This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Designers | Stewart Wieck, Christopher Earley, Stephan Wieck, Bill Bridges, Sam Chupp, Andrew Greenberg |
---|---|
Publishers | White Wolf Publishing |
Publication |
|
Genres | Modern Mysticism |
Systems | Storyteller System |
Mage: The Ascension is a tabletop role-playing game initially published by White Wolf Publishing on August 19, 1993. It is set in the World of Darkness, and was influenced by the mechanics of another White Wolf Publishing game, Ars Magica.
Following the success of Vampire: The Masquerade , Mage: The Ascension emerged as the second of four games within White Wolf's shared universe. The inaugural edition was launched by White Wolf Publishing at the Gen Con Gaming Convention [1] [2] on August 19, 1993, marking the first chapter of the Mage series. Subsequently, a second edition followed in December 1995, [3] [4] with a revised edition released in March 2000. [5] In 2005, White Wolf Publishing merged with CCP Games, and as a result of company layoffs in October 2011, White Wolf Publishing Creative Director Richard Thomas founded Onyx Path Publishing to continue publishing tabletop role-playing games. [6] [7] Onyx Path Publishing later introduced the 20th Anniversary Edition in September 2015, [8] representing the fourth iteration of Mage: The Ascension.
Powerful mages have existed since the story began, conforming to and influencing the belief systems of their respective societies in teams or small groups. Myths suggest that the precursors of the modern organization of mages initially gathered in Kemet. This period of historical uncertainty also saw the Nephandi and the Marauders rise in the Near East. All of this sets the stage for what the history of the game calls the Mythic Ages.
Until the Late Middle Ages, mages' fortunes waxed and waned along with their native societies. Eventually, mages belonging to the Order of Hermes and the Messianic Voices attained a significant influence over European society. Absorbed by their pursuit of occult power and esoteric knowledge, they often neglected and abused humanity. They were at odds with mainstream religions, envied by noble authorities, and cursed by ordinary folk.
Mages who believed in protoscientific theories banded together under the banner of the Order of Reason, declaring their aim to create a safe world with man as its ruler. They won support by developing the useful arts of manufacturing, economics, wayfaring, and medicine. They also championed many of the values we now associate with the Renaissance. Masses of sleepers embraced the gifts of early Technology and the Science that accompanied them. As the masses' beliefs shifted, the consensus amongst the populace changed, and wizards began to lose their position as their influence waned.
The Order of Reason perceived a safe world as one devoid of heretical beliefs, ungodly practices, and supernatural creatures preying upon humanity. They intended to replace the dominant magical groups with a society of philosopher-scientists as shepherds, protecting and guiding humanity. In response, non-scientific mages banded together to form the Council of Nine Traditions, where mages of all the primary magical paths gathered.
After the turn of the 17th century, the goals of the Order of Reason began to change. As their scientific paradigm unfolded, they decided that the mystical beliefs of ordinary people were not only backward but dangerous; they should be replaced by measurable and predictable physical laws and respect for human genius. They replaced long-held theologies, pantheons, and mystical traditions with "rational thought" and the scientific method.
However, the Order of Reason became less focused on improving the daily lives of sleepers and more concerned with eliminating any resistance. Following a reorganization performed under Queen Victoria in the late 1800s, the Order of Reason began referring to themselves as the Technocracy.
The Technocracy maintains an authoritarian rule over the Sleepers' beliefs, suppressing the Council of Nine's attempts to reintroduce magic.
Finally, between 1997 and 2000, a series of metaplot events destroyed the Council of Nine's Umbral steadings, killing many of their most powerful members. This also cut the technocracy off from their leadership. Both sides called a truce in their struggle to assess their new situation. Chief among these signs was the creation of a barrier between the physical and spiritual worlds.
These changes were introduced in supplements for the game's second edition and became core material in the third edition.
Aside from the common changes introduced by the World of Darkness metaplot, mages dealt with renewed conflict when the hidden Rogue Council and the Technocracy's control encouraged the Traditions and Technocracy to struggle once again. The Rogue Council only made itself known through coded messages, while the surveillance created by the leaders of the Technocracy was to counter it.
This struggle eventually led to the point on the timeline occupied by the book called Ascension . Ascension provided multiple possible endings, with none of them being definitive.
The metaplot of the game involves a four-way struggle between the technological and authoritarian Technocracy, the insane Marauders, the cosmically evil Nephandi, and the nine mystical traditions (that tread the middle path) to which the player characters are assumed to belong. This struggle has in every edition of the game been characterized both as primarily a covert, violent war directly between factions and as an effort to sway the imaginations and beliefs of Sleepers.
The Traditions (formally called the Nine Mystic Traditions) are an alliance of secret societies in Mage. The Traditions exist to unify users of magic under a common banner to protect reality (particularly those parts of reality that are magical) against the growing disbelief of the modern world, the spreading dominance of the Technocracy, and the predations of unstable mages such as Marauders and Nephandi. Each of the Traditions is a largely independent organization unified by a broadly accepted paradigm for practicing magic. Though unified in their desire to keep magic alive, the magic practiced by different Traditions is often wildly different and entirely incompatible.
The nine traditions are:
The Technocracy is likewise divided into groups. Unlike the Traditions, however, they share a single paradigm and instead divide themselves based upon methodologies and areas of expertise.
The technocracy groups are:
Marauders are chaos mages, and like other mages, they appear immune to paradoxical effects, often using vulgar magic to accomplish their insane tasks. Marauders represent the other narrative extreme, the corruption of unrestrained power and unchecked dynamism. Marauders are mages whose Avatars have been warped by their mental instability, and who exist in a state of permanent Quiet. They cannot become Archmages, as they lack sufficient insight and are incapable of appreciating truths that do not suit their madness.
In the revised edition, Marauders were made darker and less coherent, in keeping with the more serious treatment of madness used for Malkavians in Vampire: The Masquerade Revised Edition. In this edition, the Regulars are a cell of the Underground, and like the other cells have highly compatible Quiets.
With the Technocracy representing Stasis and the Marauders acting on behalf of Dynamism, the third part of this trifecta is Entropy, as borne by the Nephandi. The Nephandi are morally inverted and spiritually mutilated. A Nephandus retains a clear moral compass and deliberately pursues actions to worsen the world and bring about its end.
The Technocracy and Traditions have been known to set aside the ongoing war for reality to temporarily join forces to oppose the Nephandi, and the Marauders are known to attack the Nephandi on sight. All Nephandi have experienced the Rebirth, wherein they embrace the antithesis of everything they know to be right, and are physically and spiritually torn apart and reassembled.
The Disparate Alliance is a newly created network of independent Crafts that have chosen to take the matters of the Ascension War into their own hands. During the Age of Information, small mage societies and groups called crafts began reaching out to each other. With no desire to join the Traditions and a general hatred for the Technocracy, they decided to band together.
The five founding crafts are:
They were then joined by five other crafts:
Other Crafts that have been considered for membership include:
The core rules of the game are similar to those in other World of Darkness games; see Storyteller System for an explanation.
Like other storytelling games, Mage emphasizes personal creativity and that ultimately the game's powers and traits should be used to tell a satisfying story. One of Mage's highlights is its system for describing magic, based on spheres, a relatively open-ended 'toolkit' approach to using game mechanics to define the bounds of a given character's magical ability. Different Mages will have differing aptitudes for spheres, and player characters' magical expertise is described by the allocation of points in the spheres.
There are nine known spheres:
Deals with spatial relations, giving the Mage power over space and distances. Correspondence magic allows powers such as teleportation and seeing into distant areas.
This sphere gives the Mage power over order, chaos, fate, and fortune. A mage can sense where elements of chance influence the world and manipulate them to some degree. The only requirement of the Entropy sphere is that all interventions work within the general flow of natural entropy.
Forces concern energies and natural forces and their negative opposites (i.e. light and shadow can both be manipulated independently with this Sphere). Essentially, anything in the material world that can be seen or felt but is not material can be controlled: electricity, gravity, magnetism, friction, heat, motion, fire, etc. This sphere tends to do the most damage and is the most flashy and vulgar.
Life deals with understanding and influencing biological systems. Generally speaking, any material object with mostly living cells falls under the influence of this sphere. This allows the mage to heal herself or metamorphose simple life forms at lower levels, working up to healing others and controlling more complex life at higher levels. Along with Matter and Forces, Life is one of the three "Pattern Spheres".
Dealing with control over one's mind, the reading and influencing of other minds, and a variety of subtler applications such as astral projection and psychometry. At high levels, Mages can create new complete minds or completely rework existing ones.
Matter deals with all inanimate material. Thus, being alive protects an organism from direct manipulation by the Matter sphere. With this Sphere, matter can be reshaped mentally, transmuted into another substance, or given altered properties. Along with Life and Forces, Matter is one of the three "Pattern Spheres".
This sphere deals directly with Quintessence, the raw material of the tapestry, which is the metaphysical structure of reality. This sphere allows Quintessence to be channelled and/or funnelled in any way at higher levels. It is necessary if the mage ever wants to conjure something out of nothing, as opposed to transforming one pattern into another. Uses of Prime include general magic senses, counter-magic, and making magical effects permanent.
This sphere is an eclectic mixture of abilities relating to dealings with the spirit world or Umbra. It includes stepping into the Near Umbra right up to travelling through outer space, contacting and controlling spirits, communing with your own or others' avatars, returning a Mage into a sleeper, returning ghosts to life, creating magical fetish items, and so forth.
This sphere deals with dilating, slowing, stopping, or travelling through time. Due to game mechanics, it is simpler to travel forward in time than backward. Time can be used to install delays into spells, view the past or future, and pull people and objects out of linear progression.
One of the plot hooks that the second edition books put forth was persistent rumours of a "tenth sphere." Though there were hints, it was deliberately left vague. The final book in the series, Ascension, implies that the tenth sphere is the sphere of Ascension. As the book presents alternative resolutions for the Mage line, Chapter Two also presents an alternative interpretation that the tenth sphere is "Judgement" or "Telos" and that Anthelios (the red star in the World of Darkness metaplot) is its planet (each sphere has an associated planet and Umbral realm).
The various spheres sigils are, in whole or in part, symbols taken from alchemical texts. [9] [ unreliable source ] [10]
Adam Tinworth of Arcane gave Mage: The Ascension's second edition a score of 8/10, calling it good for those who like involving and challenging games. He noted that it could be difficult for new players to grasp the entire background and how magic works, and to develop their style of magic, but found the game-play system itself to be easy to understand for newcomers. [13]
Mage: The Ascension was ranked 16th in the 1996 reader poll of Arcane magazine to determine the 50 most popular role-playing games of all time. The magazine's editor, Paul Pettengale commented: "Mage is perfect for those of a philosophical bent. It's a hard game to get right, requiring a great deal of thought from players and referees alike, but its underlying theme – the nature of reality – makes it one of the most interesting and mature roleplaying games available." [14]
Vampire: The Dark Ages is a tabletop role-playing game published by White Wolf Publishing in March 1996. It is a spin-off from Vampire: The Masquerade, also published by White Wolf, which is set in modern times. It was released in a new edition in 2002 as Dark Ages: Vampire, and in 2015 as Vampire Twentieth Anniversary Edition: The Dark Ages.
World of Darkness is a series of tabletop role-playing games, originally created by Mark Rein-Hagen for White Wolf Publishing. It began as an annual line of five games in 1991–1995, with Vampire: The Masquerade, Werewolf: The Apocalypse, Mage: The Ascension, Wraith: The Oblivion, and Changeling: The Dreaming, along with off-shoots based on these. The series ended in 2004, and the reboot Chronicles of Darkness was launched the same year with a new line of games. In 2011, the original series was brought back, and the two have since been published concurrently.
Changeling: The Dreaming is a tabletop role-playing game originally published by White Wolf Publishing in July 1995, and is part of the World of Darkness series. Player characters are changelings, fae souls reborn into human bodies, a practice begun by the fae to protect themselves as magic vanished from the world. White Wolf Publishing released a second edition in 1997, and Onyx Path Publishing released a 20th Anniversary Edition in 2017.
Wraith: The Oblivion is a tabletop role-playing game designed by Mark Rein·Hagen. It is set in the afterlife of White Wolf Publishing's classic World of Darkness setting, in which the players take on characters who are recently dead and are now ghosts.
Time of Judgment is a series of roleplaying game scenario books for the World of Darkness settings of White Wolf Game Studio. These scenarios are presented as the semi-canonical endings of the original World of Darkness, as preparation for the new version of the setting. As the Time of Judgment approaches, vampires cease to exist, werewolves fight their last battle against the Wyrm, and mages face their last test.
Mage: The Awakening is a tabletop role-playing game originally published by White Wolf Publishing on August 29, 2005, and is the third game in their Chronicles of Darkness series. The characters portrayed in this game are individuals able to bend or break the commonly accepted rules of reality to perform subtle or outlandish acts of magic. These characters are broadly referred to as "mages".
Phil "Satyros" Brucato is an American writer, journalist, editor, and game designer based in Seattle, Washington. He is best known for his work on the TV series Strowlers and with White Wolf, Inc., including the role-playing games Mage: The Ascension, Werewolf: The Apocalypse, and Mage: The Sorcerer's Crusade. He has also written articles for BBI Media's newWitch and Witches & Pagans magazines, as well as other media such as Deliria: Faerie Tales for a New Millennium, the urban fantasy webcomic Arpeggio, and various short stories. Additionally, he has founded Quiet Thunder Productions and is a member of the Wily Writers group.
The wizard is one of the standard character class in the Dungeons & Dragons fantasy role-playing game. A wizard uses arcane magic, and is considered less effective in melee combat than other classes.
Mage: The Sorcerers Crusade is a tabletop role-playing game published by White Wolf Publishing in 1998. It is part of the World of Darkness series, and is a spin-off from Mage: The Ascension. Set during the Renaissance, it depicts the beginning of the struggle between "traditionalists" and "technocrats".
Nobles: The Shining Host is a tabletop role-playing game supplement released by White Wolf Publishing in March 1996 for use with their game Changeling: The Dreaming, and is part of the larger World of Darkness series. The book primarily describes the sidhe and other fae nobility, covering their history and giving more depth to the creation of sidhe characters, as well as fae politics in the setting.
The Fragile Path: Testaments of the First Cabal is an epic poem written by Phil Brucato, Laura Perkinson, James A. Moore, Nancy Kilpatrick, Tina Jens, Beth Fischi, and Owl Goingback. It was published by White Wolf Publishing in 1995, and is based on the tabletop role-playing game Mage: The Ascension and the World of Darkness series.
The Book of Crafts is a supplement published by White Wolf Publishing in 1996 for the fantasy role-playing game Mage: The Ascension.
Digital Web is a tabletop role-playing game supplement originally published by White Wolf Publishing in February–April 1994 for their game Mage: The Ascension. A second edition, Digital Web 2.0, followed in October 1998.
Tradition Book: Celestial Chorus is a tabletop role-playing game supplement originally published by White Wolf Publishing in July 1996 for their game Mage: The Ascension.
Le Monde des Ténèbres: France is a tabletop role-playing game supplement published in French by Ludis International in January 1997, for use with the games in White Wolf Publishing's World of Darkness series. It interprets France for the series' gothic-punk setting, and presents information on the region related to vampires, werewolves, mages, wraiths, and changelings, along with story hooks and pre-made characters, and introduces two new types of fae to the series. Ludis International planned to follow it with a book about Paris in June 1997, but this never materialized, and the publisher closed down a year later.
Tradition Book: Cult of Ecstasy is a supplement published by White Wolf Publishing in 1996 for the horror role-playing game Mage: The Ascension.
Beyond the Barriers: The Book of Worlds is a supplement published by White Wolf Publishing in 1996 for the horror role-playing game Mage: The Ascension.
Loom of Fate is an adventure module published by White Wolf Publishing in February 1994, for use with the horror tabletop role-playing game Mage: The Ascension, and is part of the World of Darkness series.