The Hamilton Kerr Institute is a branch of the Fitzwilliam Museum in Cambridgeshire, England, dedicated to the study and conservation of easel paintings. It is also part of the University of Cambridge.
The Hamilton Kerr Institute is a branch of the Fitzwilliam Museum in Cambridgeshire, England, dedicated to the study and conservation of easel paintings. It is also part of the University of Cambridge.
The institute was founded in 1976 through grants from the Baring Foundation, the Esmée Fairbairn Trust, the Gulbenkian Foundation, the Isaac Wolfson Foundation, the Monument Trust, and the Pilgrim Trust, and continues to finance itself through income from its work and its endowment fund. It is housed in a riverside property, donated by Hamilton Kerr, seven miles south of Cambridge in the village of Whittlesford. The premises consist of a mid-eighteenth century house and converted mill buildings, containing offices and a scientific laboratory, restoration studios, studios for panel treatment and the relining of canvases, and studios for photography. In 1980, the institute opened a studio in London. [1]
The following have made donations: [1]
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation.
John Loughborough Pearson was a British Gothic Revival architect renowned for his work on churches and cathedrals. Pearson revived and practised largely the art of vaulting, and acquired in it a proficiency unrivalled in his generation. He worked on at least 210 ecclesiastical buildings in England alone in a career spanning 54 years.
A reredos is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images.
A hammerbeam roof is a decorative, open timber roof truss typical of English Gothic architecture and has been called "...the most spectacular endeavour of the English Medieval carpenter". They are traditionally timber framed, using short beams projecting from the wall on which the rafters land, essentially a tie beam which has the middle cut out. These short beams are called hammer-beams and give this truss its name. A hammerbeam roof can have a single, double or false hammerbeam truss.
Painshill, near Cobham, Surrey, England, is one of the finest remaining examples of an 18th-century English landscape park. It was designed and created between 1738 and 1773 by Charles Hamilton. The original house built in the park by Hamilton has since been demolished.
Thornham Magna is the larger sister village of Thornham Parva on the former estate of Thornham Hall, the Henniker family seat, in Suffolk. It is about 3.5 miles (5.6 km) from Eye and close to the A140 road from Norwich to Ipswich.
Sir John Ninian Comper was a Scottish architect; one of the last of the great Gothic Revival architects.
Hilary was a medieval bishop of Chichester in England. English by birth, he studied canon law and worked in Rome as a papal clerk. During his time there, he became acquainted with a number of ecclesiastics, including the future Pope Adrian IV, and the writer John of Salisbury. In England, he served as a clerk for Henry of Blois, who was the bishop of Winchester and brother of King Stephen of England. After Hilary's unsuccessful nomination to become Archbishop of York, Pope Eugene III compensated him by promoting him to the bishopric of Chichester in 1147.
The Westminster Abbey Museum was located in the 11th-century vaulted undercroft beneath the former monks' dormitory in Westminster Abbey, London, England. This was located in one of the oldest areas of the abbey, dating back almost to the foundation of the Romanesque church by Edward the Confessor in 1065. This space had been used as a museum since 1908.
The Westminster Retable, the oldest known panel painting altarpiece in England, is estimated to have been painted in the 1270s in the circle of Plantagenet court painters, for Westminster Abbey, very probably for the high altar. It is thought to have been donated by Henry III of England as part of his Gothic redesign of the Abbey. The painting survived only because it was incorporated into furniture between the 16th and 19th centuries, and much of it has been damaged beyond restoration. According to one specialist, the "Westminster Retable, for all its wounded condition, is the finest panel painting of its time in Western Europe."
Thornham Parva is a village and civil parish in the Mid Suffolk district of Suffolk in eastern England. Located to the north of sister village Thornham Magna and around five miles south of Diss, in 2005 its population was 50. By the time of the 2011 Census populations of less than 100 were not maintained separately and this village was included in the population of Thornham Magna.
The Cambridge University Catholic Chaplaincy, known as Fisher House after its patron, English martyr and Cambridge chancellor St John Fisher, is the Catholic chaplaincy for members of the University of Cambridge in England. Founded in 1896, since 1924 it has been located on the site of a former inn on Guildhall Street in Cambridge's city centre. The present Chaplain is Fr Paul Keane.
Blackfriars, Thetford was a friary in Norfolk, England, which belonged to the Dominican Order. It was one of several religious houses in Thetford closed at the time of the Dissolution of the Monasteries. The site is now occupied by Thetford Grammar School.
St Mary the Virgin's Church is a redundant Anglican church in the village of Stonham Parva, Suffolk, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is under the care of the Churches Conservation Trust. The church is sited 10 miles (16 km) north of Ipswich, to the west of the A140 road.
The Victorian restoration was the widespread and extensive refurbishment and rebuilding of Church of England churches and cathedrals that took place in England and Wales during the 19th-century reign of Queen Victoria. It was not the same process as is understood today by the term building restoration.
The Nailloux Altarpiece is a retable-type altarpiece made of five alabaster panels carved in high relief. Dedicated to the Passion of Jesus Christ, it is conserved in a chapel of St Martin's Church in Nailloux, in the Haute-Garonne department in southwestern France.
The Buhl Altarpiece is a late 15th-century, Gothic altarpiece of colossal dimensions now kept in the parish church Église Saint-Jean-Baptiste of Buhl in the Haut-Rhin département of France. It was painted by followers of Martin Schongauer, most probably for the convent of the Dominican sisters of Saint Catherine of Colmar, and moved to its present location in the early 19th century. It is classified as a Monument historique by the French Ministry of Culture.
The Crucifix by Cimabue at Arezzo is a large wooden crucifix painted in distemper, with gold leaf, by the Florentine painter and mosaicist Cimabue, dated to c. 1267–71. It is the earliest of two large crucifixes attributed to him. It shows a painted representation of the near dead body of Christ on the cross, with Mary, mother of Jesus and John the Evangelist at either end of the cross beams.
St Mary's Church is a medieval church in Thornham Parva, Suffolk, England. Much of the fabric dates from the 12th century, and it is a Grade I listed building. Originally the church served not only Thornham Parva but the neighbouring village of Thornham Magna, which is now a separate parish.
The Thornham Parva Retable is a medieval altarpiece, now in Thornham Parva, Suffolk, England. The retable is thought to have been created in the 1330s for a Dominican Priory. At 15 feet (4.6 m) long, it is the largest surviving altarpiece from the English Middle Ages.
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