Blueskin was a gray horse ridden by George Washington. He was one of Washington's two primary mounts during the American Revolutionary War. The horse was a half-Arabian, sired by the stallion "Ranger", also known as "Lindsay's Arabian", said to have been obtained from the Sultan of Morocco. [1] [2] Blueskin was a gift to Washington from Colonel Benjamin Tasker Dulany (c. 1752–1816) of Maryland. Dulany married Elizabeth French, a ward of Washington's, who gave her away at her wedding to Dulany on February 10, 1773. [3]
Blueskin, due to his white hair coat, was the horse most often portrayed in artwork depicting Washington on a horse. [4] Washington's other primary riding horse was Nelson, a chestnut gelding said to be calmer under fire than Blueskin. Both horses were retired after the Revolutionary War. Blueskin lived at Mount Vernon, [5] until he was returned to Mrs. Dulany in November 1785 with the following note:
General Washington presents his best respects to Mrs Dulany with the horse blueskin; which he wishes was better worth her acceptance. Marks of antiquity have supplied the place of those beauties with which this horse abounded—in his better days. Nothing but the recollection of which, & of his having been the favourite of Mr Dulany in the days of his Court ship, can reconcile her to the meagre appearance he now makes. [6]
In addition to being the nation's first president renowned for his leadership during the Revolutionary War, George Washington was also known for initiating presidential pets. [7] From the outset, George Washington valued the outdoors, his country home, his dogs and livestock. [8] He also loved his fine horses and frequently took to speed contests. Before the Revolution, Washington attended various social events held at the races in Annapolis.
Horses have become a valuable asset throughout military history. Effectively trained war horses became formidable enough to match the deadliness of their riders. In addition to physicality, they had considerable psychological impact on soldiers by boosting morale and courage, or instilling fear in the enemy. The impact of horses boosted the efficiency of militaries and their strategies. While horses are largely ignored in accounts of famous battles, they ultimately were a critical contribution to success, such as that of the American Revolution.
Washington's ability as a horseman allowed him to strengthen his cavalry's capabilities and heighten the image of the Americans. During the Revolutionary War, the colonists were highly underestimated and dismissed by their mother country. The British perceived the rebels as merely a restive mob of people without agency and "certainly not gentlemen of breeding." [9] However, George Washington utterly transformed this preconceived notion of the colonists with his persona as a gentleman and gallant leader. His ability to command horses conveyed this impression even further, and was described by British officers that "he was a very impressive figure, both on horseback and off." [9]
Blueskin was a favorite of George Washington; [7] due to his Arabian bloodline, the horse had "great endurance and could carry Washington (who was said to be over six feet tall) [10] all day on the march or in battle." [11] However, Washington preferred to ride his other horse, Nelson, in battle since Blueskin was prone to skittishness around gunfire and cannon blasts while Nelson was more composed in those circumstances. [11] Though Blueskin did not see as much battle as Nelson, he is the horse who appears most frequently in paintings of George Washington as a general in the Revolution. Blueskin was preferred for portraits because of his white hair coat, as opposed to Nelson's chestnut coat. Grays are born darker, but adult hair coat often becomes pure white, and their skin is black, which can appear bluish in sunlight (thus the name).
It is uncertain whether any contemporary portraitists who painted George Washington with Blueskin had the horse standing as a subject (Peale and Faed certainly did not; Faed had never traveled to America). Author William Spohn Baker noted in 1880 that the horse in Faed's painting was said to have been done by British painter R. Ansdell. [12] Trumbull was well acquainted with Washington, and although Washington sat for Trumbull a number of times, [13] [14] it is unknown whether Blueskin accompanied him. Other portraits are unlikely accurate representations of Blueskin; rather, pastiches borrowed from other paintings, such as David's equestrian portrait Napoleon Crossing the Alps . Judging from the Roman nose and rounded croup with a low tail set illustrated in these paintings, the opposite of traits associated with Arabian ancestry, the horse used as a model in some paintings was likely of Andalusian descent. [15]
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
Charles Willson Peale was an American painter, soldier, scientist, inventor, politician, and naturalist.
John Trumbull was an American painter and military officer best known for his historical paintings of the American Revolutionary War, of which he was a veteran. He has been called the "Painter of the Revolution". Trumbull's Declaration of Independence (1817), one of his four paintings that hang in the United States Capitol rotunda, is used on the reverse of the current United States two-dollar bill.
Rembrandt Peale was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French neoclassicism after a stay in Paris in his early thirties.
Tench Tilghman was an officer in the Continental Army during the American Revolutionary War. He served as an aide-de-camp to General George Washington, achieving the rank of lieutenant colonel.
James Peale was an American painter, best known for his miniature and still life paintings, and a younger brother of noted painter Charles Willson Peale.
The Tuscaloosa Museum of Art, previously the Westervelt-Warner Museum of American Art, was an art museum in Tuscaloosa, Alabama. It was founded by Tuscaloosa businessman Jack Warner. The museum permanently closed in 2018.
Washington at Princeton is a 1779 painting by Charles Willson Peale, showing George Washington after the Battle of Princeton. The original was commissioned by the Supreme Executive Council of Pennsylvania for its council chamber in Independence Hall in Philadelphia. Peale made eight copies of the painting. The original, now owned by the Pennsylvania Academy of the Fine Arts, was completed in early 1779, when Washington sat for Peale in Philadelphia.
The John Trumbull Birthplace, also known as the Governor Jonathan Trumbull House, is a historic house museum on the Lebanon Green in Lebanon, Connecticut, built in 1735 by Joseph Trumbull as a wedding present for his son Jonathan (1710–1785). The house was a center of political and military strategy during the American Revolutionary War, when Jonathan Trumbull was Governor of Connecticut. It was also the birthplace of John Trumbull (1756–1843), an artist known for his depictions of the war and its people. The house was designated a National Historic Landmark in 1965.
The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting, which was completed in 1820, now hangs in the rotunda of the United States Capitol in Washington, D.C.
Nelson or Old Nelson (1763–1790) was one of several horses owned by George Washington. He stood sixteen hands high and was a chestnut with a white blaze and white feet. The horse was acquired by Washington in 1779 at about the age of 15, and died in 1790 at about the age of 27, quite old for a horse in that era. Washington was known for being a skilled horse rider, as one of his friends the Marquis de Chastellux observed, remarking that Washington “is a very excellent and bold horseman, leaping the highest fences, and going extremely quick, without standing upon his stirrups, bearing on the bridle, or letting his horse run wild.” Nelson was a significant icon for a number of years, being one of Washington's favorite horses and was described by many as a "splendid charger".
Joseph Wright was an American portrait painter and sculptor. He painted life portraits of George Washington and Benjamin Franklin, and was a designer of early U.S. coinage. Wright was President Washington's original choice for Chief Engraver of the U.S. Mint, but died at age 37, before being confirmed to that position.
George Washington, also entitled George Washington and William Lee, is a full-length portrait in oil painted in 1780 by the American artist John Trumbull during the American Revolutionary War. General George Washington stands near his enslaved servant William Lee, overlooking the Hudson River in New York, with West Point and ships in the background. Trumbull, who once served as an aide-de-camp to Washington, painted the picture from memory while studying under Benjamin West in London. He finished it before his arrest for high treason in November. The portrait, measuring 36 in × 28 in, is on view in Gallery 753 at the Metropolitan Museum of Art in New York City. Originally in the possession of the de Neufville family of the Netherlands, it was bequeathed to the museum by Charles Allen Munn in 1924.
The Death of General Mercer at the Battle of Princeton, January 3, 1777 is the title of an oil painting by the American artist John Trumbull depicting the death of the American General Hugh Mercer at the Battle of Princeton on Friday, January 3, 1777, during the American Revolutionary War. The painting was Trumbull’s first depiction of an American victory. It is one of a series of historical paintings on the war, which also includes the Declaration of Independence and The Capture of the Hessians at Trenton, December 26, 1776.
General George Washington Resigning His Commission is a large-scale oil painting by American artist John Trumbull of General George Washington resigning his commission as commander-in-chief of the Continental Army on December 23, 1783 to the Congress of the Confederation, then meeting in the Maryland State House at Annapolis, Maryland. The painting was commissioned in 1817, started in 1822, finished in 1824, and is now on view in the United States Capitol rotunda in Washington, D.C., along with three other large-scale paintings by Trumbull about the American Revolutionary War.
The Capture of the Hessians at Trenton, December 26, 1776 is the title of an oil painting by the American artist John Trumbull depicting the capture of the Hessian soldiers at the Battle of Trenton on the morning of Thursday, December 26, 1776, during the American Revolutionary War. The focus is on General George Washington aiding the mortally wounded Hessian Colonel Johann Gottlieb Rall. Nearly 900 Hessians were captured at the battle. It is one of Trumbull's series of historical paintings on the war, which also includes the Declaration of Independence and The Death of General Mercer at the Battle of Princeton, January 3, 1777. The painting is on view at the Yale University Art Gallery in New Haven, Connecticut.
General George Washington at Trenton is a large full-length portrait in oil painted in 1792 by the American artist John Trumbull of General George Washington at Trenton, New Jersey, on the night of January 2, 1777, during the American Revolutionary War. This is the night after the Battle of the Assunpink Creek, also known as the Second Battle of Trenton, and before the decisive victory at the Battle of Princeton the next day. The artist considered this portrait "the best certainly of those which I painted." The portrait is on view at the Yale University Art Gallery in New Haven, Connecticut, an 1806 gift of the Society of the Cincinnati in Connecticut. It was commissioned by the city of Charleston, South Carolina, but was rejected by the city, resulting in Trumbull painting another version.
Washington at Verplanck's Point is a full-length portrait in oil painted in 1790 by the American artist John Trumbull of General George Washington at Verplanck's Point on the North River in New York during the American Revolutionary War. The background depicts the September 14, 1782 review of Continental Army troops Washington staged there as an honor for the departing French commander Comte de Rochambeau and his army.
The Passage of the Delaware is a large, Neoclassical 1819 oil-on-canvas painting by Thomas Sully. With attention to historical accuracy, the painting depicts George Washington on horseback observing the troops of the American Revolutionary Army in the process of crossing the Delaware River prior to the surprise attack on Hessian troops on the night of December 25 and 26, 1776, at the Battle of Trenton. The image is intended to capture the moment prior to George Washington dismounting his horse and joining his army in crossing the Delaware River.
The Portrait of George Washington Taking the Salute at Trenton is a large full-length oil on canvas painting by the Scottish artist John Faed depicting General George Washington on the battlefield at Trenton, New Jersey, during the American Revolutionary War. The equestrian portrait was the basis for the engraving Washington Receiving a Salute on the Field of Trenton by the British artist William Holl.