The relatively small limestone Cretan sculpture called the Lady of Auxerre, at the Louvre Museum in Paris depicts an archaic Greek goddess of c. 650 - 625 BCE. It is a Kore ("maiden"), perhaps a votary rather than the maiden Goddess Persephone herself, for her right hand touches her solar plexus and her left remains stiffly at her side. It is also possible that the Kore is a depiction of a deceased individual, possibly in a position of prayer.
A peplos is a body-length garment established as typical attire for women in ancient Greece by c. 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. One side of the peplos could be left open, or pinned or sewn together, with a type of brooch later called "fibula". In Latin and in a Roman context, it could be called a palla.
A plaster cast is a copy made in plaster of another 3-dimensional form. The original from which the cast is taken may be a sculpture, building, a face, a pregnant belly, a fossil or other remains such as fresh or fossilised footprints – particularly in palaeontology.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Kore is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues.
The Acropolis Museum is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. The Acropolis Museum also lies over the ruins of part of Roman and early Byzantine Athens.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The Faculty of Classics, previously the Faculty of Literae Humaniores, is a subdivision of the University of Oxford concerned with the teaching and research of classics. The teaching of classics at Oxford was present since its conception and was at the centre of nearly all its undergraduates' education well into the twentieth century.
The Museum of Classical Archaeology is the teaching collection of the Department of Classics, Archaeology and Ancient History at the University of Adelaide in South Australia.
Gods in Color or Gods in Colour (original title in German: Bunte Götter – Die Farbigkeit antiker Skulptur is a travelling exhibition of varying format and extent that has been shown in multiple cities worldwide. Its subject is ancient polychromy, i.e. the original, brightly painted, appearance of ancient sculpture and architecture.
The Phrasikleia Kore is an Archaic Greek funerary statue by the artist Aristion of Paros, created between 550 and 540 BCE. It was found carefully buried in the ancient city of Myrrhinous in Attica and excavated in 1972. The exceptional preservation of the statue and the intact nature of the polychromy elements makes the Phrasikleia Kore one of the most important works of Archaic art.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Exaltation of the Flower is the modern title given to an early Classical Greek marble fragment of a funerary stele from the 5th century BCE. It was discovered in 1861 by Léon Heuzey and Honoré Daumet at a church in Farsala, Thessaly, Greece. Carved in bas-relief in the severe style, the extant upper fragment of the marble relief stele depicts two women holding what appear to be flowers or other objects. The work is held by the Louvre museum in the Department of Greek, Etruscan, and Roman Antiquities.
The Peplos Kore is an ancient sculpture from the Acropolis of Athens. It is considered one of the best-known examples of Archaic Greek art. Kore is a type of archaic Greek statue that portrays a young woman with a stiff posture looking straight forward. Although this statue is one of the most famous examples of a kore, it is actually not considered a typical one. The statue is not completely straight, her face is leaned slightly to the side, and she is standing with her weight shifted to one leg. The other part of the statue's name, peplos, is based on the popular archaic Greek gown for women. When the statue was found it was initially thought that she was wearing a peplos, although it is now known that she is not.
The Kore of Lyons is a Greek statue of Pentelic marble depicting a bust of a young girl of the kore type, conserved at the musée des beaux-arts de Lyon, France. Deriving from the Athenian Acropolis, it is generally dated to the 540s BC. Considered the centrepiece of the museum's antiquities department, the statue was acquired between 1808 and 1810.
The Varvakeion Athena is a Roman-era statue of Athena Parthenos now part of the collection of the National Archaeological Museum of Athens. It is generally considered to be the most faithful reproduction of the chryselephantine statue made by Phidias and his assistants, which once stood in the Parthenon. It is dated to 200–250 AD.
The Faculty of Classics is one of the constituent departments of the University of Cambridge. It teaches the Classical Tripos. The Faculty is divided into five caucuses ; literature, ancient philosophy, ancient history, Classical art and archaeology, linguistics, and interdisciplinary studies.
Geoffrey B. Waywell was a British archaeologist who served as Professor of Classical Archaeology at King's College London, Director of the Institute of Classical Studies, University of London, and a specialist in Greek and Roman sculpture.
The Nike of Paionios is an ancient statue of the Greek goddess of victory, Nike, made by sculptor Paionios between 425 BC and 420 BC. Made of Parian marble, the medium gives the statue a translucent and pure white look to it. Found in pieces, the statue was restored from many fragments but is lacking face, neck, forearms, part of left leg, toes, and some fragments of drapery. It also had wings. The goddess is shown landing gently on her left foot, with the drapery blown against her body.
Roland Ralph Redfern "Bert" Smith, is a British classicist, archaeologist, and academic, specialising in the art and visual cultures of the ancient Mediterranean. From 1995 to 2022, he was Lincoln Professor of Classical Archaeology and Art at the University of Oxford; now retired, he is an emeritus professor.
