusic [6] | |
The Penguin Guide to Jazz | [7] |
In an AllMusic review, Steve Huey wrote that, compared to Conversations, "Iron Man is every bit as essential and strikes a more consistent ambience than its widely varied twin. It also more clearly anticipates the detailed, abstract sound paintings of Dolphy's masterwork Out to Lunch , in large part because this time around the program is weighted toward Dolphy originals." He called the recordings "classic sessions" and stated that they "constitute some of the most brilliant work of the early-'60s avant-garde." [6]
The authors of the Penguin Guide to Jazz Recordings commented: "Iron Man is... valuable for two fine duets with Richard Davis and for glimpses of Dolphy playing with the ill-fated Woody Shaw, a desperately underrated but unforgivably prodigal trumpeter whose recorded legacy is only a fraction of what it ought to be." [7]
Dolphy biographers Vladimir Simosko and Barry Tepperman called "Burning Spear" "a tantalizing example of the kind of arranging Dolphy must have been capable of turning out", and wrote that "Iron Man" is "an especially strong, vital performance." [8]
Side 1:
Side 2:
All songs composed by Dolphy except as noted.
Eric Allan Dolphy Jr. was an American jazz multi-instrumentalist, composer, and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Woody Herman Shaw Jr. was an American jazz trumpeter, flugelhornist, cornetist, composer, arranger, band leader, and educator. Shaw is widely known as one of the 20th century's most important and influential jazz trumpeters and composers. He is often credited with revolutionizing the technical and harmonic language of modern jazz trumpet playing, and is regarded by many as one of the major innovators of the instrument. He was an acclaimed virtuoso, mentor, and spokesperson for jazz and worked and recorded alongside many of the leading musicians of his time.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven-handed clock.
Eric Dolphy at the Five Spot is a pair of live albums by the jazz musician and composer Eric Dolphy. They were released in December 1961 and November 1963 through Prestige Records. They were recorded on the night of 16 July 1961 at the end of Dolphy's two-week residency, alongside trumpeter Booker Little, at the Five Spot jazz club in New York. It was the only night to be recorded. The engineer was Rudy Van Gelder.
Outward Bound is the debut album by jazz multi-instrumentalist Eric Dolphy, released in 1960. It is oriented towards straight bebop, and slightly less adventurous than the majority of his later recordings. The album was recorded at Van Gelder Studio in New Jersey and features Dolphy in a quintet with trumpeter Freddie Hubbard, pianist Jaki Byard, bassist George Tucker and drummer Roy Haynes. Hubbard had shared living space with Dolphy when they both first arrived in New York City. The cover artwork was by Dolphy's friend Richard "Prophet" Jennings.
Africa/Brass is a studio album by the jazz saxophonist and composer John Coltrane. It was released on September 1, 1961 through Impulse! Records. Coltrane's working quartet is augmented by a larger ensemble that brings the total to twenty-one musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. While critics originally gave it poor ratings, more recent jazz commentators have described it as "amazing" and as a "key work in understanding the path that John Coltrane's music took in its final phases." It is Coltrane's first release for Impulse!.
Out There is an album by Eric Dolphy which was released by Prestige Records in September 1961. It features Dolphy in a quartet with bassists Ron Carter and George Duvivier, and drummer Roy Haynes. It was Dolphy's second album as a leader, released following his time with Charles Mingus.
The Illinois Concert is a live jazz recording of a concert by Eric Dolphy, released in 1999 by Blue Note Records. The album was recorded on March 10, 1963, at the University of Illinois in Champaign, Illinois and features Dolphy with pianist Herbie Hancock, bassist Eddie Khan, and drummer J.C. Moses. The quartet is joined by the University of Illinois Brass Ensemble for one track, and by the University of Illinois Big Band for the final track. The tape of the concert, which was recorded for radio broadcast, did not surface until 1999, when it was mentioned in a chat room and was eventually brought to the attention of Michael Cuscuna.
Here and There is a jazz album by multi-instrumentalist Eric Dolphy. It was originally released in 1966 on the Prestige label as PRLP 7382. It contains tracks recorded on three separate dates, in different locations. Mal Waldron's "Status Seeking" and Dolphy's solo bass clarinet version of Billie Holiday's "God Bless the Child" were recorded on July 16, 1961 at the Five Spot in New York City as part of the concert that was documented on the At the Five Spot recordings. "April Fool" and "G.W. " were recorded on April 1, 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey as part of the session that yielded Outward Bound, Dolphy's first album as a leader. "Don't Blame Me" was recorded on September 6, 1961 in Berlingske Has, Copenhagen, Denmark during Dolphy's second European tour, as part of the sessions that produced Eric Dolphy in Europe Volumes 1-3.
Conversations is a 1963 album by American jazz multi-instrumentalist, Eric Dolphy first released by the FM label and later reissued by Vee-Jay as The Eric Dolphy Memorial Album the following year. The album was reissued on disc one of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
Last Date is a live album by jazz musician Eric Dolphy released in early 1965 on Limelight Records. It was recorded on June 2, 1964 in Hilversum, North Holland, shortly after Dolphy had settled in Paris, France, following a tour with Charles Mingus. Dolphy is accompanied by the Misha Mengelberg trio on the album.. The audience was an invited group of recording executives and studio personnel.
The Iron Men is an album led by trumpeter Woody Shaw which was recorded in 1977 but not released on the Muse label until 1980. The Iron Men was reissued by Mosaic Records as part of Woody Shaw: The Complete Muse Sessions in 2013.
Caribé is an album by the Latin Jazz Quintet with Eric Dolphy that was recorded in 1960 and released on the New Jazz label in February 1961.
Naima is an album by American musician Eric Dolphy, released in Europe in 1987 by the Jazzway label, and later by the West Wind label. Four of the five tracks were recorded on June 11, 1964 in a Paris studio for radio broadcast, nine days after the Hilversum session that yielded Last Date, and eighteen days before Dolphy's death. The remaining track, a duet with bassist Ron Carter, was recorded in New York City in November 1960, during a session which also produced three of the tracks released on Other Aspects.
Unrealized Tapes is an album by American musician Eric Dolphy, released in Europe in 1988 by the West Wind label, and in Japan with the title Last Recordings by the DIW label. The album was recorded on June 11, 1964 in a Paris studio for radio broadcast, nine days after the Hilversum session that yielded Last Date, and eighteen days before Dolphy's death.
The Complete Uppsala Concert is a double-CD live album by Eric Dolphy. It was recorded on September 4, 1961, at Västmanlands-Dala Nation, Uppsala, Sweden, and was released by Gambit Records in 2005. The album, which features one original tune plus eight performances of standards, was recorded during Dolphy's second visit to Europe, and showcases local musicians Rony Johansson on piano, Kurt Lindgren on bass, and Rune Carlsson on drums.
Stockholm Sessions is an album by Eric Dolphy. It was recorded in September and November 1961 at the Swedish Broadcast station in Stockholm, Sweden, and was released by Inner City Records and Enja Records in 1981. The album was recorded during Dolphy's second visit to Europe.
The Berlin Concerts is a two-LP live album by Eric Dolphy. It was recorded on August 30, 1961, at two separate venues in Berlin, Germany, and was released by Inner City Records and Enja Records in 1978.
Vintage Dolphy is a live album by multi-instrumentalist Eric Dolphy. Side A was recorded at Carnegie Hall in New York City on April 18, 1963, and features Dolphy in a quartet format with trumpeter Edward Armour, bassist Richard Davis, and drummer J. C. Moses. Side B contains three pieces by Gunther Schuller, with varying instrumentation, one of which was recorded at the Everson Museum of Art in Syracuse, New York with the Syracuse Friends of Chamber Music on March 10, 1962, the other two of which were recorded at Carnegie Hall on March 14, 1963. The remaining track is a rendition of Charlie Parker's "Donna Lee" by an all-star ensemble recorded at Carnegie Hall on April 18, 1963.
Eric Dolphy in Europe, Volumes 1, 2, and 3, is a trio of live albums by jazz multi-instrumentalist Eric Dolphy. The albums were recorded on September 6 and 8, 1961, in Copenhagen, Denmark, and were released on the Prestige label in 1964 and 1965. On the recordings, Dolphy is joined by three Danish musicians: pianist Bent Axen, bassist Erik Moseholm, and drummer Jorn Elniff. Bassist Chuck Israels, who was in Copenhagen with the Jerome Robbins ballet company, also appears on one track.
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