Coyote and Opossum appear in the stories of several tribes.
The indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways.
There is no single mythology of the Indigenous North American peoples, but numerous different canons of traditional narratives associated with religion, ethics and beliefs.[1] Such stories are deeply based in Nature and are rich with the symbolism of seasons, weather, plants, animals, earth, water, fire, sky, and the heavenly bodies. Common elements are the principle of an all-embracing, universal and omniscient Great Spirit, a connection to the Earth and its landscapes, a belief in a parallel world in the sky (sometimes also underground and/or below the water), diverse creation narratives, visits to the 'land of the dead', and collective memories of ancient sacred ancestors.
A characteristic of many of the myths is the close relationship between human beings and animals (including birds and reptiles). They often feature shape-shifting between animal and the human form. Marriage between people and different species (particularly bears) is a common theme. In some stories, animals foster human children.
Although most Native North American myths are profound and serious, some use light-hearted humor – often in the form of tricksters – to entertain, as they subtly convey important spiritual and moral messages. The use of allegory is common, exploring issues ranging from love and friendship to domestic violence and mental illness.
Some myths are connected to traditional religious rituals involving dance, music, songs, and trance (e.g. the sun dance).
Most of the myths from this region were first transcribed by ethnologists during the late 19th and early 20th centuries. These sources were collected from Native American elders who still had strong connections to the traditions of their ancestors. They may be considered the most authentic surviving records of the ancient stories, and thus form the basis of the descriptions below.[2][bettersourceneeded]
Northeast (Southeastern Canada and Northeastern US, including the Great Lakes)
From the full moon fell Nokomis– from The Story of Hiawatha, 1910
Myths from this region feature female deities, such as the creator, Big Turtle;[4][5] and First Mother, from whose body grew the first corn and tobacco.[6] The two great divine culture heroes are Glooskap[7][8] and Manabus.[9]
Other stories explore the complex relationships between animals and human beings. Some myths were originally recited as verse narratives.[7]
Anishinaabe traditional beliefs - The Anishinaabeg peoples (Algonquin/Nipissing, Ojibwa/Chippewa/Saulteaux/Mississaugas, Odawa, Potawatomi and Oji-Cree)
Ho-Chunk mythology - A North American tribe located in now eastern Wisconsin.
Iroquois mythology - A confederacy of tribes located in the New York state area.
Seneca mythology - A North American tribe located south of Lake Ontario.
Wyandot religion - A North American tribe located around the northern shore of Lake Ontario.
Great Plains
Stories unique to the Great Plains feature buffalo, which provided the Plains peoples with food, clothing, housing and utensils. In some myths they are benign, in others fearsome and malevolent.[10] The Sun is an important deity;[11][12] other supernatural characters include Morning Star[11][6][12] and the Thunderbirds.[13][10][14]
A common theme is the making of a journey, often to a supernatural place across the landscape or up to the parallel world in the sky.[11][15]
One of the most dominant trickster stories of the Plains is Old Man, about whom numerous humorous stories are told.[16][11] The Old Man, known as Waziya, lived beneath the earth with his wife, and they had a daughter. Their daughter married the wind and had four sons: North, East, South, and West. The sun, moon and winds then ruled the universe together.[17]
An important supernatural hero is the Blood Clot Boy, transformed from a clot of blood.[18][19]
Important myths of this region deal with the origin of hunting and farming,[20][21] and the origin of sickness and medicine.[21]
An important practice of this region was animism, the belief that all objects, places, and creatures have a soul.[22] Most death, disease, or misfortune would be associated with the failure to put the soul of a slain animal to rest. When this happens, the animal could get vengeance through their "species chief". Large amounts of rare materials found with this regions dead suggest strong evidence that they believed in a sort of afterlife. It is thought that when a member of a tribe died, their soul would hover over their communities, trying to get their friends and relatives to join them, so their funeral ceremonies were not just to commemorate the dead, but to protect the living.
The Green Corn ceremony, also known as Busk, was an annual celebration of a successful corn crop. Their fires were put out and rekindled, grudges are forgiven, and materials are thrown out or broken to then be replaced. It was essentially a renewing of life and community for these tribes.[22][23]
Cherokee Myth of Creation
There was a time when there was no earth, and all creatures lived in a place above the sky called Galvlo’i. Everything below was only water, but when Galvlo’i got too crowded, the creatures decided to send down Water Beetle to see if he could find them a new place to live. He obliged and dove down into the water, all the way to the bottom of the sea, where he picked up a bit of mud and brought it to the surface. Once above the water, the mud spread out in all directions and became an island.[22] The Great Spirit secured the island by attaching cords to it and tying it to the vault in the sky.
Though the land was now stable, the ground was too soft for any of the animals to stand on, so they sent down Buzzard to scope it out. He flew around for some time until he could find a dry enough spot to land, and when he did the flapping of his wings caused the mud to shift. It went down in some places and up in others, creating the peaks, valleys, hills, and mountains of the earth. The rest of the creatures were now able to come down, but they soon realized it was very dark, so they invited the sun to come with them. Everyone was happy except Crawfish, who said his shell turned a bright red because the sun was too close, so they raised the sun seven different times until Crawfish was satisfied.
The Great Spirit then created plants for this new land, after which he told the animals to stay awake for seven days. Only Owl was able to do so, and as a reward, the Great Spirit gave him the gift of sight in the dark. The plants tried as well, but only the pines, furs, holly, and a select few others were able to stay awake, so he gave them the gift of keeping their leaves year-round. Great Spirit then decided he wanted to have people live on this island, so he created one man and one woman. The pair did not yet know how to make children, so the man took a fish and pressed it against the woman's stomach, after which she gave birth. They did this for seven days until Great Spirit felt there was enough humans for the time being, and made it so a woman could only give birth once a year.[24]
See also:
Cherokee mythology–A North American tribe that migrated from the great lakes area to the southeastern woodlands.
Choctaw mythology–A North American tribe from the area of modern-day Alabama, Florida, Mississippi and Louisiana.
Creek mythology–A North American tribe from the area of modern-day Georgia and Alabama.
Caribbean US
Taíno mythology–This mythology and philosophy expresses the spiritual beliefs of the maritime Maipurean island settlers from the Amazon and/or Arawakan group of peoples. Their lineage and mythologies include having a creator deity as well as endless cyclical spontaneous birth. Immigrating from North East South America, their stories include gods and deity veneration as well as a view beyond that. Some of the philosophies include a concept of reality as illusion; and also that this world is a dream. Some petroglyphs on the islands include references interpreted to suggest galactic or alien life. Today's members of the community have established several views of mythology; some indicating ancestor veneration while others focus on deity and spirit veneration. The belief sets indicate the lineage rather than pointing to one absolute truth. A commonality between lineages includes honoring ancestors through cemi/zemi stones; spiritual homes of the lineage, as well as respecting sun and moon spirits. Weather spirits and spirits of the honored dead are also respectfully acknowledged.
California and Great Basin
Myths of this region are dominated by the sacred creator/trickster Coyote. Other significant characters include the Sun People,[25] the Star Women[26] and Darkness.[27]
A few of the most distinctive ceremonies of this region were their funeral customs and their commemoration of the dead. When a death occurred, the house in which it happened would be burnt down, and there would sometimes be bans on speaking the name of the dead. Widows would be smeared with pitch and their hair would be cut until the annual mourning releases them. This mourning came to be known as the "burning", the "cry", or the "dance of the dead". During these ceremonies, multiple properties are burned while the tribe dances, chants, and wails, in order to appease the ghosts.[28]
Another common ceremony is one that takes place when adolescents hit puberty. Girls go through a series of grueling tabus when her first period starts but is followed by a celebratory dance when it ends. Boys will undergo an official initiation into the tribe by participating in ceremonies that recount the tribes' mysteries and myths.[28][29]
Pomo religion–a North American tribe in Northern California.
Southwest
Myths of the Navajo, Apache, and Pueblo peoples tell how the first human beings emerged from an underworld to the Earth. According to the Hopi Pueblo people, the first beings were the Sun, two goddesses known as Hard Being Woman (Huruing Wuhti)[30] and Spider Woman.[30][31] It was the goddesses who created living creatures and human beings. Other themes include the origin of tobacco and corn,[32] and horses;[31] and a battle between summer and winter. Some stories describe parallel worlds in the sky[33] and underwater.[33] these peoples went on to kill each other due to Zuni tales.
Multi-sensory experiences also are prominent in Ancestral Pueblo ceremonial rituals; for example, to evoke a paradisiacal realm, Chacoan people would perform sensorial ceremonies by use of exotic artifacts such as turquoise, shell, cacao, copper bells, and macaws.[34]
Myths of the Plateau region express the people's intense spiritual feeling for their landscapes and emphasize the importance of treating with respect the animals that they depend upon for food.[35][36] Sacred tricksters here include Coyote[37] and Fox.[38]
Arctic (coastal Alaska, northern Canada, and Greenland)
The myths of this region are strongly set in the landscape of tundra, snow, and ice. Memorable stories feature the winds, the moon, and the giants. Some accounts say that Anguta is the supreme being, who created the Earth, sea and heavenly bodies. His daughter, Sedna created all living things – animals and plants. She is regarded also as the protecting divinity of the Inuit.[39]
Subarctic (inland northern Canada and Alaska)
Here some myths reflect the extreme climate[40] and the people's dependence on salmon as a major food resource.[41] In imagination, the landscape is populated by both benign and malevolent giants.[42]
Northwest
In this region, the dominant sacred trickster is Raven, who brought daylight to the world[43] and appears in many other stories. Myths explore the people's relationship with the coast and the rivers along which they traditionally built their towns. There are stories of visits to parallel worlds beneath the sea.[44] and up in the sky[45]
The Aztecs, who predominantly inhabited modern-day central Mexico, had a complex system of beliefs based on deities who directly affected the lives of humans, including those who controlled rain, the rising Sun, and fertility. Voluntary human sacrifice was a central piece to the order of the universe and human survival.
The Aztecs viewed people as servants and warriors of the gods, whom were not merciful or generous, but all-powerful beings that needed to be fed and appeased in order to avoid disaster and punishment.[46] Thus, the concept of human sacrifice emerged. This practice was not new and had been used in other cultures such as the Mayans, but the Aztecs made this their main event, so to speak, in their ceremonies. These sacrifices were mainly to appease the sun god.
Creation Myth
According to the Aztecs, the creation of the earth started with a god called Ometeotl, otherwise known as the dual god, as they were made from the union of Tonacatecuhtli and Tonacacihuatl, whom the Aztecs believed were the lord and lady of their sustenance. Tonacatecuhtli and Tonacacihuatl had four children: Xipe Totec, which translates to "the flayed god" in Nahuatl, is associated with the color red. He is the god of the seasons and all things that grow on the earth. Tezcatlipoca, which translates to "smoking mirror", is associated with the color black. He is the god of the earth and the most powerful of the four children. Quetzalcoatl, which translates to "plumed serpent", is associated with the color white. He is the god of air. Finally, Huitzilopochtli, which translates to "hummingbird of the south", is associated with the color blue. He is the god of war.[47]
Quetzalcoatl (The Plumed Serpent), the god of the air. And Tezcatlipoca (Smoking Mirror), the god of the earth.
The four children decided they wanted to create a world with people to live in it. Quetzalcoatl and Huitzilopochtli made the first attempt, starting by making fire. This fire became the sun, but only half a sun, because it was not big or bright enough to light their entire world. They then made the first man and woman, which they called Cipactonal and Oxomoco respectively. Their many children were called macehuales, and were to be the farmers of the land. From there they created time, and then the underworld known as There are many stories of how the age of the fifth and final sun came to be. One story tells of how Tezcatlipoca took flint and used it to make fires to light the world again, before discussing with his brothers what should be done. They decided to make a new sun that feeds on the hearts and blood of humans. To feed it, they made four hundred men and five women. This is where the story goes into different directions. Some say that both Quetzalcoatl and Tlaloc wanted their sons to become the new sun, so they each threw their sons into one of the fires created by Tezcatlipoca. Tlaloc waited for the fire to burn out before throwing his son into the embers, so his son became the moon. Quetzalcoatl elected to throw his son directly into the fiery blaze, so he became the fifth and final sun that we see in the sky today.[47] Another story tells of the gathering of the gods at the ancient city of Teotihuacan, to discuss how to make a new sun. A god by the name of Nanahuatzin, god of disease, offered to throw himself into the fire and become the new sun. Being a weak and sickly god, the others thought he should not be the one to do it, and that a stronger and more powerful god should be the sun. Tecuciztecatl, a very wealthy god, stepped forward and said he would do it, but was not able to find the courage to jump into the flames. Nanahuatzin, with little hesitation, then threw himself into the fire. Seeing his bravery, Tecuciztecatl decided to jump in too. They were both transformed into suns, but the light was now too bright to see anything, so one of the other gods threw a rabbit at Tecuciztecatl, dimming his light and turning him into the moon. Nanahuatzin, now the new sun, was essentially reborn as Ollin Tonatiuh. The problem they now had was that he would not move from his position in the sky unless the other gods sacrificed their blood for him.[46][47] So a god by the name of Tlahuizcalpantecuhtli, lord of dawn, threw a dart at Tonatiuh, but missed. Tonatiuh then threw one back at Tlahuizcalpantecuhtli, hitting him in the head and turning him into Itzlacoliuhqui, god of coldness, frost, and obsidian. Realizing that they could not refuse, the other gods offered their bare chests to him, and Quetzalcoatl cut out their hearts with a sacrificial knife. With the blood of the gods, Tonatiuh began to move across the sky in the same pattern that we see to this day. Quetzalcoatl took the clothing and ornaments of the sacrificed gods and wrapped them in bundles, which the people then worshipped.
Central America
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Brazilian mythology–the subset of Brazilian folklore with cultural elements of diverse origin found in Brazil, comprising folk tales, traditions, characters and beliefs regarding places, peoples, and entities.
A creation myth is a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truths – metaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who were to become the Aztecs arrived from the north into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves," or at Tamoanchan.
In Aztec mythology, Xolotl was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. The Axolotl is named after him.
In Aztec mythology, Huitzilopochtli is the deity of war, sun, human sacrifice, and the patron of the city of Tenochtitlan. He was also the tribal god of the Mexicas, also known as the Aztecs, of Tenochtitlan. Many in the pantheon of deities of the Aztecs were inclined to have a fondness for a particular aspect of warfare. However, Huitzilopochtli was known as the primary god of war in ancient Mexico. Since he was the patron god of the Mexica, he was credited with both the victories and defeats that the Mexica people had on the battlefield. The people had to make sacrifices to him to protect the Aztec from infinite night. He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire.
In Aztec mythology, the god Nanahuatzin or Nanahuatl, the most humble of the gods, sacrificed himself in fire so that he would continue to shine on Earth as the Sun, thus becoming the sun god. Nanahuatzin means "full of sores." According to a translation of the Histoyre du Mechique, Nanahuatzin is the son of Itzpapalotl and Cuzcamiahu or Tonan, but was adopted by Piltzintecuhtli and Xōchiquetzal. In the Codex Borgia, Nanahuatzin is represented as a man emerging from a fire. This was originally interpreted as an illustration of cannibalism. He is probably an aspect of Xolotl.
In Aztec mythology, the Centzonmīmixcōah are the gods of the northern stars. They are sons of Camaxtle-Mixcoatl with the Earth Goddess, according to the Codex Ramírez, or Tonatiuh with Chalchiuhtlicue, the goddess of the seas.
In the context of creation myths, the term Five Suns describes the doctrine of the Aztec and other Nahua peoples in which the present world was preceded by four other cycles of creation and destruction. It is primarily derived from the mythological, cosmological and eschatological beliefs and traditions of earlier cultures from central Mexico and the Mesoamerican region in general, and fits into a broader category of Fifth World mythologies. The Late Postclassic Aztec society inherited many traditions concerning Mesoamerican creation accounts, while modifying some aspects and supplying novel interpretations of their own. In the creation myths which were known to the Aztec and other Nahua peoples of the Late Postclassic era, the central tenet was that there had been four worlds, or "Suns," before the present universe. These earlier worlds and their inhabitants had been created, then destroyed by the catastrophic action of leading deity figures. The present world is the fifth sun, and the Aztec saw themselves as "the People of the Sun," whose divine duty was to wage cosmic war in order to provide the sun with his tlaxcaltiliztli ("nourishment"). Without it, the sun would disappear from the heavens. Thus the welfare and the very survival of the universe depended upon the offerings of blood and hearts to the sun.
Philippine mythology is the body of stories and epics originating from, and part of, the indigenous Philippine folk religions, which include various ethnic faiths distinct from one another. Philippine mythology is incorporated from various sources, having similarities with Indonesian and Malay myths, as well as Hindu, Muslim, Shinto, Buddhist, and Christian traditions, such as the notion of heaven, hell, and the human soul. Philippine mythology attempts to explain the nature of the world through the lives and actions of heroes, deities, and mythological creatures. The majority of these myths were passed on through oral tradition, and preserved through the aid of community spiritual leaders or shamans and community elders.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
The Fifth World in the context of creation myths describes the present world as interpreted by several indigenous groups in the USA and Central America. The central theme of the myth holds that there were four other cycles of creation and destruction that preceded the Fifth World. The creation story is taken largely from the mythological, cosmological, and eschatological beliefs and traditions of earlier Mesoamerican cultures.
Coyote is a mythological character common to many cultures of the Indigenous peoples of North America, based on the coyote animal. This character is usually male and is generally anthropomorphic, although he may have some coyote-like physical features such as fur, pointed ears, yellow eyes, a tail and blunt claws. The myths and legends which include Coyote vary widely from culture to culture.
Snakes are a common occurrence in myths for a multitude of cultures. The Hopi people of North America viewed snakes as symbols of healing, transformation, and fertility. In other cultures snakes symbolized the umbilical cord, joining all humans to Mother Earth. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staff, as in ancient Crete—and they were worshipped as guardians of her mysteries of birth and regeneration. Although not entirely a snake, the plumed serpent, Quetzalcoatl, in Mesoamerican culture, particularly Mayan and Aztec, held a multitude of roles as a deity. He was viewed as a twin entity which embodied that of god and man and equally man and serpent, yet was closely associated with fertility. In ancient Aztec mythology, Quetzalcoatl was the son of the fertility earth goddess, Cihuacoatl, and cloud serpent and hunting god, Mixcoatl. His roles took the form of everything from bringer of morning winds and bright daylight for healthy crops, to a sea god capable of bringing on great floods. Where there are images of the sky serpent with its tail in its mouth, it is believed to be a reverence to the sun, for which Quetzalcoatl was also closely linked.
The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies.
There have been many accounts of the origin of language in the world's mythologies and other stories pertaining to the origin of language, the development of language and the reasons behind the diversity in languages today.
The mythology of the Miwok Native Americans are myths of their world order, their creation stories and 'how things came to be' created. Miwok myths suggest their spiritual and philosophical world view. In several different creation stories collected from Miwok people, Coyote was seen as their ancestor and creator god, sometimes with the help of other animals, forming the earth and making people out of humble materials like feathers or twigs.
In Mesoamerican culture, Tonatiuh was an Aztec sun deity of the daytime sky and ruled the cardinal direction of east. According to Aztec Mythology, Tonatiuh was known as "The Fifth Sun" and was given a calendar name of naui olin, which means "4 Movement". Represented as a fierce and warlike god, he is first seen in Early Postclassic art of the Pre-Columbian civilization known as the Toltec. Tonatiuh's symbolic association with the eagle alludes to the Aztec belief of his journey as the present sun, travelling across the sky each day, where he descended in the west and ascended in the east. It was thought that his journey was sustained by the daily sacrifice of humans. His Nahuatl name can also be translated to "He Who Goes Forth Shining" or "He Who Makes The Day." Tonatiuh was thought to be the central deity on the Aztec calendar stone but is no longer identified as such. In Toltec culture, Tonatiuh is often associated with Quetzalcoatl in his manifestation as the morning star aspect of the planet Venus.
Quetzalcoatl is a deity in Aztec culture and literature whose name comes from the Nahuatl language and means "Precious serpent" or "Quetzal-feathered Serpent". In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers', but in the allegorical sense, 'wisest of men'."
Mesoamerican religion is a group of indigenous religions of Mesoamerica that were prevalent in the pre-Columbian era. Two of the most widely known examples of Mesoamerican religion are the Aztec religion and the Mayan religion.
Cē Ācatl Topiltzin Quetzalcoatl is a mythologised figure appearing in 16th-century accounts of Nahua historical traditions, where he is identified as a ruler in the 10th century of the Toltecs— by Aztec tradition their predecessors who had political control of the Valley of Mexico and surrounding region several centuries before the Aztecs themselves settled there.
The Heroes Twins are recurring characters from the mythologies of the indigenous peoples of the Americas. The specifics of each myth vary from tribe to tribe, but each story has a pair of twins who were born when their pregnant mother was killed by the tale's antagonist. Twins were considered unnatural in many cultures of this region, with beliefs about them having supernatural abilities.
↑ Thwaites, Reuben Gold (ed.): The Jesuit Relations and Allied Documents, Travels and Explorations of the Jesuit Missionaries in New France 1610 - 1791. Hurons, Vol. X, 1636 and Vol. XII, Quebec1637 (Cleveland: The Burrows Brothers Company, 1898). pp.What the Hurons Think of their Origin.
↑ Clayton, Matt (2019). Native American Mythology: Captivating Myths of Indigenous Peoples from North America. Independently Published. pp.6–7. ISBN9781696130752.
↑ Barrett, S. A.: A Composite Myth of the Pomo Indians (Journal of American Folklore, 1906).
↑ Merriam, C. Hart: The Dawn of the World: Myths and Weird Tales Told by the Mewan (Miwok) Indians of California (Cleveland: Arthur H. Clarke Co., 1910).
↑ Dixon, Roland B.: Achomawi and Atsugewi Tales (Journal of American Folklore, 1908 and1909).
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