Joe Burdette, the spoiled younger brother of wealthy land baron Nathan Burdette, taunts town drunk Dude by tossing money into a spittoon. The sheriff, John T. Chance, stops Dude from reaching into the spittoon, prompting Dude to lash out and knock Chance unconscious. Joe starts to beat Dude for fun, shooting and killing an unarmed bystander who attempts to stop him. Chance recovers, follows Joe into Nathan's personal saloon, and, with help from a penitent Dude, overcomes Nathan's men and arrests Joe for murder.
Chance's friend Pat Wheeler attempts to enter town with a wagon train of supplies and dynamite, but has to force his way through Nathan Burdette's men. Chance reveals that he, Dude (who used to be a deputy before he became a drunk), and his lame old deputy Stumpy are all that stand between Nathan's small army and Joe, whom they wish to free. Chance notices young gunslinger Colorado Ryan in Wheeler's wagon train, but Colorado promises he doesn't want to start any trouble.
That night, Carlos Robante, the owner of the local hotel, warns Chance that Wheeler is trying to recruit fighters. Chance tries to stop Wheeler, not wanting anyone to get hurt on his account. Wheeler asks if Colorado could help, but Colorado declines, feeling that it's not his fight. Chance then notices a rigged card game at the hotel. Recognizing one of the players as a wanted woman, "Feathers", the widow of a cheating gambler, he confronts her. However, Colorado reveals that another player is the cheater.
Out in the street, Wheeler is gunned down. Chance and Dude pursue the killer into Nathan's saloon, and Chance allows Dude to prove himself and confront the killer, earning the respect of Nathan's men. Colorado and the rest of Wheeler's men are forced to stay in town to await a court order releasing Wheeler's possessions, and the wagons are left behind the Burdette warehouse. After Feathers secretly stays up all night with a shotgun to guard Chance, an irritated Chance orders Feathers to leave town for her safety. She refuses, and the two begin to bond.
Nathan himself rides into town. Stumpy, having old grudges against Nathan for taking his land, threatens to shoot Joe if any trouble starts around the jail. In response, Nathan has his saloon musicians repeatedly play "El Degüello", a.k.a. "The Cutthroat Song". Colorado realizes the song means Nathan will show no mercy, and warns Chance.
Chance gives Dude back his old guns, some clothes and a black hat he left behind when he became a drunkard, and Dude gets a shave, trying to start afresh. Unfortunately, Stumpy doesn't recognize Dude when he returns, and shoots at him, shattering Dude's nerves. The next day, Dude is still shaky and finds himself ambushed by Burdette's men, who threaten to kill him unless Chance lets Joe go. Colorado and Feathers distract the men long enough for Chance to get his rifle, and he and Colorado shoot down the men and free Dude. Dude thinks about quitting and letting Colorado take his place, but when he hears "El Degüello" being played, he resolves to see the thing through to the end.
Dude and Chance return to the hotel so Dude can take a bath, but Burdette's men capture Carlos' wife Consuelo and use her to lure Chance into a trap. Dude tells Chance to take the men to the jail, under pretext that Stumpy would let Joe out. However, Stumpy opens fire, as Dude secretly predicted. In the chaos, some men drag Dude off to Nathan, who demands a trade—Dude for Joe. Chance agrees, but brings Colorado as backup. Dude and Joe brawl during the trade, and a firefight ensues. Stumpy throws some sticks of dynamite from the wagons into the warehouse where Burdette and his men are holed up; Chance and Dude detonate them with their guns, abruptly ending the fight.
With both Burdettes and their few surviving gunmen in jail, Chance is able to finally spend some time with Feathers and admit his feelings for her. Colorado volunteers to guard the jail, allowing Stumpy and Dude to enjoy a night out in the town.
Ricky Nelson performing the song "Get Along Home, Cindy" in Rio Bravo
Exteriors for the film were shot at Old Tucson Studios, just outside Tucson.[12] Filming took place in the summer of 1958, and the movie's credits gave 1958 for the copyright; the film was released in March 1959.
Rio Bravo is generally regarded as one of Hawks' best, and is known for its long opening scene which contains no dialogue. The film received favorable reviews, and was successful, taking in over US$5.5 million.[citation needed]
A brief clip from Rio Bravo was among the archive footage later incorporated into the opening sequence of Wayne's last film, The Shootist, to illustrate the backstory of Wayne's character.
As was often the case in a John Wayne Western, Wayne wore his "Red River D" belt buckle in the movie.[13] It can be clearly seen in the scene when Nathan Burdette comes to visit his brother Joe in the jail where he is being held for the U.S. Marshal, about 60 minutes into the film; and again in the scene where Wayne, Ricky Nelson, and Angie Dickinson deal with three of Burdette's men in front of the hotel.
The story was credited to "B.H. McCampbell." According to Todd McCarthy's 1997 biography, Howard Hawks: The Grey Fox of Hollywood, this was actually Hawks' eldest daughter, Barbara Hawks McCampbell (McCampbell being her married name). Her contribution was the idea of using dynamite in the final shootout.[14]
Soundtrack
Dean Martin
The musical score was composed by Dimitri Tiomkin. His score includes the hauntingly ominous "El Degüello" theme, which is heard several times.[15] The Colorado character identifies the tune as "The Cutthroat Song". He relates that the song was played on the orders of General Antonio López de Santa Anna to the Texans holed up in the Alamo, to signify that no quarter would be given to them. The tune was used in Wayne's film The Alamo (1960). Composer Ennio Morricone recalled that director Sergio Leone asked him to write "Dimitri Tiomkin music" for A Fistful of Dollars. The trumpet theme is similar to Tiomkin's "Degüello" (the Italian title of Rio Bravo was Un dollaro d'onore, A Dollar of Honor).[citation needed]
Because the film starred a crooner, Martin, and a teen idol, Nelson, Hawks included three songs in the soundtrack. Before the big showdown, in the jail house, Martin sings "My Rifle, My Pony, and Me" (which contains new lyrics by Webster to a Tiomkin tune that appeared in Red River), accompanied by Nelson, after which Nelson sings a brief version of "Get Along Home, Cindy", accompanied by Martin and Brennan. Over the closing credits, Martin, backed by the Nelson Riddle Orchestra, sings a specially composed song, "Rio Bravo", written by Tiomkin with lyrics by Paul Francis Webster. Nelson later paid homage to both the film and his character, Colorado, by including the song "Restless Kid" on his 1959 LP, Ricky Sings Again.
Members of the Western Writers of America chose "My Rifle, My Pony, and Me" as one of the Top 100 Western songs of all time.[16]
High Noon debate
Theatrical poster, 1959
The film was made as a response to High Noon,[17] which is sometimes thought to be an allegory for blacklisting in Hollywood, as well as a critique of McCarthyism.[18] Wayne would later call High Noon "un-American" and say he did not regret helping run the writer, Carl Foreman, out of the country.[19] Director Howard Hawks went on the record to criticize High Noon by saying, "I didn't think a good sheriff was going to go running around town like a chicken with his head cut off asking for help, and finally his Quaker wife had to save him."[20] According to film historian Emanuel Levy, Wayne and Hawks teamed up deliberately to rebut High Noon by telling a somewhat similar story their own way: portraying a hero who does not show fear or inner conflict and who never repudiates his commitment to public duty, while only allying himself with capable people, despite offers of help from many other characters. Chance also cites concerns for the safety of those that offer to help and his fears are confirmed when the first such offer results in the character being quickly killed.[21] In Rio Bravo, Chance is surrounded by allies—a deputy who is brave and good with a gun, despite recovering from alcoholism (Dude), a young untried but self-assured gunfighter (Colorado), a limping, crippled old man who is doggedly loyal (Stumpy), a Mexican innkeeper (Carlos), his wife (Consuelo), and an attractive young woman (Feathers)—and repeatedly turns down aid from anyone he does not think is capable of helping him.[20]
Reception
John Wayne
In the United Kingdom, Rio Bravo was not originally even reviewed for Sight & Sound;[22]Leslie Halliwell gave the film two out of four stars in his Film Guide, describing it as a "cheerfully overlong and slow-moving Western" that was nevertheless "very watchable for those with time to spare".[23] The film was taken more seriously by British critics such as Robin Wood, who rated it as his top film of all time and wrote a book on it in 2003 for the British Film Institute, publishers of Sight & Sound. Pauline Kael called the film "silly, but with zest; there are some fine action sequences, and the performers seem to be enjoying their roles."[24]Rio Bravo was the second highest-ranking Western (63rd overall) in the 2012 Sight & Sound critics' poll of the greatest films ever made.[25] In 2008, the American Film Institute nominated this film for its Top 10 Western Films list.[26]
On the review aggregator website Rotten Tomatoes, 96% of 46 critics' reviews are positive, with an average rating of 8.3/10.The website's consensus reads: "Rio Bravo finds director Howard Hawks – and his stellar ensemble cast – working at peak performance, and the end result is a towering classic of the Western genre."[27]
Director Quentin Tarantino called Rio Bravo his "favorite 'hangout' movie".[28] He once said that if his date doesn't like the film, there will be no relationship.[29]
Legacy
Howard Hawks went on to direct two loose variations of Rio Bravo with the idea of a sheriff defending his office against belligerent outlaws. John Wayne starred in both films, released as El Dorado in 1966 with Robert Mitchum playing a variation of Dean Martin's original role, and Rio Lobo in 1970.[30][31]
Howard Winchester Hawks was an American film director, producer, and screenwriter of the classic Hollywood era. Critic Leonard Maltin called him "the greatest American director who is not a household name." Roger Ebert called Hawks "one of the greatest American directors of pure movies, and a hero of auteur critics because he found his own laconic values in so many different kinds of genre material." He was nominated for the Academy Award for Best Director for Sergeant York (1941) and earned the Honorary Academy Award in 1974.
Marion Robert Morrison, professionally known as John Wayne and nicknamed "the Duke" or "Duke Wayne", was an American actor who became a popular icon through his starring roles in films which were produced during Hollywood's Golden Age, especially in Western and war movies. His career flourished from the silent era of the 1920s through the American New Wave, as he appeared in a total of 179 film and television productions. He was among the top box-office draws for three decades and appeared with many other important Hollywood stars of his era. In 1999, the American Film Institute selected Wayne as one of the greatest male stars of classic American cinema.
High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper. The plot, which occurs in real time, centers on a town marshal whose sense of duty is tested when he must decide to either face a gang of killers alone, or leave town with his new wife.
Red River is a 1948 American Western film, directed and produced by Howard Hawks and starring John Wayne and Montgomery Clift. It gives a fictional account of the first cattle drive from Texas to Kansas along the Chisholm Trail. The dramatic tension stems from a growing feud over the management of the drive between the Texas rancher who initiated it (Wayne) and his adopted adult son (Clift).
Eric Hilliard Nelson was an American musician and actor. From age eight he starred alongside his family in the radio and television series The Adventures of Ozzie and Harriet. In 1957, he began a long and successful career as a popular recording artist.
Shanghai Noon is a 2000 American martial arts western action comedy film starring Jackie Chan, Owen Wilson and Lucy Liu. The first in the Shanghai film series and marking the directorial debut of Tom Dey, Shanghai Noon was written by Alfred Gough and Miles Millar. The film received positive reviews and was a commercial success.
Dimitri Zinovievich Tiomkin was a Russian and American film composer and conductor. Classically trained in Saint Petersburg before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, Rio Bravo, and Last Train from Gun Hill.
El Dorado is a 1966 American Western film directed and produced by Howard Hawks and starring John Wayne and Robert Mitchum. Written by Leigh Brackett and loosely based on the novel The Stars in Their Courses by Harry Brown, the film is about a gunfighter who comes to the aid of an old friend who is a drunken sheriff struggling to defend a rancher and his family against another rancher trying to steal their water. The supporting cast features James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George, Adam Roarke and Jim Davis.
Assault on Precinct 13 is a 1976 American action thriller film written, directed, scored, and edited by John Carpenter. It features Austin Stoker as a police officer who defends a defunct precinct against a relentless criminal gang, and Darwin Joston as a death row-bound convict who assists him. Laurie Zimmer, Tony Burton, Martin West, and Nancy Kyes co-star as other defenders of the precinct.
Henry George Carey Jr. was an American actor. He appeared in more than 90 films, including several John Ford Westerns, as well as numerous television series.
John Lawrence Russell was an American film and television actor, most noted for his starring role as Marshal Dan Troop in the ABC western television series Lawman from 1958 to 1962 and his lead role as international adventurer Tim Kelly in the syndicated TV series Soldiers of Fortune from 1955 to 1957.
Rio Lobo is a 1970 American Western film directed and produced by Howard Hawks and starring John Wayne, from a screenplay by Burton Wohl and Leigh Brackett. The film was shot in Cuernavaca in the Mexican state of Morelos and in Tucson, Arizona. The musical score was composed by Jerry Goldsmith. It was the third Howard Hawks film varying the idea of a sheriff defending his office against belligerent outlaw elements in the town, after Rio Bravo (1959) and El Dorado (1966), both also starring John Wayne. Rio Lobo was the last film made by Hawks.
John Terry is an American retired film, television, and stage actor. He is perhaps best known for his role as Christian Shephard in the TV series Lost and Larry McCoy in the TV series Las Vegas. His daughter is professional association football player Hanna Terry.
Hank Worden was an American cowboy-turned-character actor who appeared in many Westerns, including many John Ford films such as The Searchers and the TV series The Lone Ranger.
"For All Debts Public and Private" is the 40th episode of the HBO television series The Sopranos and the first episode of the show's fourth season. Written by David Chase and directed by Allen Coulter, it originally aired on September 15, 2002.
The Sons of Katie Elder is a 1965 American Western film in Panavision, directed by Henry Hathaway and starring John Wayne and Dean Martin. It was filmed principally in Mexico.
El degüello is a bugle call, notable in the United States for its use as a march by Mexican Army buglers during the 1836 Siege and Battle of the Alamo to signal that the defenders of the garrison would receive no quarter by the attacking Mexican Army under General Antonio López de Santa Anna. The Degüello was introduced to the Americas by the Spanish armies and was later adopted by the patriot armies fighting against them during the Spanish American wars of independence. It was also widely used by Simon Bolivar's armies, notably during the Battle of Junín and the Battle of Ayacucho.
A Girl in Every Port is a 1928 American silent comedy film based on an original story by Howard Hawks, who directed the film as well. The feature stars Victor McLaglen, Robert Armstrong, and Louise Brooks. It was produced and distributed by the Fox Film Corporation, which later remade it as Goldie in 1931, with Spencer Tracy and Jean Harlow. A print of the 1928 movie exists at the George Eastman House and a DVD-R was released in 2002.
La Classe américaine, also known as Le Grand Détournement, is a 1993 French television film, written and directed by Michel Hazanavicius and Dominique Mézerette. It consists exclusively of extracts of old Warner Bros. films, put together and dubbed with new lines so as to create an entirely new film that is a parody of Citizen Kane.
Guns, Girls and Gangsters is a 1959 American film noir crime film directed by Edward L. Cahn starring Mamie Van Doren, Gerald Mohr, Lee Van Cleef, and Grant Richards.
References
↑ Stafford, Jeff (October 5, 2020). "Rio Bravo overview". Turner Classic Movies. Archived from the original on October 21, 2020. Retrieved October 5, 2020.
↑ Flynn, Charles; McCarthy, Todd, eds. (1975). "The Economic Imperative: Why Was the B Movie Necessary?". Kings of the Bs: Working within the Hollywood system: An anthology of film history and criticism (1sted.). E. P. Dutton. p.29. ISBN978-0525140900.
↑ Manfred Weidhorn. "High NoonArchived 2012-07-23 at archive.today ." Bright Lights Film Journal. February 2005. Accessed 12 February 2008.
1 2 Stafford, Jeff. "Rio Bravo". TCM Film Article. Turner Entertainment Network. Archived from the original on May 14, 2015. Retrieved February 1, 2015.
↑ "Critics' top 100". British Film Institute. 2012. Archived from the original on February 7, 2016. Retrieved December 12, 2016.
↑ "AFI's 10 Top 10 Nominees"(PDF). Archived from the original on July 16, 2011. Retrieved August 19, 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
