Painter Man

Last updated
"Painter Man"
The creation.gif
German picture sleeve (on "Hit-ton")
Single by The Creation
from the album We Are Paintermen
B-side "Biff, Bang, Pow"
Released7 October 1966
Recorded23 August 1966
Studio IBC Studios, London
Genre
Length2:53
Label Planet
Songwriter(s)
Producer(s) Shel Talmy
The Creation singles chronology
"Making Time"
(1966)		"Painter Man"
(1966)		"If I Stay too Long"
(1967)

"Painter Man" is a song written by British singer Kenny Pickett and guitarist Eddie Phillips, and first recorded by their group the Creation. It was released as a single in October 1966. Written as a response to their avant-garde stage show, the single was their only top-forty hit on the UK Singles Chart, reaching number 36. It fared better in West Germany, where it reached number eight. It was later issued on their album We Are Paintermen .

Contents

One of the Creation's most well-known and popular compositions, the song has been covered by several artists. The first cover was that of the New Zealand band Larry's Rebels, who in 1967 took the song to number six on Kent Music Report. A later version by Boney M. reached the top-ten worldwide, including in the UK.

Background and composition

A few weeks after the group released "Making Time", the first major line-up change occurred when drummer Jack Jones was terminated, being replaced by Dave Preston, a friend of bassist Bob Garner who Pickett believed to be phenomenal. [1] [2] His first scheduled gig with the Creation was on a tour with the Walker Brothers, after which it was revealed after only a few select weeks that his drumming wasn't to the standard Pickett had hoped for. [1] Although Preston had time to partake in a photoshoot with the band, [3] he was swiftly replaced by Jones once again, who stayed with the band until their demise towards early 1968. [4] [5] Jones would hold a grudge against Pickett for this decision until the latter left the band in early 1967. [1] [4]

"Ken [Pickett] loved the cynical side of life. Went to college, studied art, be an artist, make a start. He had a vision of somebody who tried to do it the right way but found themselves doing adverts on TV and labels round cans. It was great for the song.” [6]

Eddie Phillips, Record Collector interview

According to the pop magazine Beat Instrumental , "Painter Man" was written by the duo as a response to their stage act, which involved Pickett painting a canvas during song numbers, [7] [8] occasionally burning it. [8] [9] According to their manager Tony Stratton Smith, they did this because "they felt like it", [10] with Phillips adding that "their music was visual" as much as it was musical. [10] Lyrically, the song revolves around a "suppressed" artist, [11] through lines that indicates that he went through a college education that only led him to obscurity. [11] [12] It also revolves around the endless debate of art in commercialism which is referred to through lines such as "adverts on TV." [12] [13] It ends with the note that classical art is dead. [14] Musically, the song has a less raunchy sound than "Making Time" and is softer, but still features Phillips in one of the earliest recorded bowed guitar parts, which prevails throughout the entire composition. [15] [16]

Shortly after Jones was reinstated into the group, they returned to IBC Studios on Portland Place in London on 23 August 1966. [17] Together with producer Shel Talmy who had signed and recorded them, they cut two songs that day, "Painter Man" and what would eventually become its B-side, "Biff, Bang, Pow". [17] The session marked the first time the group were assisted by studio musician Nicky Hopkins who played keyboards on both songs, [18] further strengthening their connection with the Who as Hopkins had played on several of their recordings. [19] "Painter Man" was recorded in ten takes, out of which only two, takes three and seven, were complete. [19] Take 7 was chosen as the master, which was compiled and mixed on 25 August by Talmy. [19]

Release and reception

Released on 7 October 1966, [20] the single managed to enter the UK Singles Chart, entering on 9 November 1966 at a position of 38. [21] The following week, it peaked at number 36 before exiting the chart altogether, becoming their only top-forty hit. [21] In West Germany, the single managed to peak at number eight on 4 January 1967, and became their sole top-ten hit in the country. [22] The single received mostly positive reviews from critics, with Record Mirror critics Norman Jopling and Peter Jones writing it that it has an "avant-garde pop group sound", noting the droning of the bowed guitar. [20] Writing for Disc & Music Echo , Penny Valentine states that she thought the song had a great "looning-about atmosphere" and drew parallels to records by both the Beatles and the Who. [11] Regarding the song, Phillips has later stated that "We see our music as colours – it’s purple with red flashes." [10] [23]

In retrospective assessments of the song, many critics have noted the fact that Phillips used a bow prior to Jimmy Page of Led Zeppelin. [12] [15] [16] David Luhrssen and Michael Larson called the song "humorous", [12] while Owen Bailey wrote that the song had a "superb riff" and compared it with the guitar playing of Pete Townshend, also noting the violin-bowed solo. [15] Doug Collette of Glide Magazine writes that song is instantly recognizable due to the vocal harmonies and energetic rhythm section. [24] Kieron Tyler thought that "Painter Man" ranked among the best and most innovative recordings of the 1960s. [23] Jerome Estèbe of TDG stated that "Painter Man" was one of the best things that could happen to English rock. [25] Ian Canty considered it an "art-pop nugget," [26] while Beverly Paterson similarly stated that it a "brash and bouncy nugget." [27] AllMusic critic Bruce Eder called the track a "cheerfully trippy pop anthem", [28] while Richie Unterberger wrote that the song was elevated because of its musical arrangement, [29] noting its similarity with records by the Who, [29] while also suggesting that Phillips attempted to play his guitar "like it's a classical violin". [29]

Nonetheless, "Painter Man" became one of the Creation's best known songs, and was often used as their stage finale. [30] A young citizen, Günther Zettl, [31] from East Germany recognized the song in 1969 during a contest by the West German AM station Europawelle Saar, where the listeners were requested to send a card with the song title and band to win the single. [31] [32] He sent off a postcard, which was intercepted by the Stasi and resulted in permanent surveillance until 1989. [31] [32] In 2013, after he got his Stasi reports, he sent the card again and, during the celebration of "50 years Europawelle" in 2014, he finally received his prize. [31] [32]

Personnel

Charts

Chart performance for "Painter Man"
Chart (1966–67)Peak position
UK Singles ( Record Retailer ) [21] 36
Disc & Music Echo Top 50 [33] 20
West German Media Control Singles Chart [22] 8
New Musical Express Top 30 [34] 22

Boney M. version

"Painter Man"
Boney M. - Painter Man (1979 single).jpg
Single by Boney M.
from the album Nightflight to Venus
A-side "Rasputin" (Europe)
B-side "He Was a Steppenwolf" (UK)
Released23 February 1979 [35]
Recorded1978
Genre
Length3:10
Label Atlantic
Songwriter(s)
  • Pickett
  • Phillips
Producer(s) Frank Farian
Boney M. singles chronology
"Mary's Boy Child - Oh My Lord"
(1978)		"Painter Man"
(1979)		"Hooray! Hooray! It's a Holi-Holiday"
(1979)
Audio video
"Painter Man" on YouTube

"Painter Man" was later covered in 1978 by German-Caribbean pop group Boney M., in a cover which became successful throughout Europe. [36] The group's producer, Frank Farian was active on the German music scene during most of the 1960s and 1970s, leading to him influencing the choice of songs for the group to record, including both "Painter Man" and "My Friend Jack" by the Smoke, [37] a band that suffered a similar fate to that of the Creation. [28] [38] The song was initially released on their third studio album Nightflight to Venus released on 28 July 1978, but was not issued as a single at the time. [39] However, shortly after the release, "Rasputin" and "Painter Man" were released as a double A-Side in most of mainland Europe. However, in the UK, along with some other European countries, "Rasputin" and "Painter Man" were released separately, with "He Was a Steppenwolf" added to the UK release, which was issued on 23 February 1979.

The single was a success in the UK, entering the chart on 3 March 1979 at a position of 26. [40] The following week, it had reached its peak of number ten, [40] and the single was last seen on 7 April at a position of 59, [40] when it had spent six weeks on the chart. [40] Although it became the first Creation song to enter the top-ten in any form, it was not successful by Boney M.'s standards, as both "Mary's Boy Child – Oh My Lord", which had been released before, and "Hooray! Hooray! It's a Holi-Holiday", both had reached the top-three of the chart (number one and three respectively). [40] AllMusic critic Donald A. Guarisco wrote that Boney M.'s rendition of "Painter Man" had "distorted hard rock guitar riffs" that contrasted to the beat of the song. [39]

Eddie Phillips was apparently completely unaware of Boney M's cover of the song. [30] In an interview for Guitarist magazine, Phillips acknowledged that he first knew about the song's existence after watching them perform the song on an episode of the Seaside Special!. [30] Of the incident, Phillips commented "“Strange, really exciting. 'Cos although they gave it a completely different treatment to what we did – I mean it was a disco song all of a sudden! But it was good, it was quite exciting really.” [30] In an interview with Creation Records, Phillips claimed he has been able to live comfortably with the royalties from Boney M.'s version of the song, stating that it sold seven million copies. [41]

Charts

Chart (1978–79)Peak

position

Belgium (Ultratop 50 Wallonia) [42] 1
Finland (Suomen virallinen lista) [43] 7
France (French Singles & Airplay Chart Reviews) [36] 3
Ireland (IRMA) [44] 5
Netherlands (Dutch Top 40) [45] 8
Netherlands (Single Top 100) [46] 5
UK Singles (Official Charts Company) [40] 10

Other covers

Related Research Articles

<span class="mw-page-title-main">Boney M.</span> German disco group

Boney M. are a R&B, reggae, funk and disco music group founded in 1974, who achieved popularity during the disco era of the second half of the 1970s. The band was created by German record producer Frank Farian, who was the group's primary songwriter. Originally based in West Germany, the four original members of the band's official line-up were Liz Mitchell and Marcia Barrett from Jamaica, Maizie Williams from Montserrat, and Bobby Farrell from Aruba. Since the 1980s, various line-ups of the band have performed with different personnels.

<span class="mw-page-title-main">The Chocolate Watchband</span> American garage rock band

The Chocolate Watchband is an American garage rock band that formed in 1965 in Los Altos, California. The band went through several lineup changes during its existence. Combining psychedelic and garage rock components, their sound was marked by David Aguilar's lead vocals, songwriting, as well as proto-punk musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period with many critics labeling them as America's answer to the Rolling Stones.

<span class="mw-page-title-main">The Music Machine</span> American rock band formed in 1966

The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.

<span class="mw-page-title-main">Rasputin (song)</span> 1978 Boney M. single

"Rasputin" is a song by German-based pop and Eurodisco group Boney M. It was released on 28 August 1978 as the second single from their third studio album Nightflight to Venus (1978). Written by the group's creator Frank Farian, along with George Reyam and Fred Jay, it is a song about Grigori Rasputin, a friend and advisor of Tsar Nicholas II of Russia and his family during the early 20th century. The song describes Rasputin as a playboy, mystical healer, and political manipulator.

<span class="mw-page-title-main">Vince Melouney</span> Australian musician (born 1945)

Vincent Melouney is an Australian musician. He is best known as an official member of the Bee Gees from 1967 to 1969 during the group's initial period of worldwide success.

The Creation are an English rock band, formed in 1966. Their best-known songs are "Making Time", which was one of the first rock songs to feature a guitar played with a bow, and "Painter Man", which made the top 40 on the UK Singles Chart in late 1966, and reached No. 8 on the German chart in April 1967. It was covered by Boney M in 1979, and reached the No. 10 position on the UK chart. "Making Time" was used in the film Rushmore, and as the theme song from season 2 onwards of The Great Pottery Throw Down.

<i>Nightflight to Venus</i> 1978 studio album by Boney M.

Nightflight to Venus is the third studio album by Euro-Caribbean group Boney M., and was released in June 1978. The album became a major success in continental Europe, Scandinavia, and Canada, topping most of the album charts during the second half of 1978 and also became their first UK number one album. In Canada, it received a nomination for a 1980 Juno Award in a category 'International Album of the Year'.

Edwin Michael "Eddie" Phillips is a British guitarist who rose to some prominence during the 1960s as a member of the rock band the Creation.

The Mark Four was an English rock band from Hertfordshire, England. that was formed in 1961. Members included Kenny Pickett (vocals), Eddie Phillips (guitar), John Dalton, Mick Thompson (guitar) and Jack Jones (drums).

Dyke and the Blazers was an American funk band led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of "Funky Broadway" (1966) and "Let a Woman Be a Woman" (1969).

<i>Gold – 20 Super Hits</i> 1992 greatest hits album by Boney M.

Gold – 20 Super Hits is a 1992 greatest hits album by group Boney M. Shortly after record label PolyGram had acquired the rights to the ABBA back catalogue and had issued the multimillion-selling hits package Gold: Greatest Hits, BMG and producer Frank Farian followed suit with Boney M.'s Gold – 20 Super Hits which resulted in their best chart entry in the UK and most other European countries since 1980's The Magic of Boney M. – 20 Golden Hits.

<i>The Magic of Boney M. – 20 Golden Hits</i> 1980 greatest hits album by Boney M.

The Magic of Boney M. – 20 Golden Hits is a greatest hits album by Euro-Caribbean group Boney M., issued in 1980, which contained all their biggest hits up until that point, including non-album singles "Mary's Boy Child/Oh My Lord" and "Hooray! Hooray! It's a Holi-Holiday", album tracks from Take the Heat off Me, Love for Sale, Nightflight to Venus and Oceans of Fantasy as well as their most recent double A-side single release "I See a Boat On the River"/ "My Friend Jack".

<i>The Best of 10 Years – 32 Superhits</i>

The Best of 10 Years – 32 Superhits also known as 32 Superhits - Non-Stop Digital Remix is a remix album by Boney M. released in 1986.

<i>The Greatest Hits</i> (2001 Boney M. album) 2001 greatest hits album by Boney M.

The Greatest Hits is a greatest hits album of recordings by Boney M. released by BMG in the United Kingdom in late 2001.

<i>Greatest Hits of All Times – Remix 88</i> Remix album

Greatest Hits of All Times – Remix '88 is a remix album by Boney M. released in 1988. Boney M.'s new manager at the time, Simon Napier-Bell, succeeded in persuading the four original members to briefly reunite and promote this remix album. The man employed to re-arrange the original hits and create new interest in the band was PWL's Pete Hammond, who previously had remixed many of the Stock Aitken Waterman stable's chart-topping hits with Kylie Minogue, Jason Donovan, Rick Astley and Bananarama. Five of the tracks also feature new lead vocals by Liz Mitchell. In early 2021, Hammond recalled the following about the '88 remix project, explaining the new vocals: "The 2inch 24 track multi-track tapes were sent to PWL by Frank Farian of Far Music. Apparently, they had lost some of the original recordings—four songs if I remember correctly—and had to record four new versions; they were musically incomplete but good enough for me to overdub and remix". The remix project spun off three fairly successful single releases, "Rivers of Babylon ", "Rasputin " and the 1988 "Megamix", which would appear on the follow-up album issued a year later, and created the first wave of Boney M. nostalgia in Europe.

<span class="mw-page-title-main">6 Years of Boney M. Hits</span> 1982 single by Boney M.

"6 Years of Boney M. Hits " is a greatest hits medley by Boney M., inspired by the success of the hit medleys by Stars on 45. Originally released on the B-side of the band's 1981 Christmas single "Little Drummer Boy", the single was flipped over in January 1982 with the medley as an A-side. While failing to chart in Germany, the medley reached #6 in the Spanish charts and was also an A-side release in France and Japan. The 12" version featured a faded version on the German pressing and an unfaded version on the French pressing, while the UK version was extended with their Christmas chart-topper "Mary's Boy Child – Oh My Lord".

<span class="mw-page-title-main">Mister, You're a Better Man Than I</span> 1965 single by the Yardbirds

"You're a Better Man Than I", alternately listed as "Mr. You're a Better Man Than I" or "Better Man Than I", is a song first recorded by the English rock band the Yardbirds. It was written by brothers Mike and Brian Hugg, and became the opening track to the group's second American album, Having a Rave Up with the Yardbirds (1965). Three months later in February 1966, it was released in the UK as the B-side to the "Shapes of Things" single.

<span class="mw-page-title-main">The Final Solution (American band)</span> American garage rock band

The Final Solution was an American garage rock band formed in San Francisco, California, in 1965. An early group in the development of what later became known as the San Francisco Sound, the Final Solution contradicted its contemporaries with their controversial name and grim lyrics composed by lead guitarist Ernie Fosselius and bassist Bob Knickerbocker. Although the group never released any recordings in their career, the band was pivotal in the San Francisco's live music scene. A recording of the Final Solution performing at the Matrix in 1966 exists and is available, particularly "So Long Goodbye", which appears on Pebbles, Volume 22.

<i>We Are Paintermen</i> 1967 studio album by the Creation

We Are Paintermen is the debut studio album by British rock band the Creation, initially released through Hit-Ton records in West Germany and Sonet Records in Denmark in June 1967. The album acts as a compilation album, containing virtually all their recorded material, from "Making Time" in 1966 to "If I Stay Too Long", which was released as a single in West Germany the same month. It also marks the gap between lead vocalists, whereas the earlier material feature Kenny Pickett on vocals, while the later feature Bob Garner, their previous bassist, on vocals.

<span class="mw-page-title-main">Leave Me Be</span> 1964 single by the Zombies

"Leave Me Be" is a song by the English rock band the Zombies. Written by Chris White, the band's bass guitarist, "Leave Me Be" was released on a non-album single in October 1964. Following the release of the band's debut single "She's Not There" in July 1964, White wrote a handful of songs in between performances during the band's heavy schedule. Most of the work on the song occurred in August 1964, when the Zombies recorded both a demo and the backing track for it. The instrumentation largely differs from both earlier and later Zombies records; it features electric organ played by Rod Argent, compared to his previous usage of the electric piano. Together with record producer Ken Jones, they returned in September to finish the vocal track, which was disliked by most band members for its similarity to "She's Not There"; the vocals would eventually be re-recorded a few months later.

References

  1. 1 2 3 Action Painting (liner notes pg. 15). Alec Palao. The Creation. Numero group. 2013.
  2. ↑ Egan, Sean (2004). Our Music is Red with Purple Flashes: The Story of The Creation. Cherry Red Books. p. 18. ISBN   1-901447-22-7.
  3. ↑ Egan, Sean (2004). Our Music is Red with Purple Flashes: The Story of The Creation. Cherry Red Books. p. 19. ISBN   1-901447-22-7.
  4. 1 2 Action Painting (liner notes pg. 16–17). Alec Palao. The Creation. Numero group. 2013.
  5. ↑ Action Painting (liner notes pg. 21). Alec Palao. The Creation. Numero group. 2013.
  6. ↑ Egan, Sean (4 September 2011). "Phillips: Simply". Record Collector . Retrieved 2022-04-22.
  7. ↑ G, P. "Song-writer's column" (PDF). Beat Instrumental (December 1966): 32.
  8. 1 2 Rathbone, Oregano (2020-06-05). "What Is Art Rock? A History Of Music's Most Progressive Minds". uDiscover Music. Retrieved 2020-12-07.
  9. ↑ Margasak, Peter (25 April 2017). "The Numero Group applies its reissue savvy to underrated 60s British rockers the Creation". Chicago Reader. Retrieved 2020-12-07.
  10. 1 2 3 Drummond, Norrie. "Creation Paint As They Play". New Musical Express (4 November 1966).
  11. 1 2 3 Valentine, Penny. "Penny spins the discs" (PDF). Disc and Music Echo (8 October 1966).
  12. 1 2 3 4 Luhrssen, David; Larson, Michael (2017-02-24). Encyclopedia of Classic Rock. ABC-CLIO. p. 82. ISBN   978-1-4408-3514-8.
  13. ↑ Cooper, Neil (2020-09-09). "KAPROW! KAPROW!". Bella Caledonia. Retrieved 2020-12-07.
  14. ↑ Rios, Daniela (2016-08-01). "Ten Songs All Art Lovers Should Know". artnet News. Retrieved 2020-12-07.
  15. 1 2 3 Bailey, Owen (2020-10-27). "The Genius Of... We Are Paintermen By The Creation". Guitar.com. Retrieved 2020-12-07.
  16. 1 2 Fanelli, Damiam (2017-03-21). "No, Jimmy Page Was Not the First to Play Bowed Guitar". guitarworld. Retrieved 2020-12-07.
  17. 1 2 Action Painting (liner notes pg. 35). Alec Palao. The Creation. Numero group. 2013.
  18. ↑ Action Painting (liner notes pg. 35, 37). Alec Palao. The Creation. Numero group. 2013.
  19. 1 2 3 Action Painting (liner notes pg. 37). Alec Palao. The Creation. Numero group. 2013.
  20. 1 2 Jopling, Norman; Jones, Peter. "Plenty of new big discs from Elvis, Cliff, Adam, the Hollies, Four Tops, Nancy, the Tempations, Tony Bennett, plus a load of good outsiders" (PDF). Record Mirror (8 October 1966): 9.
  21. 1 2 3 "CREATION | full Official Chart History | Official Charts Company". www.officialcharts.com. Retrieved 2020-12-07.
  22. 1 2 "Offizielle Deutsche Charts - Offizielle Deutsche Charts". www.offiziellecharts.de. Retrieved 2020-12-07.
  23. 1 2 "Reissue CDs Weekly: The Creation". theartsdesk.com. 2017-05-14. Retrieved 2020-12-07.
  24. ↑ Collette, Doug (2017-04-05). "The Creation's 'Action Painting' 2 CD Box Set Serves Just As A Testimonial". glidemagazine.com. Retrieved 2020-12-07.
  25. ↑ "1966: l'année où la pop anglaise est devenue dingue". Tribune de Genève (in French). ISSN   1010-2248 . Retrieved 2020-12-07.
  26. ↑ Canty, Ian (2020-01-25). "Various - A Slight Disturbance In My Mind - album review". Louder Than War. Retrieved 2020-12-07.
  27. ↑ Paterson, Beverly (2013-04-05). "One Track Mind: The Creation, "How Does It Feel To Feel/Life Is Just Beginning" (1967)". somethingelsereviews.com. Retrieved 2020-12-07.
  28. 1 2 Eder, Bruce. "The Creation - Artist Biography by Bruce Eder". AllMusic . Retrieved 2020-12-07.
  29. 1 2 3 Unterberger, Richie. "Painter Man - The Creation - Review By Ritchie Unterberger". AllMusic . Retrieved 2020-12-07.
  30. 1 2 3 4 Hunt, Chris. "Painter Man: Eddie Phillips of the Creation interview". Guitarist (March 1988).
  31. 1 2 3 4 Zeitung, Süddeutsche (2014-01-12). "DDR-Postkarte kommt nach 44 Jahren an". Süddeutsche.de (in German). Retrieved 2020-12-07.
  32. 1 2 3 Rundfunk, Saarländischer (2016-11-18). "Happy End nach 44 Jahren". SR.de (in German). Retrieved 2018-09-19.
  33. ↑ "Top 50 Charts" (PDF). Disc and Music Echo (12 November 1966): 3.
  34. ↑ "NME Top Thirty - First Ever Chart In Britain - And Still The First Today" (PDF). New Musical Express (November 11, 1966): 9.
  35. ↑ "Music Week" (PDF). p. 32.
  36. 1 2 "Song artist 61 - Boney M". tsort.info. Retrieved 2020-12-07.
  37. ↑ Binnie, Steve (2016-01-06). Feeling Like a Number One. Lulu Press, Inc. ISBN   978-1-326-52522-4.
  38. ↑ Unterberger, Richie. "The Smoke - Artist Biography by Richie Unterberger". AllMusic . Retrieved 2020-12-07.
  39. 1 2 Guarisco, Donald A. "Boney M. - Nightflight to Venus - AllMusic Review by Donald A. Guarisco". AllMusic . Retrieved 2020-12-07.
  40. 1 2 3 4 5 6 "Boney M | full Official Chart History | Official Charts Company". www.officialcharts.com. Retrieved 2020-12-07.
  41. ↑ Nash, Stewart (27 February 2010). "The Creation – Eddie Phillips Interview". Creation Records . Retrieved 2022-04-22.
  42. ↑ "Boney M. – Rasputin / Painter Man" (in French). Ultratop 50. Retrieved 17 June 2016.
  43. ↑ Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish) (1st ed.). Helsinki: Tammi. ISBN   951-31-2503-3.
  44. ↑ "The Irish Charts - All there is to know". www.irishcharts.ie. Retrieved 2020-12-07.
  45. ↑ "Nederlandse Top 40 – week 39, 1978" (in Dutch). Dutch Top 40.
  46. ↑ "Boney M. – Rasputin / Painter Man" (in Dutch). Single Top 100.
  47. ↑ "Painter Man - Larry's Rebels - Listener". www.flavourofnz.co.nz. Retrieved 2020-12-07.
  48. ↑ "Larry's Rebels". www.sergent.com.au. Retrieved 2020-12-07.
  49. ↑ Mason, Stewart. "Television Personalities - They Could Have Been Bigger Than the Beatles - AllMusic Review by Stewart Mason". AllMusic . Retrieved 2020-12-07.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.