Nobody Else but Me | ||||
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Studio album by | ||||
Released | September 27, 1994 | |||
Recorded | March 4, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Length | 54:13 | |||
Label | Verve 314 521 660-2 | |||
Producer | Creed Taylor | |||
Stan Getz chronology | ||||
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Nobody Else but Me is a studio album by American saxophonist Stan Getz, recorded in 1964 but not released until 1994, because of "the enormous success of Getz's Brazilian music" [1] at the time.
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Stanley Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he popularized bossa nova in the United States with the hit single "The Girl from Ipanema" (1964).
Gary Burton is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music.
Getz/Gilberto #2 is a live album by Stan Getz and João Gilberto, released in 1966. It was recorded at a live concert at Carnegie Hall in October 1964. The previous album Getz/Gilberto won the 1965 Grammy Awards for Best Album of the Year and Best Jazz Instrumental Album - Individual or Group amongst others. The painting on the cover is by Olga Albizu.
The Steamer is an album by saxophonist Stan Getz, recorded in 1956 and first released on the Verve label.
Eugene Valentino Cherico was an American jazz double-bassist.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Bob Brookmeyer and Friends is a 1964 jazz album released on Columbia Records by valve trombonist Bob Brookmeyer and featuring tenor saxophonist Stan Getz.
Stan Getz & Bill Evans is an album by jazz saxophonist Stan Getz and pianist Bill Evans recorded in 1964 for the Verve label, but not released until 1973.
The Last Waltz: The Final Recordings is an 8-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded during a nine night residency at Keystone Korner in San Francisco in 1980 and released on the Milestone label in 2000. Additional recordings from this concert series were released as Consecration: The Final Recordings Part 2 released in 2002.
Prezervation is a compilation album by saxophone player Stan Getz and pianist Al Haig. It was released in January 1968 and includes performances recorded between 1949 and 1950. The album features both instrumental and vocal pieces. Whilst the first eight pieces had been available on LP before, tracks 9-12 were unissued at the time of the album's release and don't feature Getz playing. Prezervation also includes the rarities "Stardust" and "Goodnight My Love", whose masters had been thought lost until being rediscovered by Don Schlitten shortly before the album's release.
Getz Au Go Go is a live album by American saxophonist Stan Getz and his quartet, featuring bossa nova singer Astrud Gilberto. It was recorded during two concerts in 1964 and released on Verve the same year as V6-8600.
West Coast Live is a live album by trumpeter Chet Baker and saxophonist Stan Getz which was recorded in California in 1953 but not released until 1997, on the Pacific Jazz label.
Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Getz's second bossa nova album for Verve following Jazz Samba, his very successful collaboration with guitarist Charlie Byrd.
West Coast Jazz is a 1955 album by Stan Getz accompanied by a quartet including trumpeter Conte Candoli. Getz recorded the album in California, where he was filming parts for The Benny Goodman Story, and appearing for a week at the nightclub Zardi's Jazzland. The musicians that accompanied him at Zardi's were chosen by Getz to make this album with him.
Stan Getz Plays is an album by jazz saxophonist Stan Getz, recorded in 1952 released on the Norgran label in 1955. The album features tracks that were previously released on two 10-inch LPs on Clef Records.
The Complete Roost Recordings is a 1997 compilation 3-CD set of sessions led by saxophonist and bandleader Stan Getz recorded for the Roost Records label between 1950 and 1954. The compilation includes material previously released on Getz's Roost LPs The Sound, The Getz Age, the two volumes of Stan Getz at Storyville and the album with guitarist Johnny Smith - Moonlight in Vermont along with alternate takes and previously unreleased performances.
Stan Getz and the Cool Sounds is an album by saxophonist Stan Getz recorded at five sessions between 1953 and 1955 which was released on the Verve label in 1957.
Reflections is an album by saxophonist Stan Getz which was released on the Verve label in 1964.
The Stan Getz Quartet in Paris is a live album by saxophonist Stan Getz recorded at the Salle Pleyel which was first released on the French Verve label.
Blue Skies is an album by the saxophonist Stan Getz, recorded in San Francisco in 1982 but not released on the Concord Jazz label until 1995.