Life Thru A Lens is the debut solo album by English singer-songwriter Robbie Williams following his departure from Take That. Released on 29 September 1997 through Chrysalis Records, the album is influenced by Britpop, a departure from the poppier tone of the music Take That employed. The album's working name was The Show-Off Must Go On.[1]
The album's first three singles, "Old Before I Die", "Lazy Days" and "South of the Border", were all moderate successes, but it was the fourth single "Angels" which catapulted Williams to international fame as a solo artist. Peaking at number four, it has sold over one million copies in the UK and is his best-selling single to date. The fifth and final single "Let Me Entertain You" reached number three. "Freedom", Williams' first solo single, a cover of George Michael's 1990 hit, is not featured on the album.
Life thru a Lens debuted at number 11 on the UK Albums Chart and initially remained in the lower regions, but, upon the chart success of "Angels", it began steadily climbing and finally reached number one in April 1998, five months after its release. Though never selling more than 60,000 copies in a single week, the album sold over 2,094,000 copies by November 2013, making it Williams' fourth-best-selling studio album and fifth-best-seller when considering Greatest Hits (2004).[2]
The album cover art, a photograph of Williams at the centre of a crowd of photographers, was created by Andy Earl.[3] In 2024, the cover was altered to a chimpanzee depiction of Williams for the theatrical poster of his biopic, Better Man.[4]
Recording and music
After trying hard to find his own sound during a period of personal upheaval, Williams began recordings for the album at London's Maison Rouge studios in March 1997, shortly after his introduction to Guy Chambers. The title track, "Life thru a Lens", was written about his then-girlfriend Jacqueline Hamilton-Smith, who was a socialite. It is often mistakenly attributed to Tara Palmer-Tompkinson, but they did not date until 2006. "Ego a Go Go" was written about Gary Barlow, "South of the Border" discusses Kate Moss, and "Baby Girl Window" was inspired by Samantha Beckinsale and her late father, actor Richard Beckinsale. "One of God's Better People" and "Angels" were inspired by Williams' mother, Jan. Hidden track "Hello, Sir" is a poem that takes a dig at one of Williams' former teachers.[5] Williams reprised part of the poem on the 1 Giant Leap song "My Culture".
John Bush of AllMusic wrote that Life thru a Lens "continually betrays overt influences from Oasis and other Britpop stars",[6], a direction his former Take That bandmate Mark Owen had also chosen to pursue on his first solo album Green Man (1996). The album's music has also been characterised as power pop.[7]
Writing for Melody Maker in October 1997, Robin Bresnark gave Life thru a Lens a negative review, writing: "There's nothing here... sure, Robbie Williams is as fascinating a hapless goon as we're ever likely to come across. But this album feels more like a press release than an album – and that's not what I call music."[5] In a retrospective review, John Bush of AllMusic was very positive, giving it four and a half stars out of five. He called it "one of the best U.K. debuts of the '90s" and "an uninhibited joyride through all manner of British music, from glam to alternative to soft-rock to dance-pop" which "triumphs" due to "gorgeous production, Williams' irresistible personality, and the overall flavor of outrageous, utterly enjoyable pop music". He concluded it was "excellent".[6] Robert Dimery included the album in the book 1001 Albums You Must Hear Before You Die.[7]
Martin C. Strong, writing in The Great Rock Discography, reflected that the general critical consensus on Life Thru a Lens was "that Williams was having the last laugh, beating his former Take That cronies hands down (both Gary Barlow and Mark Owen were taking the solo road with middling success) and winning over a cross section of musical palates with his irrepressible style."[8]Colin Larkin of The Encyclopedia of Popular Music considered it an "excellent" album that eclipsed Barlow's album Open Road, "both musically and critically". Commenting on the album's music and it topping the UK charts 28 weeks after its initial release, Larkin wrote: "Never before had so many pundits and critics been proved so wrong."[14]Rough Guides contributor Jane Holly wrote that Life Thru a Lens showed "a wide mix of styles", from ballads to rockers.[15]
In 2016, Tom Eames of Digital Spy ranked it as Williams' fourth best album, writing that "his partnership with Guy Chambers simply clicked" and although it "might sound dated today, the majority of the album is pure pop/rock joy".[16]
Commercial performance
Life thru a Lens was released in October 1997, not long after Williams's stint in rehab. It was launched with his first live solo gig at the Élysée Montmartre in Paris. At first, the album was slow to take off, debuting at number 11 on the UK Albums Chart, and falling to 104 not long after release, having sold a little over 30,000 copies.[17] It reached the number one position after spending 27 weeks on the chart, as a consequence of the huge success of the "Angels" single, boosting the album's sales to 300,000.[18] The album spent a total of 218 weeks on the chart and two weeks at number one, becoming the 58th best selling album of all time in the UK with sales of 2.4 million copies.[19] Despite its success in Williams' homeland, the album failed to make a bigger impact in the international market, but reached the top ten in Argentina in early 1998. Life thru a Lens has sold more than four million copies worldwide and has been certified as 8× Platinum in the UK.
Singles
"Old Before I Die", a track co-written by Williams, Eric Bazilian, and Desmond Child, was released as the album's lead single in April 1997, peaking at number two on the UK singles chart. The song failed to make an impact in other international charts.
"Lazy Days" was released as the album's second single in the summer of 1997, amidst Williams' battle with addiction. He was allowed to check out from rehab to shoot the video for the song. The single charted at number eight in the UK but, because promotion was nonexistent, struggled to reach the top forty of any other European chart.
"South of the Border" was released as the album's third single in September 1997. It failed to make a significant impact on the UK singles chart, peaking at number 14, and as such, many saw this as the end of Williams' solo career.[20]
"Angels", a song penned by Williams and Guy Chambers, was released as the album's fourth single. The decision to release the song came after Williams met the record company to discuss concerns about his future. The single was released in December 1997, soon becoming Williams' best selling-single in the United Kingdom, being certified 2× Platinum by the BPI.[21] The song became a hit around Europe and Latin America and sold almost two million copies worldwide, rocketing sales of his album.
"Let Me Entertain You" was released as the album's fifth and final single in March 1998. It peaked at number three on the UK singles chart, becoming one of Williams' signature songs and being the opening song for most of Williams' concerts throughout his career.
"Old Before I Die" (Crescent Moon Studios demo, October 1996)
4:03
6.
"Lazy Days" (Tower Studios demo, January 1997)
3:54
7.
"Angels" (Tower Studios demo, January 1997)
4:19
8.
"Red Lights" (Tower Studios demo, January 1997)
2:58
9.
"Average B Side" (Westside Studios demo, February 1997)
3:00
10.
"Teenage Millionaire" (Rehearsal Recordings, Spring 1997)
2:24
11.
"South of the Border" (Rehearsal Recordings, Spring 1997)
4:03
12.
"Killing Me" (Rehearsal Recordings, Spring 1997)
3:56
13.
"Life Thru a Lens" (Rehearsal Recordings, Spring 1997)
3:15
14.
"South of the Border" (Mother's Milkin' It Mix)
7:09
15.
"Let Me Entertain You" (The Bizarro Mix)
5:54
Total length:
70:07
CD4 – Life on the Stage – RW 25th Anniversary
No.
Title
Length
1.
"Let Me Entertain You" (live at the Forum, London, UK/1998)
7:24
2.
"I Wouldn't Normally Do This Kind Of Things" (live at the Forum, London, UK/1998)
3:14
3.
"Clean" (live at the Forum, London, UK/1998)
3:47
4.
"South of the Border" (live at the Forum, London, UK/1998)
4:06
5.
"Average B Side" (live at the Forum, London, UK/1998)
3:21
6.
"Baby Girl Window" (live at the Forum, London, UK/1998)
3:37
7.
"One of God's Better People" (live at the Forum, London, UK/1998)
3:13
8.
"There She Goes" (live at the Forum, London, UK/1998)
2:56
9.
"Killing Me" (live at the Forum, London, UK/1998)
4:06
10.
"Life thru a Lens" (live at the Forum, London, UK/1998)
4:07
11.
"Teenage Millionaire" (live at the Forum, London, UK/1998)
3:51
12.
"Lazy Days" (live at the Forum, London, UK/1998)
6:22
13.
"Ego a Go Go" (live at the Forum, London, UK/1998)
4:41
14.
"Old Before I Die" (live at the Forum, London, UK/1998)
4:51
15.
"Angels" (live at the Forum, London, UK/1998)
4:51
16.
"Back for Good" (live at the Forum, London, UK/1998)
4:09
Total length:
68:46
Notes
1 2 "Hello Sir" is a hidden track on the original compact disc version of the album. It is a spoken word lyric poem addressed to a former schoolteacher.[22]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
1 2 Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN978-0-7893-2074-2.
1 2 Strong, Martin C. (2006). "Robbie Williams". The Great Rock Discography. Edinburgh: Canongate Books. p.1,202. ISBN1-84195-827-1.
↑ Sullivan, Caroline (26 September 1997). "Robbie Williams: Life Thru a Lens (Chrysalis)". The Guardian.
↑ Holly, Jane (1999). "Robbie Williams". In Buckley, Jonathan; Duane, Orla; Ellingham, Mark; Spicer, Al (eds.). The Rough Guide to Rock (2nded.). London: Rough Guides. pp.1, 089–1, 090. ISBN1-85828-457-0.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
