NYC Ghosts & Flowers | ||||
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Studio album by | ||||
Released | May 16, 2000 | |||
Recorded | August 1999 – February 2000 | |||
Genre | ||||
Length | 42:18 | |||
Label | DGC | |||
Producer |
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Sonic Youth chronology | ||||
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NYC Ghosts & Flowers is the eleventh studio album by American rock band Sonic Youth, released on May 16, 2000, by DGC Records. The highly experimental album is considered to be a reaction to the theft of the band's instruments in July 1999, when several irreplaceable guitars and effects pedals were stolen. NYC Ghosts & Flowers was the first album since Bad Moon Rising in which the band used prepared guitar.
As a result of the theft, the members of Sonic Youth relied upon "old guitars in their studio, unearthing instruments they hadn't used in years" which "along with equipment purchased to fulfill the remaining [...] dates [of the tour], would serve as the foundation for six new songs written over the next month", in addition to "Free City Rhymes" and "Renegade Princess", which were written prior to the tour. The band members later acknowledged that "the gear theft was somewhat of a blessing, if [also] a rather unwelcome and unpleasant one, in that it truly forced them to 'start over' and approach creating music with brand new boundaries". [1]
NYC Ghosts & Flowers was released on May 16, 2000, by record label DGC. [1]
A music video was released for the track "Nevermind (What Was It Anyway)". According to the band's official website, it was a proposed single that "never actually found its way into stores." [1]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 66/100 [2] |
Review scores | |
Source | Rating |
AllMusic | [3] |
Alternative Press | 3/5 [4] |
Blender | [5] |
Entertainment Weekly | B [6] |
The Guardian | [7] |
NME | 8/10 [8] |
Pitchfork | 0.0/10 [9] |
Rolling Stone | [10] |
Spin | 8/10 [11] |
The Village Voice | A [12] |
NYC Ghosts & Flowers received an approval rating of 66 out of 100 on review aggregator website Metacritic, signifying "generally favorable reviews". [2] In a positive review for the Chicago Tribune , Greg Kot said "though Sonic Youth flirted with alternative-rock songcraft in the early '90s, these noise-rock renegades are once again happily viewing their guitars as hunks of wood, wire and infinite possibility." He went on to write, "No rock band makes the avant-garde sound quite this tactile and sensual." [13] Salon.com also gave the album a positive review and stated, "Even while there isn't a single song here that holds together from beginning to end, even as the music makes only itself felt in halting jigsaw fashion... the album has a gloomy, unaccommodating tenacity that's hard to shake." [14] Mojo stated that "in the end, it's surprisingly worth it for the few great, strange tracks." [2] In Spin , Douglas Wolk hailed it as Sonic Youth's "artiest, most texturally spectacular album" yet, writing that it "fashions a link between the free-jazz of the New York Art Quartet and the psychotic spasms of 1978's no wave grail, No New York ." [11] In NME 's opinion, the album "burns with such a sense of direction and focus" that revealed the group to still be "a vital creative force" in music. [8]
According to Robert Christgau, NYC Ghosts & Flowers proved to be Sonic Youth's "dud by acclamation" among critics; he himself had given it a positive review in The Village Voice but later said the record's "meanderings", which had "captivated me in their ambiently environmental way, never fully reconnected" on later listens. [15] Select wrote that "the songs suffer from a lazy approach and the relentless repetition of unengaging chord patterns." [2] Billboard believed the record "either encapsulates Sonic Youth's most endearing or annoying qualities, depending on how one feels about the band and the spoken-word poetics from Kim Gordon." [16] Brent DiCrescenzo's review for Pitchfork was far more critical and assigned the album a score of 0.0 out of 10, with the critic panning it as "an unfathomable album which will be heard in the squash courts and open mic nights of deepest Hell." Commenting on the album's avant-garde roots, he said, "These are not new ideas. These are ideas that were arrogant and unlistenable upon birth thirty years ago." [9] DiCrescenzo later reevaluated his opinion of the album and, in 2013, remarked on the higher esteem with which he now held it: "I now love the record. It's unlike anything else; eerie and beautiful. [...] No, the lesson here is: beware the opinions of a kid right out of college." He also described Pitchfork's decimal scale as "knowingly silly" and "arbitrary". [17]
All tracks are written by Sonic Youth (Thurston Moore, Kim Gordon, Lee Ranaldo, Steve Shelley)
No. | Title | Lyrics | Vocals | Length |
---|---|---|---|---|
1. | "Free City Rhymes" | Moore | Moore | 7:32 |
2. | "Renegade Princess" | Moore | Moore, Gordon, Ranaldo | 5:49 |
3. | "Nevermind (What Was It Anyway)" | Gordon | Gordon | 5:37 |
4. | "Small Flowers Crack Concrete" | Moore | Moore, Gordon, Ranaldo | 5:12 |
5. | "Side2Side" | Gordon | Gordon | 3:34 |
6. | "StreamXSonik Subway" | Moore | Moore | 2:51 |
7. | "NYC Ghosts & Flowers" | Ranaldo | Ranaldo | 7:52 |
8. | "Lightnin'" | Gordon | Gordon | 3:51 |
Total length: | 42:18 |
Note: For the vinyl version, "Renegade Princess" was moved to track 6, and "Side2Side" & "StreamXSonik Subway" were swapped in order.
Sonic Youth
Additional personnel
Technical
Chart (2000) | Peak position |
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French Albums (SNEP) [18] | 61 |
Norwegian Albums (VG-lista) [19] | 37 |
UK Albums (OCC) [20] | 113 |
UK Rock & Metal Albums (OCC) [21] | 8 |
US Billboard 200 [22] | 172 |
Sonic Youth was an American rock band formed in New York City in 1981. Founding members Kim Gordon, Thurston Moore and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth, released on October 18, 1988. The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released by Enigma Records as a double album.
Experimental Jet Set, Trash and No Star is the eighth studio album by American experimental rock band Sonic Youth, released on May 10, 1994, by DGC Records. It was produced by Butch Vig and recorded at Sear Sound studio in New York City, the same studio where the band's 1987 album Sister was recorded. Unlike its predecessor Dirty, Experimental Jet Set features a more low-key approach and references the band's earlier work on the independent record label SST Records. The album contains quieter and more relaxed songs that deal with personal and political topics.
Psychic Hearts is the debut solo studio album by former Sonic Youth member Thurston Moore, released in 1995 through Geffen Records. The album was remastered and reissued in 2006. The two-record vinyl version of the reissue contains bonus tracks on the fourth album side where on the original vinyl release the fourth side had a drawing by cover artist Rita Ackermann etched directly into the vinyl.
A Thousand Leaves is the tenth studio album by American rock band Sonic Youth, released on CD and cassette on May 12, 1998, by DGC Records. A double-LP vinyl issue had been released three weeks earlier, on April 21, 1998, by My So Called Records. It was the band's first album recorded at their own studio in Lower Manhattan, which was built with the money they had made at the 1995 Lollapalooza festival. Since the band had an unlimited amount of time to work in their studio, the album features numerous lengthy and improvisational tracks that were developed unevenly. The highly experimental extended plays Anagrama, Slaapkamers met slagroom, and Invito al ĉielo were recorded simultaneously with the album.
Sonic Nurse is the thirteenth studio album by American rock band Sonic Youth, released on June 8, 2004, by Geffen Records.
"Flower" is a song by American alternative rock band Sonic Youth. It was originally released as a 12" single in 1985 by UK record label Blast First, with "Satan Is Boring" as the B-side. This version was quickly withdrawn at the band's request. In January 1986, Blast First and the band's American label, Homestead Records, both released "Flower" as a 12" backed by "Halloween"; the first run of the UK edition was on yellow/orange vinyl. Blast First also issued the song as a 7" single in edited form, retitled "Flower ", with a backwards version, "Rewolf ", on the flipside.
Sister is the fourth studio album by American alternative rock band Sonic Youth, released on SST Records on June 1. 1987. The album continued the band's move away from the no wave movement towards more traditional alternative rock song structures, while maintaining an experimental approach.
Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995, by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee, and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than its predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any of Sonic Youth's studio albums.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
Confusion Is Sex is the debut studio album by American noise rock band Sonic Youth. It was released in 1983 by Neutral Records. It has been referred to as an important example of the no wave genre. AllMusic called it "lo-fi to the point of tonal drabness, as the instruments seem to ring out in only one tone, that of screechy noise".
EVOL is the third full-length studio album by the American alternative rock band Sonic Youth. Released in May 1986, EVOL was Sonic Youth’s first album on SST Records, and also the first album to feature then-new drummer Steve Shelley who had just replaced Bob Bert.
SYR4: Goodbye 20th Century is an album by American alternative rock band Sonic Youth. It is a double album of versions of pieces by avant-garde composers, performed by Sonic Youth and collaborators.
Murray Street is the twelfth studio album by American rock band Sonic Youth, released on June 25, 2002, by DGC Records. Murray Street is the first album by the band to feature Jim O'Rourke as an official fifth member to bolster the group's sound.
SYR2: Slaapkamers met slagroom is an EP by American alternative rock band Sonic Youth. It was released on 12" vinyl on September 2, 1997, and was the second in a series of experimental and mostly instrumental releases issued on the band's own SYR label.
Master-Dik is the third EP by American alternative rock band Sonic Youth. It was released on November 4, 1987, in the United States by record label SST, and on January 22, 1988, in the United Kingdom by label Blast First.
Bad Moon Rising is the second studio album by American rock band Sonic Youth, released on March 29, 1985, by Blast First and Homestead Records. The album is loosely themed around the dark side of America, including references to obsession, insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans.
The Eternal is the fifteenth and final studio album by American alternative rock band Sonic Youth, released on June 9, 2009, by Matador Records, their first and only on that label. It was their first studio album in three years, making it the band's longest delay between studio albums.
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records. For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works, exploring themes of female empowerment and pop culture. Coming off the success of Daydream Nation, Nick Sansano returned to engineer Goo, but veteran producer Ron Saint Germain was chosen by Sonic Youth to finish mixing the album following Sansano's dismissal.
Between the Times and the Tides is the ninth studio album by the American alternative rock musician Lee Ranaldo, released on March 20, 2012 on Matador Records. His first release on Matador Records and since Sonic Youth's indefinite hiatus, the album features a more straightforward songwriting approach to his prior material and includes guest musicians such as Nels Cline, John Medeski and Leah Singer. The album was originally intended to be a minimalist acoustic album but its sound was developed by Ranaldo during its recording at Echo Canyon West in Hoboken, New Jersey during a seven-month period in early 2011.