Soul Coughing was an American alternative rock band composed of vocalist/guitarist Mike Doughty, keyboardist/sampler Mark Degli Antoni, bassist Sebastian Steinberg, and drummer Yuval Gabay. Soul Coughing developed a devout fanbase and garnered largely positive response from critics. Steve Huey of AllMusic described the band as "one of the most unusual cult bands of the 1990s... driven by frontman Mike Doughty's stream-of-consciousness poetry. Soul Coughing's sound was a willfully idiosyncratic mix of improvisational jazz grooves, oddball samples, hip hop, electronics, and noisy experimentalism". Doughty himself described the band's sound as "deep slacker jazz". The group broke up in 2000.
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.
Masada is a musical group with rotating personnel led by American saxophonist and composer John Zorn since the early 1990s.
Naked City was an avant-garde music group led by saxophonist and composer John Zorn. Active primarily in New York City from 1988 to 1993, Naked City was initiated by Zorn as a "composition workshop" to test the limits of composition in a traditional rock band lineup. Their music incorporated elements of jazz, surf, progressive rock, classical, heavy metal, grindcore, country, punk rock, and other genres.
Thomas Henry Corra, better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and the Ex, and was a member of Curlew, Third Person and Skeleton Crew.
Zeena Parkins is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp". Parkins performs on standard harps, several custom electric harps, piano, and accordion. She is a 2019 Guggenheim Fellow and professor in the Music Department at Mills College.
Curtis Fowlkes is an American jazz trombonist and singer. He is a founding member of The Jazz Passengers.
Cobra is an unpublished but recorded and frequently performed musical composition by John Zorn. Cobra was conceived as a system with very detailed rules but with no pre-conceived sequence of events for a group of musical improvisors and a prompter. Zorn completed Cobra on October 9, 1984. The composition consists of a set of cues notated on cards, and rules corresponding to the cues that direct the players what to do in response to the cards. The number of players, instrumentation, and length of the piece is indeterminate, but a "prompter" is essential to the piece, holding the cards at his or her discretion and issuing other cues. Because there is no traditional musical notation and the players improvise, the piece may sound radically different from performance to performance. The title was inspired by a table-top war game published by TSR.
Paul Shapiro is a jazz, world, and klezmer saxophonist from New York City.
Naked City Live is a live album recorded by Naked City in 1989 and released on John Zorn's Tzadik label in 2002. All of the songs, with the exception of "Erotico", "The Way I Feel" and "Skate Key", were later recorded in the studio for the band's debut album. To date it is the only official live release by the band.
Spillane is an album by American composer and saxophonist/multi-instrumentalist John Zorn, composed of three file-card pieces, as well as a work for voice, string quartet and turntables.
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
John Zorn's Cobra: Live at the Knitting Factory is an album of a performance of John Zorn's improvisational game piece, Cobra, performed at the Knitting Factory in 1992. The album resembles the missing link between John Zorn's work with Masada and Naked City. It also had a major impact on the electronic scene of New York.
Hockey is an album by John Zorn featuring his early "game piece" composition of the same name which first appeared on the Parachute Records edition of Pool in 1980. The full recordings of the piece were first released on CD on Tzadik Records as part of The Parachute Years Box Set in 1997 and as a single CD in 2002.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Cobra: John Zorn's Game Pieces Volume 2 is an album by John Zorn that includes his game piece, Cobra. The piece was recorded in previous versions by the labels HatHut, Knitting Factory, and Avant but this was the first time by Zorn's label Tzadik.
Cobra is a double album featuring a live and studio performance of John Zorn's improvisational game piece, Cobra recorded in 1985 and 1986 and released on the Hathut label in 1987. Subsequent recordings of the piece were released on Knitting Factory, Avant and Zorn's own label Tzadik Records, ) in 2002.
Bill Ware III born William Anthony Ware III is an American jazz vibraphonist.
Shoe String Symphonettes is a 1997 album of film music by Marc Ribot released on Tzadik Records.
Kenneth Lee Butler is an American artist and musician, as well as an experimental musical instrument builder. His Hybrid musical instruments and other artworks explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. The idea of bricolage, essentially using whatever is "at hand", is at the center of his art, encompassing a wide range of practice that combines live music, instrument design, performance art, theater, sculpture, installation, photography, film/video, graphic design, drawing, and collage.
