There are two notable reported instances of lampshades made from human skin. After World War II it was claimed that Nazis had made at least one lampshade from murdered concentration camp inmates: a human skin lampshade was displayed by Buchenwald concentration camp commandant Karl-Otto Koch and his wife Ilse Koch, said to be with other human skin artifacts. [3] [4] [2] Despite myths to the contrary, there were no systematic efforts by the Nazis to make human skin lampshades; the one displayed by Karl-Otto Koch and Ilse Koch is the only one confirmed. [5] [2]
In the 1950s, murderer Ed Gein, possibly influenced by the stories about the Nazis, made a lampshade from the skin of one of his victims.
The display of the flayed skin of defeated enemies has a long history. In ancient Assyria, the flaying of defeated enemies and dissidents was common practice. The Assyrians would leave the skin to tan on their city walls. [6]
There are many examples of books bound in human skin that date from ancient times through the 20th century. In the 2010s, peptide mass fingerprinting technology provided the opportunity to test books in libraries, archives, and private collections which were purported to be bound using the skin of humans. [7] [8] In the first five years of testing, over half of the books tested with this technology were confirmed to be bound with human skin. [9] [10]
After the defeat of Nazi Germany, claims circulated that Ilse Koch, wife of the commandant of Buchenwald concentration camp, had possessed lampshades made of human skin, and had tattooed prisoners killed, specifically, in order to use their skin for this purpose. [11] After her conviction for war crimes, General Lucius D. Clay, the interim military governor of the American Zone in Germany, reduced her sentence to four years' prison on the grounds "there was no convincing evidence that she had selected Nazi concentration camp inmates for extermination in order to secure tattooed skins, or that she possessed any articles made of human skin." [12]
Jean Edward Smith, in his biography Lucius D. Clay, an American Life, reported that the general had maintained that the leather lamp shades were really made out of goat skin. The book quotes a statement made by General Clay years later:
There was absolutely no evidence in the trial transcript, other than she was a rather loathsome creature, that would support the death sentence. I suppose I received more abuse for that than for anything else I did in Germany. Some reporter had called her the "Bitch of Buchenwald", had written that she had lamp shades made of human skin in her house. And that was introduced in court, where it was absolutely proven that the lamp shades were made out of goat skin. [13]
The charges were made once more when she was rearrested, but again were found to be groundless. [12] The Buchenwald Memorial Foundation states that:
For the existence of a lampshade from human skin there are two credible witnesses who made statements under oath: Dr. Gustav Wegerer, an Austrian political prisoner and kapo of the infirmary, and Josef Ackermann, a political prisoner and secretary of the camp doctor Waldemar Hoven.
- Wegerer explained: "One day at about the same time [1941] the camp commandant Koch and the SS doctor Müller appeared at my work command in the infirmary. At that time a lampshade made of tanned, tattooed human skin was being prepared for Koch. Koch and Müller chose among the available tanned, parchment-thin human skins the ones with suitable tattoos, for the lampshade. From the conversation between the two it became clear that the previously chosen motifs had not pleased Ilse Koch. The lampshade was then completed and handed over to Koch." Dr. Hans Mueller, later SS physician in Obersalzberg, was a pathologist in Buchenwald from March 1941 to April 1942. The time period can be defined more precisely through Ackermann's statement.
- Ackermann delivered the lamp, as he testified in 1950 in court. The lamp-foot was made from a human foot and shinbone; on the shade one saw tattoos and even nipples. On the occasion of the birthday party of Koch [August 1941] he was tasked by the camp doctor Hoven to bring the lamp to the Kochs' villa. This he did. One of the party guests told him later that the presentation of the lamp had been a huge success. The lamp immediately disappeared after the SS leadership learned about it. Ilse Koch could not be accused of making the lampshade. [1]
Five other witnesses testified that they had seen or knew of the existence of human skin artefacts in the possession of Ilse Koch. [14]
In footage taken by American military photographers tasked by then-General Dwight Eisenhower to record what they saw as the army advanced into Germany in 1945, a large lampshade and many other ornaments reportedly made of human skin can be seen alongside shrunken heads of camp prisoners in Buchenwald, all of which were being displayed for German townspeople who were made to tour the camp. [3] [15]
The lampshade displayed as part of the tour of the camp at Buchenwald was not part of the materials tested for authenticity by U.S. Army personnel after World War II, although pieces of tanned and tattooed skin found at the camp were judged to be human by the Head of Pathology at Seventh Medical Laboratory in New York. [1] British pathologist Bernard Spilsbury also identified pieces of tanned human skin obtained by observers at Buchenwald after the liberation of the camp. [16]
In his 2010 book The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans , journalist Mark Jacobson claimed to be in possession of a human-skin lampshade made by order of Ilse Koch. [17] [18] Jacobson's lamp underwent DNA testing in the early 1990s. The results seemed to show that the lamp was indeed made of human skin; however, subsequent testing demonstrated that it was actually made of cowhide and that sample contamination likely led to the initial erroneous result. [19] The results of those tests were reported on in the 2012 National Geographic television program "Human Lampshade: A Holocaust Mystery". [20] [19]
In 2019 the Anthropodermic Book Project performed a peptide mass fingerprinting test on an alleged Nazi-era human skin lampshade stored in a small Holocaust museum in the United States; the testing results showed the lampshade was made from plant cellulose. [21]
In 2023, a new study of the lampshade displayed on the desk of Karl-Otto Koch, led by criminal biologist Mark Benecke, concluded that the lampshade was "certainly human skin" and how the report from 1992 came to the conclusion that this lampshade was made of plastic "is not at all clear." [22] [23] [2]
Ed Gein was an American murderer and body snatcher, active in the 1950s in Wisconsin, who made trophies from corpses he stole from a local graveyard. When he was finally arrested, a search of the premises revealed, among other artifacts, a lampshade made out of human skin. [24] Gein appears to have been influenced by the then-current stories about the Nazis collecting body parts in order to make lampshades and other items. [25]
The idea of lampshades made from human skin has become a trope to signify the horrors of the Nazi concentration camps. [26] References to human skin lampshades have appeared in artworks, political speeches, and popular culture. [26]
These references can take the form of literary allusions, such as Sylvia Plath's description of her skin as "Bright as a Nazi lampshade" in her 1965 poem, "Lady Lazarus". Plath invoked allusions and images from Nazi Germany to emphasize the speaker's sense of oppression. [27] References also appear in satirical works. In Ken Russell's 2007 short satire A Kitten for Hitler , an American Jewish boy who has a swastika-shaped birthmark tries to soften Hitler's heart by giving him a kitten, but when Hitler sees the boy's Star of David necklace he has Eva Braun kill the boy to make him into a lampshade for their bedside table lamp. [28] Near the end of the film, in what appears to be an act of God, the swastika birthmark on the lampshade transforms into the Star of David.
The use of this reference can also be employed as an implicit threat or antisemitic expression. In 1995, August Kreis was ejected from the set of The Jerry Springer Show after telling the host, "Your relatives – weren't they all turned into soap or lampshades?... I've got your mom in the trunk of my car." [29]
The use of symbols such as human soap or human skin lampshades in popular culture has led to misunderstandings that there were sustained, systematic efforts to create these products, but these myths have been repeatedly refuted by serious scholars. [5] [26] Holocaust deniers use misunderstandings about phenomena such as the mass production of human soap or human skin lampshades in order to criticize the veracity of the Nazi genocide in general. [26]
Buchenwald was a Nazi concentration camp established on Ettersberg hill near Weimar, Germany, in July 1937. It was one of the first and the largest of the concentration camps within the Altreich. Many actual or suspected communists were among the first internees.
Karl-Otto Koch was a mid-ranking commander in the Schutzstaffel (SS) of Nazi Germany who was the first commandant of the Nazi concentration camps at Buchenwald and Sachsenhausen. From September 1941 until August 1942, he served as the first commandant of the Majdanek concentration camp in occupied Poland, stealing vast amounts of valuables and money from murdered Jews. His wife, Ilse Koch, also participated in the crimes at Buchenwald.
Ilse Koch was a German war criminal who committed atrocities while her husband Karl-Otto Koch was commandant at Buchenwald. Though Ilse Koch had no official position in the Nazi state, she became one of the most infamous Nazi figures at war's end.
Mittelbau-Dora was a Nazi concentration camp located near Nordhausen in Thuringia, Germany. It was established in late summer 1943 as a subcamp of Buchenwald concentration camp, supplying slave labour from many Eastern countries occupied by Germany, for extending the nearby tunnels in the Kohnstein and for manufacturing the V-2 rocket and the V-1 flying bomb. In the summer of 1944, Mittelbau became an independent concentration camp with numerous subcamps of its own. In 1945, most of the surviving inmates were sent on death marches or crammed in trains of box-cars by the SS. On 11 April 1945, US troops freed the remaining prisoners.
Lucius Dubignon Clay was a senior officer of the United States Army who was known for his administration of occupied Germany after World War II. He served as the deputy to General of the Army Dwight D. Eisenhower in 1945; deputy military governor, Germany, in 1946; Commander in Chief, United States Forces in Europe and military governor of the United States Zone, Germany, from 1947 to 1949. Clay orchestrated the Berlin Airlift (1948–1949) when the USSR blockaded West Berlin.
Ilsa, She Wolf of the SS is a 1975 Canadian exploitation film about a sadistic and sexually voracious Nazi prison camp commandant. The film is directed by American filmmaker Don Edmonds and produced by David F. Friedman for Cinépix Film Properties in Montreal. The film stars Dyanne Thorne in the title role, who is loosely based on Ilse Koch, a convicted war criminal and overseer at the Buchenwald concentration camp.
Georg Konrad Morgen was an SS judge and lawyer who investigated crimes committed in Nazi concentration camps. He rose to the rank of SS-Sturmbannführer (major). After the war, Morgen served as witness at several anti-Nazi trials and continued his legal career in Frankfurt.
Robert Clary was a French actor who was mainly active in the United States. He is best known for his role as Corporal Louis LeBeau on the television sitcom Hogan's Heroes (1965–1971). He also had recurring roles on the soap operas Days of Our Lives (1972–1987), and The Bold and the Beautiful (1990–1992).
Nazi exploitation is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and that of Salon Kitty and The Night Porter led European filmmakers, mostly in Italy, to produce similar films, with just over a dozen being released over the next few years. Globally exported to both cinema and VHS, the films were critically attacked and heavily censored, and the sub-genre all but vanished by the end of the seventies.
Identification of inmates in Nazi concentration camps was performed mostly with identification numbers marked on clothing, or later, tattooed on the skin. More specialized identification in Nazi concentration camps was done with badges on clothing and armbands.
During the 20th century there were various alleged instances of soap being made from human body fat. During World War I the British press claimed that the Germans operated a corpse factory in which they made glycerine and soap from the bodies of their own soldiers. Both during and after World War II, widely circulated rumors claimed that soap was being mass-produced from the bodies of the victims of Nazi concentration camps which were located in German-occupied Poland. During the Nuremberg trials items were presented as evidence of such production. The Yad Vashem Memorial has stated that the Nazis did not produce soap with fat which was extracted from Jewish corpses on an industrial scale, saying that the Nazis may have frightened camp inmates by deliberately circulating rumors in which they claimed that they were able to extract fat from human corpses, turn it into soap, mass-produce and distribute it.
Jindřich Waldes was a leading industrialist, founder of the Waldes Koh-i-noor Company, Czech patriot of Jewish origin and art collector.
J. A. Topf and Sons was an engineering company, founded in 1878 in Erfurt, Germany by Johannes Andreas Topf (1816–1891). Originally, it made heating systems and brewing and malting equipment. Later, the company diversified into silos, chimneys, incinerators for burning municipal waste, and crematoria. During World War I it made weapons shells, limbers and other military vehicles. In World War II it also made weapons shells and aircraft parts for the Luftwaffe.
Josias, Hereditary Prince of Waldeck and Pyrmont was the heir apparent to the throne of the Principality of Waldeck and Pyrmont and a general in the SS. From 1946 until his death, he was the head of the Princely House of Waldeck and Pyrmont. After World War II, he was sentenced to life in prison at the Buchenwald Trial for his part in the "common plan" to violate the Laws and Usages of War in connection with prisoners of war held at Buchenwald concentration camp, but was released after serving about three years in prison.
The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans is a 2010 nonfiction book by U.S. author Mark Jacobson. It recounts the attempt to ascertain the origin of a lampshade purportedly made from human skin. It was not until 2012 that DNA testing was sophisticated enough to determine that the shade was likely made from a parchment of cow skin.
Goethe Oak, is a name given to a number of oak trees in Germany that are referred to in this way because they allegedly bear some sort of connection to the poet Johann Wolfgang von Goethe.
Jens-Christian Wagner is a German historian who specializes in the Nazi era and the politics of memory. Wagner has published multiple academic books about Mittelbau-Dora concentration camp and its subcamps. He was the director of Mittelbau-Dora memorial from 2001, was the chairman of Lower Saxony Memorials Foundation, and became the overseer of Buchenwald and Mittelbau-Dora Memorials Foundation in 2020.
Prisoner B-3087 is a young adult historical fiction novel by Alan Gratz. The book is "based on the true story of Ruth and Jack Gruener," who were prisoners during the Holocaust. Prisoner B-3087 was published by Scholastic Inc in 2013.
Erich Wagner was a German-Austrian SS-Sturmbannführer and camp doctor in the Buchenwald concentration camp.