Portrait of George Washington Taking the Salute at Trenton | |
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Artist | John Faed |
Year | 1856 |
Medium | oil on canvas |
Dimensions | 142.2 cm× 105.4 cm(56 in× 41 1/2 in) |
The Portrait of George Washington Taking the Salute at Trenton is a large full-length oil on canvas painting by the Scottish artist John Faed depicting General George Washington on the battlefield at Trenton, New Jersey, during the American Revolutionary War. The equestrian portrait was the basis for the engraving Washington Receiving a Salute on the Field of Trenton by the British artist William Holl. [1] [2]
John Faed (1819–1902) was a member of the Royal Scottish Academy. In 1856, the portrait was sold to the publisher James Keith for £200 (equivalent to £19,880in 2021). According to biographer Mary McKerrow, "Why he painted this important posthumous equestrian portrait of George Washington Taking the Salute at Trenton has still to be discovered." According to the provenance provided by Christie's, the painting originated from a commission by Andrew Carnegie. [3] It sold in 1969 for US$ 662,500 at Christie's auction house. [3] By 1982, it was in the collection of St. Mary's Art Guild in Detroit, Michigan. [1] In 1984 the painting was sold anonymously for US$ 43,000 by Sotheby's. [3] The painting was on display at the Westervelt–Warner Museum of American Art, renamed the Tuscaloosa Museum of Art, created by Jack Warner to display his art collection. [4] Washington was Warner's personal hero. The art museum closed in 2018. [5]
General George Washington (1732–1799) is depicted in full military uniform, a blue coat over buff waistcoat and pants, riding on a white horse. There is a leopard-skin blanket under his saddle. He is holding a tricorner hat in his left hand and an outstretched sword in his right hand. [6] The background shows a small group of military tents. [2] The figure's head is based on the work of another painter, namely the Athenaeum Portrait of Washington by the American painter Gilbert Stuart (1755–1828). [7] [8] The painting is 142.2 centimeters (56.0 in) high and 105.4 centimeters (41.5 in) wide. [9]
Washington Receiving a Salute on the Field of Trenton is an engraving by William Holl (1807–1871) based on Faed's equestrian portrait. In 1865, the National Art Association of New York published it exclusively for subscribers. The print is 24 inches (61 cm) high and 17+10⁄16 inches (44.8 cm) wide. [6] The print was recommended for school use and seen in classrooms. [10] [11]
William Spohn Baker notes: [6]
An admirable engraving, of an admirable picture. The horse, which is exceedingly well drawn, is said to have been painted by R. Ansdell, the composition of the picture being by Faed. Head after Stuart.
In 1866, an advertisement in the Herald of Health for this engraving stated: [12]
This picture shows Washington on horseback, and when framed can not fail to prove a most interesting ornament to any parlor or sitting-room. Its influence upon the children of a house would be worth many times its cost in cultivating their tastes for fine works of art.
In 1880, his portrait bust engraving was used to illustrate an article on Washington in the Magazine of American History . [1] [13]
Shadows of Liberty (2016), by American contemporary painter Titus Kaphar, is a reimagined presentation of the painting. [14]
Gilbert Charles Stuart was an American painter from Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is sometimes referred to as the Athenaeum Portrait. Stuart retained the portrait and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
John Trumbull was an American artist of the early independence period, notable for his historical paintings of the American Revolutionary War, of which he was a veteran. He has been called the "Painter of the Revolution".
The National Portrait Gallery is a historic art museum between 7th, 9th, F, and G Streets NW in Washington, D.C., in the United States. Founded in 1962 and opened to the public in 1968, it is part of the Smithsonian Institution. Its collections focus on images of famous Americans. The museum is housed in the historic Old Patent Office Building, as is the Smithsonian American Art Museum.
John Vanderlyn was an American neoclassicist painter.
The Boston Athenaeum is one of the oldest independent libraries in the United States. It is also one of a number of membership libraries, for which patrons pay a yearly subscription fee to use Athenaeum services. The institution was founded in 1807 by the Anthology Club of Boston, Massachusetts. It is located at 10½ Beacon Street on Beacon Hill.
The Lansdowne portrait is an iconic life-size portrait of George Washington painted by Gilbert Stuart in 1796. It depicts the 64-year-old President of the United States during his final year in office. The portrait was a gift to former British Prime Minister William Petty, 1st Marquess of Lansdowne, and spent more than 170 years in England.
John Faed, R.S.A. was a Scottish painter.
The Tuscaloosa Museum of Art, previously the Westervelt-Warner Museum of American Art, was an art museum in Tuscaloosa, Alabama. It was founded by Tuscaloosa businessman Jack Warner. The museum permanently closed in 2018.
John Bill Ricketts (1769–1802) was an English equestrian who brought the first modern circus to the United States.
Washington at Princeton is a 1779 painting by Charles Willson Peale, showing George Washington after the Battle of Princeton. The original was commissioned by the Supreme Executive Council of Pennsylvania for its council chamber in Independence Hall in Philadelphia. Peale made eight copies of the painting. The original, now owned by the Pennsylvania Academy of the Fine Arts, was completed in early 1779, when Washington sat for Peale in Philadelphia.
James Faed was one of three famous Scottish brother painters/artists.
William Holl the Younger was a British portrait and figure engraver, noted for his book illustrations.
Presidents of the United States have frequently appeared on U.S. postage stamps since the mid-19th century. The United States Post Office Department released its first two postage stamps in 1847, featuring George Washington on one, and Benjamin Franklin on the other. The advent of presidents on postage stamps has been definitive to U.S. postage stamp design since the first issues were released and set the precedent that U.S. stamp designs would follow for many generations.
Joseph Wright was an American portrait painter and sculptor. He painted life portraits of George Washington and Benjamin Franklin, and was a designer of early U.S. coinage. Wright was President Washington's original choice for Chief Engraver of the U.S. Mint, but died at age 37, before being confirmed to that position.
The Athenaeum Portrait, also known as The Athenaeum, is an unfinished painting by Gilbert Stuart of United States President George Washington. Created in 1796, it is Stuart's most notable work. The painting depicts Washington at age 65, about three years before his death, on a brown background. It served as the model for the engraving that would be used for Washington's portrait on the United States one-dollar bill.
Jane Stuart was an American painter, best known for her miniature paintings and portraits, particularly those made of George Washington. She worked on and later copied portraits made by her father, Gilbert Stuart, and created her own portraits. In the early 19th century, she assumed the responsibility of supporting her family after her father's death. She first worked in Boston, but later moved to Newport, Rhode Island, where she was the first woman who painted portraits. In 2011, she was inducted into the Rhode Island Heritage Hall of Fame.
Blueskin was a gray horse ridden by George Washington. He was one of Washington's two primary mounts during the American Revolutionary War. The horse was a half-Arabian, sired by the stallion "Ranger", also known as "Lindsay's Arabian", said to have been obtained from the Sultan of Morocco. Blueskin was a gift to Washington from Colonel Benjamin Tasker Dulany of Maryland. Dulany married Elizabeth French, a ward of Washington's, who gave her away at her wedding to Dulany on February 10, 1773.
General George Washington at Trenton is a large full-length portrait in oil painted in 1792 by the American artist John Trumbull of General George Washington at Trenton, New Jersey, on the night of January 2, 1777, during the American Revolutionary War. This is the night after the Battle of the Assunpink Creek, also known as the Second Battle of Trenton, and before the decisive victory at the Battle of Princeton the next day. The artist considered this portrait "the best certainly of those which I painted." The portrait is on view at the Yale University Art Gallery in New Haven, Connecticut, an 1806 gift of the Society of the Cincinnati in Connecticut. It was commissioned by the city of Charleston, South Carolina, but was rejected by the city, resulting in Trumbull painting another version.
George Washington's reception at Trenton was a celebration hosted by the Ladies of Trenton social club on April 21, 1789, in Trenton, New Jersey, as George Washington, then president-elect, journeyed from his home at Mount Vernon to his first inauguration in the then capital of the United States, New York City. A ceremonial triumphal arch was erected on the bridge over the Assunpink Creek to commemorate his two victories here, the Battle of Trenton on December 26, 1776 and the Battle of the Assunpink Creek on January 2, 1777.
The Passage of the Delaware is a large, Neoclassical 1819 oil-on-canvas painting by Thomas Sully. With attention to historical accuracy, the painting depicts George Washington on horseback observing the troops of the American Revolutionary Army in the process of crossing the Delaware River prior to the surprise attacks on Hessian troops on December 26, 1776, at the Battle of Trenton. The image is intended to capture the moment prior to George Washington dismounting his horse and joining his army in crossing the Delaware River.
One of Jack Warner's favorite acquisitions, the painting by John Faed Washington Taking the Salute at Trenton
Head of Washington is based on Gilbert Stuart's Athenaeum portrait of George Washington.
The head is from Stuart's Athenæum portrait
Some may remember this scene, minus the color, from a schoolroom of their youth.
Portrait of Washington, steel engraving, by Holl