Jungle | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 14 July 2014 | |||
Genre | ||||
Length | 39:06 | |||
Label | XL Recordings | |||
Producer | Jungle | |||
Jungle chronology | ||||
| ||||
Singles from Jungle | ||||
|
Jungle is the debut studio album by London-based modern musical collective Jungle. It was released on 14 July 2014 through XL Recordings. A nu-disco and disco funk album, Jungle combines musical influences from the 1970s, 1980s and 2010s into a sunny sound flavoured by soul and funk and the group's processed falsetto vocals, which were treated with modulation and Leslie speaker effects. Some songs also feature found sounds.
On release, the album received generally favourable reviews from music critics. Some highlighted the album's optimistic music, while others felt the record was too slick and unvaried to work as a sustained listening experience. Some reviewers noted a darker undercurrent to some songs, inspired by the duo's inner-city lives. In September 2014, the album was shortlisted for the 2014 Mercury Prize. [3]
Formed in 2013, the identities of Jungle's were originally kept secret, in order to place an aesthetic emphasis on the music's surrounding artwork and videos. Instead, the duo of Josh Lloyd-Watson and Tom McFarland identified as J and T, respectively. [4] The pair had revealed their true names by the release of Jungle. [5]
"Platoon" and "The Heat" were digitally released as the lead singles promoting the album on 16 December 2013. [6] [7] The music video for "Platoon", which premiered on 4 June 2013, featured a 6-year-old B-girl named Terra, [8] [9] while the video for "The Heat" featured British skate crew High Rollaz and was released on 1 October 2013. [9] [10] Both videos were directed by Oliver Hadlee Pearch. [9]
On 28 February 2014, a music video for the third single, "Busy Earnin'", was released onto YouTube. [11] The single was released digitally on 7 April 2014, and in vinyl format on 15 April. [12] [13] The song peaked at number 19 on the UK Indie Chart and at number 27 on Ultratip chart in Belgian Flanders region in March, [14] [15] and at number 118 in France in July 2014. [16]
A music video for the fourth single, "Time", was released on 8 July 2014. [17] On 8 September, remixes of the song by Joe Goddard and LXURY were released onto iTunes. [18] [19]
Jungle has been described as an album of nu-disco, [1] and disco-funk, [2] with songs characterised by "pliant" bass, 4/4 beats and "spindling guitar", underpinned by synth parts that are variously lush and airy. [20] Among reviewers, Jim Carroll says that the record contains "shuffling funk, disco and soul", with influences from Talking Heads, Prince and Happy Mondays, [21] while Andy Beta wrote the album favours "the bantamweight soul" of early 1980s British groups such as Imagination, I-Level, Fun Boy Three and Fine Young Cannibals. [20] Josh Terry notes that the album combines elements from 1970s and 2010s music. [1] Throughout the record, the group incorporate falsetto harmonies that have been compared to disco-era Bee Gees, albeit processed to sound somewhat "robotic". [1] Some songs feature "distorted steel drums, tropical crackles and washes of sparkling-surf synth." [22]
The duo sought a somewhat murky sound for the record, inspired by "leftfield hip-hop producers such as J Dilla and Madvillain". To achieve this, they resampled their own performances to make them appear as though they were taken from "dusty old records". According to Lloyd-Watson, "We had various versions of songs that we kind of made cuts and edits of, so they start to sound like sampled loops. We're always going between high fidelity and low fidelity." [23] Lloyd-Watson also noted that the duo used the Roland RE-501 Chorus Echo for analogue distortion. [23] According to Sound on Sound writer Tom Doyle, Jungle's songs profile multiple vocal tracks by the duo which are processed through modulation and Leslie speaker effects. [23]
Alongside the prioritisation of grooves and melody, many songs on Jungle feature unusual found sound effects, including police sirens on "The Heat" and a creaking door on "Drops", which were often captured by the group while on tour. The album's mixer, David Wrench, considered these sounds important to the record's style, elaborating: "it's like modern musique concrete. Jungle were in hotel rooms banging baths to make drum tracks." [23] According to Lloyd-Watson, these sounds emerged because the duo use "what's available" when recording, adding: "if you're in a room in Paris and you haven't got any shakers, you'll end up getting some Euros and throwing them in a sink and miking that up. On 'The Heat', the snare drum’s made out of footsteps on gravel. We really love the idea of Foley in music. A football hitting the bedroom floor being a bass drum. You could go and record a '62 vintage Ludwig kick drum, but a lot of other people have access to that." [23]
"The Heat", a "falsetto space funk" song, [22] combines mentions of temperature and sexual 'heat' with the sampled police siren to feature "three separate 'heat' references in under 10 seconds." [20] "Accelerate" features flourishes of chillwave, [1] and has been described as containing "Tears for Fears-go-tropical undulations". [24] "Drops" combines the creaking door sounds with a "minimal, James Blake-esque" sound. [1] [25] "Time" has a funk bassline reminiscent of Parliament, [1] while the noir-esque [2] "Smoking Pixels" is the record's sole instrumental. [1] "Julia" is an 1980s-style synth-pop song. [25]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.1/10 [26] |
Metacritic | 72/100 [27] |
Review scores | |
Source | Rating |
AllMusic | [25] |
The A.V. Club | B− [1] |
The Guardian | [28] |
The Independent | [24] |
The Irish Times | [21] |
Mojo | [29] |
NME | 8/10 [22] |
The Observer | [2] |
Pitchfork | 6.2/10 [20] |
Uncut | 6/10 [30] |
Upon its release, Jungle received positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 72, based on 21 reviews. [27]
For AllMusic, Fred Thomas wrote that Jungle is "to be taken as a complete statement, and one that seems to reveal its nuances with repeat listens", adding that the identities and backgrounds of the band members "quickly become extraneous in light of the wealth of intriguing sounds presented on this incredibly well-constructed debut." [25] Jim Carroll of The Irish Times believed it to be a record of "future-funk party favourites" that works well on repeat, praising the album's sunny pop grooves and noting: "When the sounds are this vibrant, it doesn't matter a jot who the Junglists actually are". He also highlighted the "intriguing darker side" to some of the songs, informed by the duo's inner-city lives. [21]
Mark Beaumont of NME drew attention to the record's "ultra-modern rewiring of funk" for Generation Y, deeming it "the pop-art album of summer." Like Carroll, Beaumont noted that the album's "darker side" is "really intriguing", writing: "There's a tone of inner-city malaise, romantic ruin and psychedelic alienation to a raft of its tracks that speaks to those modern urbanites feeling screen-wiped and robbed of opportunities, busy earnin’ for nothing. It’s the sound of a 21st Century What's Going On , a sister-piece to Bobby Womack's Albarn-produced The Bravest Man in the Universe ". [22] Kitty Empire of The Observer described Jungle as a classy, accomplished album of "aerated disco-funk" that follows the promise of the duo's earlier singles, adding: "It all runs very smoothly – perhaps too smoothly for some tastes – but listen past the sheen and the headphone goods are there." [2]
In The Guardian , Paul MacInnes felt that the songs work individually, but that the whole album becomes predictable, adding that "the faint, faded vocals, which at first intrigued – are they those of a wounded lover, or just a jaded observer? – now sound affected", and concluding that, "by deliberately creating a sense of mystery around themselves, Jungle may have raised expectations that their music cannot yet deliver on." [28] Nick Coleman of The Independent similarly argued that the duo "should have cultivated the mystique some more, because their heat-haze hybrid of soul grooves and falsetto-funk chic feels too under-cooked to sustain a whole album", noting that much of the record "dissolves into a vague dissolves into a vague chill-out-zone drift". However, he praised songs such as "Busy Earnin'" and "Accelerate" for engagingly combing "summery uplift with a reflective tug". [24]
Andy Beta of Pitchfork considered Jungle to work better as individual singles than an entire album, considering the "shimmering surface" to "belie the flimsiness of the songs themselves, which buckle under any sort of weight". He also noted that the group's "falsetto-castrato harmonies—just beyond the range of Pharrell—that deliver each chorus and hook" prove tiring, making the album feel longer than its 39-minute length. [20] Josh Terry of The A.V. Club wrote that the album is competent and contains great singles, but added that besides "a smattering of strong tracks", the record is ultimately "too sleek and too wrapped in its own crate-digging influences to be more than an agreeable summer album." [1]
All tracks are written by Jungle
No. | Title | Length |
---|---|---|
1. | "The Heat" | 3:16 |
2. | "Accelerate" | 3:04 |
3. | "Busy Earnin'" | 3:01 |
4. | "Platoon" | 3:12 |
5. | "Drops" | 2:53 |
6. | "Time" | 3:33 |
7. | "Smoking Pixels" | 1:47 |
8. | "Julia" | 3:15 |
9. | "Crumbler" | 3:02 |
10. | "Son of a Gun" | 3:28 |
11. | "Lucky I Got What I Want" | 4:16 |
12. | "Lemonade Lake" | 4:19 |
Total length: | 39:06 |
No. | Title | Length |
---|---|---|
13. | "Quick Winnings" (Japan Bonus Track) | 1:13 |
14. | "Teenage" (Japan Bonus Track) | 3:46 |
Total length: | 44:05 |
|
|
|
Weekly charts
| Year-end charts
|
Homework is the debut studio album by the French electronic music duo Daft Punk, released on 20 January 1997 by Virgin Records and Soma Quality Recordings. It was released in the US on 25 March 1997.
Discovery is the second studio album by the former French electronic music duo Daft Punk, released on 12 March 2001 by Virgin Records. It marked a shift from the Chicago house of their first album, Homework (1997), to a house style more heavily inspired by disco, post-disco, garage house, and R&B. Thomas Bangalter of Daft Punk described Discovery as an exploration of song structures, musical forms and childhood nostalgia, compared to the "raw" electronic music of Homework.
R&G : The Masterpiece is the seventh studio album by American rapper Snoop Dogg. It was released on November 16, 2004, by Doggystyle Records, making its first on Star Trak Entertainment and Geffen Records. Recording sessions took place from November 2003 to September 2004 in each of several recording studios. The album's production was handled from The Neptunes, The Alchemist, Lil Jon, Hi-Tek, Warryn Campbell, and L.T. Hutton, among others.
A Funk Odyssey is the fifth studio album by English funk band Jamiroquai. The album was released on 3 September 2001 in the United Kingdom by Sony Soho Square and 11 September 2001 by Epic Records in the United States.
Travelling Without Moving is the third studio album by English funk and acid jazz band Jamiroquai, released on 28 August 1996 in Japan, then on 9 September 1996 in the United Kingdom under Sony Soho Square. Front-man Jay Kay intended for the album to have a more universal style, revolving around "cars, life and love". Critics have generally praised the album for being more focused and refined than the band's previous work, while others panned its lyrics and found the album too derivative. Its visual concept of sports cars received backlash from press, as it contradicted Kay's professed environmental beliefs.
Synkronized is the fourth studio album by English funk and acid jazz band Jamiroquai. It was released on 8 June 1999 by Work Group in the United States, and on 14 June 1999 by S2 Records in the United Kingdom. Bassist Stuart Zender left the band during recording, and Nick Fyffe was hired as a replacement. The album contains funk, acid jazz and disco elements.
Dynamite is the sixth studio album by English funk and acid jazz band Jamiroquai. It was released on 15 June 2005 in Japan, 20 June 2005 in the United Kingdom, 21 July 2005 in Australia and 20 September 2005 in the United States.
Cross is the debut studio album by French electronic music duo Justice, first released on 11 June 2007 through Ed Banger Records and Because Music. Recorded during 2005 and 2006 in Paris, Cross was composed as an "opera-disco" album. It features many samples and "microsamples" throughout, with about 400 albums being used as sampled material. These include samples from Prince, Britney Spears and Madonna. The song "D.A.N.C.E." is a tribute to Michael Jackson. French musician Mehdi Pinson appears on "DVNO", and vocalist Uffie appears on "Tthhee Ppaarrttyy". The album was supported by the singles "Waters of Nazareth", "D.A.N.C.E.", "DVNO", "Phantom Pt. II", and "Tthhee Ppaarrttyy". A controversial music video was also released for "Stress".
"Green Light" is a song recorded by American R&B recording artist John Legend. It was written by Legend, Andre Benjamin, Fin Greenall, James Ho, and Rick Nowels for his third studio album Evolver (2008). Produced by Malay and KP, the song was released as the first single on August 26, 2008, through Columbia Records. The song features vocals from American rapper André 3000. "Green Light" shows a shift in musical style for Legend, opting for a funk and electro sound composed of electronic synths and fast, synthesized beats. The song also features the use of several horn instruments, including the saxophone, trombone and trumpet.
Audio, Video, Disco is the second studio album by the French electronic music duo Justice, released on 24 October 2011 by Ed Banger Records and Because Music in France, and Elektra Records in the US.
Holy Fire is the third studio album by British rock band Foals, released on 11 February 2013 in the United Kingdom on Transgressive Records. The first single "Inhaler" first aired on 5 November 2012 on Zane Lowe's BBC Radio 1 show, with the music video being released later that same day. The second single "My Number" debuted on Later... with Jools Holland on 13 November 2012. The track had its radio debut one month later, also on Zane Lowe's BBC Radio 1 show. The music video premiered on 23 January 2013.
Ice on the Dune is the second studio album by Australian electronic music duo Empire of the Sun, released on 14 June 2013 by Capitol Records. The album was met with generally positive reviews from music critics, with many commenting on the progression of the group's sound from their debut album.
Too Weird to Live, Too Rare to Die! is the fourth studio album by American pop rock band Panic! at the Disco. The album was released on October 8, 2013 by Decaydance and Fueled by Ramen. Recorded as a trio, the album was produced by Butch Walker, and is the only album to feature bassist Dallon Weekes since he officially joined the band in 2010. This was also the final album to feature drummer Spencer Smith, thus making this Panic!'s final album as a rock band, with further releases being made as a solo project fronted by Brendon Urie.
Jungle are a British band founded in 2013 by London-based producers Josh Lloyd-Watson and Tom McFarland. Jungle have released four studio albums: Jungle (2014), which was shortlisted for the Mercury Prize, For Ever (2018), Loving in Stereo (2021), and Volcano (2023). The first two albums were released through XL Recordings while the latter two via their independent label Caiola Records. In 2023, having worked as the main musical contributor on Loving in Stereo and Volcano, and a key performing member of the live group, Lydia Kitto joined as a permanent member.
"Busy Earnin'" is a song by Jungle, released in 2014 as a single from their album Jungle. It peaked at number 19 on the UK Indie Chart, number 27 on Ultratop and number 118 on the French Singles Chart. The song was also used in the video game FIFA 15, the American TV show “Superstore” during the “Black Friday” Episode, in the Brooklyn Nine-Nine Episode "Jake and Sophia" and in the opening of Tales from the Borderlands video game.
Woman is the third studio album by the French electronic music duo Justice, released on 18 November 2016 by Ed Banger Records and Because Music.
Automaton is the eighth studio album by English funk band Jamiroquai, released on 31 March 2017 through Virgin EMI. It is the band's first album in seven years, following Rock Dust Light Star (2010). It was a number-one album in Italy and peaked at number two in Switzerland, number three in France and number four in the UK.
Violence is the sixth studio album from British band Editors. It was released on 9 March 2018 by PIAS Recordings. The album features a new studio recording of "No Sound but the Wind", a track previously released in a different version on the soundtrack to the film The Twilight Saga: New Moon in 2009 and as a subsequent live recording in 2010. The band produced the album themselves with Leo Abrahams, and were assisted musically by Benjamin John Power, also known as Blanck Mass, who is half of the drone music duo Fuck Buttons. The initial recording sessions with Power yielded the companion release The Blanck Mass Sessions, which features alternate recordings of songs from Violence, and was first released on 13 April 2019 for Record Store Day.
For Ever is the second studio album by British neo soul band, Jungle. The album was released on 14 September 2018 through XL Recordings. It is their final release for XL Recordings before the formation of their own label, Caiola Records, in 2021.
The Slow Rush is the fourth studio album by Tame Impala, the musical project of Australian multi-instrumentalist Kevin Parker. It was released on 14 February 2020. It follows the 2015 album Currents and the 2019 singles "Patience" and "Borderline", with the latter serving as the first single from the album. Rooted in psychedelic disco music, The Slow Rush received critical acclaim from music critics. On the top 10 on many record charts around the world, debuting atop the charts in three countries and as well as on the US Alternative and Rock charts.