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G.R. Sharma proposed that the Reh inscription is from the 2nd-century BCE and is related to the Indo-Greek king Menander, which if true would make the linga the oldest known Shaivism artifact as well as support Sharma's theory that Greek heritage king and his army "invaded Ganges valley and were responsible for widespread devastation and pillaging of ancient India", a "holocast" [sic], [5] destruction of Buddhist sites and historic change in India's economic, social and religious landscape. [3] Later scholars do not agree with this dating or Sharma's interpretation. [4] According to other scholars, Sharma's identification with Menander is based on interpolation and in flawed synthesis. [1] [6] Setting aside Sharma's interpretation and analysis, the epigraphical evidence confirms that the Reh Linga and inscription was created sometime between the 2nd century BCE and 2nd century CE. [2] [1] [6] Doris Srinivasan states that the evidence suggests this can be further narrowed down to 1st-century BCE and 1st century CE. [4] [7]
The inscription reads:
mahārājasa rājarājasa
mahāṁtasa trātārasa dhāṁmī
kasa Jayaṁtasa ca Apra– Reh Inscription, 1st-century BCE to 1st-century CE [3] [8]
Sharma has extrapolated the badly damaged fourth line of the inscription, to suggest that the Reh inscription may originally have been:
mahārājasa rājarājasa
mahāṁtasa trātārasa dhāṁmī
kasa Jayaṁtasa ca Apra
[jitasa] Minānada[de?]rasa....– Extrapolated Reh Inscription [9]
Translation (English) | Transliteration (original Brahmi script) | Inscription (Prakrit in the Brahmi script) |
---|---|---|
Of the king of kings, |
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Assuming Sharma's reading of "Menander" is correct, states Frank Holt, the Brahmi script inscription translates to
Of the king of kings, Great Savior, Just, Victorious, and Invincible, [Menander] [10]
Holt states that Sharma's reading of Menander's name is questionable. [10] Bivar agrees. [1]
According to G.R. Sharma, the inscription is an exact and word-for-word translation of a Greek title:
"BASILEOS BASILEON
MEGALOU SOTEROS
DIKAIOU NIKETOROU KAI ANIKETOUMENANDROU" [9]
Sharma thereafter combines his interpretation and synthesis into a book that reconstructs the history of Yamuna region and Menander. [3] He cites "invasion layers", "conflagration layers" and "double tanged arrows" to present the theory that the Greeks led by Menander devastated the region. Bivar, in his review of "Reh inscription"-triggered Sharma's book, states that the book's thesis is "[Menander] caused merciless burning of towns, complete destruction of buildings, the consequent exodus of the surviving, wanton slaughter of men, women and children, plundering of towns and villages, destruction of industry, (...)." [1]
Other authors however have pointed that the reading of Menander is questionable and that Sharma did not provide any photo, evidence or justification for interpreting the fourth line to be Menander. [10]
According to Parmeshwari Lal Gupta, the Sharma's discovery is important but his analysis is flawed on many levels. [8] First, the damaged fourth line does not state "[jitasa] Minānada[de?]rasa...." at all, by "any flight of imagination", and it is Sharma's construction to support his hypothesis of "valiantly wicked Yavanas marching along Mathura to Pataliputra". [8] Second, state Gupta and other scholars, Sharma's argument of the inscription being a Prakrit translation of a phrase found in Greek is interesting, but this phrase was never used by Menander or any Indo-Greek king on any coin or any artifact. Actually the Greco-Bactrians or the Indo-Greeks never used the expression "King of Kings" which was characteristic of Parthian rulers; it was first used in India by an Indo-Scythian ruler named Maues (85–60 BCE). [11] The phrase in the Reh inscription is found only in an inscription found in Kamra in Afghanistan for a Kushana ruler. The earliest king that this inscription can be dated with is Wima Kadphises (90–100 CE) and the inscription on a Shiva linga may have nothing to do with any invasion, massacre or destruction. [6] [8] Bivar, in contrast, states that the elaborate title may be more appropriate and expected from Apollodotus II or Hippostratus. [1]
The Reh Linga attests to a Shiva-related tradition in north India. The stone linga is polished and similar to the two plain lingas found in Mathura archaeological site, one at the Kankali Tila site and the other from Bhutesvara. Both are dated to the 1st-century BCE. [4] Given the distance of 350 kilometres (220 mi) between Mathura and Reh, the discovery suggests that the Shaiva influence was pan-Ganges valley. The Reh linga adds to the extensive Brahmanical imagery that has been discovered and attributed to the ancient Mathura school. [4] [12]
Brahmi is a writing system of ancient South Asia that appeared as a fully developed script in the third century BCE. Its descendants, the Brahmic scripts, continue to be used today across South and Southeast Asia.
The Kharoṣṭhī script, also known as the Gāndhārī script, was an ancient Indo-Iranian script used by various peoples from the north-western outskirts of the Indian subcontinent to Central Asia via Afghanistan. An abugida, it was introduced at least by the middle of the 3rd century BCE, possibly during the 4th century BCE, and remained in use until it died out in its homeland around the 3rd century CE.
The Indo-Greek Kingdom, or Graeco-Indian Kingdom, also known historically as the Yavana Kingdom (Yavanarajya), was a Hellenistic-era Greek kingdom covering various parts of modern-day Afghanistan, Pakistan and northwestern India. This kingdom was in existence from c. 200 BC to the beginning of the common era.
The Shunga dynasty was the seventh ruling dynasty of Magadha and controlled most of the northern Indian subcontinent from around 185 to 73 BCE. The dynasty was established by Pushyamitra, after taking the throne of Magadha from the Mauryas. The Shunga Empire's capital was Pataliputra, but later emperors such as Bhagabhadra also held court at Besnagar in eastern Malwa.
The Kingdom of Kuninda was an ancient central Himalayan kingdom documented from around the 2nd century BCE to the 3rd century, located in the southern areas of modern Himachal Pradesh and far western areas of Uttarakhand in northern India and Doti Gadwall in Nepal.
The History of the Indo-Greek Kingdom covers a period from the 2nd century BCE to the beginning of the 1st century CE in northern and northwestern Indian subcontinent. There were over 30 Indo-Greek kings, often in competition on different territories. Many of them are only known through their coins.
The Hathigumpha Inscription is a seventeen line inscription in a Prakrit language incised in Brahmi script in a cavern called Hathigumpha in Udayagiri hills, near Bhubaneswar in Odisha, India. Dated between the second century BCE and the first century CE, it was inscribed by the Jain king Kharavela of the Kalinga kingdom.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes. Some Buddhist cultural objects related to the Indo-Greeks are known, such as the Shinkot casket.By far the most important Indo-Greek remains found are numerous coins of the Indo-Greek kings, considered as some of the most artistically brilliant of Antiquity. Most of the works of art of the Greco-Buddhist art of Gandhara are usually attributed to the direct successors of the Indo-Greeks in Ancient India in the 1st century CE, such as the nomadic Indo-Scythians, the Indo-Parthians and, in an already decadent state, the Kushans. Many Gandharan works of art cannot be dated exactly, leaving the exact chronology open to interpretation. With the realization that the Indo-Greeks ruled in India until at least 10-20 CE with the reign of Strato II in the Punjab, the possibility of a direct connection between the Indo-Greeks and Greco-Buddhist art has been reaffirmed recently.
Govardhan Rai Sharma (1919-1986) was a Historian from Allahabad University who led the Kausambi excavations which added to original historical research in the country. The ruins of this ancient city were found on the left bank of the river Yamuna, 70 km south-west from Allahabad. Thus commenced excavations of the site by the late Prof. G.R. Sharma of the Allahabad University in 1949 and again in 1951-1956. Following these excavations numerous remains of the ancient city came to light. He is among the historians who brought archeology in the mainstream of studying History.
The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian rulers who held sway over the area of Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Sindh, Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Punjab region, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.
The Mitra dynasty refers to a group of local rulers whose name incorporated the suffix "-mitra" and who are thought to have ruled in the area of Mathura from around 150 BCE to 50 BCE, at the time of Indo-Greek hegemony over the region, and possibly in a tributary relationship with them. They are not known to have been satraps nor kings, and their coins only bear their name without any title, therefore they are sometimes simply called "the Mitra rulers of Mathura". Alternatively, they have been dated from 100 BCE to 20 BCE. The Mitra dynasty was replaced by the Indo-Scythian Northern Satraps from around 60 BCE.
The Yavanarajya inscription, also called the Maghera Well Stone Inscription, was discovered in the village of Maghera, 17 kilometers north of Mathura, India in 1988. The Sanskrit inscription, carved on a block of red sandstone, is dated to the 1st century BCE, and is currently located at the Mathura Museum in Mathura. The inscription notes the donation of a water well and tank to the community in 1st century BCE, built by a Brahmana.
The Yavana Era, or Yona was a computational era used in the Indian subcontinent from the 2nd century BCE for several centuries thereafter, probably starting in 174 BCE. It was initially thought that the era started around 180-170 BCE, and corresponded to accession to the Greco-Bactrian throne of Eucratides, who solidified Hellenic presence in the Northern regions of India. The Greeks in India flourished under the reign of the illustrious, Menander - greatest of the Yavana rulers, who campaigned as far as Pataliputra in Eastern India. It is now equated with the formerly theorized "Old Śaka era".
The Post-Mauryan coinage of Gandhara refers to the period of coinage production in Gandhara, following the breakup of the Maurya Empire. When Mauryan central power disappeared, several small independent entities were formed, which started to strike their own coins, defining a period of Post-Mauryan coinage that ends with the rise of the Gupta Empire in the 4th century CE. This phenomenon was particularly precocious and significant in the area of Gandhara in the northwest, and more particularly in the city of Taxila, in modern-day Pakistan.
Post-Mauryan coinage refers to the period of coinage production in India, following the breakup of the Maurya Empire.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Manhai pillar capital is the portion of an ancient capital found in the city of Manhai, one and half miles to the east of the eastern gateway of Kausambi, Uttar Pradesh in India, and published in 1980 in "Reh Inscription of Menander And The Indo-greek Invasion Of The Ganga Valley" by G. R. Sharma. The fragmentary stone-slab is displayed in the Museum of the Centre of Advanced Study, Department of Ancient History, Culture and Archaeology, University of Allahabad.
The Lakulisa Mathura Pillar Inscription is a 4th-century CE Sanskrit inscription in early Gupta script related to the Shaivism tradition of Hinduism. Discovered near a Mathura well in north India, the damaged inscription is one of the earliest evidences of murti (statue) consecration in a temple made to celebrate gurus. It is, according to the Indologist Michael Willis, crucial to understanding the "history of Pashupata Shaivism" and a floruit for the antiquity of its practices. The Lakulisha Mathura inscription is one of the earliest epigraphical evidence of a developed Shaiva initiation tradition.
The Shinkot casket, also Bajaur reliquary of the reign of Menander, is a Buddhist reliquary from the Bajaur area in Gandhara, thought to mention the reign of the 2nd century BCE Indo-Greek king Menander I. The steatite casket is said to have contained a silver and a gold reliquary at the time of discovery, but they have been lost.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.